Consumption

Sociology ◽  
2013 ◽  
Author(s):  
Ian Woodward

A rudimentary definition of consumption emphasizes the purchase and use of goods or services, noting that the point of expenditure on such items and the instant of their usage constitute the act of consumption. This understanding of consumption reflects a utilitarian, economic approach to consumption that should be seen as a starting point, since the range of theoretical and empirical innovations within the field of consumption studies—which exists within sociology, as well as having disciplinary expressions within anthropology, history, geography, business, and marketing studies—has established an understanding of consumption as a complex, widespread process. “The Sociology of Consumption” by Colin Campbell in Daniel Miller, ed., Acknowledging Consumption: A Review of New Studies (London: Routledge, 1995) adds a number of other stages to this basic definition of consumption. Campbell states that consumption involves not just purchasing or using a good or service but also selecting it, maintaining it, possibly repairing it, and ultimately, disposing of it in some way. Within each of these stages there are a number of complex subprocesses that consumption studies scholars have increasingly paid attention to. For example, the selection of goods is sometimes undertaken largely subconsciously or automatically but also based upon various social norms, cultural learning, emotional factors, prejudices, facets of identity, taste, or style. Likewise, disposing of a good may mean literally throwing it away, or it may mean reselling it, donating it, or passing it on to others. Campbell’s definition usefully shows how consumption is a process over time that fuses practical, emotional, material, and economic factors, rather than merely the moment when a person pays for something over the counter. In many ways, this broader understanding of consumption points to a range of innovations within the field that have occurred in the last few decades, which in turn direct us to broader changes in patterns of sociological inquiry. Questions of labor, industry, production units, social, legal, and economic institutions, technology, and social class were the core stuff of social inquiry through much of the 20th century. In mainstream sociology, consumption was for most of the discipline’s history simply not a relevant analytic category, which explains why for much of sociology’s history consumption was understood through theories of capitalist production. However, in the last few decades researchers have increasingly situated practices of consumption and a consumerist ethic as central for understanding broader social and cultural change, impacting on the way sociologists have conceptualized such diverse areas of social change as cultural and economic inequality, urban and spatial development, identity and selfhood, gender relations and performativity, media, and advertising.

2015 ◽  
Vol 84 (1) ◽  
pp. 3-28 ◽  
Author(s):  
James A. Green ◽  
Christopher P.M. Waters

For self-defence actions to be lawful, they must be directed at military targets. The absolute prohibition on non-military targeting under the jus in bello is well known, but the jus ad bellum also limits the target selection of states conducting defensive operations. Restrictions on targeting form a key aspect of the customary international law criteria of necessity and proportionality. In most situations, the jus in bello will be the starting point for the definition of a military targeting rule. Yet it has been argued that there may be circumstances when the jus ad bellum and the jus in bello do not temporally or substantively overlap in situations of self-defence. In order to address any possible gaps in civilian protection, and to bring conceptual clarity to one particular dimension of the relationship between the two regimes, this article explores the independent sources of a military targeting rule. The aim is not to displace the jus in bello as the ‘lead’ regime on how targeting decisions must be made, or to undermine the traditional separation between the two ‘war law’ regimes. Rather, conceptual light is shed on a sometimes assumed but generally neglected dimension of the jus ad bellum’s necessity and proportionality criteria that may, in limited circumstances, have significance for our understanding of human protection during war.


2018 ◽  
Vol 46 ◽  
pp. 00011
Author(s):  
Krzysztof Kołodziejczyk

Modeling of multiphase systems, which includes suspensions, is an issue that is continually developed. There are no procedures at the moment that would clearly determine the way in which suspension is defined in numerical simulations. The article presents an analysis of the selection of a numerical model and the definition of the suspension with a polydisperse particle composition.


2013 ◽  
Vol 690-693 ◽  
pp. 1826-1830
Author(s):  
Li Ping Du ◽  
Wu Li ◽  
Wen Sheng Han

From the aspect of the fastest exit speed of the ball and through the collision model of mechanics, we analyzed the best hitting point which results in the fastest exit speed of the ball and the change of the best hitting point. Based on this model, we gave a very practical definition of the sweet spot, and we also found out the effect of the baseball bat’s material on the sweet spot. The distances from the best hitting point to the end of the baseball bat result from the three different materials, which are the bat’s original material, aluminum and the corked material. Through the sensitivity analysis, three parameters affecting the hitting position resulting in the ball’s fastest exit speed are the weight of the bat, the center of mass and the moment-of-inertia. In the process of the three parameters’ calculation, the infinitesimal method is used. As can be found out that the length of the sweet spot results from the corked and the aluminum are much longer than results from the original material. The longer the length of sweet spot, the possibility that the hitter hits the fast ball is higher. Also ball hit by the aluminum bat is faster than that hit by the bat made out of the original material. The above analysis can explain that why the aluminum bat and corked bat are prohibited by Major League Baseball


Author(s):  
Тарас Александрович Вархотов

Статья посвящена эпистемологии воображения и мысленного эксперимента. Отправной точкой является метафорическое определение мысленного эксперимента как «лаборатории разума», данное Дж. Брауном. Отталкиваясь от этого оксюморона, соединяющего экспериментальную (конкретно- инженерную) и теоретическую деятельность в одно понятие, проводится исследование воображения как средства осуществления мысленных экспериментов. В начале рассматриваются эпистемологические отношения лабораторного и мысленного эксперимента в связи с характерной для современного модельного подхода в философии науки тенденцией сближать эти методы на основании структурно-функционального сходства теоретического моделирования и экспериментальных практик. Демонстрируется, что мысленный эксперимент не является экспериментом и решает иные задачи, связанные не столько с производством предметного знания (о реальности), сколько с поиском самих способов опредмечивания задач и прояснением их отношений между собой. Для этого используется концепт themata, предложенный Дж. Холтоном в его концепции «научного воображения». Неясно определенные Холтоном themata интерпретируются как машины конвертации, позволяющие схематизировать перцептивное содержание и придавать ему модельную форму с сохранением момента наглядности, т. е. возможности обратной конвертации (движения от теоретической модели к эксперименту). Мысленные эксперименты, в свою очередь, обнаруживают границы и характер отношений между themata. Для прояснения механизма работы воображения с ненаглядными объектами использована теория прототипов Э. Рош. Выстраиваемая воображением схема опредмечивания в этой ситуации основывается на семиотической связи ненаглядного означающего с наглядным означаемым (прототипом), а семиозис обеспечивается «натурализацией» метафоры, набрасывающей связанную с прототипом схему опредмечивания (правила построения образов) на не размеченную (новую) или требующую обновления разметки в связи с новыми обстоятельствами предметную область (задачу). Работающее таким образом воображение является естественной границей понимания – понять значит вообразить, а мысленный эксперимент позволяет картографировать работу воображения и с помощью полученных карт анализировать принципы его работы. Поэтому, хотя мысленный эксперимент не позволяет решить вопрос об эмпирической адекватности полученных в нем результатов, он репрезентативен и надежен при исследовании эпистемологических установок и связанных с ними машин конвертации, т. е. воображения. Карта ничего не говорит о существовании изображенной на ней местности, но зато многое способна рассказать об устройстве воображения картографа. The article is devoted to the epistemology of imagination and thought experiment. The starting point is the metaphorical definition of a thought experiment as a "laboratory of the mind" given by J. Brown. Based on this oxymoron, which combines experimental (material and manipulative) and theoretical activity into one concept, a study of imagination is carried out as a means for providing mental experiments. Firstly, the epistemological relations of the laboratory and thought experiment are examined in connection with the approach to bring these methods closer together on the basis of the structural and functional similarity of theoretical modeling and experimental practices, which is characteristic for the modern model approach in the philosophy of science. It is demonstrated that a thought experiment is not an experiment and solves different problems associated not with the production of concrete knowledge (about reality), but rather with the search for ways to objectify the scientific problems themselves and clarify their relationships with each other. For this, the themata concept proposed by J. Holton in his theory of “scientific imagination” is used. Themata, which are not clearly enough defined by Holton, are interpreted as machines of conversion that allow one to schematize perceptual content and give it a model-like form while maintaining the moment of visibility, i.e. the possibility of reverse conversion (the movement from a theoretical model to an experiment). Thought experiments, in turn, reveal the boundaries and nature of the relationship between themata. To clarify the mechanism of how the imagination works with non-visualizable objects, the prototype theory of E. Rosch was engaged. The imagination’s scheme of objectification in this context is based on the semiotic connection of the non-visualizable signifier with the visible signified (prototype), and semiosis is ensured by the “naturalization” of the metaphor, which throws the objectification scheme (rules for constructing images) associated with the prototype onto an unmarked (new) or requiring markup updating because of new circumstances subject area (task). The work of imagination here is the natural boundary of understanding – to understand is (at least to have an ability) to imagine, and a thought experiment allows you to map the work of the imagination and use the obtained maps to analyze the principles of its work. Therefore, although a thought experiment does not allow solving the question of the empirical adequacy of the results obtained in it, it is representative and reliable in the study of epistemological attitudes and associated conversion machines, i.e. imagination. The map does not say anything about the existence of the terrain depicted on it, but much can tell about the cartographer’s imagination.


2020 ◽  
Vol 20 (2) ◽  
pp. 212-225
Author(s):  
S. P. Bankovskaya

The author considers the construction of the temporal sociologism by A. Schtz from the general thesis of the alter ego to the Stranger and the Homecomer. The background and starting point of this construction is Schtzs criticism of the Husserlian egological approach to the basic category of the Other and the radicalization of phenomenological reduction. The Husserlian primordial reduction to an isolated monad is replaced by a radical reduction of the cultural pattern as a phenomenon of the social a priori. Social a priori and the Stranger serve as necessary conditions for intersubjectivity as not derived from the Ego and acquire temporal features in the categories of cultural pattern of the group and Homecomer. In Schtzs interpretation, the Stranger combines temporal and functional (spatial) features, which allows to define the category of cultural pattern of the group and describe the relations of the Stranger with the group in terms of temporal sociologism. The Stranger category is the result of reduction of the taken-for-granted cultural pattern of the group. Schtzs temporal sociologism places any manifestation of the social not only in the intersubjective space but also in the continuum of alterations in intersubjectivity. After this radical reduction of the natural attitude to the cultural pattern of the group by the Stranger category, Schtz goes further and reduces the natural attitude to the belonging to/identification with any group by the Homecomer category, which allows to explore the continuum of alterations in intersubjectivity exactly at the moment of its breaching. The experience of Homecomer restoring a breach with his group represents the reduction of taken-for-granted self in itself - turning into a Stranger for oneself, which allows to find a social basis in oneself. Thus, Schtzs temporal sociologism develops as a definition of the social through changes in time and preserving social identity despite changes in the continuum of intersubjectivity.


Author(s):  
P. M. Lowrie ◽  
W. S. Tyler

The importance of examining stained 1 to 2μ plastic sections by light microscopy has long been recognized, both for increased definition of many histologic features and for selection of specimen samples to be used in ultrastructural studies. Selection of specimens with specific orien ation relative to anatomical structures becomes of critical importance in ultrastructural investigations of organs such as the lung. The uantity of blocks necessary to locate special areas of interest by random sampling is large, however, and the method is lacking in precision. Several methods have been described for selection of specific areas for electron microscopy using light microscopic evaluation of paraffin, epoxy-infiltrated, or epoxy-embedded large blocks from which thick sections were cut. Selected areas from these thick sections were subsequently removed and re-embedded or attached to blank precasted blocks and resectioned for transmission electron microscopy (TEM).


Author(s):  
Volker Scheid

This chapter explores the articulations that have emerged over the last half century between various types of holism, Chinese medicine and systems biology. Given the discipline’s historical attachments to a definition of ‘medicine’ that rather narrowly refers to biomedicine as developed in Europe and the US from the eighteenth century onwards, the medical humanities are not the most obvious starting point for such an inquiry. At the same time, they do offer one advantage over neighbouring disciplines like medical history, anthropology or science and technology studies for someone like myself, a clinician as well as a historian and anthropologist: their strong commitment to the objective of facilitating better medical practice. This promise furthermore links to the wider project of critique, which, in Max Horkheimer’s definition of the term, aims at change and emancipation in order ‘to liberate human beings from the circumstances that enslave them’. If we take the critical medical humanities as explicitly affirming this shared objective and responsibility, extending the discipline’s traditional gaze is not a burden but becomes, in fact, an obligation.


2020 ◽  
pp. 123-150
Author(s):  
Julia Saviello

Smell and taste – of the five senses these are the two most strongly stimulated by smoking tobacco. The article presents an in-depth analysis of the reflection of both these forms of sensory perception in textual and visual sources concerning the early consumption of the herb. In a first step, tobacco’s changing reception, first as medicine and then as stimulant, is traced through the years of its increasing distribution in Europe, starting in the middle of the 16th century. As this overview reveals, at that time the still little known substance gave rise to new forms of sense perception. Following recent studies on smell and gustation, which have stressed the need to take into account the interactions between these senses, the article probes the manifold stimulation of the senses by tobacco with reference to allegorical representations and genre scenes addressing the five senses. The smoking of tobacco was thematized in both of these art forms as a means of visualizing either smell or taste. Yet, these depictions show no indication of any deliberate engagement with the exchange of sense data between mouth and nose. The question posed at the end of this paper is whether this holds true also for early smoker’s still lifes. In the so-called toebakjes or rookertjes, a subgenre of stilllife painting that, like tobacco, was still a novelty at the beginning of the 17th century, various smoking paraphernalia – such as rolled or cut tobacco, pipes and tins – are arrayed with various kinds of foods and drinks. Finally, the article addresses a selection of such smoker’s still lifes, using the toebakje by Pieter Claesz., probably the first of its kind, as a starting point and the work by Georg Flegel as a comparative example. Through their selection of objects, both offer a complex image of how tobacco engages different senses.


2012 ◽  
pp. 66-80
Author(s):  
Michał Mrozowicki

Michel Butor, born in 1926, one of the leaders of the French New Novel movement, has written only four novels between 1954 and 1960. The most famous of them is La Modification (Second thoughts), published in 1957. The author of the paper analyzes two other Butor’s novels: L’Emploi du temps (Passing time) – 1956, and Degrés (Degrees) – 1960. The theme of absence is crucial in both of them. In the former, the novel, presented as the diary of Jacques Revel, a young Frenchman spending a year in Bleston (a fictitious English city vaguely similar to Manchester), describes the narrator’s struggle to survive in a double – spatial and temporal – labyrinth. The first of them, formed by Bleston’s streets, squares and parks, is symbolized by the City plan. During his one year sojourn in the city, using its plan, Revel learns patiently how to move in its different districts, and in its strange labyrinth – strange because devoid any centre – that at the end stops annoying him. The other, the temporal one, symbolized by the diary itself, the labyrinth of the human memory, discovered by the narrator rather lately, somewhere in the middle of the year passed in Bleston, becomes, by contrast, more and more dense and complex, which is reflected by an increasinly complex narration used to describe the past. However, at the moment Revel is leaving the city, he is still unable to recall and to describe the events of the 29th of February 1952. This gap, this absence, symbolizes his defeat as the narrator, and, in the same time, the human memory’s limits. In Degrees temporal and spatial structures are also very important. This time round, however, the problems of the narration itself, become predominant. Considered from this point of view, the novel announces Gerard Genette’s work Narrative Discourse and his theoretical discussion of two narratological categories: narrative voice and narrative mode. Having transgressed his narrative competences, Pierre Vernier, the narrator of the first and the second parts of the novel, who, taking as a starting point, a complete account of one hour at school, tries to describe the whole world and various aspects of the human civilization for the benefit of his nephew, Pierre Eller, must fail and disappear, as the narrator, from the third part, which is narrated by another narrator, less audacious and more credible.


2020 ◽  
Vol 16 (6) ◽  
pp. 784-795
Author(s):  
Krisnna M.A. Alves ◽  
Fábio José Bonfim Cardoso ◽  
Kathia M. Honorio ◽  
Fábio A. de Molfetta

Background:: Leishmaniosis is a neglected tropical disease and glyceraldehyde 3- phosphate dehydrogenase (GAPDH) is a key enzyme in the design of new drugs to fight this disease. Objective:: The present study aimed to evaluate potential inhibitors of GAPDH enzyme found in Leishmania mexicana (L. mexicana). Methods: A search for novel antileishmanial molecules was carried out based on similarities from the pharmacophoric point of view related to the binding site of the crystallographic enzyme using the ZINCPharmer server. The molecules selected in this screening were subjected to molecular docking and molecular dynamics simulations. Results:: Consensual analysis of the docking energy values was performed, resulting in the selection of ten compounds. These ligand-receptor complexes were visually inspected in order to analyze the main interactions and subjected to toxicophoric evaluation, culminating in the selection of three compounds, which were subsequently submitted to molecular dynamics simulations. The docking results showed that the selected compounds interacted with GAPDH from L. mexicana, especially by hydrogen bonds with Cys166, Arg249, His194, Thr167, and Thr226. From the results obtained from molecular dynamics, it was observed that one of the loop regions, corresponding to the residues 195-222, can be related to the fitting of the substrate at the binding site, assisting in the positioning and the molecular recognition via residues responsible for the catalytic activity. Conclusion:: he use of molecular modeling techniques enabled the identification of promising compounds as inhibitors of the GAPDH enzyme from L. mexicana, and the results obtained here can serve as a starting point to design new and more effective compounds than those currently available.


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