New Zealand School Uniforms in the Era of Democracy: 1965 to 1975

Costume ◽  
2008 ◽  
Vol 42 (1) ◽  
pp. 169-183
Author(s):  
Elaine Webster

School uniforms are dynamic cultural forms and as such have meanings specific to the cultures in which they are worn. In New Zealand the history of their development is also a history of changing meanings specific to the New Zealand culture, connected to the status of children and the changing educational and social objectives of the education system. After a relatively slow development in New Zealand, school uniforms came into their own during the 1950s only to undergo radical change and diversification in the 1960s. During the 1970s school uniform as a practice reached a new extreme, allowing expressions of individualism and pluralism, values associated with a democratic ideal. Although such expressions threatened to overturn the sustaining principles of uniforms and uniformity, instead they reinforced uniforms as carriers and protectors of a powerful democratic ideal embedded in the New Zealand education system.

Te Kaharoa ◽  
2011 ◽  
Vol 4 (1) ◽  
Author(s):  
Rachael Ka'ai-Mahuta

By 1979, merely 139 years after the signing of Te Tiriti o Waitangi (The Treaty of Waitangi), the loss of te reo Māori was so great that it was believed it would suffer language death (Walker 1990: 147-148). This can be attributed to colonisation and the State policy of assimilation which eroded the status of the language. The mechanism of the Government’s agenda of assimilation and language domination was the State education system. This was, therefore, the primary cause of Māori language loss. In some cases the legislation regarding the State education system can be directly linked to language loss. However, in many cases the education system has negatively affected te reo Māori indirectly through aspects of Eurocentric education. These include assimilation, cultural invasion, cultural subordination, language domination, hegemony, the curriculum, class structures, racism, meritocracy, intelligence testing, and negative teacher expectations.   In the study of Māori language decline one must critically review the New Zealand State education system, including a discussion of the key events and legislation in the history of Pākehā colonisation and assimilation in Aotearoa/New Zealand. This will form the chronological map of the deterioration of the status of the Māori language.


1997 ◽  
Vol 24 (3) ◽  
pp. 397-421 ◽  
Author(s):  
JOHN C. YALDWYN ◽  
GARRY J. TEE ◽  
ALAN P. MASON

A worn Iguanodon tooth from Cuckfield, Sussex, illustrated by Mantell in 1827, 1839, 1848 and 1851, was labelled by Mantell as the first tooth sent to Baron Cuvier in 1823 and acknowledged as such by Sir Charles Lyell. The labelled tooth was taken to New Zealand by Gideon's son Walter in 1859. It was deposited in a forerunner of the Museum of New Zealand, Wellington in 1865 and is still in the Museum, mounted on a card bearing annotations by both Gideon Mantell and Lyell. The history of the Gideon and Walter Mantell collection in the Museum of New Zealand is outlined, and the Iguanodon tooth and its labels are described and illustrated. This is the very tooth which Baron Cuvier first identified as a rhinoceros incisor on the evening of 28 June 1823.


2005 ◽  
Vol 5 (1) ◽  
pp. 3-10 ◽  
Author(s):  
Neil T Lunt ◽  
Ian G Trotman

Since the 1960s there has been a growing interest in evaluation shown by most Western countries. Alongside discussion of practical and theoretical issues of evaluation, such as methodological developments, best practice, and cross-cultural practice, there has also been increased interest in mapping the history of evaluation activity. Historical discussions are significant for three reasons; first, in providing a record for future generations of evaluators. Second, they provide a consideration of the domestic and international context that has shaped evaluation development, giving each country its distinct institutional make-up and brand of evaluation activity. Third, they assist a country's evaluation capacity development by building on its strengths and compensating for the weaknesses of its history. This article traces the emergence of evaluation within New Zealand using the metaphor of dramaturgy to introduce the settings and actors that we consider to have been constituent of what was played out in the New Zealand situation. Our remit is a broad one of attempting to describe and explain the range of evaluation activities, including program evaluation, organisational review, performance management, and process and policy evaluation. Within this article a broad overview only is possible. As an example of a more in-depth study, a comprehensive article could be prepared on the history of performance management in the public service. Our comments cover developments in the public sector, tertiary sector, and private and professional organisations. It is a companion paper to one on the history of evaluation in Australia, prepared by Colin A Sharp in a recent issue of this journal (Sharpe 2003).


2012 ◽  
Vol 15 (1) ◽  
pp. 31-55 ◽  
Author(s):  
Jeff Hearn ◽  
Marie Nordberg ◽  
Kjerstin Andersson ◽  
Dag Balkmar ◽  
Lucas Gottzén ◽  
...  

This article discusses the status of the concept of hegemonic masculinity in research on men and boys in Sweden, and how it has been used and developed. Sweden has a relatively long history of public debate, research, and policy intervention in gender issues and gender equality. This has meant, in sheer quantitative terms, a relatively sizeable corpus of work on men, masculinities, and gender relations. There is also a rather wide diversity of approaches, theoretically and empirically, to the analysis of men and masculinities. The Swedish national context and gender equality project is outlined. This is followed by discussion of three broad phases in studies on men and masculinities in Sweden: the 1960s and 1970s before the formulation of the concept of hegemonic masculinity; the 1980s and 1990s when the concept was important for a generation of researchers developing studies in more depth; and the 2000s with a younger generation committed to a variety of feminist and gender critiques other than those associated with hegemonic masculinity. The following sections focus specifically on how the concept of hegemonic masculinity has been used, adapted, and indeed not used, in particular areas of study: boys and young men in family and education; violence; and health. The article concludes with review of how hegemonic masculinity has been used in Swedish contexts, as: gender stereotype, often out of the context of legitimation of patriarchal relations; “Other” than dominant, white middle-class “Swedish,” equated with outmoded, nonmodern, working-class, failing boy, or minority ethnic masculinities; a new masculinity concept and practice, incorporating some degree of gender equality; and reconceptualized and problematized as a modern, heteronormative, and subject-centered concept.


Author(s):  
Adam Nadolny

This article focuses on the inter-dependencies between the film image and architecture. The author has attempted to define what sort of historical background preconditions the film image to gain the status of a source for research on the history of Polish urban planning and post-war architecture, with particular emphasis placed on the 1960s.


2021 ◽  
Vol 12 (1) ◽  
pp. 131-149 ◽  
Author(s):  
Harriette Richards

Familiar narratives of fashion history in Aotearoa New Zealand recount the successes of Pākehā (New Zealand European) designers who have forged a distinctive fashion industry at the edge of the world. This narrative overlooks the history of Māori fashion cultures, including the role of ‘style activism’ enacted by political figures such as Whetu Tirikatene-Sullivan and collectives such as the Pacific Sisters who advanced the status of Māori and Pasifika design in the twentieth century. It also ignores the changing nature of the New Zealand fashion industry today. One of the most significant recent initiatives to alter perceptions of fashion in Aotearoa New Zealand has been Miromoda, the Indigenous Māori Fashion Apparel Board (IMFAB), established in 2008. By championing the work of Māori fashion designers and prioritizing the values of te ao Māori (the Māori world-view), Miromoda is successfully contributing to the ‘decolonization’ of the New Zealand fashion industry. This article foregrounds practices of cultural collectivity, including that of style activists such as Tirikatene-Sullivan and the Pacific Sisters, and Māori fashion designers such as Kiri Nathan, Tessa Lont (Lontessa) and Bobby Campbell Luke (Campbell Luke), to explore the expansion of a more affirmative fashion future in Aotearoa New Zealand.


1988 ◽  
Vol 30 (3) ◽  
pp. 534-549 ◽  
Author(s):  
Janet Thomas

In the last few years, work in social history and the history of women has centred on the transition to capitalism and the great bourgeois political revolutions—also variously described as industrialization, urbanisation, and modernisation. Throughout this work runs a steady debate about the improvement or deterioration brought about by these changes in the lives of women and working people. On the whole, sociologists of the 1960s and early 1970s and many recent historians have been optimistic about the changes in women's position, while feminist and Marxist scholars have taken a much more gloomy view.1 There has been little debate between the two sides, yet the same opposed arguments about the impact of capitalism on the status of women crop up not only in accounts of Britain from the seventeenth to the nineteenth century, but also in work on women in the Third World, and cry out for critical assessment.


Author(s):  
Abdullah Drury ◽  
Douglas Pratt

Purpose: This research aims to discuss the history of Islam in New Zealand, together with some of the pressing issues and challenges Muslims have encountered along the way. Looking back at the history of early Muslim settlers and the emergence of Muslim organizations and allied enterprises, it is clear that the Muslim community in New Zealand has had a rather mixed reception in a land that, on the whole, is perceived to be benignly tolerant and accepting. Methodology: The research is based on a critical analysis of the available literature, both contemporary and historical. This paper explores complicated community developments, conversions to Islam, the violence experienced with defacement and destruction of mosques in reaction to overseas events over recent decades, ongoing Islamophobia, and the infamous 2019 terrorist attack on two mosques in the city of Christchurch. Findings: The research highlights the status of the New Zealand Muslim community and the extent and nature of their influence in the country. It constitutes a social hierarchy with a complex past and multiple internal issues. Accordingly, this paper concludes with a brief discussion of the migrant experience of Muslims. It also elucidates the necessity of further research in the future and emphasizes the need to study the culture, faith and history of New Zealand from various angles. Originality: This is illustrated in the direct attachment of the research to the core topic of religion. This is the first academic study to deal directly with both the history of the Muslim minority and contemporary issues such as Islamophobia following the 2019 massacre.


1999 ◽  
Vol 30 (2) ◽  
pp. 333 ◽  
Author(s):  
Geoff McLay

This article briefly discusses the history of New Zealand Legal Education, with a focus on Victoria University of Wellington. The first part of this paper introduces the American and English models of legal education, discussing the different tensions and contexts of each jurisdiction. The second part of the paper introduces the history of legal education in New Zealand. The author discusses New Zealand's departure from the English model (where a degree was not necessary to practise), academics' tradition of writing textbooks in New Zealand, and the influence of the American legal education system. The third part of the paper discusses the impact of Professor John Salmond and Sir Robert Stout at Victoria University of Wellington. 


2021 ◽  
Author(s):  
◽  
Monique Gemmell

<p>This thesis is a history of marginalisation as experienced by Maori women within New Zealand. My argument is that through the founding British Crown, the education system and Christianity, Maori women were marginalised (Pihama, 2001). My hypothesis is that once we understand how we were marginalised, we begin to liberate ourselves.  I seek to identify legislation and social phenomena that marginalised Maori women. These are the sorts of discourses led to assimilative, alienative and hegemonic outcomes for Maori women. Moana Jackson refers to this form of marginalisation and its influences as, “the destruction of the Maori soul” (as cited by Mikaere, 1995, p. 138).  The consequences of marginalisation will highlight the importance of identity, matauranga Maori and the relevance of whenua to Maori women (Mikaere, 2003). In undertaking this task, I seek to answer how the New Zealand education system could contribute to emancipating Maori women.  By applying a Kaupapa Maori methodology (Smith, G. , 1997), an examination of how Maori women were effected by colonisation and imperialism will be explored. For this study, I have opted to utilise a qualitative approach in gathering and undertaking my research (Denzin & Lincoln, 1984). The Kaupapa Maori methodology and a qualitative method enable me as a Maori woman to tell the story of our lived experiences as Maori women.</p>


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