scholarly journals Industrial Revolution and Technological Pattern: Essential Characteristics, Similarities and Distinctive Features

Author(s):  
Irina Averina

The article analyzes the evolution of the phenomena “technological order” and “industrial revolution”, which made it possible to form the author’s model for the phenomena under study. As a result of considering these characteristics of the designated economic indicators, groups of features were formulated that characterize the concepts from the point of view of identity, as well as groups of features indicating their main distinctive and specific characteristics. The study of the origin of these terms also influenced the possibility of defining these phenomena from the standpoint of the dynamic nature (origin, formation, development, transformation, adaptation) of each of the components within their stage-by-stage development. The indicated evolutionary character can be traced within the framework of the change of each of the technological orders (the first (1785– 1835), second (1830–1890), third (1880–1940), fourth (1930–1990), fifth (1985–2035), sixth (2010–2060)) and industrial revolutions (First (18th – 19th centuries), Second (second half of the 19th century – early 20th century), Third (1960 – the first decade of the 20th century, Fourth (2011 – up to the present time), which predetermines the differential development of national economic systems as a whole.

2019 ◽  
Vol 8 (7) ◽  
Author(s):  
Elena K. Kuzmina ◽  
Gulnara G. Nazarova ◽  
Lilia R. Nizameeva ◽  
Gérard Broussois

The comprehension of admirativeness as an independent category took place relatively recently – at the end of the 20th century. Until now, some scholars have not recognized an independent character of admirative. However, in recent years there has been an increasingly noticeable tendency to recognize the separate role of admirativeness and to indicate that the expression of surprise evoked by unexpected information cannot be combined with similar meanings. At the same time, the ways and degree of expression of admirativeness in different language systems vary significantly. The introduction of such grammatical category as admirativeness and the term “admirative” refers to the second half of the 19th century. In 1879, O. Dozon coined the term in his works on the Albanian language. The choice of this name (Fr. admiratif comes from the verb “to admire”) is determined by the fact that the linguist interpreted the concept as a certain sense of admiration or surprise, often having an ironic character. Further the development of this direction showed that admirative had the meaning of surprise rather than admiration. In this connection, in 1997, S. de Lancey first singled out this concept into a separate grammatical category. The scholar substantiates it by the fact that in a number of languages, such as Korean, Turkish, Tibetan, Dardic, Sanvar, etc., admirative has a separate grammatical expression. The identification of admirativeness as a separate linguistic phenomenon with a number of specific features has been still the subject of controversy among the researchers. Characteristics and distinctive features of admirativeness, allowing for the separation it from other similar categories will be considered later in the paper (Davletbaeva et al., 2013). In his writings, S. de Lancey uses the term “mirative”, thereby excluding its correlation with admiration introduced by O. Dozon from the meaning of the concept, and indicating that its primary function is to convey the subject’s astonishment. To date, the term “mirative” is widely used in English-language grammar. V.A. Plugnyan notes that the use of this term is more grounded from a typological point of view, however, the use of the concept “admirative” is often retained in domestic works (Smagina, 1996).


Author(s):  
Irina Averina

The article analyzes the evolution of the “Industrial Revolution” phenomenon, which makes it possible to form the author’s position on the phenomenon under study, contributing to the transformation of the economic system of society at similar stages of its development as a whole. Four Industrial Revolutions are analyzed in terms of the existing prerequisites for the transition in accordance with the time intervals of each of them, as well as the factors that influenced the analyzed phenomenon. The main features of the first (18th – 19th centuries), second (second half of the 19th century – early 20th century), third (1960 – the first decade of the 21st century), fourth (2011 – up to the present time) industrial revolutions are defined. Based on the system analysis, the components of each of the industrial revolutions are identified, as well as the factors (hindering their development or having a beneficial effect on it) that have had a different impact on them. The economic and institutional aspects of all industrial revolutions are reflected, as well as their impact on economic systems on a global and national scale is shown. As a result of the study, the features of the development of economic systems at various levels that accompany the “entry” of states into the realities of the Industrial Revolution 4.0 were revealed, and the possibilities of their further adaptation and transformation in the future were indicated.


1996 ◽  
Vol 23 (3) ◽  
pp. 347-364
Author(s):  
Federico Albano Leoni ◽  
Francesca M. Dovetto

Summary The basic idea of the modern Motor Theory of Speech Perception (Liberman et al. 1963) is that “the perception of speech is tightly linked to the feedback from the speaker’s own articulatory movements”. In this paper we try to show how the same idea was already formulated by the French philosopher Maine de Biran (1805) and taken up in the second half of the 19th century by psychologists (like Steinthal) and linguists (like Kruszewski and Paul). However, whereas in the 19th century the articulatory point of view was not only dominant, but also the only one incorporated in a general theory of language, in the 20th century the articulatory perspective is supplemented by the acoustic one (cf. Malmberg 1967). This was only hinted at by Ferdinand de Saussure in the Cours, but fully expressed in Jakobson & Halle (1956). In this respect, Liberman’s Motor Theory is to be considered much less original than it has been claimed.


2017 ◽  
Vol 10 ◽  
pp. 15-38
Author(s):  
Jacek Kolbuszewski

Mountaineering, tourism and literature at the turn of the 20th century — links and relations.A preliminary outlineThe second half of the 19th and the early 20th century were marked by extremely significant changes in mountaineering, tourism and literature, changes which can be described metaphorically as the vanguard of 20th-century modernity. Of great importance to the development of both mountaineering and mountain tourism was the creation of associations bringing together tourists and mountaineers, mountain lovers. The associations focused mainly on promoting mountain tourism, making the mountains more accessible building paths, trails, hostels and trying to protect the mountains against the effects of human impact and other civilisational processes — economic, social and technological. The increasingly evident division into mountaineering exploring the mountains by climbing them and tourism, and the spread of this tourism in all mountain ranges in Europe made mountaineering aspecialised form of communing with the mountains, requiring special qualifications and equipment. At the same mountain tourism became amulti-layered phe­nomenon, as it encompassed, in addition to the “classic” tourism “with backpacks”, resort tourism involving walks, atype of tourism playing an important role in socialising and styles of behaviour, completely different from the models characteristic of tourism in the first half of the 19th century. This led to the emergence of characteristic styles of this tourism, which was becoming an important element of bourgeois popular culture, aprocess that immediately resonated in literature. In the second half of the 19th and the first decade of the 20th century the substantial growth in the number of tourists arriving in mountain villages led to their rapid civilisational and economic development. However, the concept of building mountain railways that were to bring people closer to the most precious asset of the mountains — their intact primeval nature — was asimple extension of the sedentary lifestyle. The development of mountaineering consisted in traversing increasingly difficult routes. This involved not just the ordinary climbing of peaks, but traversing mountain walls. In 1880 and 1881, Albert Frederick Mummery, climbing Grands Charmoz 3,455 m and Grépon 3,482 m, became the first man to traverse extremely difficult routes Grade 5 in the Welzenbach scale. In 1884 Walter Parry Haskett Smith decided to traverse agrade 3 difficult route on his own and two years later he climbed the twenty-metre Lapes Needle in the Lake District, England, which gave rise to competitive climbing, adiscipline distinct from mountaineering. Mountaineers also produced literary works Eugčne Rambert. The so-called “Alpine literature” “la littérature alpestre” encompassed, as its unique variety, par excellence Alpine literature providing an image of the mountains from the point of view of mountaineering and way of approaching mountaineering. Its leading exponents were Edward Whymper and Leslie Stephen; Albert Frederic Mummery 1855–1895 won considerable renown as the author of My climbs in the Alps and Caucasus 1895 as did Henry Russel-Killough 1834–1909 regarded as excellent writer and aman who made a great contribution to the exploration of the Pyrenees Souvenirs d’un Montagnard, 1908. On the other hand, the ideological motivation of Polish mountaineering echoed with the philosophy of Friedrich Nietzsche, Arthur Schopenhauer and Henri Bergson, introducing the subject of mountain climbing into highbrow literature.


Author(s):  
Estrella Ramírez Quesada

This paper focuses on loanword phonology in the context of Spanish words that have become part of the English lexicon in the 20th century. The background section shows that attention has been paid to Spanish words used in English from a lexical point of view, but scarcely regarding phonology. Furthermore, the few existing studies of loanword phonology do not deal in depth with Spanish and English as an example of crosslinguistic contact. Therefore, this paper aims at contributing to the explanation of the phonological adaptations occurring in Spanish words when integrated into English, and therefore the conditions of English phonology that operate in the process of perception and production of Spanish loanwords. In doing so, two areas of interest are analysed: vowel phonemes and consonant phonemes, mainly in relation to their distinctive features and the distribution of units and also considering related phenomena such as phonetic and orthographical factors.


Author(s):  
Katherine Turk

Throughout American history, gender, meaning notions of essential differences between women and men, has shaped how Americans have defined and engaged in productive activity. Work has been a key site where gendered inequalities have been produced, but work has also been a crucible for rights claims that have challenged those inequalities. Federal and state governments long played a central role in generating and upholding gendered policy. Workers and advocates have debated whether to advance laboring women’s cause by demanding equality with men or different treatment that accounted for women’s distinct responsibilities and disadvantages. Beginning in the colonial period, constructions of dependence and independence derived from the heterosexual nuclear family underscored a gendered division of labor that assigned distinct tasks to the sexes, albeit varied by race and class. In the 19th century, gendered expectations shaped all workers’ experiences of the Industrial Revolution, slavery and its abolition, and the ideology of free labor. Early 20th-century reform movements sought to beat back the excesses of industrial capitalism by defining the sexes against each other, demanding protective labor laws for white women while framing work done by women of color and men as properly unregulated. Policymakers reinforced this framework in the 1930s as they built a welfare state that was rooted in gendered and racialized constructions of citizenship. In the second half of the 20th century, labor rights claims that reasoned from the sexes’ distinctiveness increasingly gave way to assertions of sex equality, even as the meaning of that equality was contested. As the sex equality paradigm triumphed in the late 20th and early 21st centuries, seismic economic shifts and a conservative business climate narrowed the potential of sex equality laws to deliver substantive changes to workers.


1976 ◽  
Vol 11 (2) ◽  
pp. 143-155
Author(s):  
Manuel Medina

SPAIN IS A EUROPEAN COUNTRY, AT LEAST FROM A GEOGRAPHICAL point of view. Culturally and historically it is part of Western Europe. During most of the 19th century and the first third of the 20th century it enjoyed constitutional government in one form or another. The liberal revolution of 1820 was the first outbreak of rebellion against the legitimist order imposed by the Holy Alliance in continental Europe. Men, institutions and parties of the Spanish Republic of 1931–36 were of European stature.


Author(s):  
Tiago Cruz ◽  
Fernando Paulino ◽  
Mirian Tavares

The landscape genre in art is something that has not been explored until today, despite being a dominant genre until the 20th century. During the industrial revolution, in the context of cinema, photography, and other media, this genre continues its strong presence. However, it is not so clear what happens with the advent of digital media. In this context, the authors contextualize landscape, having visual culture and social semiotics as their point of view, and present a set of digital media-art artefacts that are taken as references to the way the topic has been approached and explored and where digital media assume themselves as tools and products in the construction and presentation of the artistic work. The objective will be to expose how the concept of landscape evolves, and it is presented in the scope of digital media-art.


2020 ◽  
Vol 65 (2) ◽  
pp. 173-186
Author(s):  
Vlad Dobroiu

"Frei Luís de Sousa by Almeida Garrett: a pragmatic analysis of the theatre dialogue. In this article, we analyse, from a pragmatic point of view, the dialogue of the play Frei Luís de Sousa by Almeida Garrett and its translation made by Maxime Formont at the beginning of the 20th century and published in Livourne. We focus on the strategies used by the participants in the theatre discourse in order to consolidate and sometimes even to renegotiate their interpersonal relationship. Our main interest concerns the use of nouns and pronouns in the 1st Act. For a better understanding of the socio-historical context of this play, we propose a short introduction to the 19th century, in Portugal. We also present and analyse some important para-textual pieces of information that accompany the translation made by Maxime Formont. Keywords: translation, theatre discourse, politeness, pragmatics, Almeida Garrett."


Arabica ◽  
2018 ◽  
Vol 65 (1-2) ◽  
pp. 207-232
Author(s):  
Katia Ghosn

Abstract Contemporary Egyptian author Aḥmad Murād writes works of fiction as well as crime novels. The detective genre emerged very late on the Arab literary scene in comparison to its birth in the 19th century in the West. Al-Fīl al-azraq (The blue elephant), that we are about to analyse, is based on a psychological story. It fits into the matrix of the black novel as it appeared in the United States in the interwar period and incorporates many of its strategies. In this article, we will try to uncover the processes of “decredibilization” established in the novel, in order to create “undecidability” as to the outcome of the investigation and to set up, from a hermeneutic point of view, some confusion of meaning. We will try subsequently to underline the distinctive features of the generic model of the novel, prominent among which, the open structure, the fantastic themes, the use of the vernacular and a certain social realism outlook.


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