On the secretive ustād: Pride among musicians and patrons in North India

2020 ◽  
Vol 4 (1) ◽  
pp. 59-76
Author(s):  
Justin Scarimbolo

Why did Muslim masters of Hindustani music or ustāds of the past century sometimes refuse to record, perform or teach? These acts appear to justify a common depiction of ustāds, propagated by their detractors and defenders alike as jealously guarding their hereditary knowledge. A deeper look, however, reveals that ustāds withheld their music for fear that it would be played in lowly places, consumed by ill-mannered audiences or taught to disloyal students. Drawing on the oral history of one aristocratic family’s relationship with their Muslim teachers, I argue that the pride that prevented some ustāds from playing to the masses reflected an elitism learned from their patrons and students among the gentry, many of whom were Hindu. This argument develops two existing narratives: one in which ustāds adopted the manners and pursuits of their patrons, and another in which patrons risked losing prestige by performing. Stories of both ustāds and their patrons shunning the public, read together, not only decouple secretiveness from its association with Muslims, but also reveal discipleship as a transformative space in which musicians and their patrons learned from one another, cultivating shared attitudes, morals and dispositions.

1961 ◽  
Vol 55 (3) ◽  
pp. 591-598 ◽  
Author(s):  
Elisha Greifer

It is a commonplace observation of French politics of the past century that men who started out as radicals turned conservative as they grew older, and that party groups launched with radical names and programs, though they kept the names, swung to the Right with the passage of time. In both cases we explain the transformation, in part at least, as evidence of an increasing satisfaction with the status quo, as the political system made room for the newcomer. In Joseph de Maistre we have an example from a somewhat earlier age of a less common phenomenon, the conservative turned reactionary, and impelled, moreover, to develop a systematic justification of his new position. Evidently, no parallel explanation will serve to account for this change, for Maistre, though he found a place for himself in the public life of his time, grew increasingly dissatisfied with the trend of events around him. It will not do, either, to dismiss him—in the manner of the orthodox tradition in the history of political thought—as an authoritarian ogre, or an irrationalist, or simply as a confused man, a split personality with humanitarian impulses and reactionary ideas. There was no inconsistency in this combination. Rather the explanation must be sought in the political situation of his day as he saw it, and in his concern for the perennial problem of political obligation. The positions that concern led him to take, his rationalizations of them, and the difficulties they landed him in, are the subject of this article.


2014 ◽  
Vol 36 (3) ◽  
pp. 50-69
Author(s):  
Chris J. Magoc

This essay attempts to counter the scarcity of efforts to address issues of natural resource extraction and environmental exploitation in public history forums. Focused on western Pennsylvania, it argues that the history of industrial development and its deleterious environmental impacts demands a regional vision that not only frames these stories within the ideological and economic context of the past, but also challenges residents and visitors to consider this history in light of the related environmental concerns of our own time. The essay explores some of the difficult issues faced by public historians and practitioners as they seek to produce public environmental histories that do not elude opportunities to link past and present in meaningful ways.


2011 ◽  
Vol 1 (1) ◽  
pp. e1
Author(s):  
Fulvio Melia

I have recently had the privilege of being appointed Editor-in-Chief of this very exciting and innovative Open Access Journal, and hereby extend a warm welcome to everyone as we launch Astronomy Studies Development, which will seek to publish high quality, peer-reviewed, original manuscripts in all fields of astronomy and astrophysics, though with a particular focus on mathematical techniques and methodology and innovative ideas for instrumental development and modeling in astronomy and astrophysics. The journal will also seek to publish simulations in all areas, including cosmology, particle astrophysics, accretion, and diffuse media. Our journal will include both full length research articles and letter articles, and its coverage extends over solar, stellar, galactic and extragalactic astronomy and astrophysics, and will report original research in all wavelength bands. Astronomy and Astrophysics are rather mature disciplines, with a history of quality journals over the past century or more. So one may reasonably ask why a new journal such as this is needed. Obviously, I myself have answered this question in the affirmative. After a long career in research and publishing, I have the perspective to provide several good reasons for helping to promote the evolution of publishing in Astronomy and Astrophysics to a place more in line with present technology..........


Author(s):  
Konstantinos I. Kakoudakis ◽  
Katerina Papadoulaki

Abstract This chapter illustrates the process of social tourism development in Greece, from the interwar years until the present day. The chapter first sets the discussion within the context of the country's turbulent political, social and economic background, throughout most of the past century, which has exercised significant influence on the development of Greek tourism in general, and social tourism specifically. It then identifies and presents two main phases of social tourism development, highlighting important initiatives and key players that contributed to the incremental evolution of social tourism programmes in Greece, and also events that impeded their implementation and smooth running. Specific emphasis is given to the past four decades, since this time period has largely shaped the contemporary form of Greek social tourism programmes. Therefore, the chapter explicates the close linkages between the establishment of the modern Greek welfare state in the early 1980s, and the development of social tourism as we know it today. The chapter concludes with a brief discussion on the developmental process of contemporary Greek social tourism over time, and the important socioeconomic implications of its current practice in the aftermath of the Greek financial crisis, and in the midst of the refugee crisis in Europe, and the Covid-19 pandemic.


1975 ◽  
Vol 25 ◽  
pp. 137-156 ◽  
Author(s):  
P. M. Kennedy

Yet another survey of the much-traversed field of Anglo-German relations will seem to many historians of modern Europe to border on the realm of superfluity; probably no two countries have had their relationship to each other so frequently examined in the past century as Britain and Germany. Moreover, even if one restricted such a study to the British side alone, the sheer number of publications upon this topic, or upon only a section of it like the age of ‘appeasement’, is simply too great to allow a compression of existing knowledge into a narrative form that would be anything other than crude and sketchy. The following contribution therefore seeks neither to provide such a general survey, nor, by use of new and detailed archival materials, to concentrate upon a small segment of the history of British policy towards Germany in the period 1864–1939; but instead to consider throughout all these years a particular aspect, namely, the respective arguments of Germanophiles and Germanophobes in Britain and the connection between this dialogue and the more general ideological standpoints of both sides. In so doing, the author has produced a survey which remains embarrassingly summary in detail but does at least attempt to offer a fresh approach to the subject.


2021 ◽  
Vol 46 (3) ◽  
pp. 78-83
Author(s):  
Seth Ellis

This paper describes and evaluates research undertaken by the author at the State Library of Queensland, in the collection, cataloguing, and presentation of audiovisual materials—specifically, sound materials beyond oral history and performance. It suggests that strategies drawn from transcription can make the sounds of the past more evident in digitised catalogues, and thus can make those sounds themselves more accessible to the public. In doing so it offers a different affordance of the archive to public experience: not just information about the past, but the affective impact of the past.


Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.


Author(s):  
Rachel Hallote

When the artistic canon of the Southern Levant coalesced in the late nineteenth and early twentieth centuries, scholars thought of the region, then Ottoman Palestine, as the locus of the Bible. The small-scale nature of the archaeological finds as well as their relative dearth reinforced a reliance on biblical narratives as a framework for understanding the culture of the region. Moreover, early scholarship did not recognize the complex regionalism of the Southern Levant or the diversity of its populations. Consequently, the artistic canon that developed did not represent the historical and archaeological realities of the region. This chapter examines the history of how the artistic canon of the Southern Levant formed over the past century of scholarship, why various scholars of the early and middle twentieth century included particular items in the canon, and why these now entrenched representations may or may not be helpful to the discipline’s future.


Collections ◽  
2017 ◽  
Vol 13 (2) ◽  
pp. 143-158
Author(s):  
Colleen Bradley-Sanders

The Brooklyn College Listening Project is designed to engage students in active learning through the inclusion of an oral history interview assignment in a variety of humanities courses, including history, English, sociology, music, journalism, and more. The products of these interviews, oral history recordings, are creating an archive of student-generated material. The benefits to the students extend beyond the simple completion of an assignment for a grade. With the diversity of races and cultures at Brooklyn College, students make connections with classmates and interview subjects that might not otherwise occur. As one student commented, “There is more to learn and know about the world, than just the people that you look like.”1 Written by the college archivist, this article examines the history of the still-young program and the difficulty in archiving the recordings and making them available to the public.


2008 ◽  
Vol 23 (5) ◽  
pp. 795-807 ◽  
Author(s):  
Walker S. Ashley ◽  
Andrew J. Krmenec ◽  
Rick Schwantes

Abstract This study investigates the human vulnerability caused by tornadoes that occurred between sunset and sunrise from 1880 to 2007. Nocturnal tornadoes are theorized to enhance vulnerability because they are difficult to spot and occur when the public tends to be asleep and in weak building structures. Results illustrate that the nocturnal tornado death rate over the past century has not shared the same pace of decline as those events transpiring during the daytime. From 1950 to 2005, a mere 27.3% of tornadoes were nocturnal, yet 39.3% of tornado fatalities and 42.1% of killer tornado events occurred at night. Tornadoes during the overnight period (local midnight to sunrise) are 2.5 times as likely to kill as those occurring during the daytime hours. It is argued that a core reason why the national tornado fatality toll has not continued to decrease in the past few decades is due to the vulnerability to these nocturnal events. This vulnerability is magnified when other factors such as escalating mobile (or “manufactured”) home stock and an increasing and spreading population are realized. Unlike other structure types that show no robust demarcation between nocturnal and daytime fatalities, nearly 61% of fatalities in mobile homes take place at night revealing this housing stock’s distinct nocturnal tornado vulnerability. Further, spatial analysis illustrates that the American South’s high nocturnal tornado risk is an important factor leading to the region’s high fatality rate. The investigation emphasizes a potential break in the tornado warning dissemination system utilized currently in the United States.


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