STUDY OF DECORATIVE VARIETY IN GORONTALO KARAWO FABRIC IN AESTHETIC AND SYMBOLIC ELEMENTS

ARTic ◽  
2019 ◽  
Vol 3 ◽  
pp. 121-134
Author(s):  
Apsari Dj Hasan
Keyword(s):  
Manufacturing Process ◽  
The Philippines ◽  
Aesthetic Theory ◽  
Cultural Meanings ◽  
Aesthetic Value ◽  
Aesthetic Form ◽  
Decorative Motifs ◽  
Symbolic Meanings ◽  
The Aesthetic

This study aims to examine the decorative types of Gorontalo karawo fabrics in aesthetic and symbolic elements. Researchers want to know as made in the research design, aspects that are present in the decoration of fabrics in aesthetic and symbolic elements. This study uses a number of related theories to get results, and as a determinant, the authors use aesthetic theory, as well as historical approaches. With this theoretical basis, the author seeks to describe the aesthetic aspects and symbolic meanings that exist in Gorontalo karawo fabric. Through the data collection of the chosen motif and provide a classification of motives, the part is used as a reference for research material. The results showed that Gorontalo filigree had an aesthetic value consisting of unity formed from the overall decorative motifs displayed, complexity formed by complexity in the manufacturing process, and intensity of seriousness in the manufacturing process or the impression displayed on the filigree motif. The aesthetic form also reflects the diversity of meanings for communication, such as the symbol of a leader with his noble instincts, a symbol of cultural cooperation, which is worth maintaining, and ideas about nature conservation. This research proves that the decoration in Gorontalo filigree cloth (karawo) does not only act as a visual value, but also as a communication of cultural meanings and social status. Of all these distinctive motifs show a relationship between humans and humans and humans with nature. The influence of culture from the Philippines is also known to have a strong influence on the emergence of the Gorontalo filigree namely manila filigree.

scholarly journals STUDY OF DECORATIVE VARIETY IN GORONTALO KARAWO FABRIC IN AESTHETIC AND SYMBOLIC ELEMENTS

ARTic ◽  
2019 ◽  
Vol 3 ◽  
pp. 121-134
Author(s):  
Apsari Dj Hasan
Keyword(s):  
Manufacturing Process ◽  
The Philippines ◽  
Aesthetic Theory ◽  
Cultural Meanings ◽  
Aesthetic Value ◽  
Aesthetic Form ◽  
Decorative Motifs ◽  
Symbolic Meanings ◽  
The Aesthetic

This study aims to examine the decorative types of Gorontalo karawo fabrics in aesthetic and symbolic elements. Researchers want to know as made in the research design, aspects that are present in the decoration of fabrics in aesthetic and symbolic elements. This study uses a number of related theories to get results, and as a determinant, the authors use aesthetic theory, as well as historical approaches. With this theoretical basis, the author seeks to describe the aesthetic aspects and symbolic meanings that exist in Gorontalo karawo fabric. Through the data collection of the chosen motif and provide a classification of motives, the part is used as a reference for research material. The results showed that Gorontalo filigree had an aesthetic value consisting of unity formed from the overall decorative motifs displayed, complexity formed by complexity in the manufacturing process, and intensity of seriousness in the manufacturing process or the impression displayed on the filigree motif. The aesthetic form also reflects the diversity of meanings for communication, such as the symbol of a leader with his noble instincts, a symbol of cultural cooperation, which is worth maintaining, and ideas about nature conservation. This research proves that the decoration in Gorontalo filigree cloth (karawo) does not only act as a visual value, but also as a communication of cultural meanings and social status. Of all these distinctive motifs show a relationship between humans and humans and humans with nature. The influence of culture from the Philippines is also known to have a strong influence on the emergence of the Gorontalo filigree namely manila filigree.

scholarly journals Unsur Budaya Material dalam Novel Entrok Karya Okky Madasari

ATAVISME ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 200-216
Author(s):  
Miftahurohmah Hikmasari ◽  
Wening Sahayu
Keyword(s):  
Material Culture ◽  
Research Problem ◽  
Literary Work ◽  
Aesthetic Value ◽  
Literary Works ◽  
Descriptive Research ◽  
The Third ◽  
Qualitative Descriptive ◽  
The Aesthetic

This research aims to classify and describe the material culture elements contained in Okky Madasari’s novel Entrok. The research problem includes the classification of material culture elements which only exist in Indonesia, and most of them are related to Javanese culture. This research was a qualitative descriptive research. The data were in the form of words and phrases obtained from Okky Madasari’s Entrok. The result showed that there were six elements of material culture. The most commonly found material culture element was food, the second was house, the third was clothes, and the least found were vehicle, daily equipment, and art tool. The use of material culture elements in literary works, such as novel, not only improves the aesthetic value of the work, but also can be used as a media of education, so that the literary work enthusiasts can recognize better and are able to preserve the cultures in Indonesia.

The Discussion of the Concept of Sustainable Development of Ecological Architectural Aesthetics

2012 ◽  
Vol 598 ◽  
pp. 8-11
Author(s):  
Shen Qi Gan ◽  
Hong Zhang
Keyword(s):  
Sustainable Development ◽  
Aesthetic Theory ◽  
Aesthetic Value ◽  
The Core ◽  
Natural Beauty ◽  
Man And Nature ◽  
Environment Perception ◽  
Basic Concepts ◽  
Ecological Architecture ◽  
The Aesthetic

This paper introduces the basic concepts of ecological aesthetic, pointing out that the ecological aesthetic comes from population, resources, environment and other factors, understanding the natural beauty from the harmonious compatibility between man and nature, the environment, perception, greatly improving the aesthetic value of taste. This paper introduces the core categories、aesthetic standards and the three characteristics of ecological architectural aesthetics in detail, interpret the ecological architecture and its aesthetic theory.

scholarly journals Dataset for the Aesthetic Value Automatic Prediction

Proceedings ◽  
2019 ◽  
Vol 21 (1) ◽  
pp. 31
Author(s):  
Rodriguez-Fernandez ◽  
Santos ◽  
Torrente
Keyword(s):  
Computational System ◽  
Aesthetic Value ◽  
Relevant Issue ◽  
Different Populations ◽  
The Aesthetic ◽  
Aesthetic Values ◽  
Sample Set

One of the most relevant issue in the prediction and classification of the aesthetic value of an image is the sample set used to train and validate the computational system. In this document the limitations found in different datasets used to classificate and predict aesthetic values are exposed, and a new dataset is proposed with images from the DPChallenge.com portal, with evaluations of three different populations.

scholarly journals Aesthetic Study of Malioboro Trash Can

ARTic ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 215-230
Author(s):  
Ifan Rohimanto ◽  
Yeffry Handoko Putra
Keyword(s):  
Tap Water ◽  
Ornamental Plants ◽  
Aesthetic Theory ◽  
Public Facility ◽  
Analysis Method ◽  
Aesthetic Value ◽  
Mountain Ash ◽  
The Aesthetic ◽  
Special Region

Malioboro Street in Special Region of Yogyakarta, Indonesia is a tourist area. Both sidewalks on the street facilitated with garden chairs, ornamental plants, ornamental statues, ready to drink tap water, and trash cans. Product aesthetic of Malioboro trash cans is important to be studied since the product will be placed in public facility. Research on trash cans in Malioboro area was conducted to see the content of product aesthetic of the trash can. The analysis method uses the aesthetic theory of Dr. Dharsono, M.Sn (Sony Kartika), which consists of color, shape, texture and proportion.. The results showed the color and natural texture obtained from the aluminum, terrazzo, and sand/Merapi mountain ash. The shape consists of blocks/boxes and tubes with aluminum lids using traditional forging techniques namely kenteng, balanced proportions. Malioboro trash can has product aesthetic value that supports Malioboro tourist area.

scholarly journals The Application of Hasya Rasa in Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress”

2020 ◽  
Vol 11 ◽  
pp. 67-76
Author(s):  
Mahendra Kumar Budhathoki
Keyword(s):  
Social Status ◽  
Social Value ◽  
Aesthetic Theory ◽  
The Sun ◽  
Aesthetic Value ◽  
Erotic Love ◽  
Expression Of Emotion ◽  
The Aesthetic ◽  
Rasa Theory

Literature like poetry has aesthetic value along with social value. The expression of emotion is the power of literature that enthralls readers; readers enjoy texts experiencing rasa. This paper aims to analyze Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress” from the perspective of the rasa theory, i.e. an Eastern aesthetic theory. The poems randomly selected expose hasya rasa experience. The poets exploit hasya rasa to disseminate and propagate pleasure as well idea, thought, like erotic love, frivolous; the experience of hasya rasa is a uniqueness that enthralls readers to read the poems again. The expression and realization of rasa constitute the aesthetic value and power of the poems. The poems selected here demonstrate that the formal and serious poems can be amusing, chucklesome. Although the realization level of hasya rasa may vary from individual to individual as their academic, professional, social status, and age, there is hasya rasa experience in the poems.

scholarly journals Aspects of ethnocultural values in the strategy for creating an author's brand

2021 ◽  
Vol 6 (3) ◽  
Author(s):  
Marina Timofeeva ◽  
Stanislav Churakov
Keyword(s):  
Main Idea ◽  
Fashion Industry ◽  
Traditional Values ◽  
Cultural Meanings ◽  
Folk Culture ◽  
Sustainable Business ◽  
Aesthetic Value ◽  
Cultural Traditions ◽  
Original Product ◽  
The Aesthetic

The article presents the results of the study of ethnocultural values in the strategy of creating an author's brand. Topical aspects are formulated that form the resources of the brand of the future, with the potential of a sustainable business idea working ahead of schedule. The relevance of the studied topic is revealed in connection with the request of the target audience for self-identification, the need for an original product and the aesthetic value of this product in the fashion industry. And also the emergence of interest in local cultures, as a result — in local brands, and the interaction of identity and competition. It also considers the aspect of emotional satisfaction and the departure from the realities of life's problems through narratives, which resulted in the processes of forming a new reality that affect the whole industry, and an appeal to cultural traditions. The authors analyze the formation of the connection of identities with territory, ecology, psychology, culture, economics. Is considered the influence of tradition and fashion on the landscape of the cultural map of the world. When designers not only create the visual language and design codes of our time, but also preserve the traditional values of folk culture, create a connection with history, invest new meanings in modern fashion, and respond to the requests of entire generations. The article describes the main problems and tasks that the designer should take into account, choosing ethnic conception as the main idea of the brand. The theoretical and applied significance of the work is that the study creates a model of the value of cultural meanings for implementation commercial projects. The work contains illustrative material that renders examples of working with references and using them when creating collections.

scholarly journals PROBLEMS OF TEACHING UKRAINIAN AS A FOREIGN LANGUAGE

2021 ◽  
Author(s):  
Tatyana Klymenko ◽  
Keyword(s):  
Foreign Language ◽  
Foreign Students ◽  
Cognitive Approach ◽  
Aesthetic Value ◽  
Approach To Learning ◽  
Teacher Students ◽  
Work Level ◽  
The Aesthetic ◽  
Different Levels

The subject of the study is the relationship between the methodology of teaching the Ukrainian language as a foreign language and phraseological material, which activates the various levels involved in mastering the linguistic base, namely motivation, memory, cognition and others. The article deals with the problem of bilingualism in Ukraine, considers the problems of teaching foreign students the Ukrainian language in terms of partial bilingual everyday communication, suggests ways to solve these problems. The classification of modern strategies used in language learning is considered. We also considered the advantages of the communicative-cognitive approach to learning the Ukrainian language. The research methodology consists of theoretical and practical principles of observation, recording and evaluation of activities in the system of teacher – students, taking into account the different conditions of linguistic and non-linguistic reality. The purpose of the study is to clarify the peculiarities of the use of phraseological units in the framework of work with foreign students, taking into account the bilingual situation in some parts of Ukraine. The article deals too with linguistic and methodological aspects of the study of phraseological units concerning with the work at the lessons of Russian as a foreign language. Phraseological units possess aesthetic value, so it is often included to the training material. The interpretation of them occurs on pretextual work level. The actual material of the article has about 50 different levels of language units, the selection of idioms was carried out in the presence of words with temporal meaning. An idiom is a linear sequence, representing the aesthetic value thanks to the meaning hidden in it. Words, in idiomatic expressions, creating a special sense, come in a variety of relationships – synonymic, antonymic, of kind and type ones etc. Inside the words can occur shifts of meanings such as metaphorical, metonymic. The syntax structure of idioms can be different from a phrase to sentences with different punctuation. Learning understanding and practical usage of Russian phraseological units lead to the development of students not only objective semantic and associative evaluation of the various acts or objects, but also to the ability to implement the same idea through units of different levels of language and speech formulas, which are composed of elements with imagery. The conclusion of the study. We have considered the classification of modern strategies used in the study of Ukrainian as a foreign language. The advantages of communicative-cognitive approach to learning the Ukrainian language are described. Practice shows that motivation and mnemonic techniques are important in learning. The phraseological layer of vocabulary is a very important culturological factor in the process of learning a foreign language. We can see further prospects of our research in a detailed consideration of all the tools of communicative-cognitive approach to the study of language as a foreign language.

scholarly journals ESTETIKA TARI PIRIANG SULUAH DI NAGARI GUNUANG PADANGPANJANG SUMATERA BARAT

2019 ◽  
Vol 8 (1) ◽  
pp. 143
Author(s):  
Mila Susanti ◽  
Erlinda Erlinda
Keyword(s):  
Qualitative Method ◽  
Middle Finger ◽  
Aesthetic Value ◽  
Men And Women ◽  
Traditional Leader ◽  
Aesthetic Form ◽  
Dance Movements ◽  
West Sumatra ◽  
The Aesthetic ◽  
Aesthetic Values

AbstrakTari Piring Suluah merupakan tarian tradisi yang terdapat di Nagari Gunuang Padangpanjang. Tari Piring Suluah  ini ditarikan oleh laki-laki maupun perempuan berjumlah genap 2 sampai 10 orang, memakai properti piring yang diujung jari tengahnya dipasang cincin yang terbuat dari dama atau buah kemiri dan Suluah yang menyala diletakkan di atas kepala dengan membawakan gerak-gerak tari yang bersumber dari manusia, alam, dan binatang. Suluah merupakan penerangan masyarakat Gunuang sebelum masuknya listrik. Tari Piring Suluah ditarikan untuk upacara adat seperti pengangkatan panggulu (pemimpin adat), pesata kawinan, kitanan dan acara alek nagari. Tujuan penelitian ini adalah mengungkap nilai estetika yang terkandung dalam tari Piriang Suluah di Nagari Gunuang Padangpanjang Sumatera Barat. Tari ini khasnya menggunakan Suluah yang diletakkan di atas kepala. Metode yang digunakan adalah metode kualitatif, pengumpulan data dilakukan melalui observasi dan mengamati pertunjukan Tari Piring Suluah. Hasil penelitian ini mengungkapkan bentuk, estetika yang terdapat dalam tari Piring Suluah. Nilai estetika tari Piring Suluah tercermin pada unsur-unsur yang membentuk tari Piring Suluah, yaitu adanya gerak, penari, properti, pola lantai, rias busana, musik, dan tempat pertunjukan.Kata Kunci: piring suluah, estetika , nagari gunuang.AbstractSuluah Plate Dance is a traditional dance found in Nagari Gunuang Padangpanjang. The Suluah Piring Dance is danced by even men and women of 2 to 10 people, using a property of a plate on which the middle finger is placed on a ring made of dama or candlenut and Suluah which are lit above the head by bringing dance movements sourced from humans, nature and animals. Suluah is the lighting of the Gunuang community before the entry of electricity. Suluah Piring Dance is danced for traditional ceremonies such as the appointment of the pelulu (traditional leader), marriage ceremony, kitanan and the alek nagari event. The purpose of this study was to reveal the aesthetic values contained in the Piriang Suluah dance in Nagari Gunuang Padangpanjang West Sumatra. This dance is typical of using Suluah which is placed on the head. The method used is a qualitative method, data collection is done through observation and observing the performance of the Suluah Plate Dance. The results of this study reveal the aesthetic form found in the Suluah Plate dance. The aesthetic value of the Suluah Plate dance is reflected in the elements that make up the Suluah Piring dance, namely the existence of movement, dancers, property, floor patterns, dress makeup, music, and the venue.Keywords: suluah plate, aesthetics, nagari gunuang.

scholarly journals David Jones's ‘Barbaric-Fetish’: Frazer and the ‘Aesthetic Value’ of the Liturgy

2017 ◽  
Vol 12 (3) ◽  
pp. 439-462
Author(s):  
Jamie Callison
Keyword(s):  
Religious Culture ◽  
Creative Potential ◽  
Aesthetic Value ◽  
Aesthetic Form ◽  
Human Creativity ◽  
Imaginative Thinking ◽  
The Aesthetic ◽  
The Relationship ◽  
The Church ◽  
Critical Interest

Much recent critical interest in the relationship between modernism and religion has concerned itself with the occult, spiritualism, and theosophy as opposed to institutional religion, relying on an implicit analogy between the experimental in religion and the experimental in art. I argue that considering Christianity to be antithetical to modernism not only obscures an important facet of modernist religious culture, but also misrepresents the at-once tentative and imaginative thinking that marks the modernist response to religion. I explore the ways in which the poet-painter David Jones combined sources familiar from cultural modernism – namely Frazer's The Golden Bough – with Catholic thinking on the Eucharist to constitute a modernism that is both hopeful about the possibilities for aesthetic form and cautious about the unavoidable limitations of human creativity. I present Jones's openness to the creative potential of the Mass as his equivalent to the more recognisably modernist explorations of non-Western and ancient ritual: Eliot's Sanskrit poetry, Picasso's African masks, and Stravinsky's shamanic rites and suggest that his understanding of the church as overflowing with creative possibilities serves as a counterweight to the empty churches of Pericles Lewis’ seminal work, Religious Experience and the Modernist Novel.

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