scholarly journals Seppuku: Kematian Terhormat dalam Tradisi Jepang

KIRYOKU ◽  
2019 ◽  
Vol 3 (4) ◽  
pp. 202
Author(s):  
Titiek Suliyati

In modern times, the era after the Meiji Restoration, seppuku gradually disappeared when the samurai group was abolished. Although in Japan there are still people who commit seppuku and harakiri but the motivation, implementation methods and objectives are different from seppuku and harakiri in the era before the Meiji restoration. The changes and dynamics of Japanese society in conducting seppuku and harakiri are very interesting to study. The purpose of writing this article is to find out whether there is a correlation between seppuku tradition and the number of suicides in Japan at this time. To explore this correlation, the writing of this article uses a qualitative method with a historical approach. The stages of historical research begin with data collection (heuristics), source criticism, interpretation and writing of research results in the form of articles. The analysis was performed using qualitative methods which include data reduction, data presentation, and concluding. The results of the study concluded that there is no strong correlation between seppuku traditions in the past with suicide (jisatsu) that many Japanese do today. There is a difference in purpose, motivation and background in their suicide.

2021 ◽  
Vol 16 (2) ◽  
pp. 105-116
Author(s):  
Harmanto Harmanto ◽  
Suyoto Suyoto ◽  
Jody Diamond

This study aimed to reveal the concept of Tumbuk in Javanese gamelan tuning, namely gamêlan agêng with Sléndro and Pélog. This study used a qualitative method with an ethical emic perspective. The data collection was done by conducting literature review, observation, interviews, and studio work, then processed with data analysis. The data analysis then was followed up through data interaction by interpreting the relationship reactions of the three elements of analysis consisting of data collection, data reduction, and data presentation. The interpretation of the data was done inductively, so that the conclusion was drawn entirely from the development of the data according to the realities of the field. The results showed that tumbuk was not only limited to a note that has the same high and low, but it is a musical concept that integrates the Sléndro and Pélog scales in the tuning of a set of gamelans. There are basically only two types of tumbuk: nêm tumbuk and lima tumbuk. Other than those, it means that they are the strut. The thing is,tumbuk has a central tone that serves as a benchmark and a supporting tone whose position strengthens the integration of each type of tumbuk. As a concept, it was found that tumbuk plays several important roles including equalizing the highs and lows of certain notes, equalizing the range of certain notes, and conditioning the range of notes or the addition of the tune.


2020 ◽  
Vol 9 (2) ◽  
pp. 99-108
Author(s):  
Anik Prabowo ◽  
Udi Utomo ◽  
Syahrul Syah Sinaga

Theater is a performing art which in its performance brings a story that is delivered through acting on the stage. Theater performance is inseparable from music as supporting atmosphere. Based on that, this research aims to know the types of illustration music composition in “Kembang” Theater group from SMA N 1 Brebes. This study used qualitative method. To obtain the accurate data, this study used observation, interview, and documentation. This research consists of data collection, data reduction, data presentation, and conclusion. The result shows that “Kembang” Theater always makes music composition that is suitable with the theme of the script on their performances. Illustrated music is always played live on stage with consideration of getting maximum results in every scene played. There are various types of illustration music composition in “Kembang” Theater group. They are opening music, happy music, wistful music, tense music, horror music, romantic music, comical music, sampakan music/convey music, transition music, and closing music. The types of script are divided into two types. There are tragedy script and comedy script. Not all types of Illustration music composition exists in all types of script. For example, sampakan music and comical music that only exist in comedy script.                                                                       


2015 ◽  
Vol 15 (1) ◽  
pp. 56 ◽  
Author(s):  
Dinar Anggraeni

<p>The purpose of the study is to know and depict the revitalization and socialization of Daeng dance in purbalingga, Indonesia. This study used a qualitative method. The relevant techniques of data collection to the method are observation, interview, and documentation. The data obtained are analyzedusing three ways; they are data reduction, data display, conclusion and verification. The results showed that revitalizing Daeng dance occurred in its earliest performances, by means of innovating the foregoing Daeng dance without leaving its characteristics. The revitalization was done toward the dance’s motion, accompaniment, makeup, wardrobe, stage, sounds, lighting, and floor patterns, as well as there is a change in its function; as the media of spreading Islam in the past to nowadays just being an entertainment. After the process of revitalization, Daeng dance is then socialized through two ways of deployment; they are formal and informal processes. This dance’s socialization in this study occurs through direct performance and mass media. </p>


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Eddy Saputra

This research is conducted on a social stratification among the community, namely between santri (Islamic student) and non-santri. Even though such stratification has long been abolished since Islam existed among the Arabs in the past time, it in fact still exists in Indonesian society whose people practically understand religious knowledge. The research is expected to provide us information reminding us of the equivalence of human beings before God. The research uses a qualitative method, by which the data are collected from direct observation, interviews with santri, non-santri, and informants including village leaders and from other data sources. The data are analyzed in three simultaneous lines of activities consisting of  data reduction, data presentation, data verification and are then matched to the occurrences in the field


Conciencia ◽  
2021 ◽  
Vol 21 (1) ◽  
pp. 57-68
Author(s):  
Zaimmuddin Zaimmuddin ◽  
Fitriana Fitriana ◽  
Apriyanti Apriyanti

This study aimed to provide an overview of the implementation of the method of educating with heart on student character formation at MTS Nurul Iman Modong, Tanah Abang District, Pali. The research method used was a qualitative method. Data were taken through observation and interviews. Respondents consisted of 20 students of  grade 3 of Mts Nurul Iman Modong. The data obtained from observation and interview were then analyzed by using interactive analysis through several components, namely data collection, data reduction, data presentation, and drawing conclusions. The learning used in this research was the method of educating by heart. This study provided illustration that, through the concept of educating with heart can lead to a good, have moral and character generations.


2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Arief Budiyanto ◽  
Achmad Nur Sholeh

The objectives of this study are (1) to analyze the potential and positioning of the MendDikBud Rumah Belajar, (2) to see the strategies applied by the Rumah Belajar and (3) to see the position of the MenDikBud Rumah Belajar on the TOWS-4K matrix. The method in this research is qualitative method. Data taken from interviews, observation and documentation. Data analysis was performed using 4 stages, namely data collection, data reduction, data presentation and drawing conclusions. The results of this study are the results of the SWOT Analysis of the Ministry of Education and Culture's Rumah Belajar on the IE matrix of the position of the MenDikBud Rumah Belajar which is in column V (five) with an IFAS value of 2.56 and an EFAS of 2.44, which means that the strategy that has been implemented so far has been good and can be maintained (Hold and Maintain). The conclusion in this study is that the position in the SWOT / TOWS-4K learning house matrix is ​​in quadrant I which means that the strategy that must be carried out is aggressively oriented, one example is to increase developing user growth and can also be done by developing existing products / services.  


2019 ◽  
Vol 8 (3) ◽  
pp. 32
Author(s):  
Khintar Rajmal Chair ◽  
Marzam Marzam ◽  
Tulus Handra Kadir

AbstractThis research was a descriptive study, using a qualitative method approach. The main instrument in this study was the researcher himself and assisted by supporting instruments such as stationery, cameras and tape recorders. Data collection techniques were carried out by official data, observation, interviews and documentation. The steps data analysis were data reduction, data presentation and conclusions. The results of the research showed that, in the practicing process of talempong creation at Saandiko Studio, the trainer was very good at providing the Implementation of Talempong Creation Playing Skills at Saandiko Studio. It also proved that the trainer succeeded in providing training to studio members by using several methods, namely by applying the lecture, demonstration and drill method, so the trainer's aim to develop the skills of the studio members produced excellent talent in playing talempong creationKeyword: application, skill, talempong creations


2020 ◽  
Vol 1 (1) ◽  
pp. 45-50
Author(s):  
Thesa Febriani ◽  
Agusti Efi

Abstrak Tenunan Balai Panjang adalah salah satu tenunan yang ada di Sumatra Barat, yang merupakan pengembangan dari tenunan songket. Namun belum banyak Masyarakat yang mengetahuinya. Maka tujuan penelitian ini adalah untuk melihat proses menenun, bentuk motif dan tata letak motif pada tenunan Balai Panjang di Kelurahan Balai Panjang Kecamatan Payakumbuh Selatan. Penelitian ini menggunakan metode kualitatif. Jenis data berupa data primer dan sekunder. Pengumpulan data menggunakan teknik observasi, wawancara dan dokumentasi. Data penelitian dikumpulkan dari sejumlah informan yang terdiri dari Disperindag Kota Payakumbuh, pimpinan, sekertaris, bendahara dan pengerajin. Selanjutnya data dikaji dan dianalisa dengan langkah-langkah reduksi data, penyajian data dan penarikan kesimpulan. Keabsaha data dilakukan dengan perpanjangan pengamatan, meningkatkan ketekunan, dan triangulasi. Hasil penelitian yaitu 1) Proses meenenun meliputi : (a) proses persiapan (b) proses menenun (c) finishing. 2). Bentuk Motif yang digunakan pada Sentra Tenunan Balai Panjang terinspirasi dari: (1) bentuk alam (tumbuh-tumbuhan, binatang, buah-buahan) seperti : motif tampuak manggih, motif bungo rayo, dan motif pucuak rabuang, motif itiak tabang, motif itiak pulang patang dan sapik kapitiang. (2) bentuk geometris: motif tenun Bintang Kejora, motif bintang jo kumbuah, motif Lakuak Kumbuh dan motif gonjong limo. Bentuk motif tenunan tersebut sudah distilasikan sedemikian rupa sehingga membentuk motif tenunan. 3). Pola Hias yang sering digunakan untuk tenunan pada Sentra Tenunan Balai Panjang adalah pola hias pinggiran, pola hias mengisi bidang, dan pola hias serak. Penepatan motif disesuaikan dengan kegunaan produk. Kata Kunci: Tenun, Songket, Balai Panjang. Abstract Balai Panjang weave is one of the weavings in West Sumatra, which is the development of songket weavings. But not many people know about it. So the purpose of this study was to see the weaving process, the shape of the motifs and the layout of the motifs in Balai Panjang weaving in Balai Panjang District, Payakumbuh Selatan District. This study uses a qualitative method. The types of data are primary and secondary data. Data collection uses observation, interview, and documentation techniques. The research data was collected from a number of informants consisting of the Department of Industry and Trade Payakumbuh, leaders, secretaries, treasurers, and craftsmen. Furthermore, the data is reviewed and analyzed by the steps of data reduction, data presentation, and drawing conclusions. The validity of the data is done by extending the observation, increasing perseverance, and triangulation. The results of the study are 1) The weaving process includes: (a) the preparation process (b) the weaving process (c) finishing. 2). Forms of Motif used in Balai Panjang Woven Center are inspired by (1) natural forms (plants, animals, fruits) such as advanced tiapak motifs, bungo rayo motifs, and motifs of rabuang pucuak, motifs of itiak tabang, motifs of itiak return kapitiang stems and sapik. (2) geometric shapes: Bintang Kejora woven motifs, jo kumbuah star motifs, Lakuak Kumbuh motifs, and gonjong limo motifs. The shape of the woven motif has been distilled in such a way that it forms a woven motif. 3). Ornamental patterns that are often used for weaving at Balai Panjang Woven Centers are fringe decorative patterns, decorative patterns filling fields, and hoarse decorative patterns. The acceleration of the motif is adjusted to the use of the product. Keywords: Tenun, Songket, Balai Panjang.


2020 ◽  
Vol 9 (1) ◽  
pp. 28-39
Author(s):  
Alberta Dm ◽  
Moh. Muttaqin

Analysis of music form aims to peel and unravel the song thoroughly so that the contained elements in it can be found. The problem statement in this research is analysis of form song from Kidung Penghiburan. This research uses descriptive qualitative method and using several data collection techniques, including observation and documentation studies. Data will be validated by data triangulation. Data analysis techniques in this research uses data reduction, data presentation, conclusion withdrawal and verification. The result of this research showed that the songs from Kidung Penghiburan titled Pintu Gebang Terbukalah, Jalan Hidup Tak Selalu, Makin Dekat Tuhan, and Tuhan Allah Beserta Engkau are the two-part songs with different phrases arrangement and motif tabulation. Pintu Gebang Terbukalah’s form is A (a a’), B (b y), Jalan Hidup Tak Selalu’s form is A (a a’), A’ (a x), B (b y), Makin Dekat Tuhan’s form is A (a a’), B (b a’), and Tuhan Allah Beserta Engkau’s form is A (a a’), B (b b’).


2020 ◽  
Vol 1 (1) ◽  
pp. 34-42
Author(s):  
Patricia ◽  
Triyani ◽  
Hery Mantir

This study was done to determine An Overview On Ceremony Seven Months of Pregnancy (Nyaki Tihi) According to Dayak Ngaju in Mandomai District of West Kapuas Kapuas. The method used is a qualitative method. The research instruments are included: observation sheets, interview, literature study, documentation. The data in this study are data collection, data reduction, data presentation, or display the data and then drawing conclusions or data verification. Tihi Nyaki meaning is the meaning of safety for pregnant women pregnant with their first child at the age of seven months of pregnancy and provide protection from evil spirits disorder which is likely to interfere with the process of pregnancy through childbirth safely at different stages later. The procedure for Nyaki Tihi there are some things that must be prepared paramount readiness of pregnant women and subsequently completing the requirements that need such as pork or chicken, mats, gong, rice disposed of bargaining, offerings, hampatung sadiri, wadai (cake), rice, eggs. The first is done menyaki mother hamil.Kedua namely water capacity pemercikkan tawar.Ketiga Fourth prepare rice sowing and hampatung sadiri offerings. Fifth Head of Indigenous spells. Sixth or the last rack dissolved into the river. Tihi Nyaki requirements consist of 14 ie, gong, mats, offerings Penelitian ini di lakukan untuk mengetahui Suatu Tinjauan Tentang Upacara Tujuh Bulan Kehamilan (Nyaki Tihi) Menurut Adat Dayak Ngaju di Mandomai Kecamatan Kapuas Barat Kabupaten Kapuas. Metode penelitian yang digunakan adalah metode kualitatif. Instrumen penelitian ini adalah meliputi : lembar observasi, wawancara, studi kepustakaan, dokumentasi. Teknik analisis dalam penelitian ini adalah pengumpulan data,reduksi data,penyajian data atau display data, kemudian penarikan kesimpulan atau verifikasi data.  Makna Nyaki Tihi adalah makna keselamatan bagi ibu hamil yang sedang mengandung anak pertama pada usia kehamilan tujuh bulan serta memberikan perlindungan dari ganguan roh jahat yang kemungkinan akan mengganggu proses kehamilan sampai selamat pada tapan melahirkan nantinya. Tata cara Nyaki Tihi  ada beberapa hal yang harus di persiapkan yang terpenting kesiapan dari ibu hamil lalu selanjutnya melengkapi syarat yang di perlukan seperti babi atau ayam, tikar, gong, beras, tampung tawar, sesajen, hampatung sadiri, wadai (kue), nasi, telor. pertama di lakukan menyaki ibu hamil.Kedua yaitu pemercikkan air tampung tawar.Ketiga menabur beras Keempat menyiapkan sesajen dan hampatung sadiri. Kelima Kepala Adat mengucapkan mantra-mantra. Keenam atau yang terakhir ancak di larutkan ke sungai. Persyaratan Nyaki Tihi  terdiri dari 14 yaitu, gong, tikar, sesajen, telor, ayam, sangku, beras, kelapa, kain putih, jarum, minyak harum, giling pinang, rokok, dan uang logam  yang akan dipenuhi oleh seorang yang melakukan upacara Nyaki Tihi


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