scholarly journals EXPLORING FIFTH FORCE INTERACTIONS WITH 18TH CENTURY TECHNOLOGY

2004 ◽  
Vol 13 (10) ◽  
pp. 2249-2254
Author(s):  
JASON H. STEFFEN
Keyword(s):  
18Th Century ◽  
The Other ◽  
Newtonian Gravity ◽  
Torsion Pendulum ◽  
Source Mass ◽  
Intermediate Range ◽  
Inverse Square Law ◽  
Fifth Force

Many theories which unify gravity with the other known forces of nature predict the existence of an intermediate-range "fifth force" similar to gravity. Such a force could be manifest as a deviation from the gravitational inverse-square law. Currently, at distances near 10-1 m, the inverse-square law is known to be correct to about one part per thousand. I present the design of an experiment that will improve this limit by two orders of magnitude. This is accomplished by constructing a torsion pendulum and source mass apparatus that are particularly insensitive to Newtonian gravity and, simultaneously, maximally sensitive to violations of the same.

Newtonian Gravity

2018 ◽  
Author(s):  
David M. Wittman
Keyword(s):  
Surface Gravity ◽  
Newtonian Gravity ◽  
Acceleration Field ◽  
Source Mass ◽  
Inverse Square Law ◽  
Average Acceleration ◽  
Law Of Gravity ◽  
Tidal Acceleration

Having developed a framework for subsuming gravity into relativity, we examine how gravity behaves as a function of the source mass (Earth, Sun, etc.) and distance from that sourcemass.We develop Newton’s inverse‐square law of gravity, and we examine the consequences in terms of acceleration fields, potentials, escape velocities, and surface gravity. Chapter 17 will build on these ideas to show how orbits are used to probe gravity throughout the universe.We also develop a tool for exposing variations in the acceleration field: the tidal acceleration field in any region is defined as the acceleration field in that region minus the average acceleration. This enables us to restate Newton’s lawof gravity as: the acceleration arrows surrounding any point show a net convergence that is proportional to the density of mass at that point. Chapter 18 will use this to develop a frame‐independent law of gravity.

scholarly journals When ‘You’ Means ‘I’: The German 2Nd Ps.Sg. Pronoun Du between Genericity and Subjectivity

2018 ◽  
Vol 4 (1) ◽  
pp. 280-309
Author(s):  
Peter Auer ◽  
Anja Stukenbrock
Keyword(s):  
18Th Century ◽  
The Other ◽  
Subjective Interpretation ◽  
Close Analysis ◽  
Data Capturing ◽  
The One

Abstract In this paper, we first present a close analysis of conversational data, capturing the variety of non-addressee deictic usages of du in contemporary German. From its beginnings, it has been possible to use non-addressee deictic du not only for generic statements, but also for subjective utterances by a speaker who mainly refers to his or her own experiences. We will present some thoughts on the specific inferences leading to this interpretation, making reference to Buhler’s deixis at the phantasm. In the second part of the paper, we show that non-addressee deictic du (‘thou’) as found in present-day German is not an innovation but goes back at least to the 18th century. However, there is some evidence that this usage has been spreading over the last 50 years or so. We will link non-addressee deictic du back historically to the two types of “person-shift” for du discussed by Jakob Grimm in his 1856 article “Uber den Personenwechsel in der Rede” [On person shift in discourse]. Grimm distinguishes between person shift in formulations of “rules and law” on the one hand, and person shift in what he calls “thou-monologue” on the other. The subjective interpretation of non-addressee-deictic du in present-day German may have originated from these “thou-monologues”

Over de betekenis van het werk van Jan van Scorel omstreeks 1530 voor oudere en jongere tijdgenoten (4)

1984 ◽  
Vol 98 (2) ◽  
pp. 98-109 ◽  
Author(s):  
J. Bruyn
Keyword(s):  
New York ◽  
18Th Century ◽  
The Other ◽  
Parish Church ◽  
Stylistic Development ◽  
To Come ◽  
The One ◽  
The Town ◽  
Coats Of Arms ◽  
Early Training

AbstractFrom 1911 to 1961 Félix Chrétien, secretary to François de Dinteville II, Bishop of Auxerre in Burgundy, and from 1542 onwards a canon in that town, was thought to be the author of three remarkable paintings. Two of these were mentioned by an 18th-century local historian as passing for his work: a tripych dated 1535 on the central panel with scenes from the legend of St. Eugenia, which is now in the parish church at Varzy (Figs. 1-3, cf. Note 10), and a panel dated 1550 with the Martyrdom of St. Stephen in the ambulatory of Auxerre Cathedral. To these was added a third work, a panel dated 1537 with Moses and Aaron before Pharaoh, which is now in New York (Figs. 4-5, cf. Notes I and 3). All three works contain a portrait of François de Dinteville, who is accompanied in the Varzy triptych and the New York panel (where he figures as Aaron) by other portrait figures. In the last-named picture these include his brothers) one of whom , Jean de Dinteville, is well-known as the man who commissioned Holbein's Ambassadors in 1533. Both the Holbein and Moses and Aaron remained in the family's possession until 1787. In order to account for the striking affinity between the style of this artist and that of Netherlandish Renaissance painters, Jan van Scorel in particular, Anthony Blunt posited a common debt to Italy, assuming that the painter accompanied François de Dinteville on a mission to Rome in 1531-3 (Note 4). Charles Sterling) on the other hand, thought of Netherlandish influence on him (Note 5). In 1961 Jacques Thuillier not only stressed the Northern features in the artist's style, especially in his portraits and landscape, but also deciphered Dutch words in the text on a tablet depicted in the Varzy triptych (Fig. I) . He concluded that the artist was a Northerner himself and could not possibly have been identical with Félix Chrétien (Note 7). Thuillier's conclusion is borne out by the occurrence of two coats of arms on the church depicted in the Varzy triptych (Fig. 2), one of which is that of a Guild of St. Luke, the other that of the town of Haarlem. The artist obviously wanted it to be known that he was a master in the Haarlem guild. Unfortunately, the Haarlem guild archives provide no definite clue as to his identity. He may conceivably have been Bartholomeus Pons, a painter from Haarlem, who appears to have visited Rome and departed again before 22 June 15 18, when the Cardinal of S. Maria in Aracoeli addressed a letter of indulgence to him (without calling him a master) care of a master at 'Tornis'-possibly Tournus in Burgundy (Note 11). The name of Bartholomeus Pons is further to be found in a list of masters in the Haarlem guild (which starts in 1502, but gives no further dates, Note 12), while one Bartholomeus received a commission for painting two altarpiece wings and a predella for Egmond Abbey in 1523 - 4 (Note 13). An identification of the so-called Félix Chrétien with Batholomeus Pons must remain hypothetical, though there are a number of correspondences between the reconstructed career of the one and the fragmentary biography of the other. The painter's work seems to betray an early training in a somewhat old-fashioned Haarlem workshop, presumably around 1510. He appears to have known Raphael's work in its classical phase of about 1515 - 6 and to have been influenced mainly by the style of the cartoons for the Sistine tapestries (although later he obviously also knew the Master of the Die's engravings of the story of Psyche of about 1532, cf .Note 8). His stylistic development would seem to parallel that of Jan van Scorel, who was mainly influenced by the slightly later Raphael of the Loggie. This may explain the absence of any direct borrowings from Scorel' work. It would also mean that a more or less Renaissance style of painting was already being practised in Haarlem before Scorel's arrival there in 1527. Thuillier added to the artist's oeuvre a panel dated 1537 in Frankfurt- with the intriguing scene of wine barrels being lowered into a cellar - which seems almost too sophisticated to be attributed to the same hand as the works in Varzy and New York, although it does appear to come from the same workshop (Fig. 6, Note 21). A portrait of a man, now in the Louvre, was identified in 197 1 as a fragment of a work by the so-called Félix Chrétien himself (Fig. 8, Note 22). The Martyrdom of St. Stephen of 1550 was rejected by Thuillier because of its barren composition and coarse execution. Yet it seems to have too much in common with the other works to be totally separated, from them and may be taken as evidence that the workshop was still active at Auxerre in 1550.

Two Commentaries on Euclid's Definition of Proportional Magnitudes

1994 ◽  
Vol 4 (1) ◽  
pp. 181-198 ◽  
Author(s):  
Bijan Vahabzadeh
Keyword(s):  
18Th Century ◽  
The Other ◽  
Identical Manner ◽  
Definition Of

Euclid's definition of proportional magnitudes in the Fifth Book of the Elements gave rise to many commentaries. We examine closely two of these commentaries, one by al-Jayyānī (11th century) and the other by Saunderson (18th century). Both al-Jayyānī and Saunderson attempted to defend Euclid's definition by making explicit what Euclid had only implied. We show that the two authors explain Euclid's position in a virtually identical manner.

SPATIAL FORMATION IN ARCADES: ANKARA-YENİŞEHİR ARCADES

2020 ◽  
Vol 0 (21) ◽  
pp. 0-0
Author(s):  
Merve KURT KIRAL ◽  
Emel AKIN
Keyword(s):  
18Th Century ◽  
Research Area ◽  
The Other ◽  
The West ◽  
Planning Decisions ◽  
Urban Buildings ◽  
Spatial Features ◽  
Trading Activities ◽  
The Subject ◽  
New Buildings

Spaces are conditioned by social conditions; on the other hand, social structure is affected by spaces. Arcades, the subject of this article, first appeared in Europe in the 18th century as a result of an increase in trading activities. The arcades in Ankara, which were started to be built in the 1950s together with increasing trading activities, contributed to the urban economy with intense activities of shopping, re-determined social and urban relations as essential places of everyday life and became distinctive urban buildings with their original building typologies and the function of maintaining public continuity in the area of private ownership. Aim: This study aims to study the process in which passages emerged and to analyze their spatial features and, in particular, to examine the spatial formation of the distinctive passages in Ankara on the basis of their causation. Method: In the article, spatial features of the passages in the West were mentioned, and the conditions of the period in which the passages in Ankara were built were briefly explained. Spatial analysis of the passages found in the research area were conducted, and the formation of these passages were analyzed together with their reasons. Results: Of the 31 arcades in Ankara, 27 were built between 1950 and 1980 on and around the Atatürk Boulevard in Yenişehir/Kizilay. As of the mid-1950s, new planning decisions which were made one after the other in the built-up area re-shaped the Boulevard and its surrounding as the existing buildings were demolished, allowing to construct new buildings with arcades or stores in their entrances. Their interior designs and connections to the streets are different from the arcades in the West. Conclusion: The present subdivision system and new planning decisions applied in property order shaped the passages which were peculiar to Ankara.

scholarly journals PERANG BUBAT, REPRESENTASI SEJARAH ABAD 14 DAN RESEPSI SASTRANYA

2018 ◽  
Vol 10 (1) ◽  
pp. 51
Author(s):  
Yeni Mulyani Supriatin
Keyword(s):  
Data Collection ◽  
20Th Century ◽  
18Th Century ◽  
The Other ◽  
16Th Century ◽  
Historical Aspect ◽  
14Th Century ◽  
Literary Structure ◽  
The Will ◽  
The Difference

Penelitian ini bertujuan mengungkap peristiwa Perang Bubat yang terjadi pada abad ke-14 atau tahun 1357 M dan resepsi sastranya. Masalah yang dibahas adalah bagaimana latar belakang terjadinya Perang Bubat, reaksi, dan tanggapannya. Teori yang digunakan adalah resepsi sastra. Metode untuk pengumpulan data adalah kualitatif dengan menerapkan prinsip resepsi sastra. Hasil penelitian menggambarkan bahwa terjadinya Perang Bubat adalah Raja Sunda tidak tunduk pada kehendak Gajah Mada dan Gajah Mada ingin menyatukan Nusantara. Resepsi sastra terhadap Perang Bubat dapat dikelompokkan menjadi 3, yaitu resepsi dari aspek kesejarahannya, resepsi pengaruhnya terhadap penciptaan karya baru, dan resepsi terhadap struktur sastra.  Simpulan penelitian ini adalah peristiwa Bubat diresepsi setelah dua abad berlalu, yaitu pada abad ke-16  dan peristiwa tersebut diresepsi ulang pada abad ke-20-an. Hasil resepsi sastra  dari abad ke-18 sampai dengan abad ke-20 cukup beragam. Keberagaman resepsi itu menunjukkan bahwa terdapat perbedaan horizon harapan pembaca.  This study aims to reveal the events of the Bubat War that occurred in the 14th century or the year 1357 AD and literary receptions that emerged after the incident occurred. The issue discussed is how the background of the Bubat War and the reactions and responses to the event through literary receptions. The theory used in analyzing data is literary receptions. The method used for data collection is qualitative by applying the principle of literary receptions. The results of this study illustrate that the background of the Bubat War have two versions and both controversial, the first version because the King of Sunda entourage do not obey to the will of Gajah Mada, on the other hand, the second version is that Gajah Mada tactics in unifying the archipelago while the Kingdom of Sunda is a state that has not been submitted. Literary receptions to the War of Bubat can be grouped into three, they are the reception of its historical aspect, the reception of its influence on the creation of new works, and the reception of the literary structure. The conclusion of this research is  Bubat event was perceived after two centuries passed, in the 16th century and the event was redrawn in the 20th century. Results of literary receptions in the 18th century until the 20th century quite diverse. The diversity of the receptions shows the difference in the horizon of readers' expectations.    

scholarly journals Medieøkologien i SKAM

2017 ◽  
Vol 6 (2) ◽  
pp. 60-66
Author(s):  
Ruth Grüters ◽  
Knut Ove Eliassen
Keyword(s):  
Social Media ◽  
New Media ◽  
Historical Perspective ◽  
18Th Century ◽  
Media Ecology ◽  
The Other ◽  
Media Platform ◽  
The Media ◽  
Use Of Social Media ◽  
Media Practices

AbstractTo understand the success of SKAM, the series’ innovative use of “social media” must be taken into consideration. The article follows two lines of argument, one diachronic, the other synchronic. The concept of remediation allows for a historical perspective that places the series in a longer tradition of “real time”-fictions and media practices that span from the epistolary novels of the 18th century by way of radio theatre and television serials to the new media of the 21st century. Framing the series within the current media ecology (marked by the connectivity logic of “social media”), the authors analyze how the choice of the blog as the drama’s media platform has formed the ways the series succeeded in affecting and mobilizing its audience. Given the long tradition of strong pedagogical premises in the teenager serials of publicly financed Norwegian television, the authors note the absence of any explicit media critical perspectives or didacticism. Nevertheless, the claim is that the media-practices of the series, as well as the actions and discourses of its followers (blogposts, facebook-groups, etc.), generate new insights and knowledge with regards to the series’ form, content, and practices.

scholarly journals Images of Europeans in the Chinese Woodblock Book Huangqing zhigongtu

2020 ◽  
Vol 65 (4) ◽  
pp. 1259-1271
Author(s):  
Nikolay A. Samoylov ◽  
◽  
Dmitriy I. Mayatskiy ◽  
Keyword(s):  
18Th Century ◽  
Geographical Location ◽  
The Other ◽  
Qing Empire ◽  
Cultural Stereotypes ◽  
Systematic Analysis ◽  
General Picture ◽  
The Qing Dynasty ◽  
Rich Material ◽  
Shed Light

This article explores the Chinese historical and ethnographic work of the second half of the 18th century “Illustrated tributaries of the Qing Empire” (“Huangqing zhigongtu”). This book provides rich material for a systematic analysis of the views of the Chinese about European countries during the reign of the Qing Dynasty (1644–1911). Twenty eight images and descriptions of a number of European nations — Russians, Poles, Hungarians, Swedes, the English, the Dutch, etc. — which were found in the book, have been identified, classified, and analyzed. A range of issues and problems related to the content of the descriptions has been established and compared with the illustrations from the book. The article pays particular attention to identifying and explaining the anthropological and socio-cultural stereotypes that shaped the image of Europeans in China. The authors of this paper have found out that due to Catholic missionaries the Chinese compilers of “Huangqing zhigongtu” must have had enough information about Europe in the first part of the Qing period. Nevertheless, they made a large number of mistakes when describing the geographical location of several nations and relations between some of them. They also misunderstood some habits, traditions or anthropological features of their inhabitants. On the other hand, the compilers were more accurate and precise with regard to political and trade activities of the Europeans in China or near its frontier. Studying the “Huangqing zhigongtu” can shed light not only on important factors that formed the general picture of the Chinese worldview, but also contribute to a better understanding of motives that determined the foreign policy of the Qing Empire.

scholarly journals Struktura znaczeniowa słownictwa anatomicznego w Nowym dykcjonarzu M.A. Troca

2020 ◽  
pp. 119-133
Author(s):  
Beata Kuryłowicz ◽  
Keyword(s):  
Semantic Analysis ◽  
18Th Century ◽  
The Other ◽  
Medical Terminology ◽  
Uniform Size ◽  
Semantic Relationships ◽  
Anatomical Terminology ◽  
Other Hand ◽  
Lexical Field

This article is an attempt to perform a semantic analysis of anatomical vocabulary collected by Michał Abraham Troc in Nowy dykcjonarz, published in Lipsk in 1764. The aim of individual analyses based on the lexical field theory is to demonstrate the meaning of lexemes, to determine their place within a field, as well as to disclose semantic relationships: synonymy, polysemy and hyponymy. The semantic analysis presented in this article clearly demonstrates abundance and differentiation of 18th century anatomical vocabulary, as well as prevalence of native over borrowed words. Among 250 names, only eleven units are borrowings from foreign languages: seven Latin and four German ones. This provides evidence there is a fundamental role of native lexis, especially colloquial vocabulary, in the formation of Polish anatomical terminology, and, more extensively, also medical terminology, in the first phase of its development which continued until the end of the 18th century. Of note is also the non-uniform arrangement of lexemes in individual fields and asymmetry in their number. Selected lexical fields are characterised by non-uniform size, different level of semantic stratification and differentiated degree of generality of words they contain. On the other hand, semantic relations observed in the analysed anatomical vocabulary, especially synonymy and polysemy, confirm there is a differentiation of anatomical lexis, on the other hand, they indicate lack of precision in expressing content by the discussed lexical units.

scholarly journals CONTRIBUTION OF JEWISH MINORITY TO THE ECONOMIC DEVELOPMENT OF BACAU

2020 ◽  
Author(s):  
Cristina-Iolanda Filipoaia ◽  
Mihai Deju
Keyword(s):  
Growth And Development ◽  
Urban Landscape ◽  
18Th Century ◽  
Living Environment ◽  
The Other ◽  
Essential Factor ◽  
The Past ◽  
Economic Level ◽  
Functional Dynamics ◽  
The City

During more than six centuries of existence, Bacău benefited both from the favourable socio-economic and political context, and from the interrelationships with the other communities, from the harmonious combination of these two elements resulting both the growth and development of the locality and the position in the local and regional hierarchy. The main beneficiaries of the progress made were of course the inhabitants, the city representing a living environment for them, as well as the essential factor in the functional dynamics and in the urban landscape. Giving meaning to the past, we must recognize that each community that contributed to the development of Bacău has its own history, Bacău becoming the trustee of the communities ‘history entirety, which in perfect communion with Romanians defined the complex identity of the locality. The Jewish community is no exception, whose collaboration with Romanians for over two centuries has contributed to increasing the economic level of development of the locality since the second half of the 18th century.

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