scholarly journals Roles of the Crisis Management Initiative (CMI) in Aceh’s Reconciliation to Strengthen Indonesia’s National Integration After Tsunami in 2005

2019 ◽  
Vol 2 (2) ◽  
pp. 101
Author(s):  
Mujiburrahman Mujiburrahman

Crisis Management Initiative (CMI) is a National Government Organization that focuses on advocacy for sustainable security and conflict resolution. This organization was founded in 2000 by Martti Ahtisaari. Ge was the former president of Finland in 1994-2000. CMI was asked to facilitate negotiation between the Indonesian government and GAM (Free Aceh Movement), through personal contact between Farid Husain and Juha Christensen. Aceh conflict was a disintegration-oriented-conflict, so it was potential to threaten Indonesia’s sovereignty.This research used the historical method with heuristic, criticism or verification, interpretation, and historiography stages. The primary sources of data on this research were information in the media, both printed and electronic. Besides, this research also examined or reviewed the literary references that were related and relevant to the research topic. The study was to reveal how the background of CMI's involvement in Aceh peace in 2005, and how the strategic roles of CMI in resolving conflicts until the realization of Aceh peace in 2005 for Aceh remained a part of the Republic of Indonesia (NKRI).The role of CMI as a reputable international institution and getting the trust of both parties, was capable of providing intervention to the conflicting parties so that its role became very strategic in mediating the conflict. The success of CMI was seen from the negotiation held in Helsinki Finland, resulting in the execution of the Memorandum of Understanding (MoU) on August 15, 2005, as a peace agreement. After the signing of the Helsinki MoU, armed conflict stopped, and the social lives were back to normal, and the development process could resume usually.

2017 ◽  
Vol 1 (2) ◽  
pp. 103
Author(s):  
Sutarwinarno Sutarwinarno ◽  
Agustinus Supriyono ◽  
Dhanang Respati Puguh

This article discusses the efforts of territorial Consolidation and formation of cultural identity during the reign of Hamengku Buwana I. This article is written using the historical method and utilizing primary sources in the form of VOC archives stored in the National Archives of the Republic of Indonesia and Java manuscripts stored in Yogyakarta Sultanate, as well as secondary sources in the form of articles and books. After Giyanti Agreement in 1755, Sultan Hamengku Buwana I attempted to consolidate his territory through negotiation, dispute settlement and law enforcement in order to preserve the sovereignty and territorial integrity of his kingdom. He also developed Ringgit Swargen, Yogyakarta style leather puppets that have the different shape from Surakarta style leather puppets developed by Surakarta Sunanate as one of the cultural identity of Yogyakarta Sultanate. The leather puppet show was used to control the areas that were in the territory of the Sultanate of Yogyakarta, as the leather puppet show performed outside the palace must obtain permission from the palace puppet master. The efforts of Sultan Hamengku Buwana I failed, due to the conflict that caused the war destroyed the boundaries and the peace agreement that had been made. 


Author(s):  
Nu-Anh Tran

This chapter explains the neglect of the Republic of Vietnam in the American historical memory. It makes a personal appeal to the diasporic community for help in addressing this problem. Echoing the volume's view about the importance of memories, the chapter urges everyone who lived under the Republic of Vietnam to write memoirs, to grant interviews, and to share their memories. The most important kind of help from the community, the chapter argues, is to provide primary sources for historians. In addition, the chapter contends that the community should support Vietnamese studies, value the humanities and the social sciences as possible careers for their children, and support intellectual freedom.


2019 ◽  
Vol 1 (1) ◽  
pp. 33-51
Author(s):  
M. Ya'kub Aiyub Kadir

This paper is a reflection of the peace agreement between the Free Aceh Movement and the Government of Indonesia from 2005 to 2018. There have been improvement after a decade but there are still challenges that must be realized. The Helsinki Memorandum of Understanding (known as Helsinky peace agreement) on 15 August 2005 resulted a consensus that Aceh could have greater rights than before, as stipulated in the Law on Governing Aceh number 11/2006. Thus, Aceh has more authorities to redefine the political, economic, social and cultural status in the Republic of Indonesia system. This paper attempts to analyze this problem through a historical description of the movement of the Acehnese people, in the hope of contributing to increasing understanding of the concept of the Helsinki peace agreement in the context of sustainable peace and welfare improvement for the people of Aceh


2021 ◽  
Author(s):  
◽  
ALison Julie Hopkins

<p>Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand's prime-time, free-to-air television environment. It argues that television's script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. In order to assess the authenticity of television's lesbian fictions, I sampled the opinions of New Zealand's television audience through focus group and survey methodology, and analysed two primary sources of lesbian representation available between 2004-2006. Television and other media provide the social and cultural background - the milieu - against or within which their fictions, dramas and comedies are set. Even when media texts are clearly non- or anti realistic (fantasy films, for instance), they usually attempt to produce their narratives as consistent, familiar and in keeping with the cultural characteristics, values and proclivities of mainstream contemporary society. This is not realism so much as a set of arbitrary conventions that are read as, or stand for, reality and the real. In short, the media is a teller of stories and fairy tales; and since mainstream Western culture has naturalised homonormativity, television's fairy tales are almost exclusively tales of heterosexuality. Television, from this perspective, reinscribes and reinforces what Pierre Bourdieu refers to as the 'masculine order'. Television uses reality to frame messages of compulsory heterosexuality, and it rarely presents homonormative messages. Lesbian representation is, therefore, difficult for a heteronormative medium to render without effort. Homonormativity is, for lesbian audiences, a central part of the cultural background - the components of realism, if you like, within which representations of lesbians would 'play out' their stories in media texts. Television stories which ignore this imperative deny both the audience's ability to interpret for themselves the integrity of the representation, and their ability to acquire new knowledge of lesbians.</p>


2021 ◽  
Vol 3 (26) ◽  
pp. 101-106
Author(s):  
Mariya E. Avakyan ◽  

The article examines functioning of the Russian language outside the Russian Federation: the peculiarities of the «national» Russian language in the Republic of Armenia, the concept of this term itself, the significance of using Russian in the media, overlapping national features. The main characteristics of the «national» Russian language outside Russia are considered to be as follows: the language is seen as an «advocate» of necessary national ideas and a real opportunity to transmit national ideas, thoughts, messages and information in a language of international communication. The development of the social institution of the «national language» in the future will largely determine the preservation of national cultural, educational as well as political and economic unity with Russia. We should not forget that professional journalistic activity is, first and foremost, a verbal activity. And the professional culture of journalists depends on how well they master the language. The linguistic features of the Russian-language media in Armenia present a rather broad spectrum of issues possible and relevant for consideration. The national variant is a certain form of adapting the classical literary language to the traditions and cultural values, to the urgent needs of a particular nation, thus becoming a special form of functioning of the language common for the nation.


2011 ◽  
Vol 32 (1) ◽  
pp. 37-72
Author(s):  
Cristina Jayme Montiel ◽  
Judith M. de Guzman

Using social representations theory, we studied the social meanings of a controversial Memorandum of Agreement (MOA) between the Government of the Republic of the Philippines and the Moro Islamic Liberation Front. In Study One, we describe the discursive content of the social debate by content analyzing articles from newspapers and selected websites. Study Two uses a survey to examine the fit between social representations of the political elite, as found in media, and the nonelite in Mindanao territories where the MOA was hotly contested. Study Three presents the social representations of the MOA at the local level through analysis of key informant interviews and archival data. Discriminant analysis on survey data shows that in general, the debate of political elites in media mirrors the contentions on-the-ground. However, the issue of constitutionality was only taken up by the political elite. Our findings suggest that the political stumble of the GRP-MILF peace process lay in a lack of procedural fairness and an on-the-ground participatory process acceptable to all antagonistic parties. However, the socially represented fair procedure is not about conventional democratic ways like using or not using a constitutional frame, but rather about pragmatic positioning and public consultations.


Author(s):  
Belgin Arslan-Cansever

In today's information society, the media have important functions in the formation of certain perceptions by regulating the social lives of individuals. This occurs through messages that come in different formats (verbally, audibly, visually etc.) from the media. It is through the media literacy that enables reading messages from the media and interpreting them critically. The aim of this chapter is to provide some theoretical perspectives on media literacy. In this context, media literacy has been explained in detail. For this, primarily the differences between reading-writing and literacy are revealed. Besides conceptual media literacy, its necessity and some examples of practices in the world related to its education are mentioned. The chapter also addresses the basic paradigms in media literacy.


Author(s):  
Ciara Bradley ◽  
Michelle Millar

‘Single’ women continue to experience stigma during pregnancy and mothering in the Republic of Ireland. This article explores the experiences of stigma of single women who were pregnant and mothering in Ireland between 1996 and 2010. The biographic narrative interpretive method (BNIM) was used to elicit biographical narratives. Analysis on both the lived experience of the women and the social context of the time created a ‘situated subjectivity’ in a sociocultural context. This article argues that despite large-scale positive social change before and during this period, single women’s pregnancy and motherhood continued to be to be stigmatised in Ireland. Women experienced this stigma in their everyday interactions. They negotiated stigma in their personal and social lives, employing strategies that drew on material and symbolic resources available to them. Social class, ethnicity and time were among factors that mediate the experience, but can also intersected in particular social locations to create a more stigmatised identity.


2021 ◽  
Author(s):  
◽  
ALison Julie Hopkins

<p>Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand's prime-time, free-to-air television environment. It argues that television's script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. In order to assess the authenticity of television's lesbian fictions, I sampled the opinions of New Zealand's television audience through focus group and survey methodology, and analysed two primary sources of lesbian representation available between 2004-2006. Television and other media provide the social and cultural background - the milieu - against or within which their fictions, dramas and comedies are set. Even when media texts are clearly non- or anti realistic (fantasy films, for instance), they usually attempt to produce their narratives as consistent, familiar and in keeping with the cultural characteristics, values and proclivities of mainstream contemporary society. This is not realism so much as a set of arbitrary conventions that are read as, or stand for, reality and the real. In short, the media is a teller of stories and fairy tales; and since mainstream Western culture has naturalised homonormativity, television's fairy tales are almost exclusively tales of heterosexuality. Television, from this perspective, reinscribes and reinforces what Pierre Bourdieu refers to as the 'masculine order'. Television uses reality to frame messages of compulsory heterosexuality, and it rarely presents homonormative messages. Lesbian representation is, therefore, difficult for a heteronormative medium to render without effort. Homonormativity is, for lesbian audiences, a central part of the cultural background - the components of realism, if you like, within which representations of lesbians would 'play out' their stories in media texts. Television stories which ignore this imperative deny both the audience's ability to interpret for themselves the integrity of the representation, and their ability to acquire new knowledge of lesbians.</p>


Author(s):  
Marica Spalletta ◽  
Dario Fanara ◽  
Paola De Rosa

Among its main goals, crisis management aims at promoting people awareness in respect of the crisis which they are going to face or in which they are already involved. In order to do that, it uses a wide range of communication tools, among which, over the last decade, social media have proved to be of paramount importance. Based on these premises, the chapter analyses a very meaningful case of crisis communication, which consists of the social media coverage of the early stages of the COVID-19 emergency coming from Italian national and local institutions. The media content analysis carried out on Facebook and Twitter confirms a communication strategy aimed at creating people awareness in respect of the health emergency, suggesting citizens which conducts they need to stop or adopt. However, the analysis also shows that the goal of crisis awareness represents the first step of a wider agenda coming from the Institutions' social posting, which aims at transferring their awareness to citizenship and, as a consequence, inspiring citizens' own responsibility.


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