scholarly journals Resepsi Pembaca Terhadap Bentuk Ketidakadilan Gender Dalam Cerpen Mata Telanjang Karya Djenar Maesa Ayu

2019 ◽  
Vol 18 (1) ◽  
pp. 35
Author(s):  
Kandhi Laras ◽  
Azizatuz Zahro’
Keyword(s):  
Short Stories ◽  
Social Status ◽  
Gender Inequality ◽  
Short Story ◽  
Sex Workers ◽  
Female Characters ◽  
Female Leaders ◽  
The Difference ◽  
Literary Reception

Tujuan penelitian ini adalah untuk mengetahui beragam resepsi pembaca terhadap bentuk ketidakadilan gender dalam cerpen feminisme berjudul Mata Telanjang. Bentuk ketidakadilan gender yang dibahas dalam penelitian ini meliputi: marginalisasi, subordinasi, stereotipi, dan kekerasan. Data resepsi dikumpulkan melalui kuesioner dan dianalisis berdasarkan metode resepsi sastra. Hasil penelitian ini menunjukkan adanya kontradiksi penerimaan pembaca terkait bentuk ketidakadilan gender terhadap tokoh perempuan (pekerja seks) yang ditawarkan oleh cerpen Mata Telanjang. Perbedaan perspektif dari pembaca disebabkan oleh latar belakang usia, pengetahuan, dan status sosial pembaca sehingga menimbulkan dua kelompok pembaca, yakni kelompok pembaca yang pro terhadap adanya bentuk ketidakadilan gender, dan kelompok pembaca yang menolak bentuk ketidakadilan gender pada tokoh perempuan dalam cerpen.[The purpose of this study is to find out various reader receptions towards gender inequality in feminism short stories entitled Mata Telanjang. The forms of gender injustice discussed in this study include: marginalization, subordination, stereotyping, and violence. The data of reception were collected through questionnaires and analyzed based on the method of literary reception. The results of this study indicate a contradiction in readers' acceptance of the form of gender inequality towards female leaders (sex workers) offered by Mata Telanjang short story. The difference in perspective from the reader is caused by the background of the age, knowledge, and social status of the reader. Here, there are two groups of readers, namely the readers who are pro against the form of gender inequality, and the readers who reject the form of gender injustice in female characters in the short story.]

scholarly journals Across community barriers: female characters in Vimala Devi’s short stories

2019 ◽  
Vol 41 (2) ◽  
pp. e45888
Author(s):  
Cielo Griselda Festino
Keyword(s):  
Short Stories ◽  
Women Characters ◽  
Cultural Identity ◽  
Short Story ◽  
Main Argument ◽  
Female Characters ◽  
Short Story Cycle ◽  
Short Story Collection ◽  
Story Cycle ◽  
Story Collection

This article brings a reading of the short-story collection Monção [Monsoon] ( 2003) by the Goan writer Vimala Devi (1932-). The collection can be read as a short-story cycle, a group of stories related by locality, Goa, character, Goans, from all walks of life, and theme, in particular women´s milieu, among other literary categories. In her book, written from her self-imposed exile in Portugal, Devi recreates Goa, former Portuguese colony, in the 1950s, before its annexation to India. A member of the Catholic gentry, Devi portrays the four hundred years of conflictive intimacy between Catholics and Hindus. Our main argument is that Devi´s empathy for her culture becomes even more explicit in Monção when her voice becomes one with that of all her women characters. Though they might be at odds, due to differences of caste, class and religion, Devi makes a point of showing that they are all part of the same cultural identity constantly remade through their own acts of refusal and recognition. This discussion will be framed in terms of Sidonie Smith and Julia Watson’s theory of autobiography (2001) as well as the studies on Goan women by the Goan critics Propércia Correia Afonso (1928-1931), Maria Aurora Couto (2005) and Fátima da Silva Gracias (2007).

scholarly journals WOMEN RESISTANCE IN EKA KURNIAWAN’S CORAT-CORET DI TOILET SHORT STORY COMPILATION BOOK

PARADIGM ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 71
Author(s):  
Asri Furoidah
Keyword(s):  
Short Stories ◽  
Feminist Theory ◽  
Short Story ◽  
Social Criticism ◽  
Female Characters ◽  
Literary Works ◽  
Men And Women ◽  
Male Characters

<p>Eka Kurniawan's Corat-coret di Toilet short stories compilation book contains twelve short stories that tell about light stories everyday but full of social criticism. Some of the short stories that portrayed female characters presented women who were not free in their lives, one of which was titled Dongeng Sebelum Bercinta and Si Cantik yang Tak Boleh Keluar Malam. Therefore, this study aims to analyze the position of women and their resistance toward patriarchal domination. This is interesting to be studied further by using feminist theory to find the position of women in literary works written by male writers. This research will focus on the actions of female characters which shape their position in the story. The data used in this study are in the form of words, sentences or expressions from short stories that show the dominance of patriarchy towards women and their efforts to get out of domination. From research using feminist theory it was found that patriarchal domination arises in the closest male characters to female characters such as fathers, male friends and husbands. Women resistance in the story was a form of false resistance which in turn strengthened the dominance of patriarchy and the dichotomy between men and women. This was found based on the fact that every resistance made by women turned to weaken women themselves.</p><p> <em> </em></p>

scholarly journals PEREMPUAN BURUK RUPA DI DALAM SASTRA

TELAGA BAHASA ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 109-116
Author(s):  
Wahyu Heriyadi
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Literary Text ◽  
Main Character ◽  
Female Characters ◽  
Literature Research ◽  
Female Authors ◽  
Weak Phase ◽  
Women's Novels ◽  
Concept Of Beauty

AbstractThe concept of beauty written by the authors of Indonesian contemporary women at this time can be said to experience significant changes, these changes can also be said to be a resistance effort in literature that presents the ugly concept of female characters written by female authors. Ugly is no longer a weak phase, but it is increasingly becoming a force and even power that is presented through the ugly main character. Through literature research on contemporary Indonesian women's novels and short stories, namely Saman's novel by Ayu Utami, the short story of Mereka Bilang, Saya Monyet! The work of Djenar Maesa Ayu, the Wanita Berwajah Penyok by Ratih Kumala, and Si Manis dan Lelaki Ke Tujuh by Intan Paramaditha. The result obtained is that even though the ugly woman has been defeated but at the same time she must be presented in a literary text, or give symbolic resistance through the character of a bad female character apparently towards the establishment of a beauty ideology and patriarchy.Key words: Female, Ugly, Short Story, Novel AbstrakKonsep kecantikan yang ditulis oleh pengarang perempuan kontemporer Indonesia pada saat ini dapat dikatakan mengalami perubahan yang signifikan, perubahan tersebut juga dapat dikatakan sebuah upaya perlawanan di dalam sastra yang menghadirkan konsep buruk rupa pada tokoh perempuan yang ditulis oleh pengarang perempuan. Buruk supa bukan lagi sebagai suatu fase yang lemah, tetapi semakin hadir menjadi sebuah kekuatan bahkan kekuasaan yang dihadirkan melalui tokoh utamanya yang buruk rupa tersebut.Melalui penelitian pustaka pada novel dan cerpen karya perempuan Indonesia kontemporer yaitu Novel Saman karya Ayu Utami, cerpen Mereka Bilang, Saya Monyet! Karya Djenar Maesa Ayu, Wanita Berwajah Penyok karya Ratih Kumala, dan Si Manis dan Lelaki Ke Tujuh karya Intan Paramaditha. Hasil yang didapatkan adalah meskipun perempuan buruk rupa telah dikalahkan namun sekaligus ia harus dihadirkan dalam teks sastra, atau memberikan perlawanan yang simbolis melalui karakter tokoh perempuan buruk rupanya terhadap kemapanan ideologi kecantikan dan patriarki.Kata-kata kunci: Perempuan, Buruk Rupa, Cerpen, Novel

scholarly journals RESEPSI SISWA MADRASAH TSANAWIYAH KABUPATEN BANTUL TERHADAP CERPEN REMAJA PADA SURAT KABAR KEDAULATAN RAKYAT

2019 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Siska Yuniati ◽  
Burhan Nurgiyantoro
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Literary Texts ◽  
Emotional Impact ◽  
Making Meaning ◽  
Emotional Aspect ◽  
Significant Difference ◽  
Emotional Aspects ◽  
Literary Reception

Literary reception encompasses reader’s role in making meaning from literary texts. Student’s reception of teenage short story can give an idea of student’s acceptance of this type of text. This is interesting because students as teenagers are rarely involved in responding to teenage short stories, particularly ones available in newspapers. This research aims to examine the reception of teen short stories in the Kedaulatan Rakyat Newspaper by students of Madrasah Tsanawiyah in Bantul Regency in terms of intellectual and emotional aspects. Respondents in this study are 128 students of MTsN 1 Bantul, MTsN 3 Bantul, MTsN 4 Bantul, MTs Al Falah, and MTs Hasyim Asy'ari. The data were collected using a reception questionnaire focusing on intellectual and emotional aspects. The results of the study are as follows. First, in terms of intellectual aspect, the students’ reception of teen short stories in Kedaulatan Rakyat is high (70.82%), moderate (15.62%), and low (13.58%). Second, in terms of emotional aspect, the students’ reception of teen short stories in this newspaper is high (38.86%), moderate (20.28%), and low (40.86%). Fourth, there is no significant difference between the reception of students from state madrasah and private madrasah. Based on the results of this study, it can be concluded that students of class IX of Madrasah Tsanawiyah, Bantul Regency can understand well the elements of story builders and the structure of short story, language, themes, and conflicts in the short story. Students also understand the logic of the story in the text and feel the tension of the conflict. The new values in the short stories and actions of the main characters are quite acceptable to students. Students are also interested enough to discuss the short stories further. Meanwhile, most students felt less emotional impact and do not feel the tension presented in the short story.

scholarly journals Outcaste by Choice: Re-Genderings in a Short Story by Oka Rusmini

2010 ◽  
Vol 7 (2) ◽  
Author(s):  
Harry Aveling
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Psychological Impact ◽  
Nation State ◽  
Ritual Practice ◽  
Female Characters ◽  
Lower Caste ◽  
Male Characters ◽  
Caste Status ◽  
The Subject

Ida Ayu Oka Rusmini is a major contemporary Indonesian author. She has published two novels, Tarian Bumi (2000) and Kenanga (2003a), a collection of short stories, (Sagra, 2001), and a volume of poetry, Patiwangi (2003b, republished in 2007 as Warna Kita, with the omission of some 12 poems). Born in Jakarta in 1967 of Balinese parents, she was a member of the highest Balinese caste, the brahmana caste, but renounced this status, including her title, after her marriage to the East Javanese essayist and poet Arif B. Prasetyo. Oka Rusmini is a graduate of the Indonesian Studies Department, Udayana University, and lives in Den Pasar where she works as a journalist for the Bali Post. Most of Oka Rusmini’s prose works explore the constraints into which the socioreligious practices of caste place all members of society, but most especially women. Both of her novels tell of a woman’s abandonment of her brahmin caste status as the result of her marriage to a sudra. The title of the poetry book, Patiwangi, refers to the ritual practice by which this degradation is confirmed, and the poem which gives the book its title bears the footnote: ‘Patiwangi: pati = death; wangi = fragrant. Patiwangi is a ritual that is performed on a noble women in her Village Temple to remove her noble status as a consequence of having married a man of a lower caste. The ritual often has a serious psychological impact on noble women’ (107). In both novels, and many short stories and poems, their loss of status brings enormous scorn and hardship to the major woman characters. Nevertheless, as we shall see, stepping outside patriarchally-dominated caste ties may also provide an ambiguous freedom for any woman who is positioned to take advantage of the opportunities which the modern, potentially secular, nation state of Indonesia, offers her. In this paper, I am interested in the way in which the short story, ‘Cenana’ (Sagra, 270-318), uses a traditional myth to deal various cross-caste transgressions in contemporary Balinese society. The story draws on one of the foundation myths of medieval Javanese history, the story of Ken Angrok, founder of the dynasty of Singhasari, East Java, in 1222 AD, and his consort, Ken Dedes, the wife of Ken Angrok’s predecessor. To my knowledge, although the myth has been the subject of a number of modern literary works, Oka Rusmini’s is the only account by a Balinese woman. Through its focus on the transgressions committed by strong female characters of all caste backgrounds, and dissolute male characters, Oka Rusmini’s narrative in ‘Cenana’ allows for a revision of conceptions of feminine agency in a society based on respect for high caste men and marriage to them.

scholarly journals CHARACTERIZATIONS OF WOMEN WIDOWED IN THE SHORT STORY NAMANYA, MASSA, TARIAN HAMIL DAN PENYAIR BULAN, AND NORHAYATI (LITERARY REVIEW CROSS REFERENCE)

2018 ◽  
Vol 17 (1) ◽  
pp. 111-122
Author(s):  
Nur Ahid Prasetyawan Purnomosidhi ◽  
Ninuk Lustyantie
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Deep Understanding ◽  
Cultural Background ◽  
Level Of Education ◽  
The Third ◽  
Brunei Darussalam ◽  
Status Occupation ◽  
The Difference ◽  
Cross Reference

ABSTRACTThis research aimed to gain a deep understanding of comparative characterizations, household status, occupation or profession, and socio-cultural background of the third figure women widowed in a collection of short stories (short story), a literary review cross reference. This research seeks to understand the phenomenon of characterizations of women widowed in three short stories that are then compared between the three. Approach this research in the form of a qualitative approach and methods used are content analysis methods. The process of data analysis in this research is not based on an effort to test the hypothesis, but rather attempted to develop a theory or framework of thinking based on the theory of literary sociology, so researchers retain a major role as a tool research. Data sources the study consists of three short stories namely (1) “Namanya, Massa”, by Ratna Indraswari Ibrahim, a short story from Indonesia, (2) “Tarian Hamil dan Penyair Bulan” by Johari Tarif, short stories from Malaysia, (3) and "Norhayati" by Amil Jaya, a short story from Brunei Darussalam. The topic of this research inspired the character equality is in the short story from the collection of short stories in the book Menjenguk Dunia Batin Cerpen Serumpun (MDBCM). The findings of this research in the form of naming differences, education, household status, employment, and socio-cultural background. For the differences of the characters, properties, and the habit of the third figure women widowed: Massa, Lely, and Norhayati is caused by the difference in the level of education, occupation or profession, and socio-cultural environment.Keyword: characterizations, women's widow, short stories, literary cross reference

scholarly journals Gothic tradition in N. V. Gogol's story “Portrait” (on the example of the works by G. Walpole, W. Irving, W. Scott, E. Poe)

2019 ◽  
Keyword(s):  
Short Stories ◽  
Comparative Analysis ◽  
Short Story ◽  
Scientific Literature ◽  
Gothic Literature ◽  
Typological Approach ◽  
The Difference

The article is devoted to studying of Gothic tradition influence in the N.V. Gogol’s story "Portrait". The use of a typological approach allowed the author to identify some parallels not clearly outlined in scientific literature, between N. Gogol's short story "Portrait" and G. Walpole's novel "The Castle of Otranto", the short stories "The Adventure of the Mysterious Picture" by V. Irving, "The Tapestried Chamber, or The Lady in the Sacque" by V. Scott, and "The Oval Portrait" by E.A. Poe. As a result of a comparative analysis of these texts, the author of the article identifies the narratological techniques for creating an atmosphere of terror and horror, characteristic for Gothic literature, as well as the motifs of mystery, birth curse, retribution and a living portrait. The study also emphasizes the difference in the use of elements of Gothic poetics in terms of the evolution of the genre, from the emergence of the genre canon in G. Walpole's novel "The Castle of Otranto" to travesty in W. Irving's story by W. Irving "Mysterious portrait." Special attention is paid to the analysis of the motif of the living portrait, which is a plot-forming for all the considered works, which allows us to trace its transformation. In all works, the motif of the living portrait performs a story-forming function. In G. Walpole's novel the motif of a living portrait is closely connected with the motif of retribution. In the stories of W. Irving and W. Scott, this motif is a manifestation of the supernatural, Gothic element expressing the escapist nature of such literature. In the story of E.A. Poe the motif of the living portrait becomes ontological, which brings it closer to the story of Gogol. This study concludes that the connection of Gogol's "Portrait" with Gothic tradition was not with any certain representatives of it, but was typological in nature. The author of the article focuses on Gogol's creative reinterpretation of the Gothic tradition, which led the writer to artistic discoveries in the field of poetics.

scholarly journals KEPASRAHAN HIDUP TOKOH DALAM CERPEN "TUJUAN: NEGERI SENJA" KARYA SENO GUMIRA DAN CERPEN "SEHARI MENUNGGU MAUT" KARYA ERNEST HAMINGWAY

2020 ◽  
Vol 15 (1) ◽  
pp. 33
Author(s):  
Rika Istianingrum, Yunita Suryani, N Yeffa Afnita A, Siti Umi Hanik
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Human Life ◽  
Analytical Techniques ◽  
Data Sources ◽  
Literature Study ◽  
Psychology Theory ◽  
The Difference ◽  
Taking Action ◽  
Descriptive Method

Abstrak Kepasrahan merupakan salah satu bentuk dari eksistensi hidup manusia. Seperti pada tokoh dalam cerpen “Tujuan: Negeri Senja” karya Seno Gumira Ajidarma dan cerpen “Sehari Menunggu Maut” karya Ernest Hamingway yang memilih pasrah dalam memandang kematian. Tujuan penelitian dalam artikel ini untuk memberikan deskripsi perbedaan dan persamaan mengenai makna kepasrahan yang dialami seorang tokoh dalam cerpen “Tujuan: Negeri Senja” karya Seno Gumira Ajidarma dan cerpen “Sehari Menunggu Maut” karya Ernest Hamingway. Metode yang digunakan adalah metode deskriptif dengan analisis komparatif dengan teori psikologi sastra. Teknik pengumpulan data adalah studi pustaka dengan sumber data berupa cerpen “Tujuan: Negeri Senja” karya Seno Gumira Ajidarma dan cerpen “Sehari Menunggu Maut” karya Ernest Hamingway. Teknik analisis dengan deskriptif interpretatif. Hasil yang ditemukan dalam penelitian ini adalah pada kedua cerpen tersebut terdapat persamaan tema cerita yaitu kematian. Perbedaanya terletak pada karakter tokoh dalam memaknai kepasrahan dengan sikap merelakan, menerima, mengatasi sesuatu, dan melakukan tindakan. Kata-kata kunci: eksistensi, kepasrahan, tokoh, cerita pendek  AbstractSurrender is one form of existence of human life. As in the characters in the short story “Tujuan: Negeri Senja” by Seno Gumira Ajidarma and the short story “Sehari Menunggu Maut” by Ernest Hamingway who chose resignation in looking at death. The purpose of the research in this article is to provide a description of the differences and similarities regarding the meaning of surrender experienced by a character in the short story “Tujuan: Negeri Senja” by Seno Gumira Ajidarma and the short story “Sehari Menunggu Maut” by Ernest Hamingway. The method used is descriptive method with comparative analysis with literary psychology theory. Data collection techniques are literature study with data sources in the form of short stories “Tujuan: Negeri Senja” by Seno Gumira Ajidarma and the short story “Sehari Menunggu Maut” by Ernest Hamingway. Analytical techniques with interpretive descriptive. The results found in this study are in the two short stories there are similarities in the theme of the story that is death. The difference lies in the character's character in interpreting surrender by giving up, accepting, organizing something, and taking action. Keywords: existence, surrender, character, short stories

scholarly journals KEDUDUKAN WATAK-WATAK WANITA DALAM KUMPULAN CERPEN ‘AMMAVUKU’ MENERUSI KAJIAN SUBALTERN [THE POSITION OF FEMALE CHARACTERS IN THE ‘AMMAVUKU’ SHORT STORY GROUP THROUGH SUBALTERN STUDIES]

2020 ◽  
pp. 147-154
Author(s):  
S.VINESH RAJ ◽  
MANONMANI DEVI M.A.R ANNAMALAI
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Research Method ◽  
Higher Learning ◽  
Female Characters ◽  
Subaltern Studies ◽  
Daily Lives ◽  
Patriarchal System ◽  
Library Research ◽  
Subaltern Study

Research 'traces the female characters in the short story' Ammavuku '; a subaltern study aimed to identify the position of female characters in the patriarchal system as described by Saras in her short story 'Ammavuku'. This research able to answer questions about the position of subaltern women in a family organization. This study was conducted using qualitative and descriptive methods. Information and data obtained through the library research method were made by looking for reference materials in books, journals, the internet, as well as libraries of several public institutes of higher learning. The literature method is used extensively in this study. The Subaltern study in Saras short stories covers the rights of women who are oppressed by men in their daily lives. The rights of women studied in terms of women as mothers, wives and children. The study of subaltern theory in the 'Ammavuku' short story will be a solution to the problems faced by women and to raise awareness among women in family institutions.

scholarly journals Nilai Budaya dan Feminisme dalam Kumpulan Cerpen Jeramba-Jeramba Malam: 10 Cerpen Terbaik Sayembara Menulis Cerpen Lokalitas Lubuklinggau Karya Mimi La Rose, dkk.

2018 ◽  
Vol 1 (1) ◽  
pp. 98-115
Author(s):  
Tri Astuti ◽  
Umiati Umiati
Keyword(s):  
Short Stories ◽  
Cultural Values ◽  
Short Story ◽  
Analysis Method ◽  
Female Characters ◽  
Negative Image ◽  
Data Presentation ◽  
The Public ◽  
Content Analysis Method ◽  
Public World

The objective of this research was to describe culture values ​​and feminism in a collection of short stories Jeramba Jeramba Malam by Mimi La Rose et al. This stories explored the cultural values ​​of the Lubuklinggau City locality depicted through female characters. This research was descriptive qualitative research with content analysis method. Data collection techniques using documentation techniques. The data was analyzed based on interactive engineering concepts including data reduction, data presentation, and conclusion drawing. The results of data analysis can be concluded that the shift of cultural values ​​in the society affects the views and image of women. The dominant worldview of women in the collection of short stories of Jeramba Jeramba Malam is a mixture of the domestic and public world, the domestic world, and the public world. This divergence of views creates a positive image of women, such as independent, gentle, patient, responsible, steadfast, strong, and tough. Also the negative image of women, such as ignorance, unfaithfulness, and lack of responsibility. Keywords: culture values, feminism values, and short story

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