The project «national center of restoration of musical instruments» in the context of preservation of material heritage of musical culture

Servis plus ◽  
2016 ◽  
Vol 10 (1) ◽  
pp. 101-110
Author(s):  
Михаил Брызгалов ◽  
Mikhail Bryzgalov ◽  
Юлия Жилкова ◽  
Yuliya Zhilkova
Keyword(s):  
Cultural Heritage ◽  
Economic Activity ◽  
Private Investment ◽  
The Other ◽  
Music Culture ◽  
Musical Culture ◽  
Social Sphere ◽  
Economic Significance ◽  
National Centre ◽  
Other Hand

The article discusses the functioning of organizations and the increasing social and economic significance of the results of activity of economic entities in the sphere of culture. In this case, the orientation of the management of cultural institutions is in the direction of higher levels of economic activity, utility and profitability. In this regard, there is the question about the effectiveness of the institutions of culture not only in economic but also in social sphere. The need for the implementation of the project “national centre of restoration of musical instruments” as a scientific-educational center is proved by the fact that the budgetary allocation for its creation and development will support the unique mission of the center for the broadcast world tradition of preserving material heritage of musical culture. On the other hand, it will contribute to a social result, which is expressed in the effectiveness of the protection events of the musical objects of cultural heritage. A separate issue is the preservation of cultural heritage, including tangible objects and music culture through a series of government support measures. However, in recent years, there is a tendency to stagnation in the share of expenditure on culture. The article presents the planned expenditures of the budgetary system, which is planned spending on culture be left at 0.5% of GDP. On the other hand, financing of applied scientific research in the field of culture has increased. This decision is connected with the growing social and economic significance of the results of activity of economic entities in the sphere of culture in the direction of higher levels of economic activity, utility and profitability. The feasibility of the implementation of the project “national centre of restoration of musical instruments” as a scientific-educational center is to broadcast the world’s traditions of preservation of material heritage of musical culture and assist in attracting private investment in projects and activities for restoration and examination of objects of musical culture.

scholarly journals PARALITURGICAL WORKS AS A SACRED-AESTHETIC ELEMENT OF UKRAINIAN MUSICAL CULTURE

2020 ◽  
pp. 26-53
Author(s):  
Hanna Karas ◽  
Keyword(s):  
Golden Age ◽  
The Other ◽  
Close Connection ◽  
Musical Culture ◽  
Strong Connection ◽  
Xxth Century ◽  
Material Development ◽  
National School ◽  
Other Hand ◽  
Aesthetic Ideal

The purpose of the section is to clarify the place of Ukrainian diaspora composers’ paraliturgical works of the XXth century and, in particular, the works of Mykhailo Hayvoronsky (1892–1949) in the spiritual musical culture of Ukrainians. Paraliturgical works include spiritual songs and chants performed outside the church’s Christian canonical rite. In the works of composers it is: a series of chants from Pochaiv’s «Bogohlasnyk», arrangements of koliadkas, songs of the Virgin and Resurrection, prayers to the King of Heaven, communions. Paraliturgical music of diaspora composers testifies to a strong connection with traditions: here we have the influence of «part-song», and the achievement of the «golden age» of Ukrainian music, and creative achievements in this genre of older contemporaries – M. Lysenko, M. Leontovych, K. Stetsenko. On the other hand, there is a close connection of this music with folklore sources, first of all, in the field of melody, texture, principles of musical material development. The sacral-aesthetic element of M. Hayvoronsky’s spiritual music is expressed by the figurative content of these works (bright, contemplative mood, sorrowful-focused prayer spirit, joyful exaltation, mood spirit), aesthetic categories (sublime, beauty, harmony, aesthetic ideal). Due to its genre and stylistic features, the paraliturgical music of diaspora composers became an integral part of the national school of composers development and contributed to the establishment of its identity.

A French place without a cheese

Focaal ◽  
2004 ◽  
Vol 2004 (44) ◽  
pp. 72-86 ◽  
Author(s):  
Paola Filippucci
Keyword(s):  
Public Policy ◽  
Cultural Heritage ◽  
Raw Materials ◽  
The Other ◽  
Other Hand ◽  
Local Product ◽  
Definition Of

In France, the classic produit du terroir, the local product that with its mix of skill and raw materials embodies the distinctive tie between people and their terroir (soil), is cheese. Thus, when inhabitants of the Argonne say that it “does not even have a cheese”, they imply that it lacks a patrimoine (cultural heritage). On the other hand, they do make passionate claims about 'being Argonnais', conveying a marked recognition of, and attachment to, a named place in relation to which they identify themselves and others. Focusing on this paradox, this article will highlight certain assumptions regarding the definition of cultural heritage found in public policy.

Faustus. The mythical memory

2020 ◽  
Vol 65 (2) ◽  
pp. 71-89
Author(s):  
Józsa István
Keyword(s):  
Cultural Heritage ◽  
German Literature ◽  
The Other ◽  
Raw Material ◽  
Time Dimension ◽  
The Past ◽  
Other Hand ◽  
Preliminary Work ◽  
Literary Heritage

The figure and story of Faustus is part of the European cultural heritage, and as it usually, even inevitably happens with legends, it lives further in the adaptations of later periods and authors . It is mainly linked to Goethe’s name, his figure became well known and immortal in his works. Ever since Goethe, all authors – who respect themselves – in German literature must write a new Faustus, while in other nation’s literatures newer and newer paraphrases were born, which on their turn gave rise to further adaptations, and the scientific, aesthetic etc. literature also has gotten richer. However the canonized, more precisely, classicisized framework of interpretation is not transgressed by any of the newer writers and poets of the past centuries, moreover it is only the form of the legend that is rewritten – naturally with the aim of modernization. All of that as part of the literary heritage. As far as the problem of original sources is concerned: what can be regarded as a source and what is adaptation, which are the works that motivated writers, are just a matter of the preliminary work of the interpretation. On the other hand the problem that within the ancient, mythical tradition there is an original, ancient Faustus legend, does not raise any attention as that is “mere raw material”. The truth is ... that the beginning that has been preliminarily, yet directly definitory for centuries, is that original force that is given in the topic and thus it is difficult to bring it to the surface, preferably independently from the heritage that was built upon it. As far as the time dimension is concerned, we are searching in an undefineable, open past, moreover it is most probable that the legend itself is not entirely original, so to say, but it is the adaptation of a more ancient idea or topic. And by this its symbolism and hidden semantics lose their European characteristics.

scholarly journals Treatment of names in Zambia and Estonia: A comparative analysis

2020 ◽  
Vol 11 (1) ◽  
pp. 235-247
Author(s):  
Osward Chanda ◽  
Peeter Päll
Keyword(s):  
National Identity ◽  
Comparative Analysis ◽  
Cultural Heritage ◽  
The Other ◽  
Place Names ◽  
The Past ◽  
Other Hand ◽  
Colonial Experience ◽  
British Colonial ◽  
Estonian Language

Names constitute a key component of the cultural heritage of any region. Though geographically, culturally and linguistically apart, Estonia and Zambia share some elements and motivations in naming. Zambia’s British colonial experience and Estonia’s Danish, German, Polish, Swedish and Russian/ Soviet influence in the past made significant changes to personal and place names in both regions. Following independence, both states made strides in the indigenisation of names for promoting local heritage and national identity. Zambia predominantly focused on changing the names of some towns, and of the country (from Northern Rhodesia to Zambia). On the other hand, the Estonian onomastic experience has been more comprehensive – regulating both personal and place names, enacting corresponding laws and maintaining the Institute of the Estonian Language to oversee language and name planning, among other responsibilities. Kokkuvõte. Osward Chanda ja Peeter Päll: Nimekorraldus Sambias ja Eestis: võrdlev analüüs. Artikkel vaatleb Sambia ja Eesti nimesituatsiooni erinevusi ja sarnasusi. Sambia on mitmekeelne maa, ametikeel on inglise; Eesti on ametlikult ükskeelne maa, praktikas käibivad eesti keele kõrval ka vene ja inglise keel. Sambia isikunimedes on perekonnanimed valdavalt kohalikku päritolu, eesnimed enamjaolt euroopalikud; kohanimed on valdavalt ühekordsed. Sambias ei ole erinevalt Eestist nimeseadusi isiku- ja kohanimede reguleerimiseks. Ühine on mõlema maa puhul asjaolu, et ajaloos on varem domineerinud võõrvõimud, mis on jätnud jälje nimepilti. Kui proovida sõnastada universaalseid nimekorralduspõhimõtteid, siis võiksid need olla 1) nimede kui kultuuripärandi kaitse; 2) kohalike nimekujude eelistamine; 3) nimede keeleline korrektsus, 4) oma kultuuriidentiteedi hoidmine, 5) nimede pragmaatiliste aspektide (eristatavus, nimeinfo kättesaadavus jm) arvestamine.

scholarly journals Mobile Technology as a Virtual Assistant at the Museum of the Isidro Ayora Fiscal School

2018 ◽  
Vol 3 (CITT2017) ◽  
pp. 91-99
Author(s):  
Fausto Alberto Viscaino Naranjo ◽  
Jorge Bladimir Rubio Peñaherrera ◽  
Freddy Patricio Baño Naranjo
Keyword(s):  
Cultural Heritage ◽  
Mobile Technology ◽  
New Technologies ◽  
The Other ◽  
Age Difference ◽  
Qr Code ◽  
Technological Solution ◽  
Application Development ◽  
Other Hand ◽  
Deductive Method

The Isidro Ayora School located in the Latacunga Canton, between Quijano / Ordóñez and Tarqui streets, has a museum that is open to the citizens without any age difference, projecting during the tour in a traditional, monotonous and unconventional way all their art, By this factor the influx of public is very sporadic, which does not allow the development and recognition of the Museum. For the development of the research was applied the hypothetical-deductive method and the analytical, on the other hand was applied the methodology of application development for Smartphones Mobile-D; Through the collection of information that involves eld research, it was veri ed that the Museum does not have technological alternatives that allow the dissemination of the historical-cultural heritage, thus demonstrating that the creation of the virtual guide through mobile technology is the technological solution to improve The user’s experience in visiting and disseminating museums; So is the search for the use of new technologies helping to turn a forgotten environment into an interactive and friendly environment. With the implementation of Mobile Technology in the Museum of the Isidro Ayora School, visitors will be able to interact with the art articles displayed and visualize their information on any Android device through a multimedia library by simply scanning the QR code that each contains and In consequence it will allow the innovation, difusion and recognition of the Museum.

scholarly journals Wyłączenie stosowania przepisów ustawy o swobodzie działalności gospodarczej w sprawach o cofnięcie koncesji na prowadzenie kasyna gry a ochrona interesu publicznego

Prawo ◽  
2017 ◽  
Vol 323 ◽  
pp. 211-221
Author(s):  
Konrad Kopystyński
Keyword(s):  
Public Interest ◽  
Economic Activity ◽  
The Other ◽  
The Public ◽  
Other Hand ◽  
The Law

Exclusion of the application provisions of freedom of economic activity act in the scope of concession for operating casino games and the protection of the public interestThis article presents the comparison between provisions of freedom of economic activity act and the law on gambling in scope of conditions related to revoking concession for operating casino games. To revoke that concession, only provisions of law on gambling can be applied because of provisions of freedom of economic activity act are excluded in that cases. That regulation allows the raising of freedom economic activity, but the other hand — also causes the limitation in the protec­tion of public interest.

scholarly journals Evolution of Lyrical Image in Ballets of Azerbaijani Composers

2021 ◽  
Vol 4 (2) ◽  
pp. 179-187
Author(s):  
Lala Huseynli
Keyword(s):  
Cultural Context ◽  
The Other ◽  
Musical Culture ◽  
Specific Content ◽  
Historical Approach ◽  
Historical Method ◽  
Other Hand ◽  
History Of ◽  
First Time

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the evolution of the lyrical image in the Azerbaijani ballets reflects the dynamics of the development of the Azerbaijani school of composition. Moreover, the figurative system in Azerbaijani ballets represents the slender line of artistic connections of Azerbaijani culture. The purpose of the research is to study the role of the lyrical image in the evolution of the Azerbaijani ballet. The research methodology is based is based on the use of a historical approach to determine the basic definitions of the study. The expediency of the historical method is due to the fact that the development in the space of historical time should be based on certain basic categories that would reflect the school of composition, its national specifics. The scientific novelty of the research is that for the first time the peculiarities of the evolution of the lyrical image in Azerbaijani ballets – from its origin to modern functioning – are analyzed; the nuances of style creation in the Azerbaijani school of composers in the specified aspect are considered, and also certain art processes are systematized. Conclusions. It is proved that the combination of deep lyricism with dramatic emotions is characteristic of the transfer of lyricism in the drama of ballets at all historical stages of development, in different stylistic contexts. Lyrical images in the ballets of Azerbaijani composers have similar features and are due to the specific content of the national worldview.

scholarly journals The Contribution of Geophysics to the Knowledge of the Hidden Archaeological Heritage of Montenegro

Geosciences ◽  
2020 ◽  
Vol 10 (5) ◽  
pp. 187 ◽  
Author(s):  
Marilena Cozzolino ◽  
Mile Baković ◽  
Nikola Borovinić ◽  
Giorgia Galli ◽  
Vincenzo Gentile ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Geophysical Methods ◽  
The Other ◽  
Buried Structures ◽  
Archaeological Heritage ◽  
Other Hand ◽  
The Rich ◽  
Non Destructive

Montenegro is a land of great history which needs attention and care for a deeper knowledge and its making at the disposal of new generations. It is still a territory to be discovered, studied, and disclosed. It is important to understand how much hidden heritage there is still in this area to explore and exploit, but on the other hand, how much known heritage exists to protect and monitor, preventing its destruction and loss. In this context, Montenegro is heavily investing in the management of cultural heritage through initiatives for identification, protection, preservation, enhancement and fruition of them. In the frame of the knowledge, the use of non-destructive geophysical methods can be helpful for a cognitive investigation immediately in the bud of any archaeological verification project, safeguarded through preventive archaeology operations and the exploration of large areas within archaeological parks. In this paper, the results of geophysical prospections at the Hellenistic-Illyrian site of Mjace, the roman towns of Doclea and Municipium S, the medieval city of Svač, and the Stećci medieval tombstones graveyards of Novakovići, Žugića, and Plužine are presented. The study allowed the reconnaissance of new buried structures in the soil and has provided an updated view of the rich archaeological heritage of Montenegro.

Introduction

2019 ◽  
pp. 1-10
Author(s):  
Katherine Baber
Keyword(s):  
The Other ◽  
Leonard Bernstein ◽  
Musical Culture ◽  
Cultural Concepts ◽  
Other Hand

“Jazz is a very big word.” In one version of this story I could simply take Leonard Bernstein at his word and skip writing this book altogether. His statement, however offhand, has the ring of truth, and volumes of writing attest to the intellectual weight of the sound and idea of jazz. And “Bernstein” is a big word, too. Perhaps both cannot fit into the same space. Or it could be that looking at a determinedly polystylistic composer through the lens of one style, however important, might not do either the composer or the style justice. The version of the story laid out in this book, though, argues for a powerful connection between Bernstein and jazz worth exploring even if it requires “big” words—broad and complex cultural concepts—to occupy the same space. Bernstein’s way of being a musician resonates with the ways countless musicians have had of making jazz: both depend on various forms of connectivity, on the blurring of edges between ideas, sounds, and people. On the other hand, jazz musicians and Bernstein equally assert their individualism. If both jazz and Bernstein are big, the reasons for their largeness interact in interesting ways—ways crucial to Bernstein’s compositional aesthetic and significant to how we talk about jazz and its place in American musical culture....

An Isolated and Behind-the-Scenes Work Called Conservation

2022 ◽  
pp. 1-15
Author(s):  
Widiatmoko Adi Putranto ◽  
Indah Novita Sari ◽  
Regina Dwi Shalsa Mayzana
Keyword(s):  
Cultural Heritage ◽  
Community Engagement ◽  
Financial Aid ◽  
Developing Country ◽  
Tropical Climate ◽  
The Other ◽  
Organizational Dynamics ◽  
Other Hand ◽  
Collaborative Conservation

Conservation is a type of work which requires specific skills, a lengthy experience, particular infrastructures, and arguably extensive time and money. In fact, preserving collections by managing all the aspects required is an important and mandatory task. However, as a developing country in tropical climate, Indonesia is still in a phase where financial aid, skillful experts, and moral support for preserving the cultural heritage are much less than needed. As a result of complex organizational dynamics, building a formal partnership for frequent collaborative conservation work between archives, libraries, and museums nevertheless is far from simple. On the other hand, engaging the community to participate in the practice is particularly challenging due to the nature of conservation work as an isolated activity within an exclusive ecosystem. This chapter aims to discuss whether developing community engagement and collaboration between LAM can serve as an alternative support to constructively improve current conditions and cope with the aforementioned issues.

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