scholarly journals Strukturalistyczna bohemistyka Profesora Jacka Balucha (1940–2019)

2019 ◽  
Author(s):  
Piotr Gierowski
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Structural Aspects ◽  
Adam Mickiewicz

Gierowski Piotr, Strukturalistyczna bohemistyka Profesora Jacka Balucha (1940–2019) [The Structural Bohemistics of Professor Jacek Baluch (1940–2019)]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 455–467. ISSN 1644-6763. DOI 10.14746/pt.2019.32.25. The paper describes the scientific profile of Jacek Baluch, Polish scholar and scientist in the field of Czech studies, professor of the Jagiellonian University, democratic opposition activist in the communist period in Poland, and Polish ambassador to Prague. The study emphasizes the structural aspects of Jacek Baluch’s scientific work and its meaning for the development of Polish literary knowledge in the second half of the 20th century.

The Limit Situation And The Narrative Of War (On The Material Of The Novel “My Lieutenant” By Daniil Granin)

2020 ◽  
Vol 6 (1) ◽  
pp. 90-104
Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Point Of View ◽  
Continuous Limit ◽  
The Novel ◽  
Term Limit ◽  
Abstract Author ◽  
The Third ◽  
Definition Of

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.

scholarly journals Полонистика в Московском Государственном Университете имени м. В. Ломоносова

2015 ◽  
Vol 36 ◽  
pp. 225-233
Author(s):  
Наталия [Naliia] Ананьева [Anan'eva]
Keyword(s):  
20Th Century ◽  
Subject Matter ◽  
Scientific Work ◽  
State University ◽  
Language And Literature ◽  
Polish Language ◽  
Student Training ◽  
The Subject ◽  
Second Year ◽  
Slavic Studies

Polish studies at Lomonosov State University in MoscowPolish Studies at Moscow University are one of specialisations of the department of Slavic Studies at the Faculty of Linguistics. The beginnings of Slavic Studies as a university discipline dates back in 1835. In the 20th century such outstanding scholars as Afanasij Sieliszczew and Samuił Bernsztejn worked as lecturers here. The Polish language and literature together with Czech, Serbo-Croatian and Bulgarian department has existed permanently until today. The Chair of Polish Studies is currently held by the author of the article. Enrolment for Polish Studies takes place once three years. Groups consist of ca. 10–15 people. There is a division into two specialisations – linguistics and literature since the second year of studies. The article presents the subject matter of research and scientific work of didactic workers and their main publications. Student training in Poland and lectures of Polish specialists help mastering fluency in the Polish language.

Fond of Raissa Gourevich-Kroll-De Chirico-Calza (Raissa Lork) in the Library of Humanities, Siena

2018 ◽  
pp. 294-305
Author(s):  
Anna V. Uriadova ◽  
Keyword(s):  
Everyday Life ◽  
20Th Century ◽  
Scientific Work ◽  
Russian History ◽  
Cultural Relations ◽  
Historical Events ◽  
Central State ◽  
History Of ◽  
State Archives ◽  
Private Collections

The article strives to describe the fond of Raissa Calza (1897–1979) in the Library of Humanities of Siena and documents in it. For this purpose, the author has carried out the following tasks: she has studied Russian and foreign historiography on the issue; she has analyzed sources on the issue; and drawing on these, she has studied the biography of Raisa Calza; she has reviewed the archival fond and analyzed its documents. Having reviewed the historiography, the author comes to the conclusion that the fate of Raisa Calza, her creativity, and scientific work has been poorly studied, especially by Russian historians. There are few articles dedicated to the Calza collection in the Library of Humanities. Studying the sources (personal and business letters, diary, notebooks, memoirs, photographs, scientific works) associated with Raisa and her connections allows to identify their nature and main features and to supplement, clarify, and flesh out the biography of Raissa Calza. These documents are sources on more than everyday life and microhistory. They can be used in studying the history of Russian emigration, of Russian-Italian cultural relations, of archeology. The fate of Raisa Calza is interesting in itself, as a fate of a woman, an individual, amidst historical events of the 20th century. The chronological frameworks of the study coincide with the chronology of Raisa Calza’s documents preserved in the Siena’s library (1900s-1970s). The article includes an overview of the creation of the archive in the Library of Humanities of Siena and that of the Raissa Calza fond, which came into existence when she donated her documents to the Library in 1970s. The article studies the structure of the Raissa Calza fond: boxes I, VI – letters, postcards, telegrams, dairy, history of Gourevitch, Tumarkin and Frenkley families; II-IV – ‘Ostia’ containing materials on the excavations of Antic Ostia; V – various documents, boxes of photos. The author concludes that these sources should be introduces into scientific use. The collection proves that documents on Russian history are available not only in central state archives and private collections, but also in universities. It challenges historians to start researching universities libraries and archives. The article also names other foreign archives containing documents of Raissa Calza.

Antoni Tuchendler i Leon Plocker – twórcy polskiej powojennej szkoły gastrologicznej

Nowa Medycyna ◽  
2020 ◽  
Vol 27 (3) ◽  
Author(s):  
Maria Ciesielska ◽  
Przemysław Ciesielski
Keyword(s):  
Internal Medicine ◽  
20Th Century ◽  
19Th Century ◽  
Scientific Work ◽  
Medical Society ◽  
Warsaw Ghetto ◽  
Independent Field ◽  
Jewish Hospital ◽  
The University ◽  
The 19Th Century

The origin of gastrology as an independent field of internal medicine began in the second half of the 19th century. The so-called “Polish gastrological school” of the first half of the 20th century was composed of, among others: Edward Korczyński, Walery Jaworski, Antoni Gluziński, Józef Wacław Grott, Ludwik Justman, Wilhelm Rubin, Anastazy Landau, Antoni Tuchendler and Leon Plockier (vel Plockier, Płocker, Płockier). Dr. Antoni Tuchendler, after graduating from the University of Dorpat, trained at the Charitè Clinic in Berlin. He worked in Warsaw and was a member of the prestigious Warsaw Medical Society. Before the outbreak of the war, Dr. Leon Plocker worked at the Czyste Jewish Hospital in Warsaw. In 1939 he took part in the defensive war and was taken prisoner by the Germans. In 1940 both doctors were forcibly relocated to the Warsaw ghetto. From 1942, Dr. Plocker hid after the so-called on the Aryan side under the false name of Konstanty Szustowski. He took part in the Warsaw Uprising as the commander of one of the field hospitals. The article is devoted to the fate of two of the above-mentioned doctors: Antoni Tuchendler and Leon Plocker. The first one dealt with the etiology and diagnosis of habitual constipation, the second focused his scientific work on issues related to the stomach cancer.

THE BEGINNINGS OF ESTABLISHMENT AND DEVELOPMENT FOR UKRAINIAN ACADEMIC VOCAL PERFORMING

2019 ◽  
pp. 25-36
Author(s):  
A. K. Tereshchenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Scientific Work ◽  
Historical Method ◽  
The World ◽  
Characteristic Features ◽  
Vocal Art ◽  
Opera Singers ◽  
The 19Th Century ◽  
Creative Life

The purpose of this article is disclosing genic underground for germination and evolution of Ukrainian academic vocal performing. The target of this investigation is also revealing the most characteristic features of domestic vocal tradition into the stage concerning to formation of Ukrainian professional vocal art. The methodology of this exploration is formed by researcher on the basis employment of historical method, which connects with studying definite biographical information of Ukrainian academic singers. The systematic manner has the specific significance for special formation the investigative sequence of Ukrainian performers’ the most characteristic vocal criterions. The structurally analytical method26allows to hold out the logic of scientific disquisition, its structure and to texture the general conclusions. The scientific newness of the presented article is determined by appeal to phenomenon of Ukrainian vocal academic art into its stage beginning and further evolutional development. The discovering of not renowned facts from creative life of celebrated Ukrainian singers namely Mykola Ivanov, Semen Hulak-Artemovsky, Alexander Mishug, Kamil Everardy, Alexander Korobeychenko, Anatoly Solovyanenko and Lyudmila Yurchenko is novelty into the scientific work. Conclusions. The world famous creation of Ukrainian opera singers specifically Mykola Ivanov and Semen Hulak-Artemovsky is genic foundation of Ukrainian academic vocal performing. Namely these artists, from the middle of the 19th century, began its approving and passing to descendants on the highest professional level. The permanent connect with Italian vocal tradition as well as Ukrainian-Italian concert-creative relationships are the most peculiar traits, the characterological features of domestic vocal performing, into the stage organization of Ukrainian vocal art’s phenomenon. The successors of such a type art events in the 20th century were celebrated performers, exactly the singers and teachers Alexander Mishug, Kamil Everard, Alexander Korobeychenko, Anatoly Solovyanenko, Lyudmila Yurchenko and others.

In Defense of Scientific Phenomenologies

2020 ◽  
Vol 51 (2) ◽  
pp. 135-161
Author(s):  
Amedeo Giorgi
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Scientific Work ◽  
Phenomenological Approach ◽  
World War ◽  
Psychological Phenomena ◽  
Phenomenological Philosophy ◽  
Duquesne University

Abstract Empiricism had dominated scientific activities for about three centuries but beginning with the 20th Century a new philosophy, phenomenology, began to develop and certain scientists who conducted research with humans began to turn to phenomenology as the basis for their scientific work rather than empiricism. What was known as the Utrecht School in Holland just after World War II, psychologists at Duquesne University during mid-twentieth century, pedagogists in Canada at about the same time and nurses later in the twentieth century all began to base their research on phenomenological philosophical principles rather than on empiricism. Certain philosophers criticized the approach of these scientists and offered their own praxis based directly on phenomenological philosophy. However, one of the members of the Duquesne University’s group strongly criticized the evaluation of his approach by the philosophers and demonstrated the significant errors of their criticism. The psychologist then clarified his scientific phenomenological approach toward psychological phenomena and emphasized the role of the phenomenological epoche’ and reduction for Husserlian scientific phenomenology.

scholarly journals Scientific work and life of Edith Stein - psychological assumptions of empathy in the light of the problem of ecumenism

2020 ◽  
Vol 20 ◽  
Author(s):  
Barbara Mróz
Keyword(s):  
20Th Century ◽  
Social Relations ◽  
Scientific Work ◽  
Personal Life ◽  
Anglo Saxon ◽  
Edith Stein ◽  
Its Analysis ◽  
Work And Life

The article is an attempt to analyze the manifestations of empathy in Edith Stein's scientific work and life, and it draws attention to the psychological role of empathy in the development of personality. It is worth emphasizing the importance of both the very figure of Husserl's outstanding student and the ecumenical significance of her work. The concept of "empathy" appeared in the first decades of the 20th century and the basis for the analysis of this phenomenon was philosophical (phenomenological) deliberations on the problem of cognition of other people's psychic states. One of the first psychologists to draw on the achievements of phenomenologists and apply the term Die Einfühlung was Theodor Lipps. In the Anglo-Saxon literature this term was translated as "empathy" or "sharing feelings with...". In psychotherapy today, important findings in the field of empathy were made by a Rogers and Batson, in Poland Rembowski. The article presents fragments of Edith Stein's selected writings, letters and statements, which bear testimony to her interest in the problem of empathy both in her scientific work and in her personal life. The factual material presented and its analysis is additionally based on the Personality and Axiological Model by Mróz, which focuses on the dimensions of competence, social relations and autonomy. Stein's biographical facts and statements on empathy are presented with emphasis on the relations and dependencies between the scholar's psychobiography and the dimensions of the MOA and references to the issues of ecumenism.

scholarly journals Niechciana obecność autora – filmowy przypadek Václava Havla

1970 ◽  
pp. 115-128
Author(s):  
Mariusz Guzek
Keyword(s):  
20Th Century ◽  
New Wave ◽  
Vaclav Havel ◽  
Central European ◽  
Starting Point ◽  
The Aesthetic ◽  
Adam Mickiewicz

Guzek Mariusz, Niechciana obecność autora – filmowy przypadek Václava Havla [The Unwanted Presence of the Author – Václav Havel in Film]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 115–128. ISSN 1644-6763. DOI 10.14746/pt.2019.32.5. Václav Havel had his views on film, participated in the life of the new wave artist community, had walk-on parts, wrote screenplays, and at the end of his life, made one picture based on his own stage drama Leaving. For Havel, film was a part of a larger cultural challenge, appointed by the Central European character of the second half of the 20th century. In his plays and essays, he discussed the topics of enslavement, lies and resistance to these, constructing a kind of antinomical model of self-power. Repeatedly, the starting point of his work was the Czech reflections included in the theoretical texts of Jan Ivo Osolsobě or the aesthetic manifestos of Karel Teige. As a film director, he created a show of allusions, absurdity and exaggerations, by entering the entire catalogue of experiences, thoughts and techniques of being a “citizen of culture” into diagetic meaning.

scholarly journals Orszak Dionizosa: Waza Townleya i jej poznańskie kopie

2021 ◽  
pp. 173-183
Author(s):  
Rafał Rosół
Keyword(s):  
20Th Century ◽  
Main Entrance ◽  
Adam Mickiewicz

At the main entrance to the Adam Mickiewicz Park in Poznań, there are two identical stone vases with ancient motives. The author indicates that they are not merely neoclassical works from the beginning of the 20th century, but copies of the famous Townley Vase dating back to the Roman times. Then, he focuses on the retinue of Dionysus on the main frieze of the vase and discusses all ten figures occurring in it.

scholarly journals The History of Science as “the History of Rare Fluctuations of Thought and Scientific Work ... like Archimedes and Newton”

2021 ◽  
Vol 3 (4) ◽  
pp. 207-226
Author(s):  
Vladimir Vizgin
Keyword(s):  
Gauge Field ◽  
History Of Science ◽  
20Th Century ◽  
Scientific Revolution ◽  
Large Scale ◽  
Scientific Work ◽  
History Of Physics ◽  
Scientific Revolutions ◽  
Biographical Approach ◽  
History Of

The article examines the scientific and biographical approach to the history of science and especially its version, which can be called the method of personification of history. Both methods were proposed by S. I. Vavilov and both are associated with his understanding of the history of science as “a sequence of rare fluctuations of thought and scientific work ... like Archimedes and Newton”. The method of personification of history is illustrated on a number of large-scale fragments of the history of physics of the 19th and 20th centuries. Five cases of such personification are considered. This is, first of all, the case of G. Monge, who personified the science and technology of revolutionary France (analyzed by Vavilov himself). Two casesrefer to two scientific revolutions in physics of the 20th century (to the quantum-relativistic – the case of A. Einstein and to the gauge-field – the case of M. Gell-Mann). And, finally, two cases of personification of the history of Russian physics. In the first, not one, but two essentially opposite key figures of Russian physics on the eve of the scientific revolution are considered: N. A. Umov and P. N. Lebedev. The second case is S. I. Vavilov himself, who in many ways personified the development of Soviet physics in the first half of the 20th century.

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