Rede im Zeitalter der Digitalisierung

Rhetorik ◽  
2017 ◽  
Vol 36 (1) ◽  
Author(s):  
Olaf Kramer

AbstractDigitalization and social media have profoundly changed the way in which we communicate and share knowledge. As a result, traditional formats of situational speech - including the specific case of academic speeches and lectures - have come under some scrutiny and pressure: Today’s digital society calls for innovative formats of situational academic communication that strategically incorporate considerations regarding social media and digitalization. Shedding light on this challenge, this paper takes a closer look at three new formats of academic speech: Slams, TEDTalks, and Science Notes. It shows that for all three formats, cross-media effects are of key importance - with attendees immediately addressed within the original situational setting becoming part of an overarching communicative event that is relayed to a wider audience via digital media. By examining the specific consequences which these and other effects entail with respect to questions of setting and performance as well as textual and content-related strategies, the paper illustrates the challenges and chances arising from new formats of situational communication in the field of knowledge communication. I argue that Slams, Ted Talks and Sciences Notes provide illuminating examples of how to combine the powerful immediacy and fascination of situational interaction with the innovative communicative possibilities of the digital era (by adapting the traditional medium of academic speech to the requirements of today’s digital society). In this sense, digitalization does not appear as heralding the end of situational speech, but rather as a genuine chance for its modernized revival.

2020 ◽  
Author(s):  
◽  
Tom Bradshaw

This thesis examines the major ethical issues experienced by UK sports journalists in the course of their practice in the modern digital media landscape, with a particular focus on selfcensorship. In tandem, it captures the lived professional experience of sports journalists in the digital era. My own professional experience is considered alongside the experiences of interviewees and diary-keepers. Initially, an exploratory case study of the work of investigative journalist David Walsh is used to highlight key ethical issues affecting sports journalism. A Kantian deontological theoretical perspective is articulated and developed. Qualitative approaches, specifically Interpretative Phenomenological Analysis and autoethnography, are then used to provide an original analysis of the research objectives, enhanced by philosophical analysis. Ten in-depth, semi-structured interviews are conducted with a homogeneous sample of UK sports journalists, while diaries kept by three different journalists provide another seam of data. Reflective logs of my own work as a sports journalist provide the basis for autoethnographic data. The main log runs for two-and-half years (2016- 19) with a separate additional log covering the 2019 Rugby World Cup in Japan. The semistructured interviews, diaries, autoethnography and case study are synthesized. The thesis explores how social media has introduced a host of ethical issues for sports journalists, not least the handling of abuse directed at them. Social media emerges as a double-edged sword. One of its most positive functions is to raise the standard of some journalists’ output due to the greater scrutiny that reporters feel they are under in the digital era, but at its worst it can be a platform for grotesque distortion and for corrupting sports journalists’ decision-making processes. Self-censorship of both facts and opinions emerges as a pervasive factor in sports journalism, a phenomenon that has been intensified by the advent of social media. Sports journalists show low engagement with codes of conduct, with the research suggesting that participants are on occasion more readily influenced by self-policing dynamics. This project captures vividly sports journalists’ personal involvement and emotional investment in their work, and reconsiders the ‘toy department’-versus-watchdog classification of sports journalists. The thesis concludes with recommendations for industry, including the introduction of formal support for sports journalists affected by online abuse.


Koneksi ◽  
2020 ◽  
Vol 3 (2) ◽  
pp. 328
Author(s):  
Jovita Clarissa ◽  
H.H. Daniel Tamburian

Humans are social beings who need other individuals to group. In interacting with others, individuals will convey information and usually begin with an introduction relates to self disclosure, which is the type of individual communication disclosing information about himself is commonly concealed. Social media is a medium on the Internet that allows users to represent themselves, share, communicate with others and create virtual social ties. This research was intended to examine Instagram and Self Disclosure in an interpersonal communication perspective on the Santo Kristoforus II high school students to find out the activities of students on Instagram social media. Research based on Self-Disclosure theory, communication theory in the Digital Era, social media, and Instagram. Research uses a qualitative approach with case study methods. The results is that the self disclosure conducted by the informant is about daily activities, and the self disclosure is on Instagram involving several Self-Disclosure processes. In the process of Self-Disclosure, informants usually provide personal information such as feelings, thoughts and experiences, and they are also careful enough in uploading information to social mediaManusia disebut makhluk yang memerlukan seseorang untuk saling berhubungan timbal balik. Dalam berinteraksi dengan orang lain, individu akan menyampaikan berbagai informasi dan biasanya diawali dengan perkenalan mengenai dirinya, hal tersebut berkaitan dengan self disclosure, yakni jenis komunikasi individu mengungkapkan informasi tentang dirinya sendiri yang biasa disembunyikan. Media sosial saat ini digunakan penggunanya untuk berkomunikasi, membentuk relasi dengan orang lain secara virtual. Sehingga penelitian ini dimaksudkan untuk meneliti Instagram dan Self Disclosure dalam Perspektif Komunikasi Antarpribadi terhadap Siswa-Siswi SMA Santo Kristoforus II untuk mengetahui aktivitas siswa-siswi di media sosial Instagram. Penelitian berlandaskan teori Self-Disclosure, Teori Komunikasi di Era Digital, Media Sosial, dan Instagram. Penelitian menggunakan pendekatan kualitatif dengan metode studi kasus. Hasil penelitian menunjukkan bahwa pengungkapan diri yang dilakukan oleh informan berisi tentang aktivitas sehari-hari yang dilakukan, dan pengungkapan diri tersebut dilakukan dalam media sosial Instagram yang melibatkan beberapa proses pengungkapan diri. Dalam proses pengungkapan diri, informan biasanya memberikan informasi pribadi seperti perasaan, pikiran dan pengalaman. Dengan banyaknya informasi yang diberikan, tidak menutup kemungkinan mereka juga cukup berhati-hati dalam mengunggah informasi ke media sosial


Author(s):  
Amy Herzog

This article appears in the Oxford Handbook of Sound and Image in Digital Media edited by Carol Vernallis, Amy Herzog, and John Richardson. This essay examines the soundscape and architecture of Punchdrunk’s immersive theater installation Sleep No More (New York, 2011). Although many of its sonic references are drawn from well-known analog sources, their deployment marks a shift in the role of sound in theater and film. The installation’s sound environment establishes ambience and also guides and synchronizes the actions of the individual audience- and cast members who navigate the space during each performance. The use of sonic cues, in this context, draws directly from the logic of role-playing video games. Moreover, the use of rhythm and repetition in Sleep No More resonates on an even deeper register with similar architectures of meaning in some of the work’s key points of reference. A careful examination the work’s structure reveals a complex deployment of sonic patterning that activates new connections with historical texts and challenges our understanding of the experience of sound, touch, and performance in the digital era.


Author(s):  
Hakan Kapucu

<p>Same as the general public differently interprets the same phenomena in diverse cultures, leaders’ standpoints differ also. Because of unequal advancement and cultural diversity, a specific welfare level or geography perceives digital transformation that is radically disparate from others. In advanced economies, leaders comprehensively recognize the products and trending technologies of the digital era on a broader scale. But it is different in an emerging economy. Naturally, the factors such as the industry and the globalization of the companies matter, yet a survey in a widespread sector can help to project business leaders’ and managers’ perception of digital transformation and bring different judgments. Two questions come fore at this point: <em>If business leaders focus on or are aware of the products and ideas of current technologies, </em>and <em>if they appropriately construe these ideas and products. </em>In Turkey, leaders predominantly tend to identity digital transformation with social media, still! Although digital transformation is related to social media, it is not limited to it. There are state-of-the-art technologies, but in such geographies, leaders require time to possess digital and technological consciousness. In this new world order, leadership has reached a point that there is a need for ultimate leaders, who origins from the very elements of this disruptive environment and rises with distinguishing skills and epoch-making perspectives. On the other hand, <em>learning and performance</em> are indispensable parameters for leaders in times of digital transformation. This article underlines the significant factors that impact these parameters.</p>


2020 ◽  
Vol 4 (1) ◽  
pp. 10
Author(s):  
Emil Salim ◽  
Halifia Hendri ◽  
Riska Robianto

Abstrak: Pengabdian kepada masyarakat ini tujuan untuk mengembangkan usaha dan meningkatkan kinerja karyawan dalam menghadapi era digital saat ini. Strategi yang digunakan untuk mengembangkan usaha dan meningkatkan omzet pada era digital saat ini sangat berbeda dengan era-era sebelumnya. Pada era digital ini lebih banyak memanfaatkan media digital (online) baik itu dari segi promosi, layanan maupun penjualan. Strategi pengembangan usaha yang diberikan adalah dengan cara mendaftarkan Café tersebut ke aplikasi pengantar makanan online seperti Go-Food dan Grab-Food agar konsumen dapat berbelanja secara online. Selain itu, untuk metode promosi lebih baik menggunakan media sosial seperti Facebook (FB) dan Instagram (IG). Metode untuk peningkatan kinerja adalah dengan cara memberikan bonus kepada karayawan yang rajin dan disiplin. Berdasarkan pengamatan tingkat pemahaman mitra rata-rata sebesar 70%. Hasil yang diperoleh oleh mitra setelah 3 bulan menerapkan metode ini adalah meningkatnya omzet penjualan sebesar 40% dari sebelumnya.Abstract:  Devotion to this community aims to develop business and improve the performance of employees in the face of the current digital era. The strategy used to grow the business and increase the turnover in the current digital period is very different from the previous ages. In this digital era, more utilizing digital media (online), both in terms of promotion, service, and sales. The business development strategy provided is to register the Café to an online food introduction application such as Go-Food and Grab-Food so that consumers can shop online. Besides, for a better method of promotion using social media such as Facebook (FB) and Instagram (IG). The method for performance enhancement is to provide bonuses to diligent and disciplined employees. Based on the average partner's understanding rate of 70%. The results obtained by the partner after three months of implementing this method is an increase in sales turnover of 40% than before.


2020 ◽  
Vol 13 (3) ◽  
pp. 505-513
Author(s):  
Bo Li ◽  
Olan Scott

This commentary analyzes how misinformation related to a coronavirus case of a star soccer player (i.e., Wu Lei) was spread widely on Chinese digital media and accepted by sports fans as the truth. The paper first examines the mechanisms by exploring how misinformation emerged and was disseminated. Then, the paper explores how social media and the fast-growing self-media in China exacerbate tendencies toward misinformation during the news production process, which poses a new threat to legacy media and journalists’ profession. The paper concludes by discussing new challenges faced by Chinese sports journalists in the new digital era after COVID-19.


2018 ◽  
Vol 2 (2) ◽  
pp. 53
Author(s):  
Andi Dwi Riyanto ◽  
Muhammad Faiz Noeris

ABSTRACTCilacap is a district in the province of Central Java with an area of about 6.2% of the total area of Central Java. Cilacap consists of 24 districts. In addition to the agricultural sector, which is a major sector in the economic sector, there are many other sectors that are developing very rapidly in Cilacap such as fashion, health, handicrafts, souvenirs, drinks and food. The total number of MSMEs registered in the Cilacap Pusat Layanan Usaha Terpadu (PLUT) exceeds thirty-two thousand (32,000) MSMEs. In the digital era like today it would be more appropriate to have started using digital media in the promotion because 51.8% or 132.7 million people in Indonesia have used the internet. The digital media that is most suitable for MSMEs is to use social media like Facebook because it is easy to use, and blogs like wordpress have free features, but are easy to use. Therefore, in an effort to increase turnover and ability to do digital promotions, this training was held. Keywords: MSMEs, PLUT Cilacap, Central Java, Digital Media Training, Social Media ABSTRAKCilacap merupakan kabupaten di provinsi Jawa Tengah dengan luas wilayah sekitar 6,2% dari total wilayah Jawa Tengah. Cilacap terdiri dari 24 kecamatan. Selain sektor pertanian yang merupakan sektor utama di bidang perekonomian, banyak juga sektor lain yang perkembangannya sangat pesat di Cilacap seperti fashion, kesehatan, kerajinan  tangan, oleh-oleh, minuman dan makanan. Jumlah total UMKM yang terdaftar di Pusat Layanan Usaha Terpadu (PLUT) Cilacap melebihi tiga puluh dua ribu (32.000) UMKM. Pada era digital seperti saat ini memang akan lebih tepat jika sudah mulai menggunakan media digital dalam melakukan promosi dikarenakan 51,8% atau 132,7 juta penduduk di Indonesia telah menggunakan internet. Adapun media digital yang paling cocok untuk pelaku UMKM adalah menggunakan media sosial seperti facebook karena mudah digunakan, dan blog seperti wordpress yang memiliki fitur gratis, namun mudah dalam penggunaannya. Oleh karena itu dalam upaya meningkatkan omzet dan kemampuan melakukan dalam promosi digital, diadakan pelatihan ini. Kata Kunci: UMKM, PLUT Cilacap, Jawa Tengah, Pelatihan Media digital, Media Sosial


Tripodos ◽  
2021 ◽  
pp. 147-167
Author(s):  
Athira B K

This paper examines the changing wedding scenes and performance of bridehood in India in a post-liberalisation period. The study, based on a digital ethnography, explores the changing wedding practices by considering the role of digital media in circulating and reifying the image of an emergent bridehood, tethering it to the ideology of consumption as well as distinctions based on social categories like gender and religion. It looks into the possibility of a scheme that goes beyond the narrative of ‘uniformisation’ in explaining the changes manifested in the performance of bridehood in the Eastern and Western regions of India, with an expansion of social media practices in the recent years.


Author(s):  
Sylvia Princesa ◽  
Yenni Merlin Djajalaksana

In the current digital era, digital marketing is a marketing strategy using digital media to reach customers quickly and widely. About She is a fashion brand located in Bandung that tries to do digital marketing to promote fashion products through social media and websites. We can see website performance with Google Analytics, as well as social media analysis through Instagram Insight and Facebook Insight.


Author(s):  
Francis L.F. Lee ◽  
Joseph M. Chan

Digital and social media are increasingly integrated into dynamics of protest movements. They strengthen the mobilization power of movements, extend movement networks, facilitate new modes of protest participation, and lead to the emergence of new protest formations. Meanwhile, conventional media remain an important arena where the contest for public support between protesters and their targets play out. This book examines the role of the media—understood as an integrated system composed of both conventional media institutions and digital media platforms—in the formation and dynamics of the Umbrella Movement in Hong Kong in 2014. It grounds the analysis into the broad background of the rise of protest politics in Hong Kong since the early 2000s. More important, this book connects the case of the Umbrella Movement to recent theorizations of new social movement formations. It treats the Umbrella Movement as a case where connective action intervenes into a collective action campaign, leading to an extended occupation mixing old and new protest logics. The analysis shows how the media had not only empowered the protest movements in certain ways, but also introduced forces not conducive to the sustainability and efficacy of the movement. Conventional and digital media could also be used by the state to undermine protests. Through a combination of protester surveys, population surveys, analyses of news contents, and social media activities, this book reconstructs a rich and nuanced account of the Umbrella Movement, which helps shed light on numerous issues about the media-movement nexus in the digital era.


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