scholarly journals Growing public spaces in the city: Community gardening and the making of new urban environments of publicness

Urban Studies ◽  
2021 ◽  
pp. 004209802097228
Author(s):  
Paul Milbourne

The demise of public space in cities across the Global North has received considerable scrutiny from urban scholars in recent years, with accounts of the loss, privatisation and increased regulation of public space prevalent within the academic literature. This paper seeks to complicate these dominant narratives of public space transformation by exploring the complexities of existing public spaces and the emergence of new spaces of publicness in the city. It uses a case study of community gardening in mundane and everyday neighbourhood spaces to provide a more nuanced and progressive reading of the relations between publicness and space in the city. Drawing on empirical materials from recent research on community gardening projects in 15 cities in Australia, Canada, the UK and the USA, the paper highlights how community gardening is creating new environments of publicness across public, private and in-between spaces that complicate both the end of public space discourse and conventional understandings of public space within urban studies.

2018 ◽  
Vol 13 ◽  
pp. 18-27
Author(s):  
Aurelija Daugelaite ◽  
Indre Gražulevičiūte-Vileniške ◽  
Mantas Landauskas

The concept of urban acupuncture, which has been gaining ground in recent decades, is based on the activation and revitalization of urban environments using small architectural or landscape architectural interventions in precise carefully selected locations of urban fabric. However, the rapid and unexpected design solutions of urban acupuncture, based on ecological design, nature dynamics, street art, material re-use, can cause different social and psychological reactions of urban population and these reactions may vary depending on cultural contexts. Consequently, in order to implement successful urban acupuncture projects in Lithuanian cities, it is very important to find out public opinion and priorities in the fields of public space management, aesthetics, and public art. The aim of the research was to analyze the opinion of Kaunas city residents regarding these issues. For this purpose, a sociological questionnaire survey was used. The questionnaire containing 20 questions was designed, with the aim to find out the trends of use of public spaces in the city, the attitudes of residents towards street art and other small-scale initiatives in public spaces implemented in the recent years, possibilities of creating landscape architecture based on ecological ideas in urban environment, the attitude of inhabitants towards community spaces and community space design in the city, etc. 100 residents of Kaunas participated in this online administered survey. The survey has demonstrated general positive attitude towards contemporary design trends of public spaces and public art; however, the surveyed population expressed preferences towards fully equipped public spaces offering possibilities for a wide range of activities.


NALARs ◽  
2021 ◽  
Vol 20 (2) ◽  
pp. 99
Author(s):  
Serafiani Turkaemly Eka Putri

ABSTRAK. Tujuan penelitian adalah untuk mengetahui bagaimana makna ataupun nilai dari Taman Budaya Yogyakarta bagi masyarakat mengingat keberadaannya sebagai pusat kesenian dan kebudayaan di Yogyakarta. Setiap ruang publik seharusnya tidak hanya hadir secara fisik akan tetapi dapat memberi rasa atau makna tersendiri bagi kota (“places” matter most), bagaimana suatu ruang publik dapat memenuhi kebutuhan masyarakat kota akan adanya sebuah wadah interaksi sosial antar masyarakat. Taman Budaya Yogyakarta merupakan salah satu ruang publik yang dijadikan masyarakat sebagai tempat berekreasi serta aktivitas seni dan kebudayaan. Taman Budaya Yogyakarta atau yang dulu disebut dengan Purna Budaya, pertama kali dibangun pada tanggal 11 Maret 1977 di daerah kawasan Universitas Gadjah Mada. Taman Budaya dibangun kembali pada tahun 2002 di Kawasan Gondomanan. Metode yang digunakan adalah dengan melakukan wawancara secara online melalui aplikasi WhatsApp serta metode studi pustaka. Hasilnya, diketahui bahwa Taman Budaya Yogyakarta memiliki makna kultural, makna sosial (interaksi individu dengan lingkungannya), makna pentingnya relasi antar manusia, dan memiliki makna harmonisasi kehidupan sosial dan budaya. Makna suatu ruang publik bisa terbentuk dari tatanan serta keadaaan fisik ruangnya. Kata kunci: Makna, Ruang Terbuka Publik, Taman Budaya Yogyakarta ABSTRACT. This study aims to find out how the meaning or value of the Taman Budaya Yogyakarta for the community, given its existence as a centre for arts and culture in Yogyakarta. Every public space should not only be physically present but can give a sense or meaning to the city ("place" matter most), how public space can meet the needs of the city community for a place of social interaction between communities. Taman Budaya Yogyakarta is one of the public spaces used by the community as a place of recreation and artistic and cultural activities. Taman Budaya Yogyakarta or formerly called Purna Budaya was first built on March 11, 1977, in the area of Gadjah Mada University. The Cultural Park was rebuilt in 2002 in the Gondomanan Region. The method used is to conduct online interviews through the WhatsApp application and literature study method. As a result, it is known that the Taman Budaya Yogyakarta has a cultural meaning, a social meaning (the interaction of individuals with their environment), the importance of relationships between people, and meaning of harmony in social and cultural life. The meaning of a public space can be formed from the physical structure and condition of the space.Keywords: Meaning, Public Space, Taman Budaya Yogyakarta


Author(s):  
Olena Oliinyk

Abstract. The article substantiates the need to complete the formation of an integrated network of pedestrian spaces in the historic center of Kiev. Now the historic center covers three hills - the Upper Town, Pechersk and Kiev-Pechersk Lavra. However, the problem of creating an integrated network of pedestrian connections in the historic center of Kyiv has not yet been solved, and its formation is one of the urgent tasks today. After all, the creation of a holistic system of pedestrian ways in the historic city makes it possible to increase its tourist potential and ensure the preservation and development of historical and cultural heritage. The author proposes a method of spatial analysis to assess the state of public spaces in the city. The author's comparative analysis of two cities in the UK confirmed the importance and cost-effectiveness of pedestrian public spaces. It is noted that the existing transport infrastructure of the city of Kyiv does not provide for the formation of new pedestrian zones. The author analyzes the central squares of Kyiv: Independence Square, Troitska, Tolstoy, European, Sofiyska, Mykhailivska, Lvivska and Peremohy Squares in terms of comfortable pedestrian movement and the availability of public places. It turned out that in terms of transport accessibility, they are convenient, but not suitable for pedestrians; by use - have mainly administrative, political functions; sometimes - cultural; by category of comfort - are inconvenient, there are no sanitary conditions, places for sitting, rest, greens; these are mainly transport interchanges; by category of social function - meeting places, commercial spaces; there are no signs of identity. Means of forming a network of pedestrian public spaces and proposals for the design of individual fragments of the city are proposed. The author determines how transit space and stationary spaces are used, whether it is possible to use them as a citywide public space and connect it to the main axis along Volodymyrska and Khreschatyk.


2021 ◽  
Vol 7 (01) ◽  
pp. 92-104
Author(s):  
Gema Arifrahara

AbstrakPenggunaan tipografi spasial tiga dimensi sebagai media informasi sudah lazim adanya, bahkan di kota Bandung pada setiap taman saat ini menggunakan pendekatan kreatif environmental tipografi. Ruang publik taman kota selain berperan sebagai paru-paru kota juga berperan sebagai ruang interaksi masyarakat, sangat baik untuk psikologis masyarakat dan memberikan sensasi modern. Taman kota yang ada di kota Bandung hampir sering dijumpai menggunakan pendekatan tipografi spasial Sans Serif seperti pada; Taman Tegal Lega, Taman Lansia, Taman Fotography, Taman Petpark, Taman Superhero, dan Taman lainnya. Objek tipografi sans serif tiga dimensi diamati secara deskriptif terhadap karakteristik huruf secara keterbacaan, legibility, keterlihatan dan kejelasannya dengan metode pencarian data melalui observasi objek tipografi pada display nama identitas taman. Permanfaatan tipografi sans serif pada ruang publik kota hanya bersifat fungsional sebagai penguat identitas semata tidak ditujukan sebagai penguat karakter kultural maupun simbolis. Kata kunci: ruang publik, sans serif, taman kota Bandung, tipografi spasial AbstractThe use of three-dimensional spatial typography as a medium of information was commonly used, even in the city of Bandung in every park using a creative approach to environmental typography. Apart from its role as city lungs, public space city parks also became a space for the community to interact, psychological healing in the city community, and providing a modern sensation. City parks in Bandung are often using the spatial typographic approach of Sans Serif as; Tegal Lega Park, Senior Park, Photography Park, Petpark Park, Superhero Park, and other Parks. Three-dimensional sans serif typographical objects are observed descriptively to the characteristics of letters in readability, legibilities, visibility, and clarity with data search methods through the observation of typography objects on the display of park identity names. The utilization of  Sans Serif typographic in public spaces is only functional as an identity and it's not intended as a cultural or symbolic character booster. Keywords: Bandung city park, public space, sans serif, spatial typography


2021 ◽  
Vol 34 (2) ◽  
pp. 221
Author(s):  
Siti Aminah

The pedestrian transformation in Surabaya smart city system encountered critical problem for pedestrians because transformation as a public space has reduced citizens’ rights to the city. Dominant forces tend to subordinate street vendors or Pedagang Kaki Lima (PKL), who require public space. The city or urban government produces pedestrians as public spaces to support the ‘Smart City’ concept. This study explores the government’s ability to guarantee citizens’ rights to the city. In addition, this study seeks to observe the process of public space transformation in cities that implement smart city systems and analyze spatial street vendors’ practices in the pedestrian space. This research applies the right to cities and public space from a Marxian spatial perspective. This research is a case study that uses a qualitative method and interpretive analysis. Research findings indicate pedestrians’ paradox due to the government’s dispossession process to protect pedestrians through ‘furniturization’ policies that reduce smart city implementation. In conclusion, there are dynamics of spatial practice and social expression as pedestrian problems. The smart city system’s implementation causes the loss of fulfillment of the poor and street vendors’ needs and rights to participate inclusively in the social and political process in managing the city’s public spaces.


This article analyzes the main problems of urban public spaces, because today public spaces can determine the future of cities. It is noted that parks are multifunctional public spaces in the urban environment, as they are an important element of the citywide system of landscaping and recreation, perform health, cultural, educational, aesthetic and environmental functions. The article notes that the need for easily accessible and well-maintained urban parks remains, however, the state of parks in many cities of Russia remains unsatisfactory, requiring reconstruction. A brief historical background of the Park of Culture and Rest of the Soviet period in Omsk is expounded, the analysis of the existing territory of the Park is presented. It is revealed that the Park, being the largest public space in Omsk, does not meet the requirements of modern urbanism, although it represents a great potential for designing the space for the purpose of recreation of citizens. Performed functional zoning scheme of the territory of the Park in question, where its division into functional areas destined for active recreational users of the Park is presented, considered the interests of senior citizens, people with limited mobility, etc. Reconstruction of Parks of the Soviet period can provide the city with additional recreational opportunities, as well as increase its tourist attractiveness.


DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.


2020 ◽  
Vol 13 (1) ◽  
pp. 16-23
Author(s):  
Agatha Maisie Tjandra ◽  
Lalitya Talitha Pinasthika ◽  
Rangga Winantyo

In the recent five years, City parks have been developing rapidly in urban cities in Indonesia. Built in 2007, Taman Gajah Tunggal is one of the city parks located in Tangerang. This park is situated at The Center of Tangerang City on the edge of Cisadane River. Like many public spaces in Indonesia, this park has littering issues by visitors’ lack of care. This re- search is offered to develop social marketing by using a digital game for gaining awareness of Taman Gajah Tunggal’s visitors age 17-30 years old about littering issues. This paper focused on developing the prototyping process in iteration design method by using a digital game to suggest possibilities design for future development interactive installation design in public space which can bring a new experience.


2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.


Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.


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