scholarly journals KEDUDUKAN WATAK-WATAK WANITA DALAM KUMPULAN CERPEN ‘AMMAVUKU’ MENERUSI KAJIAN SUBALTERN [THE POSITION OF FEMALE CHARACTERS IN THE ‘AMMAVUKU’ SHORT STORY GROUP THROUGH SUBALTERN STUDIES]

Author(s):  
S.VINESH RAJ ◽  
MANONMANI DEVI M.A.R ANNAMALAI

Research 'traces the female characters in the short story' Ammavuku '; a subaltern study aimed to identify the position of female characters in the patriarchal system as described by Saras in her short story 'Ammavuku'. This research able to answer questions about the position of subaltern women in a family organization. This study was conducted using qualitative and descriptive methods. Information and data obtained through the library research method were made by looking for reference materials in books, journals, the internet, as well as libraries of several public institutes of higher learning. The literature method is used extensively in this study. The Subaltern study in Saras short stories covers the rights of women who are oppressed by men in their daily lives. The rights of women studied in terms of women as mothers, wives and children. The study of subaltern theory in the 'Ammavuku' short story will be a solution to the problems faced by women and to raise awareness among women in family institutions.

2018 ◽  
Vol 18 (2) ◽  
pp. 65
Author(s):  
Zahratul Umniyyah

Abstrak : Kajian ini membahas dua cerita pendek dalam Kumpulan Cerita Pendek Akar Pule karya Oka Rusmini. Tulisan ini bertujuan mengungkap, menganalisis, dan mendeskripsikan penderitaan fisik dan penderitaan psikis yang dihadapi perempuan. Metode penelitian yang digunakan dalam penelitian ini adalah metode penelitian kualitatif. Pengarang menyuarakan pemikirannya melalui kemunculan tokoh-tokoh perempuan dan berbagai permasalahan yang bersumber dari laki-laki. Posisi perempuan selalu dianggap lemah, sistem patriarki yang tumbuh subur di Bali semakin menekan kedudukan perempuan sehingga perempuan semakin tidak berdaya dan harus tunduk dengan aturan adat yang sangat merugikan pihak perempuan. Kata kunci: sastra, feminisme radikal, sistem patriarki   Abstract : This study discusses two short stories part of Akar Pule anthology written by Oka Rusmini. In this study, the writer attempts to reveal, analyze, dan describe physical and psychological oppressions experienced by the female character. In this study the writer uses qualitative method as research method. The author voices her thoughts by presenting the female characters and their problem caused by male characters (men). In these short stories female characters (women) are placed in weaker position than men. The patriarchal system which is deeply rooted in Balinese culture gives more oppression towards women making Balinese women more powerless and forcing them to obey the customs that disadvantage them. Keywords: literary work, radical feminism, patriarchal system


2018 ◽  
Vol 6 (01) ◽  
pp. 41
Author(s):  
Reni Ilmayanti

This paper examines a collection of short stories entitled: Liman nahmil al-Rasasah by Jihad Al-Rajbi>using the semiotic approach of Charles Sander Peirce. This paper intends to describe the symbolic meaning implicit in the text in expressing the reality of the events behind the Intifada in the Palestinian state presented in the short stories of Jihad Al-Rajbi. This research includes library research; by reviewing library materials, in the form of books, encyclopedias, journals and other sources relevant to the topic being studied. The results of the analysis found that the language used by the author in conveying communication to the public was a symbolic language, to deliver the reader to the context of the Palestinian people in the period 1967-1993. Bullet words (Al-Rasasah), small stone stones, children, mothers, al-Quds, seclusion is a symbol that is often repeated in short story narratives. This symbolizes the oppression of the Palestinian people over Israeli cruelty, so the word used as the parent title of the collection of short stories Intifadhah is the word bullet (Al-Rasasah).


2019 ◽  
Vol 41 (2) ◽  
pp. e45888
Author(s):  
Cielo Griselda Festino

This article brings a reading of the short-story collection Monção [Monsoon] ( 2003) by the Goan writer Vimala Devi (1932-). The collection can be read as a short-story cycle, a group of stories related by locality, Goa, character, Goans, from all walks of life, and theme, in particular women´s milieu, among other literary categories. In her book, written from her self-imposed exile in Portugal, Devi recreates Goa, former Portuguese colony, in the 1950s, before its annexation to India. A member of the Catholic gentry, Devi portrays the four hundred years of conflictive intimacy between Catholics and Hindus. Our main argument is that Devi´s empathy for her culture becomes even more explicit in Monção when her voice becomes one with that of all her women characters. Though they might be at odds, due to differences of caste, class and religion, Devi makes a point of showing that they are all part of the same cultural identity constantly remade through their own acts of refusal and recognition. This discussion will be framed in terms of Sidonie Smith and Julia Watson’s theory of autobiography (2001) as well as the studies on Goan women by the Goan critics Propércia Correia Afonso (1928-1931), Maria Aurora Couto (2005) and Fátima da Silva Gracias (2007).


2020 ◽  
Vol 3 (2) ◽  
pp. 211-220
Author(s):  
Nurhana

The purposes of this research included: (1) developing teaching materials for writing short story using paraphrasing technique, (2) implementing learning to write short story using paraphrasing technique, (3) describing the feasibility of teaching materials for writing short story using paraphrasing technique. This research uses the research method of developing Willis's reflective, recursive, design, and development (R2D2) models. The method used is to produce a product and test the feasibility of the product in the form of teaching materials to write short stories with paraphrasing techniques in class XI MAN 2 Samarinda students. The results of the development of teaching materials for short story writing with paraphrasing techniques were validated by content/content experts who gave an average score of 92.04% and validation of teaching material experts obtained an average score of 95%. From the validation results the experts obtained an average score of 93.52% with a very good category. Thus, the teaching material produced is very suitable for use by students of class XI. Furthermore, implementing learning to write short stories with paraphrase techniques through planning assessments conducted by observer 1 who gave an average score of 80% and observer 2 gave an average score of 93.33%. The implementation of learning was given an average score of 81.73% by observer 1 and observer 2 giving an average score of 86.08%. From the average score given by observers 1 and 2 states learning takes place very well. The feasibility of teaching materials for short story writing with paraphrase techniques can be seen from the results of small group pretest trials with an average value of 67.8 and 86.7 posttests and field trials with an average value of 73.75 and posttests with an average value 88.18% with a very decent category.


2019 ◽  
Vol 18 (1) ◽  
pp. 35
Author(s):  
Kandhi Laras ◽  
Azizatuz Zahro’

Tujuan penelitian ini adalah untuk mengetahui beragam resepsi pembaca terhadap bentuk ketidakadilan gender dalam cerpen feminisme berjudul Mata Telanjang. Bentuk ketidakadilan gender yang dibahas dalam penelitian ini meliputi: marginalisasi, subordinasi, stereotipi, dan kekerasan. Data resepsi dikumpulkan melalui kuesioner dan dianalisis berdasarkan metode resepsi sastra. Hasil penelitian ini menunjukkan adanya kontradiksi penerimaan pembaca terkait bentuk ketidakadilan gender terhadap tokoh perempuan (pekerja seks) yang ditawarkan oleh cerpen Mata Telanjang. Perbedaan perspektif dari pembaca disebabkan oleh latar belakang usia, pengetahuan, dan status sosial pembaca sehingga menimbulkan dua kelompok pembaca, yakni kelompok pembaca yang pro terhadap adanya bentuk ketidakadilan gender, dan kelompok pembaca yang menolak bentuk ketidakadilan gender pada tokoh perempuan dalam cerpen.[The purpose of this study is to find out various reader receptions towards gender inequality in feminism short stories entitled Mata Telanjang. The forms of gender injustice discussed in this study include: marginalization, subordination, stereotyping, and violence. The data of reception were collected through questionnaires and analyzed based on the method of literary reception. The results of this study indicate a contradiction in readers' acceptance of the form of gender inequality towards female leaders (sex workers) offered by Mata Telanjang short story. The difference in perspective from the reader is caused by the background of the age, knowledge, and social status of the reader. Here, there are two groups of readers, namely the readers who are pro against the form of gender inequality, and the readers who reject the form of gender injustice in female characters in the short story.]


2018 ◽  
Vol 1 (3) ◽  
pp. 177
Author(s):  
Hani Novianti & Daud Pamungkas

This article discusses the learning of writing short stories with transformational techniques, transforming Sundanese Cianjuran songs into a short story. The study was applied to students of class IX at SMP Bina Utama in 2017-2018. The research method used is the experimental method (Pre Experimental Desaign). The sample used is the IXE class and it is chosen based on certain considerations. The instruments used are observation and tests. The results showed that the results of learning to write short stories before using text transformation techniques (pretest) were classified as low, with an average pretest score of 50.68, while using the text transformation technique (posttest) the results were in the medium category, with the average posttest result was 65,45. Then, after being compared with the t-test, the significance value of the data before and after treatment is 0,000, which means the significance value is 0,000 <0,05, then H0 is rejected. From the results of the significance test, it can be said that the treatment (learning technique) that has been applied in this study is the text transformation technique in writing short stories successfully increasing students' short story writing skills.Keywords: writing,  short stories, transformation, tembang Sunda


2016 ◽  
Vol 4 (2) ◽  
pp. 196
Author(s):  
Faizal Risdianto

The title of this paper is a conversational implicature analysis on Oscar Wilde’s “Happy Prince”. In this paper, the writer discusses conversational implicature in one of Oscar Wilde’s short stories entitled “Happy Prince”. The objectives of the study are to identify the implicature utterances conveyed by the characters in Oscar Wilde’s “Happy Prince” and to describe the implied meaning uttered by the characters in Oscar Wilde’s “Happy Prince”. In this study, the writer applies qualitative research method. The objects of this study are ten utterances of conversational implicature in Oscar Wilde’s “Happy Prince”. Those conversational implicature are obtained through frequent reading and analysis. This study employed the researcher as the instrument to find adequate and profound data and analyze them. The procedures and steps that have been used in this research are: (1) the provision of data, (2) data classification, (3) and data analysis. In analyzing the data, the writer uses Gricean theory. It is a theory about conversational implicature generated by four maxims. Those are maxim of quantity, maxim of quality, maxim of relation and maxim of manner. Then the last step is (4) the presentation of data analysis. After conducting the research, the writer found ten conversational implicatures in Oscar Wilde’s short story “Happy Prince”. In the short story, there are some variation’s meanings of the conversational implicature used in the short story which closely related to the conversational implicature; they are cooperative, politeness and ironical principle. In Oscar Wilde’s short story “Happy Prince”, there are six maxims of politeness principle, two maxims of cooperative principles and two maxims of ironical principles. Besides that, the reasons of the conversational implicature used in Oscar Wilde’s short story “Happy Prince” are to make us easyly understand the dialogue in the short story conversations and it is aimed at minimizing misunderstanding among the readers and literary critics.Keywords: Conversational Implicature; Maxims; Gricean Theory; Short Story


2021 ◽  
Vol 3 (2) ◽  
pp. 195-205
Author(s):  
Deasy Wahyu Hidayati

The purpose of this study is to find a description of the elements or religious values ​​contained in the short stories of Kiss Aku di Ujung Subuh by Hamzah Puadi Ilyas. The method in this study is a descriptive qualitative research method. The religious value in the short story Kiss Aku di Ujung Subuh by Hamzah Puadi Ilyas shows that there is religious value in the aspect of belief in Allah, including believing in angels, the Day of Judgment, the prophet's ark, and believing in the Koran and hadiths; religious value in the aspect of awe of the majesty of God includes amazement at the aroma of wickedness, the power of God, and the creation of the universe; religious values ​​in the aspect of the vibration of a personal conscience include a heart vibration of gratitude, cries of events, past memories, and dreams; religious values ​​in the aspect of personal attitudes include the attitude of worship, prostrate, makeistigfar, dhikr, and read the Koran / juz-amma; and religious values ​​in the aspect of mental intimidation include intimidation of the soul from karma, the core process of death, and the process of taking one's life. Based on the results of this study, it can also be seen that the religious value that appears most in the short stories of Ciinum Aku di Ujung Subuh by Hamzah Puadi Ilyas is personal attitude.   Keywords: Score; Religious; Short story; High school


PARADIGM ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 71
Author(s):  
Asri Furoidah

<p>Eka Kurniawan's Corat-coret di Toilet short stories compilation book contains twelve short stories that tell about light stories everyday but full of social criticism. Some of the short stories that portrayed female characters presented women who were not free in their lives, one of which was titled Dongeng Sebelum Bercinta and Si Cantik yang Tak Boleh Keluar Malam. Therefore, this study aims to analyze the position of women and their resistance toward patriarchal domination. This is interesting to be studied further by using feminist theory to find the position of women in literary works written by male writers. This research will focus on the actions of female characters which shape their position in the story. The data used in this study are in the form of words, sentences or expressions from short stories that show the dominance of patriarchy towards women and their efforts to get out of domination. From research using feminist theory it was found that patriarchal domination arises in the closest male characters to female characters such as fathers, male friends and husbands. Women resistance in the story was a form of false resistance which in turn strengthened the dominance of patriarchy and the dichotomy between men and women. This was found based on the fact that every resistance made by women turned to weaken women themselves.</p><p> <em> </em></p>


TELAGA BAHASA ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 109-116
Author(s):  
Wahyu Heriyadi

AbstractThe concept of beauty written by the authors of Indonesian contemporary women at this time can be said to experience significant changes, these changes can also be said to be a resistance effort in literature that presents the ugly concept of female characters written by female authors. Ugly is no longer a weak phase, but it is increasingly becoming a force and even power that is presented through the ugly main character. Through literature research on contemporary Indonesian women's novels and short stories, namely Saman's novel by Ayu Utami, the short story of Mereka Bilang, Saya Monyet! The work of Djenar Maesa Ayu, the Wanita Berwajah Penyok by Ratih Kumala, and Si Manis dan Lelaki Ke Tujuh by Intan Paramaditha. The result obtained is that even though the ugly woman has been defeated but at the same time she must be presented in a literary text, or give symbolic resistance through the character of a bad female character apparently towards the establishment of a beauty ideology and patriarchy.Key words: Female, Ugly, Short Story, Novel AbstrakKonsep kecantikan yang ditulis oleh pengarang perempuan kontemporer Indonesia pada saat ini dapat dikatakan mengalami perubahan yang signifikan, perubahan tersebut juga dapat dikatakan sebuah upaya perlawanan di dalam sastra yang menghadirkan konsep buruk rupa pada tokoh perempuan yang ditulis oleh pengarang perempuan. Buruk supa bukan lagi sebagai suatu fase yang lemah, tetapi semakin hadir menjadi sebuah kekuatan bahkan kekuasaan yang dihadirkan melalui tokoh utamanya yang buruk rupa tersebut.Melalui penelitian pustaka pada novel dan cerpen karya perempuan Indonesia kontemporer yaitu Novel Saman karya Ayu Utami, cerpen Mereka Bilang, Saya Monyet! Karya Djenar Maesa Ayu, Wanita Berwajah Penyok karya Ratih Kumala, dan Si Manis dan Lelaki Ke Tujuh karya Intan Paramaditha. Hasil yang didapatkan adalah meskipun perempuan buruk rupa telah dikalahkan namun sekaligus ia harus dihadirkan dalam teks sastra, atau memberikan perlawanan yang simbolis melalui karakter tokoh perempuan buruk rupanya terhadap kemapanan ideologi kecantikan dan patriarki.Kata-kata kunci: Perempuan, Buruk Rupa, Cerpen, Novel


Sign in / Sign up

Export Citation Format

Share Document