Reading Ruth as an Akan Story: A Proposal for an Alternative Akan Mother-Tongue Translation of Ruth 1.1

2021 ◽  
Vol 72 (3) ◽  
pp. 313-330
Author(s):  
Isaac Boaheng

One of the key steps in interpreting a biblical text is to identify its literary genre correctly. It is important for Bible translators to ensure that the translated text takes account of the genre of the source text and that an appropriate genre from the receptor culture is employed. The book of Ruth is generally recognized as a story. Yet, the translation of Ruth 1.1 into three Akan dialects—Asante, Akuapem, and Fante—does not introduce what follows in the book as a story and so Akan readers may not correctly interpret Ruth as a story. It is against this backdrop that this paper examines storytelling elements in the book of Ruth through a discourse analysis and then offers an alternative Akan translation of Ruth 1.1 that will lead to an improved interpretation and appropriate application of the message of the book.

Author(s):  
Mariya A. Khrustaleva ◽  
◽  
Aleksandra S. Klimova ◽  

The article deals with one of the issues in the study of creolized text – the special features of graphic novels translation. These are explored based on the translation from Spanish into Russian made by the authors of the paper for the literary work Wrinkles (Spanish: Arrugas) written by Paco Roca. The authors consider cognitive discourse analysis to be the main approach to the translation of the abovementioned graphic novel. It gives an opportunity not only to justify the researchers’ translation decisions but also to convey the author’s idea and his personal perception of the world in a more complete and accurate way. The frame method, which is regarded as an adequate mode of the concept structural organization, makes it possible to build the sphere of concepts of the source text. The concepts of MEMORIA (memory) and VEJEZ (old age) are considered the key concepts of the graphic novel because, as it was found at the stage of pre-translation analysis, they create its artistic space. The frame analysis of the fundamental concepts of the source text and the identification of semantic correlations between the language representants make it possible to translate the researched literary work. Based on the research results, the authors draw a conclusion about the special features of graphic novels translation and the effectiveness of applying the cognitive discourse analysis to the translation of such works. The study concludes with an outline of the prospects for further research on graphic novels, a new literary genre that represents an unusual combination of fine art, literature and cinematography.


2021 ◽  
Vol 11 (2) ◽  
pp. 135-157
Author(s):  
Anne Golden ◽  
Toril Opsahl ◽  
Ingebjørg Tonne

In this article, we analyze the use of the term ‘morsmål’ (‘mother tongue’) in official Norwegian documents and in media texts to identify if and how its conceptualization has changed in the era of increasing globalization. Our point of view is explorative. When examining our data, we highlight the importance of reflecting openly about the instability of powerful concepts. We highlight two partly conflicting conceptualizations that we name the ‘traditional use’ and the ‘novel use’, respectively. Building on critical discourse analysis and conceptual metaphor theory we explore how the conceptualizations reveal certain aspects of ideologies and the potential management of multilingualism in society. A broader understanding of how conceptualizations of mother tongue(s) are played out in the Norwegian context may contribute to the dialogue about multilingualism as it is understood and recognized across diverse contexts.


2020 ◽  
Vol 12 (2) ◽  
pp. 25-50
Author(s):  
Zsuzsanna Ajtony

AbstractThe present study aims to gain insight into the translation of audiovisual humour displayed in the verbal manifestations of Officer Crabtree, the fictional character in the BBC sitcom ‘Allo ‘Allo! (1982–1992), especially focusing on its Hungarian dubbed version of the series. Being a research domain with insights from audiovisual translation (AVT), humour studies, and discourse analysis, the article introduces the reader to AVT, more particularly, to dubbing, to research carried out in the domain of audiovisual humour, and to humour studies, especially focusing on incongruity and superiority theory. These theoretical elements are applied in the analysis of the corpus comprising the English voice track as source text (ST) and its Hungarian counterpart as target text (TT), highlighting the humorous effects achieved in both of them and especially pointing at the creative solutions translators resorted to in rendering the idiosyncratically mangled English texts into Hungarian. The analysis aims to provide counterexamples to the frequent claim that verbal humour is untranslatable.


2020 ◽  
Vol 12 (1) ◽  
pp. 74-97
Author(s):  
Sema Üstün Külünk

Retranslations of the Qur’an constitute an intriguing site of research with particular premises governing their production, dissemination and/or reception in Turkey. Its inherently religion-oriented context is accompanied by discussions on the sacred status of the source text, arguments on its untranslatability, translatorial human agency vis-à-vis the Holy creator, acknowledged Arabicity of the source text, etc. In this regard, each new translation of the Qur’an in Turkish is released with a motivation to justify its necessity amid abundant retranslations available in the target repertoire. Various approaches towards the conceptualization and instrumentalization of these Qur’anic translations create a meta-narrative on its own right. This study aims at exploring this particular discourse on the retranslations of the Qur’an with a bi-faceted study design composed of quantitative and qualitative analyses. The quantitative analysis focuses on the numeric changes of Qur’anic retranslations in respective decades, whereas the qualitative analysis concentrates on the statements of the translatorial agents on the motives behind their translational production. By shedding light on the discursive narrative postulated upon these retranslations, it is claimed that social, political, cultural and financial concerns have prevailingly governed the reproductions of this canonical work in Turkey. Keywords: Qur’an translation, religious-text translation, retranslation, discourse analysis.  


2021 ◽  
Vol 17 (33) ◽  
pp. 71-81
Author(s):  
Fanika Krajnc-Vrečko

The discussion sheds light on the conception or understanding of the national language of two prominent personalities of the 16th-century Reformation: the German reformer Martin Luther and the Slovene Protestant and most important reformer Primož Trubar. For both authors, language serves as a basic tool for preaching the gospel in their mother tongues. They accomplish this by translating the Bible, and they each in their own way justify the use of the mother tongue as the means through which the Spirit of God is embodied. Both Luther and Trubar consolidate the biblical text in early modern European languages: Luther in the New High German and Trubar in the Slovene language, which had not appeared in books until the publication of his printed texts. Both authors developed their own language programme that can be compared and from which both Protestants’ view on language can be discerned, which was based on the realization that God used languages when he wanted the gospel to spread among all people.


2016 ◽  
Vol 6 (2) ◽  
pp. 171
Author(s):  
Choirul Fuadi

<p>In translating brochure, a translator has to make a decision on the basis of the message and purpose. The translator is faced by two strategies of translation – foreignization and domestication. The purpose of the study is to examine how the interrelationship between cultural term translation and foreignization or domestication strategy in the cultural term translation of tourism brochure from Indonesian into English. This study used qualitative descriptive with discourse analysis strategy. The note-taking technique is used to identify and classify the data. The objects of the study are tourism brochures from Province of Special Region of Yogyakarta and Central Java in 2015. The findings show that the translation strategies used depend on the translation process. When the cultural terms are familiar, translator tends to use domestication strategy and consider the target text. Translator chooses domestication strategy because try to make tourist understand the text and produce communicative and natural translation. On the other hand, when cultural terms are foreign, translator using foreignization strategy and consider source text. Using foreignization strategy, translator tends to introduce traditional cultural term.</p>


2011 ◽  
Vol 7 (1) ◽  
pp. 49-61
Author(s):  
Michael Cahill

One barrier to quality in Bible translation is a tendency for translators to translate literally from their primary source text. This is a hazard for any translator, but has particular relevance in the case of Mother-Tongue Translators (MTTs) with minimal training, who are bearing an increasingly larger role in new Bible translations around the globe. In this article, we first examine the problem of overliteralness, observing cases of RL structural adherence to the SL in direct speech, ungrammatical sentences, mistranslation of rhetorical questions, use of idioms, and neglect of discourse factors, etc. The problem of overliteralness extends to information and emotional impact implicit in the SL that is not made explicit in the RL. Reasons for overliteralness include the natural intuitiveness of translating literally, respect for the Word of God (they don’t want to change it), and MTTs’ unawareness of their own language patterns. Since translation consultants are not always familiar with the receptor language, these types of mistakes may escape notice in the checking process. Nonetheless, many MTTs do excellent translation work. We present two major factors that help MTTs avoid overliteralness. Through training and mentoring, they need to absorb the translation principle that gives them “permission” to not be literal. Next, deliberate study of structures of their own language is key, especially contrasting it with structures of the primary source language. Cases where these types of activities are already being done will be presented, and more are encouraged.


Author(s):  
Anne K. Knafl

Biblical scholars typically consider genre as part of their analysis of a biblical text. The literary genre of Deuteronomy is most commonly compared to either a treaty covenant or to a law code. Deuteronomy contains clear parallels to the treaty structure preserved in Hittite and neo-Assyrian traditions. At the same time, the central place of the Deuteronomic Code (12:1–26:19) suggests that Deuteronomy is a law code. Deuteronomy shares characteristics in common with other genres, such as exhortation, and traditions, such as wisdom. The defining characteristic of Deuteronomy is appropriation and reinterpretation of earlier compositions and forms.


Author(s):  
Jacobus A. Naude ◽  
Cynthia L. Miller-Naude

Botanical terms in the Septuagint reveal a mass of uncertain and sometimes contradictory data, owing to the translators’ inadequate and inaccurate understanding of plants. To understand the metaphorical and symbolic meaning of plants, the new approach represented by Biblical Plant Hermeneutics places the taxonomy of flora on a strong ethnological and ethnobotanical basis by studying each plant in situ and gathering indigenous knowledge about the plant and its context in the biblical text. This article applies this methodology to the translation of the Hebrew source text term אֶרֶז [cedar] in the Septuagint as κέδρος [cedar] or κέδρινος (the adjectival form of κέδρος) and its interpretation in the light of lexicography, which lead to contradictory identifications. A complexity theoretical approach is proposed to provide a solution for the various identification choices in the light of lexicography to communicate the cultural values of the Hebrew source text and its Greek translation.


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