scholarly journals RESEPSI SISWA MADRASAH TSANAWIYAH KABUPATEN BANTUL TERHADAP CERPEN REMAJA PADA SURAT KABAR KEDAULATAN RAKYAT

2019 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Siska Yuniati ◽  
Burhan Nurgiyantoro

Literary reception encompasses reader’s role in making meaning from literary texts. Student’s reception of teenage short story can give an idea of student’s acceptance of this type of text. This is interesting because students as teenagers are rarely involved in responding to teenage short stories, particularly ones available in newspapers. This research aims to examine the reception of teen short stories in the Kedaulatan Rakyat Newspaper by students of Madrasah Tsanawiyah in Bantul Regency in terms of intellectual and emotional aspects. Respondents in this study are 128 students of MTsN 1 Bantul, MTsN 3 Bantul, MTsN 4 Bantul, MTs Al Falah, and MTs Hasyim Asy'ari. The data were collected using a reception questionnaire focusing on intellectual and emotional aspects. The results of the study are as follows. First, in terms of intellectual aspect, the students’ reception of teen short stories in Kedaulatan Rakyat is high (70.82%), moderate (15.62%), and low (13.58%). Second, in terms of emotional aspect, the students’ reception of teen short stories in this newspaper is high (38.86%), moderate (20.28%), and low (40.86%). Fourth, there is no significant difference between the reception of students from state madrasah and private madrasah. Based on the results of this study, it can be concluded that students of class IX of Madrasah Tsanawiyah, Bantul Regency can understand well the elements of story builders and the structure of short story, language, themes, and conflicts in the short story. Students also understand the logic of the story in the text and feel the tension of the conflict. The new values in the short stories and actions of the main characters are quite acceptable to students. Students are also interested enough to discuss the short stories further. Meanwhile, most students felt less emotional impact and do not feel the tension presented in the short story.

2019 ◽  
Vol 18 (1) ◽  
pp. 35
Author(s):  
Kandhi Laras ◽  
Azizatuz Zahro’

Tujuan penelitian ini adalah untuk mengetahui beragam resepsi pembaca terhadap bentuk ketidakadilan gender dalam cerpen feminisme berjudul Mata Telanjang. Bentuk ketidakadilan gender yang dibahas dalam penelitian ini meliputi: marginalisasi, subordinasi, stereotipi, dan kekerasan. Data resepsi dikumpulkan melalui kuesioner dan dianalisis berdasarkan metode resepsi sastra. Hasil penelitian ini menunjukkan adanya kontradiksi penerimaan pembaca terkait bentuk ketidakadilan gender terhadap tokoh perempuan (pekerja seks) yang ditawarkan oleh cerpen Mata Telanjang. Perbedaan perspektif dari pembaca disebabkan oleh latar belakang usia, pengetahuan, dan status sosial pembaca sehingga menimbulkan dua kelompok pembaca, yakni kelompok pembaca yang pro terhadap adanya bentuk ketidakadilan gender, dan kelompok pembaca yang menolak bentuk ketidakadilan gender pada tokoh perempuan dalam cerpen.[The purpose of this study is to find out various reader receptions towards gender inequality in feminism short stories entitled Mata Telanjang. The forms of gender injustice discussed in this study include: marginalization, subordination, stereotyping, and violence. The data of reception were collected through questionnaires and analyzed based on the method of literary reception. The results of this study indicate a contradiction in readers' acceptance of the form of gender inequality towards female leaders (sex workers) offered by Mata Telanjang short story. The difference in perspective from the reader is caused by the background of the age, knowledge, and social status of the reader. Here, there are two groups of readers, namely the readers who are pro against the form of gender inequality, and the readers who reject the form of gender injustice in female characters in the short story.]


Sirok Bastra ◽  
2019 ◽  
Vol 7 (2) ◽  
Author(s):  
Abdul Azis ◽  
Hajrah Hajrah ◽  
Suarni Suarni

AbstrakPenelitian bertujuan membuktikan keefektifan strategi critical incident dalam pembelajaran menulis cerpen. Jenis penelitian ini adalah penelitian eksperimen, dengan desain penelitian eksperimen murni. Penelitian ini dilaksanakan di SMP Negeri 1 Sinjai Selatan. Populasi penelitian keseluruhan siswa kelas VIII. Pengambilan sampel dilakukan secara acak sederhana dengan teknik simple random sampling. Sampel yang terpilih, yaitu kelas VIII-F (kelas eksperimen) dan kelas VIII-G (kelas kontrol). Instrumen yang digunakan, yaitu dalam bentuk tes cerita pendek. Data yang terkumpul dianalisis menggunakan statistik deskriptif dan statistik inferensial. Sebelum diadakan analisis data, dilakukan uji normalitas dan uji homogenitas menggunakan program SPSS. Hasil penelitian menunjukkan adanya perbedaan signifikan kemampuan menulis cerpen siswa kelas kontrol dengan eksperimen yang ditunjukkan oleh hasil uji-t yang dilakukan dengan bantuan program SPSS 20.0. Uji-t data posttest kelas kontrol dan kelas eksperimen menunjukkan nilai P = 0,001 (P < 0,05 = signifikan).Kata kunci: keefektifan, strategi critical incident, menulis, cerpen AbstractThe research aims to prove the effectiveness of the critical incident strategy in learning to write short stories. This type of research is experimental research. The research design used was pure experimentation. This research was conducted at SMP Negeri 1 South Sinjai. The entire research population of class VIII students. Sampling is done by simple random sampling with simple random sampling technique. The selected sample, namely class VIII-F (experimental class) and class VIII-G (control class). The instrument used is in the form of short story tests. The collected data were analyzed using descriptive statistics and inferential statistics. Before the data analysis is carried out, the normality test and homogeneity test are done using the SPSS program. The results showed a significant difference in the ability to write short stories of control class students with experiments shown by the results of the t-test conducted with the help of the SPSS 20.0 program. The t-test posttest data of the control class and the experimental class showed a value of P = 0.001 (P <0.05 = significant).Keywords: effectiveness, critical incident strategy, writing, short stories


2020 ◽  
Vol 5 (2) ◽  
pp. 107-112
Author(s):  
Hasbaini Kluet ◽  
Amsar Yunan ◽  
Asmaidi

This research was conducted to see the effectiveness of using short stories in teaching reading comprehension. The teaching model was used an interactive approach to be developed the reading skills of second semester students at the Department of Computer Engineering, South Aceh Polytechnic. The reading ability of students was explored and to be found the right teaching model, then the aspects of the ability to be seen was understanding the meaning of words, sentence intentions, information, problems, opinions, recommendations, sentence structure, analysis and communication and student responses after the application of the teaching model in the classroom. After treatment, there was an increase in students' reading comprehension skills especially in the experimental class after using short story teaching materials with interactive approach teaching models to obtain an average value of pre-test = 55, and post-test = 77.67. Whereas in the control class only got a pre-test value = 49,64 and post-test = 67,86. Then there was a significant difference in the scores of the two classes in the post-test scores (77,67-67,86) namely 9,81. Meanwhile, from questionnaire data, 87% of students responded very well and the remaining 13% responded well to the use of short stories with interactive approach teaching models. As well as answering enough options and less as much as 0%. From the responded above, which has helped develop student confidence, collaboration, self-ability and group work. Of course this research was far from perfection and needs to be improved in the future with other teaching methods, while still providing motivation to students to continue to be improved their learning, especially reading skills. So from the results of this simple study it can be recommended that, the use of short stories in teaching comprehension reading with interactive approach models got a significant increase in students' ability in reading comprehension than conventional learning models.


Author(s):  
Erfin Wijayanti

This study aimed to investigating the effect of reading newspapers and short stories on students' vocabulary size and whether there is a significant difference between students who read newspapers and short stories at third semester of English Education Study Program in Cenderawasih University. The method of the research was quasi-experimental.  The sample of the research was the students of third semester English Education Study Program at Cenderawasih University. It consisted of 36 students who were divided into two groups, i.e., Newspaper group and Short Story group, which were given the texts as a treatment based on their name's group. The test -2,000-VLT design of Nation- was used as the primary instrument test to measure the students' vocabulary size before and after given treatment. After analyzing the data, both groups demonstrated a significant increase in vocabulary size. The Newspapers group increased from 1,206 to 1,556 words, while the Short Story group shows the mean 1,134 words moved up to 1,469 words. However, the T-test shows that the vocabulary size of both the Newspaper group and Short Story group is not different significantly. Keywords: Effect, Vocabulary Size, Reading, Newspaper, Short Story 


2016 ◽  
Vol 1 (2) ◽  
Author(s):  
Ainon Omar ◽  
Ezatul Marini Mohd. Ghazali

Studies have shown that literary texts such as short stories have been able to develop students’ interpretative skills as well as provide opportunities for students to enhance their critical thinking skills. This study aimed at investigating the use of short stories on enhancing students’ reaction writing. The purpose of the study was to look into a new method that can assist students in expressing their views and opinions about current issues. Thus, a study was conducted to investigate whether the use of short stories as an authentic material can assist students in enhancing their reaction writing. An experimental study was employed on a group of technical students. A pre-test was administered followed by treatment sessions and finally a post-test before a semi-structured interview was conducted on lecturers. The study gathered data on the lecturers’ perceptions towards the idea of incorporating literary texts in their English language lessons. The findings showed that the use of the short story had assisted students to generate ideas to write their reaction paper although a lot of guidance had to be given by the lecturer. The students as well as the lecturers were optimistic on the idea of incorporating literature in the English language course. However, the choice of literary texts needs to be carefully selected and also students’ interests and needs are taken into consideration in order for them to write their reaction paper.


Author(s):  
M Surip ◽  
S Fahmy Dalimunthe ◽  
M Anggie J Daulay

The purpose of writing this article is to provide an analytical study of literary texts associated with the diversity of local wisdom in North Sumatra. The emergence of short story writers in North Sumatra gives a new color in carrying the wisdom of the local culture. The content of short stories loaded with cultural contents is implicitly conveyed to provide knowledge about the culture itself that begins to fade. Problems in this study include how to examine local wisdom in the short stories of North Sumatra authorship. The theory used is Cultural Theory and Literary Anthropology, which is very relevant in exploring aspects of local wisdom in the content of the short stories. Qualitative descriptive methods are used in identifying and analyzing the contents of such short stories and then interpreted in the context of related local cultural wisdom. This of course requires an objective narrative so that the explanation does not deviate from the cultural packages of North Sumatra. The results of the research obtained illustrate the strength of local wisdom that appears in the content of the North Sumatra authorship short story. Aspects of the language system, social system, livelihood system, and arts represent local wisdom from the analysis of north Sumatra's authorship short stories. These values are examined from the background and from dialogues that arise from the contents of short stories and then constructed according to the theory used.


2021 ◽  
Vol 98 (7) ◽  
pp. 679-691
Author(s):  
UWE KJÆR NISSEN

With a focus on various translations of the short story ‘Historia con migalas’ by one of the most renowned Latin American writers, the Argentinian author Julio Cortázar, this article describes and exemplifies numerous translational problems with respect to grammatical gender. In spite of the difficulties in Spanish of entirely avoiding gender/ sex references, Cortázar deliberately endeavours (successfully) to hide the gender of the protagonist couple by tricking the reader into a heterosexual, stereotypical mindset until, at the end of the story, he reveals that the couple consists of two women, forcing the reader to reanalyse and reinterpret the entire story. As this article shows, not all translators seem to be aware of Cortázar’s subtle play with grammatical gender, and vice versa - in this case - biological gender and, therefore, entirely miss the quintessence of the story. A relevant question that arises is whether it is possible in the languages under consideration to translate this playing with gender at all, or whether constraints as to the structure of the languages impede it (for example, differences between grammatical gender and natural gender languages). Finally, some evidence is brought forward to address the question of how the (mis)translated short stories were received by reviewers.


2021 ◽  
Vol 14 ◽  
pp. 7-33
Author(s):  
Grażyna Maria Teresa Branny

The present article is part of a larger project on Conrad’s less known short fiction, the area of his writing which is largely undervalued, and even deprecated at times. The paper’s aim is to enhance the appreciation of “A Smile of Fortune,” by drawing attention to its “inner texture” as representative of Conrad’s “art of expression,” especially in view of the writer’s own belief in the supremacy of form over content as well as “suggestiveness” over “explicitness” in his fiction. To achieve this aim a New Critical (“close reading”), intertextual and comparative approaches to Conrad’s story have been adopted, involving nineteenth- and twentieth-century American literary texts, i.e., both those preceding and those following the publication of Conrad’s ’Twixt Land and Sea (1912) volume featuring the tale in question. The intertextual reading of “A Smile of Fortune” against Bernard Malamud’s short story “The Magic Barrel,” Herman Melville’s Moby Dick, and William Faulkner’s Absalom, Absalom!, with Light in August as a point of reference, reveals the workings in Conrad’s story of the modernist device of denegation, which, alongside antithesis and oxymoron, seems to be largely responsible for the tale’s contradictions and ambiguities, which should thus be perceived as the story’s asset rather than flaw. The textual evidence of Conrad’s tale, as well as its comparison with three short stories: Nathaniel Hawthorne’s “Rappaccini’s Daughter,” Edgar Allan Poe’s “The Fall of the House of Usher,” and Peter Taylor’s “Venus, Cupid, Folly and Time,” seem to confirm the presence of the implications of the theme of incest in Conrad’s text, heretofore unrecognized in criticism. Overall, the foregoing analysis of “A Smile of Fortune” hopes to account for, if not disentangle, the story’s complex narratological meanderings and seemingly insoluble ambiguities, particularly as regards character and motive, naming Conrad rather than Faulkner the precursor of denegation.


2018 ◽  
Vol 1 (3) ◽  
pp. 186
Author(s):  
Nur Puspitasari & Cinde Adia Diningsih

This article will discuss learning to write short stories with the picture and picture model. Is there any significant difference between the ability to write short stories using the picture and picture model and that which does not use the model? The study was conducted using quasi-experimental design with the pre test-post test of control group design. The study was conducted in class XI of SMK 2 Cilaku. Data collection techniques use tests and questionnaires. Reliability testing is done with the Cronbach alpha coefficient formula. The calculation results show the reliability value of 0.873 which is greater than the coefficient value of 0.6. Data analysis techniques were carried out using the post-test and t-test results scores. The results showed a significant difference in the short story post-test scores of the control group and the experimental group. In the control group there were 3 (three) students who scored low, 8 (eight) students scored medium, and 3 (three ) students got a high score. In the experimental group 1 (one) student got a low score, 11 (eleven) students scored medium, and 7 (seven) students got a high score. This shows that there are significant differences in short story writing skills between the experimental group and the control group. The results of the t-test of the pre test score and the post test of the experimental group had a significant 2-tailed 0.009 smaller than 0.05, which showed that Ho was rejected with the difference the experimental class average value of 72.9474 higher than the control class of 70.2500, based on these results that the picture and picture learning model can improve the ability to write short stories at SMK Negeri 2 Cilaku.Keywords: implementation, picture and picture model, writing short story


HUMANIKA ◽  
2020 ◽  
Vol 27 (2) ◽  
pp. 155-169
Author(s):  
Erika Citra Sari Hartanto ◽  
Miftahur Roifah

Muna Masyari is a famous female author from Pamekasan, Madura, whose one of her short stories, Sortana, won an award from Kompas, a national newspaper, as the best short story in 2017. Through her short stories, she consistent in depicting the social problems, particularly, related to Madurese women. This article discusses the portrayal of Madurese women in four short stories, namely Kembang Pengantin, Rumah Hantaran, Are’ Lancor, and Topeng Gelur. This article focuses on Madurese women as daughter and mother and their relation to nature and oppressed culture. This study uses descriptive approach with close reading method. Data collection is in the form of words and the data analysis is done by interpreting the data based on Elaine Showalter’s Gynocriticism which concerns with women as writer as well as the producer of literary texts. Gynocriticism mostly deals with four models; they are women’s writing and women’s body, women’s writing and women’s language, women’s writing and women’s psyche, and women’s writing and women’s culture. The results show Masyari reveals many problems attached to Madurese women through women’s body, language, psyche and culture. Madurese early arranged marriage and myths has placed Madurese women in oppressive and unfortunate conditions due to the binding culture that has dominated women. Muna Masyari, yet, places her female characters who are daring to speak their voice to have their own authority in searching their destiny in the future.


Sign in / Sign up

Export Citation Format

Share Document