Reading Antiquity in Metro Redux

2018 ◽  
Vol 15 (3) ◽  
pp. 308-327
Author(s):  
Chris Bishop

4A Games’s Metro Redux (2014) plays at the intersection of literature and video games. The suite consists of two games, the first of which ( Metro 2033) was based on the self-published novels of Dmitry Glukhovsky: Mempo 2033 (2005) and Mempo 2034 (2009). The games, like the novels, are set in the metro system of Moscow some 20 years after a nuclear apocalypse. Remnant communities, forced underground, congregate in stations that function as nascent city-states. Some stations are independent and unaligned, while others have formed factions (the mercantile “Hanza,” the communist “Red Line,” and the fascist “Fourth Reich”). A powerful central coalition, “Polis,” through the agency of its “Spartan” field agents, seems alone in its attempts to bring order to the metro and recolonize the ruined city above. But Polis and the Spartans are not the only such elements in Metro Redux, and players are quickly immersed in a landscape of Soviet neoclassicism, itself a polyvalent and highly politicized 20th-century Reception. This article will begin to explore what such receptions of Reception might mean. Does the Classical pulse, transmitted across multiple media, degrade to a point of white noise, meaningless and unintelligible? Or can we still find significance in the variation of reflection and transmission?

Çédille ◽  
2020 ◽  
pp. 565-591
Author(s):  
Antonella Lipscomb

The aim of this paper is to analyse the relationship between autobiography, pho-tography and autofiction in a selection of 20th century French autobiographies, such as Roland Barthes par Roland Barthes by Roland Barthes, L’Amant by Marguerite Duras, L´Image fantôme by Hervé Guibert. I will examine the complex relationship these auto-biographers maintain with the photographic portraits they choose to integrate or simply allude to in their autobiographies and show how the conflict between textual and visual images of the self reinforce the fine line between autobiography and autofiction.


2019 ◽  
pp. 21-26
Author(s):  
V. Christianto ◽  
◽  
◽  
F. Smarandache

It is known from history of mathematics, that Gödel submitted his two incompleteness theorems, which can be considered as one of hallmarks of modern mathematics in 20th century. Here we argue that Gödel incompleteness theorem and its self-referential paradox have not only put Hilbert’s axiomatic program into question, but he also opened up the problem deep inside the then popular Aristotelian Logic. Although there were some attempts to go beyond Aristotelian binary logic, including by Lukasiewicz’s three-valued logic, here we argue that the problem of self-referential paradox can be seen as reconcilable and solvable from Neutrosophic Logic perspective. Motivation of this paper: These authors are motivated to re-describe the self-referential paradox inherent in Godel incompleteness theorem. Contribution: This paper will show how Neutrosophic Logic offers a unique perspective and solution to Godel incompleteness theorem.


2002 ◽  
Vol 11 ◽  
pp. 179-194
Author(s):  
David W. Deamer

Movies are the myths of late-20th century western culture. Because of the power of films likeETto capture our imagination, we are more likely than past generations to accept the possibility that life exists elsewhere in our galaxy. Such a myth can be used to sketch the main themes of this chapter, which concern the origin of life on the Earth.


2018 ◽  
Vol 16 (41) ◽  
Author(s):  
Raquel Varela ◽  
Roberto Della Santa Barros

Com muita frequência é possível encontrar análises sobre a história europeia do séc. XX que não passam de justificações ideológicas do tempo presente, seja a partir de pressupostos a orbitar Washington ou premissas irradiadas desde Moscou, isso para não mencionar as teses pós-modernas ou neoconservadoras. Argumentamos nesse artigo que, para retomar a iniciativa e a luta pela autodeterminação dos trabalhadores e povos europeus, é preciso, também, uma nova escrita da história europeia recente. Nada disso é possível sem levar em conta a tradição intelectual e o movimento político que tem lugar a partir do legado de Karl Marx.Palavras-chave: Marx; Europa; história social; autodeterminação. Abstract −It is often possible to find analyses of 20th-century European history that are no more than ideological justifications of the present, whether asserting assumptions from Washington or premises from Moscow, not to mention postmodern or neoconservative theses. We argue in this article that in order to resume the initiative and struggle for the self-determination of European workers and peoples, a new writing of recent European history is also required. None of this is possible without taking into account the intellectual tradition and the political movement that emerged from the legacy of Karl Marx.Keywords: Marx; Europe; social history; self-determination.


Problemos ◽  
2020 ◽  
Vol 98 ◽  
pp. 154-169
Author(s):  
Natalia Artemenko

The article dwells upon the issue of a subject intrinsic to the art of the 70s and 80s of the 20th century, it elicits the reasons determining the problematization of “the Self” category inherent in the aesthetic program of the Moscow Conceptualism, preeminently with regards to the works of Dmitry Prigov. “The crisis of the language describing ‘the Self’” has been considered as discrediting the dominant discursive models, disabling the possibility of individual expressing. Within the first part of the article we problematize “the Self” category inherent in the aesthetic program of the Moscow Conceptualism, examine the dominant discursive models and denote the crisis of the language describing “the Self.” The second part is devoted to the issue of “the personal consciousness” coming into being within the aesthetic program of Moscow Conceptualism. The Self is considered as a “category of categories” in dichotomy between “the collective” and “individual” ones. Finally, the third part represents the analysis of a subject of the aesthetic activity. “An imaginary personality” intrinsic to the works of Dmitry Prigov is considered as a subject of “a gnoseological game.”


2016 ◽  
Vol 55 (1-2) ◽  
Author(s):  
Beatrix Visy

The self-definition of Szilárd Borbély’s only novel – limited fiction based on biographical elements – makes biographical and referential readings possible, thus we can interpret the text as the novel of 20th century poverty and traumatised childhood. However, the aspects of interpretation are concerned with the methods of fiction, the existential and metaphysical questions of the book: the child narrator’s tone offers the vision of a childhood rolling in an eternal present. This, together with the amnesia that interweaves the whole text, suggests a hopeless state of being. The feelings of otherness and solitariness, the signs of the absurdity of waiting for a Messiah and the representation of misery expand to an antrophological stance. New meanings can be attributed to the image of desperate human existence by the motif of prime numbers. The novels of Péter Esterházy, Sándor Tar and Tibor Noé Kiss are also discussed in connection with the representation of poverty and teodicea.


2020 ◽  
Vol 24 (2) ◽  
pp. 43-61
Author(s):  
Seán Manning ◽  
Dave Nicholls

Beginning with the experience of working with men in prison and others who have considerable prison experience, all of whom have long criminal histories, and considering Aotearoa’s relatively high rate of imprisonment, particularly of indigenous people, this paper attempts to describe a theory of self as a performative assembly, rather than as a developmental achievement, which is the dominant view in psychotherapy. In doing so, a brief history of the self from the beginning of the 20th century is presented, illustrating how the self changes, not just in an individual subjectivity, but between eras in the history of Western society. This perspective is used to understand how a “criminal self” might develop as a product of incarceration and as a natural extension of the self in the neoliberal era, and why it might prove resistant to psychotherapeutic intervention. Drawing on the work of Foucault, Rose, and Butler, among others, the concept of “intoxicating performativity” is introduced. The role of anger as an antidote to fragmentation is explored. Some thoughts are added about why indigenous people are overrepresented in prison compared to the population at large.


Author(s):  
Jacques Caroux ◽  
Pierre Rajotte
Keyword(s):  
The Self ◽  

Dans cet article, notre enjeu a été d’explorer les différentes modalités du rapport à soi et aux autres s’exprimant dans les récits de voyageurs et de pèlerins québécois du XXe siècle. À partir de l’analyse de plus de soixante récits, nous avons dégagé trois configurations culturelles témoignant de changements importants dans la façon de présenter son identité et d’envisager d’autres cultures, d’autres modes de vie. De l’affirmation endogamique de soi s’articulant à une dévalorisation des autres, nous passons à la recherche chez l’autre d’un trésor perdu puis à une tentative de reconstruction identitaire permettant au soi d’affirmer sa singularité. Abstract In this paper, the aim was to explore the different representations of the relation to the Self and the Other as expressed in Quebec travelers’ and pilgrims’ accounts of the 20th century. Through the study of more than sixty accounts, three cultural configurations that reveal important changes in the ways to represent one’s identity and to contemplate other cultures were observed. First there is an endogamic affirmation of the Self hinging on the disparagement of the Other, then there is the Self seeking in the Other a lost treasure, and finally comes an attempt to reconstruct the identity of the Self, allowing it to assert its singularity.


Author(s):  
Natalie Jomini Stroud ◽  
Soohee Kim ◽  
Joshua M. Scacco

Humans strive for cognitive consistency, at least according to the theory of cognitive dissonance and a host of consistency theories that emerged in the mid-20th century. The theory of cognitive dissonance was advanced by Leon Festinger in the 1950s. It proposes that inconsistencies among our beliefs, attitudes, knowledge, and/or behavior can give rise to the uncomfortable feeling of cognitive dissonance. Upon experiencing this feeling, humans are motivated to reduce it in order to return to a more consistent state. Although Festinger theorized that cognitive dissonance can occur, he did not suggest that cognitive dissonance always occurs when people are faced with inconsistency. He noted that the experience of dissonance depends upon three factors: (a) the number of consonant elements, (b) the number of dissonant elements, and (c) the importance of each element. A more important dissonant belief will cause more cognitive dissonance than a less important dissonant belief. One dissonant belief and many consonant beliefs will produce less dissonance than many dissonant and many consonant beliefs. The experience of dissonance can motivate people to engage in any of a number of dissonance reduction strategies. The objectives of these strategies are to (a) increase the number and/or importance of consonant elements and/or (b) to decrease the number and/or importance of dissonant elements. This can be done by changing one’s attitudes, beliefs, or behaviors. This also can be done by seeking agreeable information and avoiding discrepant information. Over the years, many modifications to the theory have been proposed. Some researchers, for example, have argued that the theory works mainly with respect to cognitive elements related to the self. Despite proposed modifications, scholars continue to draw from the original theory. Although the theory was first introduced and examined by psychologists, it gained traction in the field of communication. The theory was helpful in explaining some earlier patterns observed by those researching the influence of communication, such as the seeming preference citizens displayed for like-minded information. In contemporary communication literature, the theory is most frequently referenced when scholars want to offer an explanation for why an effect may occur. Research is less frequently done specifically on the central tenets of the theory. This article focuses predominantly on articles that have been written in the field of communication rather than attempting to review the numerous studies that have been done on this topic in related fields, such as psychology and political science. Although research did yield articles from many different communication subfields, many citations were from the area of mass media as opposed to interpersonal communication, for example. This article emphasizes recent contributions and those that have garnered considerable attention through high rates of citation.


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