The Siege of La Rochelle

2009 ◽  
Author(s):  
Alexandre Dumas
Keyword(s):  
The Political ◽  
Political Views ◽  
Henry Iv

The siege of La Rochelle was one of the greatest events of the reign of Louis XIII. The political views of the cardinal, when he undertook the siege, were extensive. Of the important cities which had been given by Henry IV. to the Huguenots, as...

Palestinian Diaspora Communities in Latin America and Palestinian Statehood

2020 ◽  
Vol 19 (1) ◽  
pp. 101-120
Author(s):  
Yousef M. Aljamal ◽  
Philipp O. Amour
Keyword(s):  
Latin America ◽  
South America ◽  
Latin American ◽  
Economic Life ◽  
Self Determination ◽  
The Political ◽  
Middle Classes ◽  
Latin Americans ◽  
Political Views ◽  
The Right

There are some 700,000 Latin Americans of Palestinian origin, living in fourteen countries of South America. In particular, Palestinian diaspora communities have a considerable presence in Chile, Honduras, and El Salvador. Many members of these communities belong to the professional middle classes, a situation which enables them to play a prominent role in the political and economic life of their countries. The article explores the evolving attitudes of Latin American Palestinians towards the issue of Palestinian statehood. It shows the growing involvement of these communities in Palestinian affairs and their contribution in recent years towards the wide recognition of Palestinian rights — including the right to self-determination and statehood — in Latin America. But the political views of members of these communities also differ considerably about the form and substance of a Palestinian statehood and on the issue of a two-states versus one-state solution.

Arte ConTexto

2020 ◽  
Vol 2 (3) ◽  
pp. 29-52
Author(s):  
Antonio Bellisario ◽  
Leslie Prock
Keyword(s):  
Public Space ◽  
Political Violence ◽  
Pictorial Representation ◽  
The Political ◽  
Left Wing ◽  
Political Dimension ◽  
Political Views ◽  
Socialist Government ◽  
The 1960S ◽  
The Military

The article examines Chilean muralism, looking at its role in articulating political struggles in urban public space through a visual political culture perspective that emphasizes its sociological and ideological context. The analysis characterizes the main themes and functions of left-wing brigade muralism and outlines four subpolitical phases: (i) Chilean mural painting’s beginnings in 1940–1950, especially following the influence of Mexican muralism, (ii) the development of brigade muralism for political persuasion under the context of revolutionary sociopolitical upheaval during the 1960s and in the socialist government of Allende from 1970 to 1973, (iii) the characteristics of muralism during the Pinochet dictatorship in the 1980s as a form of popular protest, and (iv) muralism to express broader social discontent during the return to democracy in the 1990s. How did the progressive popular culture movement represent, through murals, the political hopes during Allende’s government and then the political violence suffered under the military dictatorship? Several online repositories of photographs of left-wing brigade murals provide data for the analysis, which suggests that brigade muralism used murals mostly for political expression and for popular education. Visual art’s inherent political dimension is enmeshed in a field of power constituted by hegemony and confrontation. The muralist brigades executed murals to express their political views and offer them to all spectators because the street wall was within everyone's reach. These murals also suggested ideas that went beyond pictorial representation; thus, muralism was a process of education that invited the audience to decipher its polysemic elements.

V.V. Rozanov Among Parties and Politicians

2019 ◽  
Vol 60 ◽  
pp. 165-170
Author(s):  
Aleksey V.  Lomonosov
Keyword(s):  
The Political ◽  
Editorial Office ◽  
Social Significance ◽  
Political Ideas ◽  
Political Journalism ◽  
Political Views ◽  
The Social ◽  
The Press ◽  
Journal Editorial ◽  
Political Essays

The article reveals the social significance of determining the political views of V.V. Rozanov in the system of the thinker’s worldview. The correlation of these views with his political journalism is shown. The genesis of social and political ideas of V.V. Rozanov is revealed. The author specifies his ideological predecessors in the sphere of public thought of the late 19th century and the thinker’s affiliation with the conservative political camp of Russian writers. The author of the article also gives coverage of the V.V. Rozanov’s polemical publications in the press. He outlines the circle of political sympathies and determinative constants in the political views of Rozanov-publicist and proves his commitment to the centrist political parties. The author examines the process of Rozanov’s socio-political views evolution at the turn of the 19th–20th centuries, and the related changes in his political journalism. The evaluations are based on the large layer of Rozanov’s newspaper publicism in the years of 1905–1917. To determine the Rozanov’s position in the “New time” journal editorial office and to reveal the motives of his political essays the author of the article used epistola

G. Lukács, “Techeniye” and Stalinism

2019 ◽  
Vol 62 (7) ◽  
pp. 110-123
Author(s):  
Vladimir Y. Bystrov ◽  
Vladimir M. Kamnev
Keyword(s):  
Literary Criticism ◽  
Theory And Practice ◽  
Nazi Germany ◽  
The Political ◽  
Peace Treaty ◽  
Political Strategy ◽  
Political Criticism ◽  
Political Views ◽  
New Interpretation ◽  
Over Time

The article discusses the attitude of Georg Lukács and his adherents who formed a circle “Techeniye” (lit. “current”) toward the phenomenon of Stalinism. Despite the political nature of the topic, the authors are aspired to provide an unbiased research. G. Lukács’ views on the theory and practice of Stalinism evolved over time. In the 1920s Lukács welcomes the idea of creation of socialism in one country and abandons the former revolutionary ideas expressed in his book History and Class Consciousness. This turn is grounded by new interpretation of Hegel as “realistic” thinker whose “realism” was shown in the aspiration to find “reconciliation” with reality (of the Prussian state) and in denial of any utopias. The philosophical evolution leading to “realism” assumes integration of revolutionaries into the hierarchy of existing society. The article “Hölderlin’s Hyperion” represents attempt to justify Stalinism as a necessary and “progressive” phase of revolutionary development of the proletariat. Nevertheless, events of the second half of the 1930s (mass repressions, the peace treaty with Nazi Germany) force Lukács to realize the catastrophic nature of political strategy of Stalinism. In his works, Lukács ceases to analyze political topics and concentrates on problems of aesthetics and literary criticism. However, his aesthetic position allows to reconstruct the changed political views and to understand why he had earned the reputation of the “internal opponent” to Stalinism. After 1956, Lukács turns to political criticism of Stalinism, which nevertheless remains unilateral. He sees in Stalinism a kind of the left sectarianism, the theory and practice of the implementation of civil war measures in the era of peaceful co-existence of two systems.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

Baroque and the Political Language of Formalism (1845–1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr

2015 ◽  
Author(s):  
Evonne Levy
Keyword(s):  
Intellectual History ◽  
Political Thought ◽  
Art History ◽  
Architectural History ◽  
The Political ◽  
Nazi Party ◽  
Political Views ◽  
The World ◽  
Art Historians ◽  
Central Argument

<P>This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt’s still debated "Jesuit style" to Hans Sedlmayr’s <I>Reichsstil</I>, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. </P> <P>A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history’s unacknowledged political substrate for generations. Classic works, like Wölfflin’s <I>Kunstgeschichtliche Grundbegriffe</I> are interpreted anew here, supported by new documents from the papers of each figure.</P>

scholarly journals “The naturalized son of Belarus”: The Mystery of Dr. Dittmann

2021 ◽  
pp. 233-253
Author(s):  
Igor I. Barinov
Keyword(s):  
Social Status ◽  
The Political ◽  
German Language ◽  
Active Involvement ◽  
Strong State ◽  
Political Views ◽  
Long Time ◽  
German Origin ◽  
The Subject ◽  
Source Of Information

The article examines the biography of Valentin Dittmann, a lawyer and politician of Baltic-German origin, who became a counselor of the Diplomatic Mission of the Belarusian People’s Republic (BNR) in Berlin. The German-language brochure “Weissruthenien” was published with Dittmann’s active involvement and was considered as the main source of information about this region in Germany for a long time. In a broader context, through the prism of Dittmann’s life and activities, the transformation of the system of ideas and motivations of former Imperial elites after the 1917 revolution became the subject of research. The desire to preserve and improve their social status during the political instability has significantly expanded the boundaries of imaginary. In particular, the elite representatives previously loyal to the throne could drastically change their views on the very idea of a “strong state”. From now on their position ranged from federalism to cooperation with those who were previously considered as “separatists”. On the example of Dittmann, we can follow the peculiar experience of the “homo impericus”, who strove to combine the elitist consciousness inherited from his ancestors with national democratic political views and local (Belo) russian patriotism.

scholarly journals HISTORICAL REMINISCENCES OF THE COSSACK CHRONICLES IN THE NOVEL “HETMAN IVAN VYHOVSKY” BY I. NECHUY-LEVYTSKY

2019 ◽  
pp. 151-160
Author(s):  
Оksana Slipushko ◽  
Anastasiya Katyuzhynska
Keyword(s):  
Historical Fiction ◽  
Political Activity ◽  
The Political ◽  
The Novel ◽  
Political Views ◽  
Active Subject ◽  
Comparative Aspect ◽  
Artistic Interpretation ◽  
Characteristic Features ◽  
Personal Understanding

The article is devoted to the study of the peculiarities of the artistic interpretation of historical events and figures in the novel “Hetman Ivan Vyhovsky” by I. Nechuy-Levytsky. Particular attention is paid to the implementation of the specifics of Baroque historiography in the novel. The characteristic features of the author’s historical conception and influence of the cossack chronicles on its formation are determined. The historical fiction of I. Nechuy-Levytsky is represented by author’s historiosophical and ideological-aesthetic views, based on personal understanding of the Ukrainian history. I. Nechuy-Levytsky presents his own historical conception of the period of I. Vyhovsky’s activity, which is connected with certain features and characteristics of the provisions of Baroque historiography. An artistic rethinking of the role and place of personality in history and history in the life of humanity in the worldview of I. Nechuy-Levytsky is analyzed. The peculiarities of the interpretation of hetman Ivan Vyhovsky’s character in the cossack chronicles and the novel by I. Nechuy-Levytsky in the comparative aspect are substantiated. It is determined, that the estimation of hetman’s activity differs from that set out in the cossack chronicles. Therefore, unlike the chroniclers, who negatively characterize the political activity of I. Vyhovsky, the writer represents the human personality as a state creator, active subject in history. In addition, much attention is paid to the individualization of the image of the ruler, in particular the disclosure of the psychology of his actions. In conclusion, in the artistic interpretation of I. Nechuy-Levytsky hetman I. Vyhovsky is represented as the bearer of political views and ideological positions, that played a significant role in the formation and development of the idea of Ukrainian statehood and became a continuation of the historical conception and ideological dominants of the cossack chronicles.

scholarly journals PANDANGAN POLITIK JARINGAN ISLAM LIBERAL DI INDONESIA

2020 ◽  
Vol 1 (2) ◽  
pp. 145-174
Author(s):  
Ana Sabhana Azmy ◽  
Amri Yusra
Keyword(s):  
Religion And Politics ◽  
Political Islam ◽  
Value Systems ◽  
The Political ◽  
Islamic State ◽  
Journal Articles ◽  
Literature Study ◽  
A Value ◽  
Political Views ◽  
Reading Materials

This article aims to look at the political views of the Jaringan Islam Liberal (Liberal Islam Network) in Indonesia. As a community that wants to carry out reforms with the spirit of modernization and rationality in religion, seeing it in political and democratic contestation in Indonesia is interesting. So this article questions two things; how does Jaringan Islam Liberal view the relevance of religion and politics? and how does Jaringan Islam Liberal view the implementation of democracy? The method used in this paper is a literature study that seeks to collect data from journal articles, books, and other related reading materials. This article shows that the Jaringan Islam Liberal (Liberal Islam Network) rejects forms of political Islam that try to formally fight for the superiority of Islamic value systems and symbols in the political sphere. They also reject the idea of an Islamic state and the formalization of shari'ah, and sees democracy as a value that must be implemented in a country. This is because it is in accordance with the basic rights that must be owned by individuals, which are known as human rights.

Nigeria – państwo kruche czy upadłe? Dyskurs katastroficzny w Rybakach Chigozie Obiomy

2021 ◽  
pp. 25-41
Author(s):  
Błażej Popławski
Keyword(s):  
West Africa ◽  
Interpersonal Relations ◽  
Ecological Crisis ◽  
The Political ◽  
Third Generation ◽  
The Novel ◽  
The Third ◽  
Political Views

The article aims to characterize the multidimensional crisis of Nigeria on the basis of the novel Fishermen written by Chigozie Obioma. Obioma, a representative of the third generation of Nigerian writers, constructs a narrative around a self-fulfilling prophecy about the annihilation of interpersonal relations, as well as the macrosocial, the political, and ecological crisis in West Africa. Finally, the ethnic and political views of Obioma in the context of the collapse of statehood in Africa are characterized.

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