Born into Jazz

2021 ◽  
pp. 1-20
Author(s):  
Constance Valis Hill

This chapter presents a historiography of jazz music and dance in the first two decades of the twentieth century as the musical-cultural foundation from which the Nicholas Brothers emerged: Fayard Nicholas, born in Mobile, Alabama, on October 20, 1914, twelve weeks before the declarations of war by European countries that exploded into World War I; Harold Nicholas, born in Winston-Salem, North Carolina, on March 17, 1921, in the wake of the Great War. In the span of time between the Nicholas brothers’ births, with its mixed moods of anxiety and optimism over what the future would bring, a new form of music emerged—jazz—that reshaped American culture and influenced European culture, with its sudden turns, shocks, and swift changes of pace. Fayard and Harold Nicholas were instrumental in bringing the black vernacular form of jazz tap dancing to its penultimate expression.

2017 ◽  
Vol 9 (2) ◽  
pp. 296
Author(s):  
Mohammad Reza Pordeli ◽  
Malihe Abavysany ◽  
Maryam Mollashahi ◽  
Doost Ali Sanchooli

In the early twentieth century, for various political and economic reasons, the European countries were divided into the Allies and the Central Powers which led to the beginning of World War I. During those years, Iran was politically and economically too weak. Despite the fact that Iran declared neutrality in this war, it attracted the attention of world powers because of its vast oil resources and especial geographical location. In this way, Iran too was affected by the war. At the time Iran had lost its political independence due to certain colonial contracts (e.g., 1907, 1915). With the start of the war, a large group of foreign troops occupied Iran. This in fact was a heavy blow to the economics and agriculture of Iran, and together with the successive droughts, marked the most extreme famine of the century in Iran. Food shortage, high prices, disease contagions, and the pressure of the foreign forces to collect food supplies, increased the mortality rate so much so that almost half of the Iranian population died in dire conditions.


2003 ◽  
Vol 2 (4) ◽  
pp. 431-450 ◽  
Author(s):  
James Livingston

My purpose here, apart from convincing you that John Dewey was quite possibly right about American entry into World War I, is to address the repression and mutilation of pragmatism by left-wing intellectuals in the twentieth century. These would seem to be very different purposes, but in fact they are the same. If we are to understand how pragmatism acquired its unsavory reputation among leftists everywhere, we must go back to 1917, when Randolph Bourne denounced not only Dewey's decision in favor of American entry but also pragmatism itself as the source of that decision. These almost ancient denunciations would not matter very much, except that they are repeated in every subsequent account of the American Left in World War I, and are recalled if not reiterated in every subsequent critique of pragmatism – they still determine our thinking about Dewey, about pragmatism, and about the war. Revisiting this primal scene allows us to ask why. It allows us to convert the following statement, which still serves as a left-wing credential, into a question: Dewey's support for American entry into the Great War demonstrates that pragmatism is a philosophy of acquiescence to “the existing fact,” a philosophy that must validate capitalism, accept imperialism, and repudiate socialism.


Author(s):  
John Tolan ◽  
Gilles Veinstein ◽  
Henry Laurens

This chapter looks at the Muslim world and Europe during World War I. The mechanisms of the political alliances in Europe during the twentieth century, combined with national passions and the sense among many that war was inevitable, reveal how, this time, European diplomacy was unable to avoid a war whose intensity and capacity for destruction was unimaginable. The chapter looks at the major players from the Islamic world who had become involved in the war, particularly as tensions between the European nations as well as the Muslim states chafing under their domination. Hence, the chapter also looks at the Muslim efforts at emancipation from European rule during this time.


2016 ◽  
Vol 9 (1) ◽  
pp. 32-54 ◽  
Author(s):  
Jesse Tumblin

This article examines the way a group of colonies on the far reaches of British power – Australia, New Zealand, Canada, and India, dealt with the imperatives of their own security in the early twentieth century. Each of these evolved into Dominion status and then to sovereign statehood (India lastly and most thoroughly) over the first half of the twentieth century, and their sovereignties evolved amidst a number of related and often countervailing problems of self-defence and cooperative security strategy within the British Empire. The article examines how security – the abstracted political goods of military force – worked alongside race in the greater Pacific to build colonial sovereignties before the First World War. Its first section examines the internal-domestic dimension of sovereignty and its need to secure territory through the issue of imperial naval subsidies. A number of colonies paid subsidies to Britain to support the Royal Navy and thus to contribute in financial terms to their strategic defense. These subsidies provoked increasing opposition after the turn of the twentieth century, and the article exlpores why colonial actors of various types thought financial subsidies threatened their sovereignties in important ways. The second section of the article examines the external-diplomatic dimension of sovereignty by looking at the way colonial actors responded to the Anglo-Japanese Alliance. I argue that colonial actors deployed security as a logic that allowed them to pursue their own bids for sovereignty and autonomy, leverage racial discourses that shaped state-building projects, and ultimately to attempt to nudge the focus of the British Empire's grand strategy away from Europe and into Asia.


Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.


Author(s):  
Brent A. R. Hege

AbstractAs dialectical theology rose to prominence in the years following World War I, the new theologians sought to distance themselves from liberalism in a number of ways, an important one being a rejection of Schleiermacher’s methods and conclusions. In reading the history of Weimar-era theology as it has been written in the twentieth century one would be forgiven for assuming that Schleiermacher found no defenders during this time, as liberal theology quietly faded into the twilight. However, a closer examination of this period reveals a different story. The last generation of liberal theologians consistently appealed to Schleiermacher for support and inspiration, perhaps none more so than Georg Wobbermin, whom B. A. Gerrish has called a “captain of the liberal rearguard.” Wobbermin sought to construct a religio-psychological method on the basis of Schleiermacher’s definition of religion and on his “Copernican turn” toward the subject and resolutely defended such a method against the new dialectical theology long after liberal theology’s supposed demise. A consideration of Wobbermin’s appeals to Schleiermacher in his defense of the liberal program reveals a more complex picture of the state of theology in the Weimar period and of Schleiermacher’s legacy in German Protestant thought.


2012 ◽  
Vol 120 (1) ◽  
pp. 39-82 ◽  
Author(s):  
Seth Koven

This essay examines an early twentieth-century Christian revolutionary habitus—a “technique of Christian living”—based on the conviction that everyday life was an essential site for reconciling the claims of individual and community, the material and the spiritual. The pacifist-feminist members of London’s first “people’s house,” Kingsley Hall, linked their vision of Jesus’s inclusive and unbounded love for humanity to their belief in the ethical imperative that all people take full moral responsibility for cleaning up their own dirt as part of their utopian program to bring social, economic, and political justice to the outcast in London, Britain, and its empire. In imagining what a reconstructed post-World War I Britain might become, Kingsley Hall’s cross-class band of workers used mundane practices to unmake and remake the late-Victorian and Edwardian philanthropic legacy they inherited.


2006 ◽  
Vol 49 (4) ◽  
pp. 1253-1271
Author(s):  
TALBOT C. IMLAY

Anticipating total war: the German and American experiences, 1871–1914. By Manfred Boemeke, Roger Chickering, and Stig Förster. New York and Cambridge: Cambridge University Press, 1999. Pp. ix+506. ISBN 0-521-62294-8. £55.00.German strategy and the path to Verdun: Erich von Falkenhayn and the development of attrition, 1870–1916. By Robert T. Foley. Cambridge: Cambridge University Press, 2005. Pp. xiv+316. ISBN 0-521-84193-3. £45.00.Europe's last summer: who started the Great War in 1914? By David Fromkin. New York: Knopf, 2004. Pp. xiii+368. ISBN 0-375-41156-9. £26.95.The origins of World War I. Edited by Richard F. Hamilton and Holger H. Herwig. Cambridge: Cambridge University Press, 2003. Pp. xiii+552. ISBN 0-521-81735-8. £35.00.Geheime Diplomatie und öffentliche Meinung: Die Parlamente in Frankreich, Deutschland und Grossbritanien und die erste Marokkokrise, 1904–1906. By Martin Mayer. Düsseldorf: Droste, 2002. Pp. 382. ISBN 3-7700-5242-0. £44.80.Helmuth von Moltke and the origins of the First World War. By Annika Mombauer. Cambridge: Cambridge University Press, 2001. Pp. xvi+344. ISBN 0-521-79101-4. £48.00.The origins of the First World War: controversies and consensus. By Annika Mombauer. London: Pearson Education, 2002. Pp. ix+256. ISBN 0-582-41872-0. £15.99.Inventing the Schlieffen plan: German war planning, 1871–1914. By Terence Zuber. Oxford: Oxford University Press, 2002. Pp. xi+340. ISBN 0-19-925016-2. £52.50.As Richard Hamilton and Holger Herwig remark in the introduction to their edited collection of essays on the origins of the First World War, thousands of books (and countless articles) have been written on the subject, a veritable flood that began with the outbreak of the conflict in 1914 and continues to this day. This enduring interest is understandable: the First World War was, in George Kennan’s still apt phrase, the ‘great seminal catastrophe’ of the twentieth century. Marking the end of the long nineteenth century and the beginning of the short twentieth century, the war amounted to an earthquake whose seismic shocks and after-shocks resonated decades afterwards both inside and outside of the belligerent countries. The Bolshevik Revolution, the growth of fascist and Nazi movements, the accelerated emergence of the United States as a leading great power, the economic depression of the 1930s – these and other developments all have their roots in the tempest of war during 1914–18. Given the momentous nature of the conflict, it is little wonder that scholars continue to investigate – and to argue about – its origins. At the same time, as Hamilton and Herwig suggest, the sheer number of existing studies places the onus on scholars themselves to justify their decision to add to this historiographical mountain. This being so, in assessing the need for a new work on the origins of the war, one might usefully ask whether it fulfills one of several functions.


2003 ◽  
Vol 37 (6) ◽  
pp. 689-695 ◽  
Author(s):  
Russell Meares

Objective: To draw attention to the absence of a concept of personal existence in standard psychiatric approaches to mental illness. Method: To sketch a shift in Western consciousness which occurred suddenly before World War I, involving a banishment of such notions as self and the awareness of inner life from the discourse of psychiatry, psychology and philosophy, leaving a fundamental vacancy at the heart of these disciplines. Results and Conclusion: The positivist–behaviourist hegemony of the twentieth century involved an implicit devaluation of that which is essentially human. The influence of this tradition brings with it the risk of an understanding and treatment of mental illness which leaves out issues at the core of humanity. I suggest we need to recover something of the manner of thinking of the great figures in psychological thought who were writing before the rise of behaviourism and who were contributing to the origins of dynamic psychiatry. A study of the phenomena of human consciousness was central to their work. Main figures mentioned include: Hughlings Jackson, the great neurologist who considered a career in philosophy; Pierre Janet, a philosopher turned psychiatrist; and William James, a physiologist who became a psychologist and philosopher.


2021 ◽  
Vol 88 (3) ◽  
pp. 525-568
Author(s):  
Johann Strauss

This article examines the functions and the significance of picture postcards during World War I, with particular reference to the war in the Ottoman Lands and the Balkans, or involving the Turkish Army in Galicia. After the principal types of Kriegspostkarten – sentimental, humorous, propaganda, and artistic postcards (Künstlerpostkarten) – have been presented, the different theatres of war (Balkans, Galicia, Middle East) and their characteristic features as they are reflected on postcards are dealt with. The piece also includes aspects such as the influence of Orientalism, the problem of fake views, and the significance and the impact of photographic postcards, portraits, and photo cards. The role of postcards in book illustrations is demonstrated using a typical example (F. C. Endres, Die Türkei (1916)). The specific features of a collection of postcards left by a German soldier who served in Turkey, Syria, and Iraq during World War I will be presented at the end of this article.


Sign in / Sign up

Export Citation Format

Share Document