The Required Collaboration Between Universities and Government Administration in Plans for the Regeneration of Ports and Harbors That Utilize the Appeal of Marine Space

2006 ◽  
Author(s):  
Naoyuki Hirao ◽  
Takeo Kondo ◽  
Kazukiyo Yamamoto ◽  
Masao Koishikawa ◽  
Kiyoaki Watanabe
Keyword(s):  
20Th Century ◽  
Distribution Functions ◽  
Physical Distribution ◽  
Creative Development ◽  
Government Administration ◽  
The Status ◽  
Model Project ◽  
Local Contribution ◽  
Port And Harbor ◽  
The University

Marine space has a variety of appealing elements such as in use as resorts, for leisure, marine sports, physical distribution and the function involving the flow of people. However, ports and harbors that have lost their physical distribution functions and are steadily declining are on the increase. The Ministry of Land, Infrastructure and Transport is attempting to undertake regeneration of such ports and harbors that have lost their vitality from the middle of the 20th century. To date, regeneration plans for ports and harbors have been under the initiative of government administration but today, plans for the regeneration of ports and harbors and measures for revitalizing port towns are being reviewed in various ways including the creative development of communities through participation of the local citizenry and the convening of workshops by NPOs. As a part of this, the Chiba Port and Harbor Office in which the national government invests has begun a trial attempt to launch new projects for the invigoration of port towns through the formation of a program under which plans for the regeneration of ports and harbors and the invigoration of port towns will be undertaken through the collaboration of universities and local administrative governments. As a forerunner to such a model project, a program to form a regeneration plan for Kisarazu Port through the collaboration of Kisarazu and the Department of Oceanic Architecture & Engineering of Nihon University for senior 4th year students with the national government’s Chiba Port and Harbor Office as the moderator has been undertaken. At Nihon University, in the curriculum of Oceanic Architecture, A Planning Studio, 7 teachers and 58 students participated and 14 classes with three hours each week were conducted. This paper introduces the background to this and reports on the status of local contribution by the university.

A Short Modern History of Studying Sacrobosco’s De sphaera

2020 ◽  
Vol 65 (Special Issue) ◽  
pp. 23-33
Author(s):  
Alin Constantin Corfu
Keyword(s):  
20Th Century ◽  
Modern History ◽  
13Th Century ◽  
The Third ◽  
History Of ◽  
University Of Paris ◽  
The University

"A Short Modern History of Studying Sacrobosco’s De sphaera. The treatise generally known as De sphaera offered at the beginning of the 13th century a general image of the structure of the cosmos. In this paper I’m first trying to present a triple stake with which this treaty of Johannes de Sacrobosco (c. 1195 - c. 1256). This effort is intended to draw a context upon the treaty on which I will present in the second part of this paper namely, a short modern history of studying this treaty starting from the beginning of the 20th century up to this day. The first stake consists in the well-known episode of translation of the XI-XII centuries in the Latin milieu of the Greek and Arabic treaties. The treatise De sphaera taking over, assimilating and comparing some of the new translations of the texts dedicated to astronomy. The second Consists in the fact that Sacrobosco`s work can be considered a response to a need of renewal of the curriculum dedicated to astronomy at the University of Paris. And the third consists in the novelty and the need to use the De sphaera treatise in the Parisian University’s curriculum of the 13th century. Keywords: astronomy, translation, university, 13th Century, Sacrobosco, Paris, curriculum"

EAST INDIAN AND OTHER DOCKS IN LONDON: IMPERIAL ARCHITECTURE, COLONIAL TRADE AND POSTCOLONIAL MEMORY

2020 ◽  
pp. 190-205
Author(s):  
S. E. Sidorova ◽  
Keyword(s):  
20Th Century ◽  
Industrial Revolution ◽  
Historical Memory ◽  
Visual Image ◽  
East Indian ◽  
Architectural Representation ◽  
The World ◽  
The Status ◽  
Postcolonial History ◽  
The City

The article concentrates on the colonial and postcolonial history, architecture and topography of the southeastern areas of London, where on both banks of the River Thames in the 18th–20th centuries there were located the docks, which became an architectural and engineering response to the rapidly developing trade of England with territories in the Western and Eastern hemispheres of the world. Constructions for various purposes — pools for loading, unloading and repairing ships, piers, shipyards, office and warehouse premises, sites equipped with forges, carpenter’s workshops, shops, canteens, hotels — have radically changed the bank line of the Thames and appearance of the British capital, which has acquired the status of the center of a huge empire. Docks, which by the beginning of the 20th century, occupied an area of 21 hectares, were the seamy side of an imperial-colonial enterprise, a space of hard and routine work that had a specific architectural representation. It was a necessary part of the city intended for the exchange of goods, where the usual ideas about the beauty gave way to considerations of safety, functionality and economy. Not distinguished by architectural grace, chaotically built up, dirty, smoky and fetid, the area was one of the most significant symbols of England during the industrial revolution and colonial rule. The visual image of this greatness was strikingly different from the architectural samples of previous eras, forcing contemporaries to get used to the new industrial aesthetics. Having disappeared in the second half of the 20th century from the city map, they continue to retain a special place in the mental landscape of the city and the historical memory of the townspeople, which is reflected in the chain of museums located in this area that tell the history of English navigation, England’s participation in geographical discoveries, the stages of conquering the world, creating an empire and ways to acquire the wealth of the nation.

AN ACCOUNTANT'S EDUCATION

2003 ◽  
Vol 30 (1) ◽  
pp. 155-196 ◽  
Author(s):  
George J. Staubus
Keyword(s):  
20Th Century ◽  
Accounting Standards ◽  
Financial Accounting ◽  
University Of Chicago ◽  
Financial Accounting Standards Board ◽  
Decision Usefulness ◽  
Market Simulation ◽  
Broad Field ◽  
The University

This is a review of how various experiences in my career have contributed to my understanding of accounting. I recall the circumstances surrounding several of my efforts towards the development of accounting theories, viz. (1) decision-usefulness theory, (2) activity costing, and (3) market simulation accounting, as well as my excursion into (4) market association research in seeking to validate decision-usefulness theory and (5) a search for the effects of firms' economic environments on the development of enterprise accounting in the 2nd millennium, C.E. I give my impressions of several of the important players in the evolution of accounting thought in the 20th century with whom I was closely associated, such as Vatter, Moonitz, Chambers, and Sterling, as well as other prominent figures in the broad field of accounting. Some of my gains from associations with three institutions—the American Accounting Association, The University of Chicago, and the Financial Accounting Standards Board—are identified. I conclude with a few summary thoughts on what I have learned.

ASSOCIATIVITY AS A FORMATION SOURCE OF A MUSICAL COMPOSITION EDITING FORM OF THE SECOND HALF OF THE 20TH CENTURY

2021 ◽  
pp. 22-31
Author(s):  
ZARINA DENISOVA
Keyword(s):  
Characteristic Feature ◽  
20Th Century ◽  
Musical Composition ◽  
Musical Work ◽  
The Status ◽  
Associative Connection ◽  
New Type ◽  
General Scientific ◽  
A Chain ◽  
Russian Composers

The object of the research in this article is associativity as a characteristic feature of 20th century art. The nature, the role of the association in the work of artistic thinking, the principles of its functioning are considered. The subject of the research is the editing form of a musical work of the second half of the 20th century. Particular attention in the article is paid to the consideration of such an important factor influencing the formation of a stable associative connection as repetition. At the same time, it is specified that repetition is caused by a specific life situation. This repetition forms a chain of associations that create an integral content space of a musical work. The work uses general scientific research methods in the framework of comparative and logical analysis, including generalizations and comparisons. The work is based on the analytical method and has a systemic interdisciplinary nature as well. In revealing the specifics of the installation form, the author of the article turns to the theory of compositional ellipsis V. Bobrovsky. The main conclusion of the study is that the importance of associativity in the work of Russian composers in the second half of the 20th century is increasing, reaching the status of a characteristic feature of artistic thinking. The process of expanding associativity manifested itself, in particular, in the emergence in musical creativity of a new type of form creation - editing. The analysis revealed the features inherent in the montage type of construction of a work of art. This is the dismemberment of thematic material, the syntactic isolation of thematic structures, the organization of the form «from the end», the internal unity of the mosaic structure, and others. The novelty of this research lies in the fact that for the first time associativity is considered as a source of montage shaping, in the choice of research methodology, as well as in the identification of special features of the composition, manifested in the conditions of montage drama.

Review of: Рикёр П. Genesis, essence and substance in Plato and Aristotle. Course taught at the University of Strasbourg in 1953-1954 / transl. from french G. V. Vdovina. Moscow: Publishing house of humanitarian literature, 2019. 286 p. ISBN 978-5-87121-051-2

2019 ◽  
pp. 279-287
Author(s):  
Алексей Михайлович Гагинский
Keyword(s):  
20Th Century ◽  
Publishing House ◽  
Point Of View ◽  
History Of ◽  
The University ◽  
Formal Point

Курс лекций П. Рикёра, прочитанный более полувека назад, интересен по ряду причин. Во-первых, потому что он посвящён крайне важной теме — античной онтологии; во-вторых, потому что он был прочитан одним из ведущих философов XX в.; в-третьих, потому что этот философ был крупнейшим представителем герменевтического направления, вследствие чего особенно любопытно проследить, как он читает тексты, без преувеличения, самых важных философов в истории человечества. Впрочем, с формальной точки зрения есть некоторые сомнения в возожности исполнения замысла работы: П. Рикёр всё-таки не антиковед, его знание греческого языка, что видно из текста, весьма скромного уровня; кроме того, изданный текст представляет собой курс лекций, автор которых, как кажется, не столько хочет донести до слушателей результаты кропотливых исследований и продуманных идей, сколько разобраться вместе со студентами в античной онтологии. P. Ricoeur's course of lectures, delivered more than half a century ago, is interesting for a number of reasons. Firstly, because it is devoted to an extremely important topic - ancient ontology; secondly, because it was read by one of the leading philosophers of the 20th century; thirdly, because this philosopher was the biggest representative of the hermeneutic direction, so it is especially interesting to trace how he reads texts of, without exaggeration, the most important philosophers in the history of mankind. However, from the formal point of view, there are some doubts about the feasibility of the idea of the work: Ricoeur is not an antiquarian and his knowledge of Greek, as the text shows, is rather modest; besides, the published text is a course of lectures, the author of which seems to want not so much to convey the results of laborious research and elaborated ideas to his students, as to understand ancient ontology together with the students.

The Rise of Professors of Economics and Business Studies in Switzerland

2017 ◽  
Vol 58 (2) ◽  
pp. 295-326 ◽  
Author(s):  
Thierry Rossier ◽  
Felix Bühlmann ◽  
André Mach
Keyword(s):  
Social Sciences ◽  
20Th Century ◽  
Trade Off ◽  
Academic Field ◽  
Business Studies ◽  
Power Resources ◽  
Institutional Capital ◽  
Scientific Reputation ◽  
The University ◽  
Academic Positions

AbstractThis paper studies the rise of professors of economics and business studies in the second half of the 20th century in Switzerland. It focuses on three types of power resources: positions in the university hierarchy, scientific reputation and extra-academic positions in the economic and political spheres. Based on a biographical database of N = 487 professors, it examines how these resources developed from 1957 to 2000. We find that professors of economic sciences were increasingly and simultaneously successful on all three studied dimensions – especially when compared to disciplines such as law, social sciences or humanities. This evolution seems to challenge the notorious trade-off between scientific and society poles of the academic field: professors of economics and business increased their scientific reputation while becoming more powerful in worldly positions. However, zooming in on their individual endowment with capital, we see that the same professors rarely hold simultaneously a significant amount of scientific and institutional capital.

scholarly journals DET ZOOFILE ÅRHUNDREDE

1996 ◽  
Author(s):  
Anne Knudsen
Keyword(s):  
20Th Century ◽  
Moral Status ◽  
Logical Consequence ◽  
The Other ◽  
Other Hand ◽  
The Status ◽  
The One ◽  
Point Of Departure

Anne Knudsen: The Century of Zoophilia Taking as her point of departure the protests against a dying child having his last wish fulfilled because his wish was to kill a bear, the author argues that animals have achieved a higher moral status than that of humans during the 20th century. The status of animals (and of “nature”) is seen as a consequence of their muteness which on the one hånd makes it impossible for animals to lie, and which on the other hånd allows humans to imagine what animals would say, if they spoke. The development toward zoophilia is explained as a a logical consequence of the cultural naturalisation of humans, and the author draws the conclusion that we may end up entirely without animals as a category. This hypothetical situation will lead to juridical as well as philosophical complications.

scholarly journals Restoration Work in the Main Sanctuary of Amun of the Temple of Hatshepsut in Deir el-Bahari

2019 ◽  
Vol 23 ◽  
pp. 51-71
Author(s):  
Urszula Kraśniewska
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Early 20Th Century ◽  
Significant Extent ◽  
Late 19Th Century ◽  
Restoration Work ◽  
Mediterranean Archaeology ◽  
The University ◽  
The Temple ◽  
Early 18Th Century

The Sanctuary of Amun of the Temple of Hatshepsut in Deir el-Bahari was, starting from the early 18th century, gradually discovered, and has been analyzed by many researchers and scientists. In the late 19th century E. Naville was the first to concentrate to an significant extent on the Sanctuary rooms, which resulted in the elaboration of a vast architectural description prepared by Somers Clarke, his cooperator. In the early 20th century, Herbert Winlock conducted studies and analyses of the Sanctuary rooms. In 1961, a concession for conducting works was assigned to the Polish Station of Mediterranean Archaeology of the University of Warsaw, directed by Prof. Kazimierz Michałowski. Since that time, Polish Missions have conducted numerous architectural and conservation as well as epigraphic works, gradually ordering and reconstructing the Sanctuary.

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