scholarly journals Kesenian Barongan Kabupaten Pati dalam Pergeseran Budaya

2017 ◽  
Vol 12 (2) ◽  
pp. 90
Author(s):  
Laura Andri Retno M
Keyword(s):  
Cultural Influences ◽  
Modern Society ◽  
Shift Function ◽  
Traditional Art ◽  
Stage Of Development ◽  
The Arts ◽  
Art And Culture ◽  
Qualitative Descriptive ◽  
Changing Times ◽  
Traditional Arts

Traditional arts are used to express the beauty of the human soul. In traditional artwork implicit message of the society of knowledge, ideas, beliefs and values norms. One example of a traditional art that has the function of rituals is Barongan. Barongan  is a community-owned art Kabupaten Pati, Jawa Tengah raised to preserve the culture and values in society. Through a qualitative descriptive approach with observation techniques and literature, it was found that at the next stage of development, especially in the modern society, arts performances Barongan shift function just as more entertainment. Barongan existence as art and traditional culture in Indonesia progressively eroded by the expansion of global art and culture. Therefore, efforts must be made to preserve the arts and culture in the midst of changing times and foreign cultural influences have been increasing in Indonesia

scholarly journals SENI PERTUNJUKAN TRADISIONAL DI PERSIMPANGAN ZAMAN: STUDI KASUS KESENIAN MENAK KONCER SUMOWONO SEMARANG

HUMANIKA ◽  
2016 ◽  
Vol 23 (2) ◽  
pp. 25
Author(s):  
Laura Andri R.M.
Keyword(s):  
Performing Arts ◽  
Local Community ◽  
Cultural Influences ◽  
Traditional Culture ◽  
Modern Society ◽  
Shift Function ◽  
Stage Of Development ◽  
The Arts ◽  
Art And Culture ◽  
Changing Times

In Indonesia, each province has its own traditional culture. Traditional arts are used to express the beauty of the human soul. In traditional artwork implicit message of the society of knowledge, ideas, beliefs and values norms. In addition to the function of rituals, traditional performing arts is also being used to honor and commemorate the influential figures in the local community, heroism, patriotism and nationalism. One example of a traditional art that has the functionality is Menak Koncer. Menak Koncer is a community-owned art Sumowono, Kabupaten Semarang, Jawa Tengah raised to preserve the culture and values in society. Through a qualitative descriptive approach with observation techniques and literature, it was found that at the next stage of development, especially in the modern society, arts performances Menak Koncer shift function just as mere entertainment. Menak Koncer existence as art and traditional culture in Indonesia progressively eroded by the expansion of global art and culture. Therefore, efforts must be made to preserve the arts and culture in the midst of changing times and foreign cultural influences have been increasing in Indonesia.

scholarly journals Pengelolaan Kesenian Dayakan Desa Kebondalem Bejen Temanggung Sebagai Bagian Dari Upaya Revitalisasi Kesenian Tradisional

2018 ◽  
Vol 13 (3) ◽  
pp. 431
Author(s):  
Laura Andri Retno Martini
Keyword(s):  
Cultural Influences ◽  
Traditional Art ◽  
Central Java ◽  
The People ◽  
Norm Values ◽  
Art And Culture ◽  
Qualitative Descriptive ◽  
Descriptive Approach ◽  
Changing Times ◽  
Global Art

Traditional art is used to express a sense of beauty from within the human soul. As part of culture, traditional art has messages in the form of knowledge, ideas, beliefs and norm values. One example of traditional art is Dayakan. Dayakan is a dance-shaped art owned by the people of Kebondalem Village, Bejen District, Temanggung Regency, Central Java. Through a qualitative descriptive approach with observation and literature techniques, it was found that in order to overcome the expansion of global art and culture, efforts were needed to manage Dayakan arts in order to improve and preserve regional art and culture in the midst of changing times and increasingly intense foreign cultural influences in Indonesia.

scholarly journals PERAN KESENIAN REYOG KENDHANG SANGTAKASTA SEBAGAI SARANA BEREKSPRESI MASYARAKAT DESA TUGU KECAMATAN SENDANG KABUPATEN TULUNGAGUNG

2019 ◽  
Vol 2 (1) ◽  
pp. 35
Author(s):  
Mayendra Rifai Yahya
Keyword(s):  
Young People ◽  
Contemporary Art ◽  
Descriptive Analysis ◽  
Traditional Art ◽  
Current Trends ◽  
The Arts ◽  
Efficient Information ◽  
Changing Times ◽  
The Times ◽  
Traditional Arts

Keberadaan Sangtakasta memiliki daya tarik tersendiri untuk dijadikan sebagai objek penelitian. Kesenian-kesenian tradisional dihadapkan dengan modernitas kemajuan zaman di era globalisasi yang serba canggih ini. Perubahan kebudayaan suatu daerah sedikit banyak dipengaruhi oleh perubahan-perubahan masyarakatnya. Kesenian-kesenian tradisional dengan konsep-konsep lama semakin sulit mencari peminat, setelah para generasi mudanya kurang tertarik karena tidak adanya suatu pembaharuan. Anak-anak muda lebih cenderung menyukai bentuk kesenian yang kekinian atau masa kini. Munculnya grup-grup kesenian di Kabupaten Tulungagung dengan kreativitasnya masing-masing, sedikit banyak memberi angin segar terhadap pelestarian kearifan lokal daerah. Kesenian tradisional seperti Reyog Kendhang tak luput dari objek ajang berkreativitas dalam berkesenian. Sangtakasta sebagai sanggar seni yang berada di Desa Tugu Kabupaten Tulungagung ini, saat ini sangat berperan penting dalam hal memfasilitasi minat dan bakat anak-anak muda yang ingin terjun langsung dalam berkesenian. Konsep garapan baik tarian atau musikal, semuanya disesuaikan dengan perkembangan zaman atau tren masa kini tanpa meninggalkan dasar-dasar dari kesenian itu sendiri. Kesenian tanpa adanya sebuah pembaharuan mustahil akan tetap eksis melintasi generasi ke generasi, sebab sebuah kesenian akan selalu berkembang sesuai dengan perubahan zaman. Reyog Kendhang sebagai kesenian ikon dari Kabupaten Tulungagung saat ini juga tidak luput dari sebuah pembaharuan, karena kearifan lokal akan hilang tanpa adanya masyarakat pendukung. Pendekatan etnomusikologi,sosiologi dan antropologi digunakan sebagai sarana untuk memperoleh informasi yang lebih efisien dengan metode deskriptif analisis. Hasil daripada penelitian ini bahwasanya sebuah kesenian akan terus berkembang sesuai dengan perubahan zaman, mengikuti alur perkembangan zaman sah-sah saja asalkan tidak meninggalkan dasar dari kesenian itu sendiri. Musik Reyog Kendhang Sangtakasta saat ini mampu menyesuaikan zaman sesuai dengan minat masyarakat pendukungnya.Sangtakasta's existence has its own attraction to be used as the object of research. Traditional arts are confronted with modernization in globalization era. Changes of the culture in region are influenced by changes of society. Traditional arts with old concepts are difficult to find enthusiasts, after young people generation is less interested because there is no update in traditional art. Young people prefer contemporary art forms. The emergence of art groups in Tulungagung Regency with their respective creativity, gave a fresh update to the preservation of the local wisdom of the region. Traditional arts such as Reyog Kendhang is always as an objects of creativity in the arts. Sangtakasta as an art studio located in Tulungagung Regency Tugu Village currently plays an important role in facilitating young people’s talent who want to get involved in art. The project of sangtakasta studio is dance and musical, all adapted to the current trends without leaving the basics of the art itself. Art without update is can’t exist across generations, because an art will always develop in accordance with changing times. Reyog Kendhang as an iconic art from Tulungagung Regency is currently has an update, because local wisdom will be lost without the support community. Ethnomusicology, sociology and anthropology approaches are used to obtain more efficient information with descriptive analysis methods. The results of this study that an art will continue to develop in accordance with the changing times, follow the flow of the development of the times is fine as long as it does not leave the basis of art itself. Reyog Kendhang Sangtakasta Music is currently able to adjust the times according to the interests of the supporting community

scholarly journals REPRESENTASI KOMUNIKASI BUDAYA “NGARAK PENGANTIN BUAYA PUTIH” DALAM PERUBAHAN SOSIAL MASYARAKAT PADARINCANG

2017 ◽  
Vol 10 (2) ◽  
pp. 22
Author(s):  
Rahmi Mulyasih ◽  
Ahmad Sururi
Keyword(s):  
Social Change ◽  
Data Collection ◽  
Cultural Communication ◽  
Communication Model ◽  
Traditional Art ◽  
Community Activities ◽  
The Arts ◽  
Traditional Arts ◽  
The Impact ◽  
Made In

As one part of local wisdom, traditional art of Ngarak Pengantin Buaya Putih in Padarincang Village, Serang Regency experienced various dimensions of change in facing social change. The tendency is that people are slowly starting to display the outside culture in the wedding. This indicates a social change in Padarincang society, this social change is characterized by the reluctance of some younger generation to preserve the arts of " Ngarak Pengantin Buaya Putih ". The purpose of this study is to find out how the representation of cultural communication of White Buaya bride in the changes of social change at this time, the identification of efforts made in maintaining the traditional arts of white crocodile bride, the obstacles faced and the model of cultural communication in social change. The method used in this study is phenomenology with data collection techniques using interviews, observation and documentation. The results of the study and discussion show that the interaction and transactional communication model between Padarincang community and the outside community has resulted in the impact of social change which resulted in the local cultural stragnation. Although Padarincang society still strives to maintain the existence of art of " Ngarak Pengantin Buaya Putih " in the middle of social change and communication model that occurs in a responsive and transactional interaction. Various efforts of the stakeholders have been done in maintaining the existence of art of white crocodiles bride like the presence of sanggar, socialization and appreciation of local art displays in various community activities.

scholarly journals Musik Kesenian Tradisional Parrawana pada Era Modernisasi di Polewali Mandar

2019 ◽  
Vol 5 (1) ◽  
pp. 35-38
Author(s):  
Syaribulan Syaribulan
Keyword(s):  
Young People ◽  
Sampling Technique ◽  
Art Music ◽  
Key Informants ◽  
Traditional Art ◽  
The Arts ◽  
Qualitative Descriptive ◽  
Data Source ◽  
Descriptive Approach ◽  
The Times

The existence of traditional art music parrawana in the era of modernization. This research uses qualitative descriptive approach supported by femonology approach through purposive sampling technique. Data collection is used by observation, interview, and documentation. The categories of informants used were key informants, key informants, and additional informants. Technique validity technique triangulation data, triangulation time and triangulation of data source. The results can be concluded that the existence of art Parrawana in the era of modernization according to the tradition of the ancestors and not affected by the flow of modernization is always demanding development. Although Polewali Mandar people have known modernization in their changing lives and mindset have been following the times, but they still maintain the preservation of traditional art as inherited by the ancestors in the era of modernization. Efforts made by the community, community and government is to invite young people to preserve the arts Parrawana.Keywords: Music, Parrawana, Modernization

scholarly journals Merawat Potensi Seni Budaya Melalui Inovasi Seni Tradisi Desa Purbosari, Kecamatan Ngadirejo Kabupaten Temanggung

Abdi Seni ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 13-21
Author(s):  
Dwi Wahyudiarto
Keyword(s):  
Action Research ◽  
Group Discussion ◽  
Community Empowerment ◽  
Participatory Action ◽  
Traditional Art ◽  
Creative Behavior ◽  
Art And Culture ◽  
Art Community ◽  
Traditional Arts

Abstrak Merawat Potensi Seni Budaya Melalui Inovasi Seni Tradisi di Purbosari, Kec. Ngadirejo, Kab. Temanggung. merupakan program pemberdayaan masyarakat dalam  menghidupkan seni tradisi. Laku kreatif dengan aktifitas budaya adalah satu cara dalam merawat agar tradisi tetap hadir, hidup dan menghidupi generasi jamannya. Program ini dilakukan dalam upaya mengingkatkan dan mengembangkan kualitas seni tradisi sebagai potensi budaya lokal. Sinergitas antara masyarakat sebagai pemilik budaya, dan akademisi sebagai penggerak dan pendorong kemajuan budaya, akan menghasilkan kemampuan kreatif bagi pelaku seni di Purbosari. Pemberdayakan masyarakat Purbosari dilakukan dengan menggunakan model Partisipatory Action Research (PAR), dalam model ini kegiatan diawali dengan penelitian, FGD berkait dengan seni tradisi, serta tindakan dalam memberikan inovasi terhadap seni tradisi di Purbosari. Program ini dilakukan melalui pelatihan, kolaborasi, dialog, maupun pentas bersama. Program yang dilakukan selama enam bulan ini merupakan langkah nyata dalam mendinamisasikan kehidupan seni budaya di masyarakat.Kata Kunci: Inovasi, Seni Tradisi, Pemberdayan Masyarakat. AbstractCaring for the potential of  Art- Culture through traditional art innovation at Purbosari, Ngadirejo, Temanggung. is a community empowerment program in reviving traditional arts. Creative behavior with cultural activities is one way of caring for traditions to remain present, live and support the generation of their era. This program is carried out in an effort to improve and develop the quality of traditional arts as a potential of local culture. Synergy between the community as the owner of culture, and academics as the activator and driver of cultural progress, will produce creative abilities for the performers of art in Purbosari. Purbosari community empowerment is done by using the Participatory Action Research (PAR) model, in this model the activity begins with research, Focused Group Discussion  is related to traditional arts, and actions in providing innovation to traditional arts in Purbosari. This program is carried out through training, collaboration, dialogue, and joint performances. The program, which has been carried out for six months, is a concrete step in moving dynamic  the life of art and culture in society.Keywords: innovation, traditional art, community empowerment.

Behind the Scenes

2017 ◽  
Vol 6 (2) ◽  
pp. 80-90
Author(s):  
Adilla Anggraeni ◽  
Adilla Amelia
Keyword(s):  
Collection Method ◽  
Traditional Art ◽  
The Arts ◽  
Arts Marketing ◽  
Art Consumption ◽  
Traditional Arts ◽  
Performing Art ◽  
Service Experiences ◽  
Art Elements ◽  
Depth Interviews

Delivering a satisfactory experience to the customers is an inseparable part of a service organization. This article investigates how two different groups of wayang orang (human wayang), a form of traditional art in Indonesia deliver service experiences to the audiences. Qualitative methods consisted of in-depth interviews and open-ended survey were utilized as the data collection method. The findings suggest that service experiences were delivered through the combination of various art elements in the performance, and some of the elements are considered to be more important than the others. Several barriers have also been identified as the barriers that inhibit consumption of this traditional art. Bharata and Swargaloka performing art groups were utilized as the context of this research. This article contributes to limited studies on traditional arts within the arts marketing domain, especially with regards to art experience delivery and art consumption.

scholarly journals Sinematografi Wayang: Persoalan Transmedia Seni Pertunjukan Tradisional dalam Program Tayangan Televisi

2019 ◽  
Vol 15 (2) ◽  
pp. 137-152
Author(s):  
Arif Eko Suprihono
Keyword(s):  
Cultural Change ◽  
Performing Arts ◽  
Research Work ◽  
Research Process ◽  
Television Industry ◽  
Traditional Art ◽  
The Arts ◽  
The World ◽  
Conflicting Interests ◽  
Traditional Arts

ABSTRAKMerujuk pada proses penelitian delapan tahun terakhir, dan melihat hasil kerja Penelitian Hibah Bersaing, Penelitian Produk Terapan, terungkap kompleksitas pengelolaan kegiatan seni pertunjukan tradisional di masyarakat. Berkait erat dengan budaya industri televisi, terbentang peluang sekaligus ancaman serius bagi eksistensi seni tradisi. Hasil  kerja penelitian dalam rencana makro, disarankan urgensi tindakan konstruktif dan sistematis kepada para pekerja seni untuk mengantisipasi benturan kepentingan industri pertelevisian Indonesia dengan pengelolaan seni pertunjukan tradisional. Persoalan cinematography seni  tradisional  membahas proses dialektika kreatif mengarah pada pemikiran, tindakan, dan produk budaya dengan menyadari kerangka perubahan dan penyesuaian kultural. Diyakini, bahwa kesenian tradisi memiliki nilai luhur, kearifan lokal, identitas karakter masyarakat, menunjuk pada kebhinnekaan dan keunggulan, kekhasan suku bangsa Indonesia, berbeda dibandingkan dengan bangsa-bangsa lain di dunia. Referring to the research process of the last eight years, and looking at the work of the Competitive Grant Research, Applied Product Research, revealed the complexity of managing traditional performing arts activities in the community. Closely related to the culture of the television industry, opportunities and serious threats lie for the existence of traditional arts. The results of research work, suggest the urgency of constructive and systematic action to the arts workers to anticipate the conflicting interests of the Indonesian television with the management of traditional performing arts. The issue of traditional art cinematography refers to the process of creative dialectics leading to thoughts, actions, and cultural products by being aware of cultural change and adjustment frameworks. It is believed, that traditional arts have noble values, local wisdom, the identity of the character of the community, pointing to diversity and excellence, the uniqueness of Indonesian from other nations in the world.

scholarly journals Lembaga Olah Seni Budaya Jambi Kota Seberang Mengenal Kompangan Dan Hadrah Sebagai Seni Tradisional Melayu Jambi 1995-2017

2020 ◽  
Vol 20 (3) ◽  
pp. 926
Author(s):  
Siti Heidi Karmela ◽  
Ferry Yanto ◽  
Malynda Ayu Aprilia
Keyword(s):  
Cultural History ◽  
Research Problem ◽  
Historical Study ◽  
Name Change ◽  
Main Research ◽  
Traditional Art ◽  
Historical Method ◽  
Cultural Arts ◽  
The Arts ◽  
Traditional Arts

This research is a historical study with the theme of cultural history, with the object of research being the Kompangan Group and the Hadrah Group belonging to the Jambi seberang cultural arts institute in Jelmu village, Kampung Tengah Sekoja district. The main research problem is about “Kompangan and Hadrah Group Managed by LOSBJKS in Jelmu Village Since 1995 – 2017”, with two formulation of the problem proposed, namely; why LOSBJKS as an art institution can advance and develop the arts of Kompangan and Hadrah especially in Jelmu village and generally in the Sekoja area, and how LOSBJKS in preserving the values contained in the art of Kompangan and Hadrah as Jambi Malay traditional arts. The research objective is to explain the development of the Kompangan and Hadrah Groups belonging LOSBJKS which are the pioneers for the emergence of other traditional art groups especially in Jelmu village and generally in Sekoja area. In addition, it can also describe the roles and contributions of the board and members who are members of LOSBJKS to preserve the arts of Kompangan and Hadrah as traditional Jambi Malay arts. The research method used is the historical method which is method in historical research, where according to Kuntowijoyo the method starts from the heuristic, criticism, interpretation, and historiography. The findings show that there are change and developments from LOSBJKS, namely, first it can be seen from the name change from Riyadusholihin to LOSBJKS. Second, it is seen in the wider area of origin of permanent and non-permanent members. Third, in the terms of musical instruments, fourth, namely the costumes used especially the members of the Hadrah Group. Fifth, there was a change in the Kompangan technique (straight and circular patterns), if previously it was more characteristic of the Palembang (irregular) hitting technique, it had changed to Jambi striking technique that was more polite and neat. Sixth, in therm of singing there has also been a change, namely generally prayer and Malay songs, but at festivals sometimes there are also local songs so that they are not monoton.   

scholarly journals TARI DIBINGI: SEBUAH UPAYA PENGGALIAN DATA AWAL TARIAN TRADISIONAL YANG TERANCAM PUNAH DI KABUPATEN PESISIR BARAT, LAMPUNG

2018 ◽  
Vol 10 (2) ◽  
pp. 219
Author(s):  
Irvan Setiawan
Keyword(s):  
Initial Data ◽  
Data Extraction ◽  
Modern Culture ◽  
Traditional Art ◽  
Descriptive Research ◽  
The People ◽  
Before And After ◽  
Qualitative Descriptive ◽  
Stage Performance ◽  
Traditional Arts

Kekayaan budaya Indonesia yang sangat beragam pada saat ini sedang menghadapi tantangan pelestarian akibat pengaruh budaya modern yang semakin mewabah pada sebagian besar generasi muda. Kesenian tradisional, salah satunya, merupakan unsur budaya yang sebenarnya dapat bertahan dengan cara mengkolaborasikan dengan gerak, tata panggung ataupun suara  dari kesenian lainnya yang menjadi senjata cukup ampuh minimal untuk mempertahankan jumlah peminatnya. Lain halnya dengan kesenian tradisional yang masih erat dalam memegang teguh prosedur adat seperti halnya tari dibingi sebagai sebuah tari tradisional yang ada di Kabupaten Pesisir Barat Provinsi Lampung. Ketentuan untuk mengadakan tahapan baik sebelum dan setelah pergelaran, membuat seniman kesulitan untuk mempergelarkan tari dibingi. Penelitian yang menggunakan metode deskriptif kualitatif ini merupakan sebuah penggalian data awal sebagai salah satu upaya memperkenalkan kembali keberadaan tari dibingi di tengah masyarakat khususnya masyarakat di Kabupaten Pesisir Barat.Indonesia's diverse cultural richness is currently facing the challenge of conservation due to the increasingly prevalent modern culture in most of the younger generation. Traditional art is one of them, which is an element of culture that can actually survive by collaborating with movements, stage performance, or the sound of other arts. It becomes a minimal powerful weapon to maintain the number of interested ones. It is different with the traditional arts that are still closely held to the traditional procedures, such as Dibingi Dance as a traditional dance in Pesisir Barat Regency, Lampung Province. The stages of rule to perform Dibingi Dance, both before and after, create difficulties for the artists. This qualitative descriptive research is an initial data extraction that attempts to reintroduce the existence of Dibingi Dance in the community, especially the people in Pesisir Barat Regency.

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