American slave narratives as autoethnographic paradigm

Human Affairs ◽  
2021 ◽  
Vol 31 (2) ◽  
pp. 236-245
Author(s):  
Paul Richard Blum
Keyword(s):  
Slave Narratives ◽  
The United States ◽  
Frederick Douglass ◽  
Point Of View ◽  
The Self ◽  
Close Reading ◽  
Place Of Birth ◽  
The World ◽  
State Of Mind ◽  
Insight Into

Abstract Ever since the publication of the Narrative of the life of Frederick Douglass in 1845, autobiographical testimonies were a mainstay of the abolition movement in the United States. Being or having been held as slaves and all the attendant injury is the very theme of the documents in question, which are testimonies, rather than theoretical works, because the authors maintained the first-person point of view. Since autoethnography aims at overcoming the preset mentality of the researcher in order to gain insight into what it is like to live in a particular social environment, slave narratives, beyond any abolitionist agenda, may serve as a paradigm for autoethnographic interpretation of historic sources. For an understanding of the authentic perspective of the speakers, external redactions need to be filtered out when reading those documents. On the other hand, certain tropes are worth considering (such as ignorance of the speaker’s date and place of birth or stereotypical names) because these narrative gestures indicate the state of mind of the narrator. I will propose methods for finding interpretive tools to identify the Self and the world of the slave-narrators. Such interpretation relies on the close reading of narratives as I will show by examples.

Captivity, Desire, Trade

2017 ◽  
Author(s):  
Lindon Barrett
Keyword(s):  
Eighteenth Century ◽  
United States Of America ◽  
Slave Narratives ◽  
The United States ◽  
Frederick Douglass ◽  
Classic Period ◽  
Slave Narrative ◽  
The World ◽  
Fugitive Slave ◽  
Set Up

This chapter continues the discussion of Equiano/Vassa's autobiography, focusing on its role in the literary tradition as the most important eighteenth-century slave narrative in order for Barrett to set up the long tradition of the fugitive slave narrative in its pre-classic (prior to 1800), classic (1830–1865), and postbellum (1865 and later) versions. It then turns to a number of fugitive slave narratives and related abolitionist texts from the classic period: William Grimes's Narrative of the Life of William Grimes, the Runaway Slave (1855); James Bradley's 1835 journalistic account of his own enslavement; David Walker's Appeal to the Colored Citizens of the World, but in Particular, and Very Expressly to Those of the United States of America (1829); Frederick Douglass's Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself (1845) and My Bondage and My Freedom (1855).

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

Flow

2019 ◽  
Author(s):  
Mitchell Ohriner
Keyword(s):  
Hip Hop ◽  
Rap Music ◽  
Music Analysis ◽  
The United States ◽  
Close Reading ◽  
South Bronx ◽  
The World ◽  
Key Concepts ◽  
Voice Flow ◽  
Computational Music Analysis

Originating in dance parties in the South Bronx in the late 1970s, hip hop and rap music have become a dominant style of popular music in the United States and a force for activism all over the world. So, too, has scholarship on this music grown, yet much of this scholarship, employing methods drawn from sociology and literature, leaves unaddressed the expressive musical choices made by hip-hop artists. This book addresses flow, the rhythm of the rapping voice. Flow presents theoretical and analytical challenges not encountered elsewhere. It is rhythmic as other music is rhythmic. But it is also rhythmic as speech and poetry are rhythmic. Key concepts related to rhythm, such as meter, periodicity, patterning, and accent, are treated independently in scholarship of music, poetry, and speech. This book reconciles those approaches, theorizing flow by integrating the methods of computational music analysis and humanistic close reading. Through the analysis of large collections of verses, it addresses questions in the theories of rhythm, meter, and groove in the unique ecology of rap music. Specifically, the work of Eminem clarifies how flow relates to text, the work of Black Thought clarifies how flow relates to other instrumental streams, and the work of Talib Kweli clarifies how flow relates to rap’s persistent meter. Although the focus throughout is rap music, the methods introduced are appropriate for other genres mix voices and more rigid metric frameworks and further extends the valuable work on hip hop from other perspectives in recent years.

scholarly journals Telling the Untellable: Negotiating Maternal Bereavement in Sophie Daull's Camille, mon envolée (2015)

2019 ◽  
Vol 19 (1) ◽  
pp. 165-185
Author(s):  
Julie Rodgers
Keyword(s):  
Bacterial Infection ◽  
Social Impact ◽  
Point Of View ◽  
The Self ◽  
Traumatic Loss ◽  
Death Scene ◽  
Self Blame ◽  
Mother Figure ◽  
Maternal Motivation ◽  
Insight Into

Sophie Daull's Camille, mon envolée (2015) is an autobiographical depiction of the sudden and traumatic loss of an only daughter (Camille) due to an undetected fatal bacterial infection. It is recounted uniquely from the maternal point of view and directly addresses the daughter throughout. It concerns an incredibly recent bereavement as the writing of the text, the author tells us, commences just one week after the daughter's death. Camille, mon envolée is a markedly intimate and brutally honest account of a mother who is an active witness to and, one could argue, participant in her daughter's agonizing death scene. The text captures the sense of powerlessness that is experienced by the mother, the incomprehensibility of the loss, the self-blame, and, finally, the coming to terms with it and the learning to live on, not without guilt, however. It also offers insight into maternal motivation for writing such a text, ranging from a quest for understanding and an outlet for grief, to a desire to preserve the daughter's memory. Furthermore, through close examination of the physical, psychological and social impact of the death of a child on mother figure subjectivity, Camille mon envolée successfully traces out for the reader the very specific characteristics of maternal bereavement and its overwhelmingly embodied nature. Finally, the text represents an engagement on the part of the grieving mother with what has been termed 'scriptotherapy' in a bid to negotiate this trauma and find a means, not only of remembering the daughter, but also of surviving the tragedy. In this respect, Camille, mon envolée is a text of resistance, where the unthinkable is confronted and the untellable bravely told.

When the Absence of Reasoning Breeds Meaning

2018 ◽  
Author(s):  
Carey K. Morewedge ◽  
Daniella M. Kupor
Keyword(s):  
Decision Making ◽  
External Source ◽  
Judgment And Decision Making ◽  
Dream Interpretation ◽  
The Self ◽  
The World ◽  
Religious Thoughts ◽  
The Many ◽  
And Behavior ◽  
Insight Into

Intuitions, attitudes, images, mind-wandering, dreams, and religious messages are just a few of the many kinds of uncontrolled thoughts that intrude on consciousness spontaneously without a clear reason. Logic suggests that people might thus interpret spontaneous thoughts as meaningless and be uninfluenced by them. By contrast, our survey of this literature indicates that the lack of an obvious external source or motive leads people to attribute considerable meaning and importance to spontaneous thoughts. Spontaneous thoughts are perceived to provide meaningful insight into the self, others, and the world. As a result of these metacognitive appraisals, spontaneous thoughts substantially affect the beliefs, attitudes, decisions, and behavior of the thinker. We present illustrative examples of the metacognitive appraisals by which people attribute meaning to spontaneous secular and religious thoughts, and the influence of these thoughts on judgment and decision-making, attitude formation and change, dream interpretation, and prayer discernment.

scholarly journals The Presence of Female Designers in French Video Game Industry, 1985–1993

2019 ◽  
Vol 15 (6) ◽  
pp. 670-684 ◽  
Author(s):  
Filip Jankowski
Keyword(s):  
United States ◽  
Video Game ◽  
The United States ◽  
Research Field ◽  
Point Of View ◽  
The Self ◽  
Video Game Industry ◽  
Game Industry ◽  
Everyday Experiences ◽  
Game Developers

Increasingly, more people do notice that female designers wrote their first games in the 1970s and 1980s. However, there was another country where women did also design games decades before the #GamerGate movement. This article examines the selected works of three French designers: Clotilde Marion, Chine Lanzmann, and Muriel Tramis. The analysis of those games took into account the self-representation of those designers—and women in general—within the game content. The conducted research has proven that within their games, Marion, Lanzmann, and Tramis included their everyday experiences as women. Using such techniques as simulated point of view and authorial signature, those women indicated their own role in the development and showed how females in general face male oppression against them. This means that the United States is not the only country with a long tradition of female game developers. Thus, video game history remains an undiscovered research field.

Comparative Analysis of International Approaches to the Protection of Online Privacy

2011 ◽  
pp. 347-366
Author(s):  
Peter O’Connor
Keyword(s):  
Comparative Analysis ◽  
Self Regulation ◽  
Personal Data ◽  
The United States ◽  
The Self ◽  
The European Union ◽  
Black And White ◽  
The World ◽  
Regulation Approach ◽  
The Web

The Web provides unprecedented opportunities for Web site operators to implicitly and explicitly gather highly detailed personal data about site visitors, resulting in a real and pressing threat to privacy. Approaches to protecting such personal data differ greatly throughout the world. To generalize greatly, most countries follow one of two diametrically opposed philosophies—the self-regulation approach epitomized by the United States, or the comprehensive omnibus legislative approach mandated by the European Union. In practice, of course, the situation is not so black and white as most countries utilize elements of both approaches. This chapter explains the background and importance of protecting the privacy of personal data, contrasts the two major philosophical approaches to protection mentioned above, performs a comparative analysis of the current situation throughout the world, and highlights how the legislative approach is being adopted as the de facto standard throughout the world. The use of trust marks as an alternative to the self-regulation or legislative approach is also discussed, while the effectiveness of each of these efforts is also examined.

Drug Addiction And Trafficking In Paraguay: An Approach To The Problem During The Transition

1992 ◽  
Vol 34 (3) ◽  
pp. 155-200
Author(s):  
José Luis Simón G.
Keyword(s):  
The United States ◽  
Southern Cone ◽  
Authoritarian Regimes ◽  
Point Of View ◽  
Drug Trade ◽  
South American ◽  
The Social ◽  
The World ◽  
Lost Decade ◽  
Drug Traffic

Paraguay and its closest neighbors, the Rio Plata Basin from one point of view or the Southern Cone from another, have experienced an increasing challenge from the drug traffic in recent years. Initially, everything linked to drug use and traffic was considered—in general, much oversimplified terms — mainly as the social problem of a rich society, primarily that of the United States. The South American countries, preoccupied with surviving the blows of the “lost decade” while trying, simultaneously, both to throw off authoritarian regimes in terminal crisis and to negotiate transitions from democracy, assumed this problem could not affect them. In any event, that aspect of the drug trade which concerned the countries of South America above all was the growing tragedy of Colombia, which was just beginning to make headlines in the world press.

scholarly journals Freedom, Teleodynamism, Creativity

2014 ◽  
pp. 60-75 ◽  
Author(s):  
William E. Connolly
Keyword(s):  
Collective Action ◽  
Bifurcation Point ◽  
The Self ◽  
Positive Freedom ◽  
Simple Mode ◽  
The World ◽  
Insight Into ◽  
Do So

After presenting a critique of both negative and positive freedom this essay pursues the relation between creativity and freedom, drawing upon Foucault, Deleuze and Nietzsche to do so.  Once you have understood Nietzsche’s reading of a culturally infused nest of drives in a self, the task becomes easier.  A drive is not merely a force pushing forward; it is also a simple mode of perception and intention that pushes forward and enters into creative relations with other drives when activated by an event.  You can also understand more sharply how the Foucauldian tactics of the self work.  We can now carry this insight into the Deleuzian territory of micropolitics and collective action by reviewing his work on flashbacks and “the powers of the false.” If a flashback in film pulls us back to a bifurcation point where two paths were possible and one was taken, the powers of the false refer to the subliminal role the path not taken can play in the formation of creative action.  As you pursue these themes you see that neither old, organic notions of belonging to the world nor do negative notions of detachment as such do the work needed.  Deleuze’s notion of freedom carries us to the idea of cultivating “belief” in a world of periodic punctuations.  The latter are essential to creativity and incompatible with organic belonging.  They are also indispensable supports of a positive politics today.

scholarly journals The Madness of Jodh Singh: Patriotism and Paranoia in the Ghadar Archives

2018 ◽  
Vol 13 (2) ◽  
pp. 81
Author(s):  
Rohit Chopra
Keyword(s):  
The United States ◽  
The Self ◽  
Mental Condition ◽  
Close Reading ◽  
British Government ◽  
Revolutionary Movement ◽  
Self Image ◽  
Archival Documents ◽  
American Society ◽  
The Relationship

My paper focuses on Jodh Singh, a marginal figure in the archives of the Ghadar Party, who was arrested for High Treason against the United States for his role in the “Hindu Conspiracy” plots aimed at the British government of India. Incarcerated in a California prison, Singh was moved to a sanatarium on displaying symptoms of insanity. Through a close reading of a web of archival documents and scholarly reflections—at the center of which lies the report of a commission appointed to inquire into his mental condition—I examine the account of the madness of Jodh Singh as a statement about patriotism and paranoia. In engagement with the work of Foucault, Guha, and scholars of the Ghadar movement, I describe how the record of Singh’s experiences indicts the juridical-legal-medical framework of American society as operating on a distinction between legtimate and illegitimate madness. I also examine how Jodh Singh points to the glimmers of a critique of the self-image of the Ghadar Party as a revolutionary movement committed to egalitarian principles. I conclude with a reflection on what Jodh Singh might tell us about the relationship between madness, political aspiration, and the yearning for solidarity.

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