Procédés de décrédibilisation dans al-Fīl al-azraq, roman noir d’Aḥmad Murād

Arabica ◽  
2018 ◽  
Vol 65 (1-2) ◽  
pp. 207-232
Author(s):  
Katia Ghosn
Keyword(s):  
The United States ◽  
Point Of View ◽  
Generic Model ◽  
The Novel ◽  
Distinctive Features ◽  
Roman Noir ◽  
The Matrix ◽  
Set Up ◽  
The 19Th Century ◽  
Detective Genre

Abstract Contemporary Egyptian author Aḥmad Murād writes works of fiction as well as crime novels. The detective genre emerged very late on the Arab literary scene in comparison to its birth in the 19th century in the West. Al-Fīl al-azraq (The blue elephant), that we are about to analyse, is based on a psychological story. It fits into the matrix of the black novel as it appeared in the United States in the interwar period and incorporates many of its strategies. In this article, we will try to uncover the processes of “decredibilization” established in the novel, in order to create “undecidability” as to the outcome of the investigation and to set up, from a hermeneutic point of view, some confusion of meaning. We will try subsequently to underline the distinctive features of the generic model of the novel, prominent among which, the open structure, the fantastic themes, the use of the vernacular and a certain social realism outlook.

scholarly journals THE MEANS OF EXPRESSION OF THE CATEGORY OF ADMIRATIVENESS IN RUSSIAN, FRENCH AND ENGLISH

2019 ◽  
Vol 8 (7) ◽  
Author(s):  
Elena K. Kuzmina ◽  
Gulnara G. Nazarova ◽  
Lilia R. Nizameeva ◽  
Gérard Broussois
Keyword(s):  
20Th Century ◽  
English Language ◽  
Point Of View ◽  
Grammatical Category ◽  
Distinctive Features ◽  
French And English ◽  
The Subject ◽  
The 19Th Century ◽  
Linguistic Phenomenon

The comprehension of admirativeness as an independent category took place relatively recently – at the end of the 20th century. Until now, some scholars have not recognized an independent character of admirative. However, in recent years there has been an increasingly noticeable tendency to recognize the separate role of admirativeness and to indicate that the expression of surprise evoked by unexpected information cannot be combined with similar meanings. At the same time, the ways and degree of expression of admirativeness in different language systems vary significantly. The introduction of such grammatical category as admirativeness and the term “admirative” refers to the second half of the 19th century. In 1879, O. Dozon coined the term in his works on the Albanian language. The choice of this name (Fr. admiratif comes from the verb “to admire”) is determined by the fact that the linguist interpreted the concept as a certain sense of admiration or surprise, often having an ironic character. Further the development of this direction showed that admirative had the meaning of surprise rather than admiration. In this connection, in 1997, S. de Lancey first singled out this concept into a separate grammatical category. The scholar substantiates it by the fact that in a number of languages, such as Korean, Turkish, Tibetan, Dardic, Sanvar, etc., admirative has a separate grammatical expression. The identification of admirativeness as a separate linguistic phenomenon with a number of specific features has been still the subject of controversy among the researchers. Characteristics and distinctive features of admirativeness, allowing for the separation it from other similar categories will be considered later in the paper (Davletbaeva et al., 2013). In his writings, S. de Lancey uses the term “mirative”, thereby excluding its correlation with admiration introduced by O. Dozon from the meaning of the concept, and indicating that its primary function is to convey the subject’s astonishment. To date, the term “mirative” is widely used in English-language grammar. V.A. Plugnyan notes that the use of this term is more grounded from a typological point of view, however, the use of the concept “admirative” is often retained in domestic works (Smagina, 1996).

scholarly journals “NEXT TO GENIOUS”: G. FLAUBERT IN M.M. BAKHTIN’S THINKING

2021 ◽  
pp. 131-142
Author(s):  
Vitaliy Makhlin
Keyword(s):  
19Th Century ◽  
Critical Realism ◽  
World View ◽  
Point Of View ◽  
Literary Texts ◽  
The Novel ◽  
Human Beings ◽  
Artistic Vision ◽  
The 19Th Century ◽  
Methodological Difficulties

The article analyzes Bakhtin’s 1944 notes on Flaubert. Under discussion is, first, some general background of Bakhtin’s philosophical and scientific methodology as expressed in the notes, secondly, the notes themselves. Bakhtin’s views on Flaubert and the novel of the 19th century are re-presented in connection with the Russian thinker’s theories of the “grotesque realism” and “novelization”as opposed to the “ideological culture of the new times”. The article discusses some principal methodological difficulties of Bakhtinian approach to literary texts as expressed in his notes on Flaubert. In contrast to most philosophical approaches to literature, Bakhtin always treats any text, in his own expression, “in the liminal spheres” of different disciplines, that is, as both a philosopher and literary critic, a theorist and a historian of literature and culture. In these notes this specificity of the Bakhtinian methodology is expressed drastically, but in principal it is quite typical to his thinking “on the borders”. In the subsequent parts of the article Bakhtin’s approach to Flaubert’s “realism” is commented on, from the point of view of those elements of his artistic vision and his world view, which, according to Bakhtin, are not congruous with the concept of the so-called “critical realism”. These elements, Bakhtin implies, belong not so much to the classical novel of the 19th century, but, rather, to what he calls “grotesque realism” before the new times and in the 20th century. These elements are: mutual reversal of “short” and “long” (or “great” time in the images of the day, Flaubert’s artistic opposition to the “straightforwardness” of the idea of “progress” typical for the European Enlightenment and the modernity at large., the artist’s interest in the “elemental life” of human beings and animals. These and some other elements characteristic of Flaubert’s art and ideology, Bakhtin treats as if from within “creative consciousness” of the author.

scholarly journals “Life as Suffering”: the Motive of Revenge in the Novel by E. T. A. Hoffmann “The Marquis de la Pivardière” and the Novel by J. Janin “The Dead Donkey and the Guillotined Woman”

2021 ◽  
pp. 121-134
Author(s):  
N. M. Ilchenko ◽  
Yu. A. Marinina
Keyword(s):  
National Identity ◽  
Comparative Analysis ◽  
19Th Century ◽  
Point Of View ◽  
The Novel ◽  
National Image ◽  
Crime And Punishment ◽  
The Individual ◽  
The 19Th Century ◽  
The Universe

The motive of revenge is analyzed on the basis of the French topos, considered as a space of crime and punishment. It is noted that the novel by E. T. A. Hoffmann and the novel by J. Janin are united by attention to fate as a catastrophic concept inscribed in the picture of life in France. The relevance of the study is associated with the problems of the formation of national identity, national image by romantics of Germany and France. It is shown that the German romantic, who relied on fantasy as a means of understanding and cognizing life, became a model for J. Janin in the perception of “observed material”. Special attention is paid to the artistic embodiment of life as an “ugly abyss” in which the heroines of E. T. A. Hoffmann and J. Janin find themselves. The results of a comparative analysis of the novel, the action of which belongs to the second half of the 17th century are presented in the article. But the writer discusses the morals of the heroes from the point of view of the romantic canon, and the novel, the action of which is attributed to the end of the 20s of the 19th century. The novelty of the research is connected with the fact that the drama of human existence (female) is viewed as a result of the fragility of earthly existence, the loss of faith in the rationality of the universe. This approach made it possible to analyze the national forms of romanticism, the individual approach of Hoffmann and Janin to understanding the moral and the sinful.

How Does It Feel to Be a Trademark?

2017 ◽  
Author(s):  
Gregory S. Jay
Keyword(s):  
United States ◽  
African American ◽  
New Woman ◽  
The United States ◽  
Point Of View ◽  
The Novel ◽  
Film Version ◽  
Aunt Jemima

Hurst’s best-selling novel of the 1930s portrayed the life of a New Woman business tycoon and the African American maid whose family waffle recipe became the basis for an “Aunt Jemima” kind of product and fortune. Stereotypes such as the “mammy” and “tragic mulatta” are either damaging caricatures or images to expose racism, depending on the reader’s interpretation of the text. The novel’s use of limited point of view works to satirize Bea Pullman’s racism even as the novel looks sympathetically on her quasi-feminist ambitions. The decision of the light-skinned Peola to leave the United States presents an indictment of society’s racism, though it breaks her mother’s heart. The film version of the novel from 1934 offers an interesting comparison to more stereotypical black images in cinema at the time, though some critics still found it offensive.

scholarly journals Industrial Revolution and Technological Pattern: Essential Characteristics, Similarities and Distinctive Features

2021 ◽  
pp. 52-63
Author(s):  
Irina Averina
Keyword(s):  
20Th Century ◽  
Industrial Revolution ◽  
Point Of View ◽  
Economic Systems ◽  
Distinctive Features ◽  
Differential Development ◽  
National Economic ◽  
Stage Development ◽  
The 19Th Century ◽  
Industrial Revolutions

The article analyzes the evolution of the phenomena “technological order” and “industrial revolution”, which made it possible to form the author’s model for the phenomena under study. As a result of considering these characteristics of the designated economic indicators, groups of features were formulated that characterize the concepts from the point of view of identity, as well as groups of features indicating their main distinctive and specific characteristics. The study of the origin of these terms also influenced the possibility of defining these phenomena from the standpoint of the dynamic nature (origin, formation, development, transformation, adaptation) of each of the components within their stage-by-stage development. The indicated evolutionary character can be traced within the framework of the change of each of the technological orders (the first (1785– 1835), second (1830–1890), third (1880–1940), fourth (1930–1990), fifth (1985–2035), sixth (2010–2060)) and industrial revolutions (First (18th – 19th centuries), Second (second half of the 19th century – early 20th century), Third (1960 – the first decade of the 20th century, Fourth (2011 – up to the present time), which predetermines the differential development of national economic systems as a whole.

THE IDEA OF «COMMUNITY» IN THE GOVERNMENT CONCEPTS OF GALICIA OF THE XIX – BEGINNING OF THE XX CENTURY

2019 ◽  
pp. 15-21
Author(s):  
Liubomyr Ilyn
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Practical Significance ◽  
Distinctive Features ◽  
Legal Studies ◽  
Legal Principle ◽  
General Scientific ◽  
The Government ◽  
The Right ◽  
The 19Th Century

Purpose. The purpose of the article is to analyze and systematize the views of social and political thinkers of Galicia in the 19th - beginning of the 20th centuries. on the right and manner of organizing a nation-state as a cathedral. Method. The methodology includes a set of general scientific, special legal, special historical and philosophical methods of scientific knowledge, as well as the principles of objectivity, historicism, systematic and comprehensive. The problem-chronological approach made it possible to identify the main stages of the evolution of the content of the idea of catholicity in Galicia's legal thought of the 19th century. Results. It is established that the idea of catholicity, which was borrowed from church terminology, during the nineteenth century. acquired clear legal and philosophical features that turned it into an effective principle of achieving state unity and integrity. For the Ukrainian statesmen of the 19th century. the idea of catholicity became fundamental in view of the separation of Ukrainians between the Russian and Austro-Hungarian empires. The idea of unity of Ukrainians of Galicia and the Dnieper region, formulated for the first time by the members of the Russian Trinity, underwent a long evolution and received theoretical reflection in the work of Bachynsky's «Ukraine irredenta». It is established that catholicity should be understood as a legal principle, according to which decisions are made in dialogue, by consensus, and thus able to satisfy the absolute majority of citizens of the state. For Galician Ukrainians, the principle of unity in the nineteenth century. implemented through the prism of «state» and «international» approaches. Scientific novelty. The main stages of formation and development of the idea of catholicity in the views of social and political figures of Halychyna of the XIX – beginning of the XX centuries are highlighted in the work. and highlighting the distinctive features of «national statehood» that they promoted and understood as possible in the process of unification of Ukrainian lands into one state. Practical significance. The results of the study can be used in further historical and legal studies, preparation of special courses.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

The National Association of Professional Base Ball Players: The Origins of Professional Baseball and the American Identity

2012 ◽  
Vol 8 ◽  
Author(s):  
Eric Rosenberg
Keyword(s):  
New York ◽  
Professional Sports ◽  
The United States ◽  
American Identity ◽  
National Association ◽  
American Values ◽  
Primary Documents ◽  
American Tradition ◽  
Formative Experience ◽  
The 19Th Century

Baseball has been proudly coined “the national pastime” for nearly its entire existence. The sport evolved from several English bat and ball games and quickly became part of the American identity in the 19th century. Only a few decades after the first baseball club formed in New York City, amateur clubs began to organize into loose confederations as competition and glory entered a game originally associated with fraternal leisure. Soon after, clubs with enough fans and capital began to pay players for their services and by 1871 and league of solely professionals emerged. Known as The National Professional Base Ball Players Association, this league would only last five seasons but would lay the groundwork for the American tradition of professional sports that exists today. In this paper, I analyze the development of the sport of baseball into a professional industry alongside the concurrent industrialization and urbanization of the United States. I used primary documents from the era describing the growing popularity of the sport as well as modern historians’ accounts of early baseball. In addition, I rely on sources focusing on the changing American identity during this period known as The Gilded Age, which many attribute to be the beginnings of the modern understanding of American values. Ultimately, I conclude that baseball’s progression into a professional league from grassroots origins compared to a broader trend of the ideal American being viewed as urban, skilled, and affluent despite the majority not able to fit this characterization. How certain attributes become inherent to a group identity and the types of individuals able to communicate these messages are also explored. My analysis of the National Association of Professional Base Ball Players provides insight on the formative experience of the modern collective American identity and baseball’s place in it as our national pastime.

The Revolutionizing of the Revolution

2017 ◽  
Author(s):  
R. R. Palmer
Keyword(s):  
French Revolution ◽  
Point Of View ◽  
Strict Sense ◽  
French Government ◽  
Thing In Itself ◽  
Set Up ◽  
The Moment ◽  
The French Revolution ◽  
The Revolution

In 1792, the French Revolution became a thing in itself, an uncontrollable force that might eventually spend itself but which no one could direct or guide. The governments set up in Paris in the following years all faced the problem of holding together against forces more revolutionary than themselves. This chapter distinguishes two such forces for analytical purposes. There was a popular upheaval, an upsurge from below, sans-culottisme, which occurred only in France. Second, there was the “international” revolutionary agitation, which was not international in any strict sense, but only concurrent within the boundaries of various states as then organized. From the French point of view these were the “foreign” revolutionaries or sympathizers. The most radical of the “foreign” revolutionaries were seldom more than advanced political democrats. Repeatedly, however, from 1792 to 1799, these two forces tended to converge into one force in opposition to the French government of the moment.

Bipartisanship as Possible Alternative of Russian Political System Evolution

2018 ◽  
Vol 42 ◽  
pp. 256-265
Author(s):  
Konstantin V. Simonov ◽  
Stanislav P. Mitrakhovich
Keyword(s):  
United States ◽  
Detailed Analysis ◽  
Political System ◽  
Party System ◽  
Political Competition ◽  
The United States ◽  
Point Of View ◽  
Complex Structures ◽  
Practical Advice ◽  
Simultaneous Separation

The article examines the possibility of transfer to bipartisan system in Russia. The authors assess the benefits of the two-party system that include first of all the ensuring of actual political competition and authority alternativeness with simultaneous separation of minute non-system forces that may contribute to the country destabilization. The authors analyze the accompanying risks and show that the concept of the two-party system as the catalyst of elite schism is mostly exaggerated. The authors pay separate attention to the experience of bipartisan system implementation in other countries, including the United States. They offer detailed analysis of the generated concept of the bipartisanship crisis and show that this point of view doesn’t quite agree with the current political practice. The authors also examine the foreign experience of the single-party system. They show that the success of the said system is mostly insubstantial, besides many of such systems have altered into more complex structures, while commentators very often use not the actual information but the established myths about this or that country. The authors also offer practical advice regarding the potential technologies of transition to the bipartisan system in Russia.

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