Neural Syntheses
One of Tudor’s last projects used an instrument custom-made for him using the neural network chip that had just been developed. The Neural Synthesizer began as an attempt to build a universal instrument that would synthesize the proliferation of his modular devices. But the actual mechanism of the analog chip, which happened to be an extensive array of amplifiers, shifted the nature of the endeavor, causing a return to the no-input works from the 1970s. In this way, the neural network instrument, used against its usual purpose of extracting patterns from past examples, nonetheless found a strange connection with reminiscences of Tudor’s own past. The analyses of Neural Syntheses and Neural Network Plus, two series of works Tudor made using his new synthesizer, further brings up the issue of memory concerning the performance of his music, which is different every time yet open to revivals, something he tried to capture by setting a number to each performance. This also connects to the problem of how Tudor thought of passing his music on to others so that they could be performed in his absence, a natural concern in the last years of his life, but also something that reflected his lifelong interest in the role of memory and reminiscence in music.