‘Thus am I accustomed to treat friends’

Author(s):  
Joanna Woodall

This contribution focuses on a superb Dutch wine glass or roemer engraved by Maria Roemers Visscher (‘Tesselschade’) with the Latin motto, Sic Soleo Amicos (‘Thus am I accustomed to treat friends’). Roemers’ roemer is shown actively to have participated in a coterie of cultured men and women initially centred on her father Roemer Pieterszoon Visscher, whose friendly gatherings in the 1610s were animated by wine, song, emblems, poetry and comic and satirical literature. The roemer’s inscription characterises it as a speaking subject within this milieu and evokes the intersubjective character of friendships that were enacted through puns, metaphors, ironic wit and at times amorous play. The performance of mixed friendship through the gendered artistic practice of glass-engraving is compared with the pleasurable game of connecting word and image in emblems. Such activities both gave rein to, and reined in, embodied friendships between elite women and men within a pleasure-loving yet patriarchal society.

2017 ◽  
Vol 80 (1) ◽  
pp. 127-155
Author(s):  
Eleanor F. Moseman

Abstract The Surrealist artist Richard Oelze’s postwar enterprise was one of inner reflection and personal questioning linked to the broader project of coming to terms with the past. The essay takes a critical view of his artworks and his automatist Wortskizzen to assess the manner and extent to which Oelze utilizes his artistic practice as a mode of working through his, and Germany’s, complicity with the Nazi regime. Analysis of the Wortskizzen exposes how verbal probing informs Oelze’s visual expression of inner turmoil, while implied gaps and voids in paintings and drawings puncture space as well as time, illuminating memory and blending the past with the present. Oelze’s serious play with word and image in turn invites his viewers to release repressed memories through reflective contemplation.


ULUMUNA ◽  
2006 ◽  
Vol 10 (2) ◽  
pp. 215-236
Author(s):  
Atun Wardatun

Some people presume that feminisms are permissive for pornography due to the fact that many women support pornography as an expression of women’s freedom. By critical reading and analysis of radical feminism point of view on women’s sexuality, this work proves that feminisms are ant pornography. Pornography, since it always puts women as the object, is violence against women, dehumanization, and colonialization of women by the domination of patriarchal society. There is no way for women to minimize—if not to bring to an end—  pornography but to start realizing that women are the blamed victims and keep on struggling for gaining equal distribution of power between men and women. Besides, women have to ensure that women are not the only party who have responsibilities for moral degradation of society but at the same time women must be the one as the primary controller for their own body and life.


1992 ◽  
Vol 33 (2) ◽  
pp. 154-166
Author(s):  
Glen W. Gadberry

While earlier dramatists treated Medea as a dramatic character, it was Euripides who gave her enduring theatrical prominence. Beyond crafting a timely attack upon a treacherous Corinth to appeal to Athens at the start of the Peloponnesian War, Euripides developed Medea to question the social role of women within a proudly patriarchal society. And he may have been the first to make Medea a non-Greek, a Colchian, a “barbarian”—a term that had become more derisive in the fifth century. In the Golden Age, a female foreigner was marginalized by gender and by heritage/race/ethnicity; a justified or sympathetic Medea challenged Athenian prejudices about both. Yet this Medea is problematic: a seriously aggrieved wife is driven to horrible acts against Greeks—Jason, his sons, the king of Corinth, and as a complicating fillip of multi-gender vengeance, the female rival. Our sympathies are subverted: a wronged Medea could also be a bloody figure of feminine and alien power, fatal to men and women, public and domestic order.


2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Fransiska Rahayu Myrlinda

ABSTRACT             Being males and females is biologically constructed since human beings were born. Meanwhile, there is also strict distinction done by society to divide people into men and women or usually called as doing gender stereotype. It effects on different assumptions that are attached to them. As the result, people are categorized based on their own gender roles in society. Java, as the symbol of patriarchal society, is the ethnic which agrees with this social phenomenon. Its beliefs symbolize how men and women have different social status. It also results in different gender roles. SITI is the film which deals with this phenomenon. It shows that being “obedient” Javanese women will give effect on social status towards different genders. The theories of sex and gender and also patriarchal society were used to get the reliable data. Keywords: SITI, Sex and Gender, Inequality, Javanese’s beliefs ABSTRAK                 Menjadi pria dan wanita secara biologis dibangun sejak manusia dilahirkan. Sementara itu, ada juga perbedaan mendalam yang masyarakat lakukan untuk membagi manusia menjadi pria dan wanita atau biasa disebut sebagai stereotip di gender. Hal ini berpengaruh pada perbedaan asumsi yang melekat padanya. Sebagai akibat, manusia dikategorikan berdasarkan peran gender mereka sendiri di masyarakat. Jawa, sebagai simbol masyarakat patriarkal, adalah etnis yang setuju dengan fenomena sosial ini. Kepercayaan yang ada pada masyarakat Jawa melambangkan bagaimana pria dan wanita memiliki status sosial yang berbeda. Hal ini juga menghasilkan peran gender yang berbeda. SITI adalah film yang merepresentasikan fenomena ini. Film ini menunjukkan bahwa sebagai perempuan Jawa yang “taat” akan memberikan efek pada status sosial dari gender yang berbeda. Teori seks dan gender serta masyarakat patriarki digunakan untuk mendapatkan data yang sesuai. Kata Kunci: SITI, Teori seks dan gender, Ketidaksetaraan, Kepercayaan Jawa


Author(s):  
Elisabeth van Houts

This chapter discusses topics such as husbands’ authority and wifely advice, marital violence and collaboration, and shared responsibilities. Once married the husband became the head of the household and the wife fell under his authority. Patriarchal society was based on this inbuilt inequality that consisted often in a precarious balance between the husband, having to show that he was up to his authoritarian role, and the wife understanding her submissive position. A mutual sense of responsibility for their life together was often the glue that kept a couple together. This sense of mutual responsibility was naturally stronger the more affective the relationship was. Both men and women had a role in marriage, and increasingly society recognized that durable indissoluble unions had more chance of success if the couple were compatible, attracted to each other, and prepared to give the relationship a chance.


2021 ◽  
pp. 002581722110183
Author(s):  
Samata Nepal ◽  
Alok Atreya ◽  
Binu Nepal ◽  
Richa Shah ◽  
Rolina Dhital ◽  
...  

The Nepalese constitution guarantees equal rights to both men and women regardless of caste, race, or ethnicity. However, the centuries-old superstitious practice of caste-based hierarchy in the Hindu community and discrimination against people of lower caste are still prevalent. Furthermore, witchcraft allegations are also not uncommon. Both these practices are derogatory and humiliating and violate human rights, and the law can penalise them in both instances. Due to the intersection of gender and caste, women often face multiple forms of discrimination and violence as the patriarchal society considers them a weaker gender. The present study aimed to see the trend of crimes upon women reported by Nepal Police in the form of witchcraft allegations and untouchability between the fiscal years 2013/14 and 2019/20.


2021 ◽  
pp. 11-13
Author(s):  
Alexander Golovinov ◽  
Yulia Golovinova

This publication is aimed at gaining the insight into the concept of "gender equality". The article shows that the growing need for understanding the principle of gender equality at the philosophical and legal level is caused by the trends themselves within the changing legislation. The authors have specified that according to the generally accepted position, gender equality is understood as an absolutely identical   range of opportunities. The participation and presence of both sexes in every area of society is an integral part of the legal equality of men and women. It is noted that value of women is heatedly discussed,  as they are seen as an abnormal group from the point of view of a patriarchal society. All above is ultimately aimed at finding legal constructs that minimize the hierarchy of differences between the genders.


2018 ◽  
Vol 1 (3) ◽  
pp. 148
Author(s):  
Dr. Manjola Xhaferri ◽  
Mirela Tase

This thesis is about women in Kruja, who every day deal with challenges and perspectives to go forward with their lives. I argue that the status and the role of Krutan women are mostly restricted from the impact of a patriarchal society, fanaticism and negative mentality, beside the lack of opportunities that are in place in Kruja. The other stresses include economic issues. Change will come if all the society, girls and boys, men and women, are willing to undertake it.


2013 ◽  
Vol 7 (1) ◽  
pp. 24 ◽  
Author(s):  
Cendrawaty Tjong

Feminism refers to the social ideological trends that women ask for equal rights as well as the results of ideology when women know the world, the ego, and the sexual relationship in their process of seeking self-liberation. This paper starts with describing the periods in which Indonesian women acknowledged and was associated with western feminism as well as analyzing its period of development. This paper aims at researching the feminism idelology of Pramoedya Ananta Toer, a leading Indonesian writer, including the factors which affect his opinion on women and the expression of his feminism, which is richly displayed throughout his works. The finding of this research shows that in Pramoedya Ananta Toer’s perspective, equality between men and women is manifested in the partnership between men and women, that this partnership is applied in every aspect of lives, which is advanced-throught in Indonesian’s patriarchal society.


Author(s):  
Hema. R, Et. al.

The present paper analyses the women characters Urvashi, Sreelakhmi, Brinda and Najma in the novel Eating Wasps. The protagonist is the ghost of Sreelakshmi and she takes the readers through the lives of other women in the novel. Anita Nair portrays the confined lives of women even in the modern society. She portrays a society that considers women’s desires as a sin. Gender roles are deeply engrained in the minds of both men and women in a patriarchal society. The family and society consider women’s desires as unnatural. They are silenced and are forced to live a life they despise. The paper discusses the shame and guilt faced by the women in the novel and the gender discrepancies in the society.


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