scholarly journals La traducción alemana de Marcos Ramírez, de Calos Luis Fallas

LETRAS ◽  
2008 ◽  
pp. 157-175
Author(s):  
Pino Valero

Es un análisis de aspectos discursivos de la traducción al alemán de la novela costarricense Marcos Ramírez, de Carlos Luis Fallas. Se empieza por el entorno histórico, cultural y lingüístico del texto original (incluidos algunos textos críticos sobre la obra); se desarrolla un examen pormenorizado de aspectos teóricos y prácticos que se extraen de la versión alemana de la obra. Por un lado, se examina el registro general del texto original y de su traducción; por otro, se detiene en modalidades discursivas de compleja traducción (canciones, coplas) y en aspectos léxicos de marcado anclaje cultural, histórico y geográfico. This is an analysis of the discursive aspects of the German translation of the Costa Rican novel Marcos Ramírez, by Carlos Luis Fallas. It begins with the historical, cultural and Iinguistic context of the original text (including certain critical texts about the novel); theoretical and practical aspects of the German version are examined in detail.

Author(s):  
Iryna Dumchak ◽  
Sofiia Shemerliuk

The article deals with the peculiarities of transformations in the process of translation of English prose into Ukrainian. Despite the large number of works covering this issue, the problem of translating prose texts is not dismissed. There is a need to systematize and study the types of lexical and grammatical transformations, used in translating literary texts, in practice. To observe the process of formation of inter-language transformations, the novel by an Irish writer Colm Toibin ‘House of Names’ has been chosen. The various scientists’ approaches to establishing the transformation types are analyzed. It is revealed that due to differences in the syntactic, grammatical and morphological structures of the English and Ukrainian languages, lexical and grammatical transformations are widely used in translation. Lexical transformations are the deviations from direct vocabulary matches. The lexical transformations are mainly caused by the fact that the volume of the lexical units of the original language and the language of translation do not coincide. Among lexical transformations, the most common are generalization, concretization, compensation, lexical additions. Grammatical transformations are to transform the structure of a sentence in the translation process according to the rules of the source language. The transformation can be complete or partial depending on whether the structure of the sentence changes completely or partially. The article presents the examples of the grammatical transformations of inversion, replacement, addition and omission comparing the original text and its translation.


Author(s):  
Aleksandra T. Bayanova ◽  

Introduction. Color terms constitute a most archaic lexical stratum of any language. Being characterized by vivid ethnocultural specifics, those serve as important elements to the linguistic view of the world. Goals. The paper seeks to analyze semantic features of the Kalmyk color term улан ‘red’ and its German translation equivalents. Materials and Methods. The work explores Kalmyk folktales recorded by the Finnish scholar G. J. Ramstedt during his 1903 scientific expedition to the Kalmyk Steppe. The analysis of the color term comprises both general research methods and specifically linguoculturological ones, such as linguoculturological and conceptual insights into folklore texts. Results. Impacts of color in world perception of the Kalmyks — just as for any other nation — are diverse enough. The folktale texts recorded by G. J. Ramstedt contain a total of five shades of the color, the lexeme улан ‘red’ being largely characterized by positive semantics. German translation variants are not always complete semantic equivalents of the color term which results from that color denoting lexemes — and those of red in particular — are integral to a certain ethnic worldview, this leading to some ambivalence of the color under study. Conclusions. The lexeme улан ‘red’ in its first nominative meaning denotes a color of an object, e.g., red proper, scarlet, ruddy, etc. In the Kalmyk language, it also serves to denote the prototypic color of blood and is often used to describe animal coat colors. The Finnish scholar employed different German translation means. In most cases, the selection of translation equivalents depends on the translator’s associative/visual thinking and perception of the world, as well as on lexical, semantic and morphological patterns of Kalmyk and German. Folklore texts are structured specifically, and a translator needs utmost attention and linguistic intuition to avoid any inaccuracies when communicating a color paradigm from the original text. The challenge be tackled by a translator of color terms in a folklore text is that he/she is supposed to bear both the linguocultures examined.


2020 ◽  
Vol 8 ◽  
Author(s):  
Erik S. Johnson ◽  
Mary-Elise Nielsen ◽  
Jerald B. Johnson

Why bilaterally symmetrical organisms express handedness remains an important question in evolutionary biology. In some species, anatomical asymmetries have evolved that accompany behavioral handedness, yet we know remarkably little about causal links between asymmetric morphological traits and behavior. Here, we explore if a dextral or sinistral orientation of the male intromittent organ predicts side preferences in male behaviors. Our study addresses this question in the Costa Rican livebearing fish, Xenophallus umbratilis. This fish has a bilaterally symmetrical body plan, with one exception—the male anal fin (gonopodium), used to inseminate females, terminates with a distinct left- or right-handed corkscrew morphology. We used a detour assay to test males for side biases in approach behavior when exposed to four different stimuli (predator, potential mate, novel object, empty tank control). We found that left morph males preferred using their right eye to view potential mates, predators, and the control, and that right morph males preferred to use their left eye to view potential mates and predators, and their right eye to view the control. Males of both morphs displayed no eye bias when approaching the novel object. Our results suggest that there is a strong link between behavior and gonopodium orientation, with right and left morph males responding with opposite directional behaviors when presented with the same stimuli. This presents the intriguing possibility that mating preferences—in this case constrained by gonopodial morphology—could be driving lateralized decision making in a variety of non-mating behaviors.


2016 ◽  
Vol 8 (3) ◽  
pp. 85-101 ◽  
Author(s):  
Gabriella Kovács

Abstract In translator training, the process of planning and implementing the teaching process and the design of teaching materials should be dynamic and flexible. With the future purpose to design teaching materials for idiom translation, this study proposes to explore those characteristics of idioms which might cause difficulties when translating them and some of the various classifications of idioms. Some of the relevant factors which might determine the appropriateness and acceptability of idiom translation and some of the translation strategies recommended in the specialized literature will also be presented. We proposed to analyse the idiom-translating solutions and strategies which the literary translator of the novel “A Game of Thrones” chose while translating it into Hungarian. Our aim is to decide whether the novel can be an appropriate source for authentic teaching material. We chose this novel mainly because it has recently become very popular among students, it is rich in idioms, and we believe that different aspects of idiom typology and different strategies used in idiom translation can be exemplified, demonstrated, and practised with the help of different tasks based on the original text and its Hungarian translation.


Author(s):  
Norbert Bachleitner

AbstractThe English translation of Aichinger’s novel appeared in 1963, that is at a time when her writing did not yet seem appropriate for a wider public. The American translator Cornelia Schaeffer therefore adapted the novel by ›clarifying‹ opaque phrases and ›normalizing‹ unusual expressions or by simply omitting them. She tries to provide her readers with a more or less realistic story of children trying to escape from Nazi terror. Furthermore, she does not adequately render leitmotifs such as Aichinger’s variations of the word »nachweisen « referring to the notorious (Arier-)Nachweis. Sometimes it is clear that deviations from the meaning of the source text are due to the lack of the translator’s command of German. Most interesting for comparative translation studies are passages that are open to interpretation in the German version, e.g. Ellen’s striving for the »Allererste«.


2020 ◽  
Vol 6 (4) ◽  
pp. 103-114
Author(s):  
Iryna Sekret

Translating metaphor and metaphoric expressions is one of the disputable problems in translation studies due to the conceptual discrepancies which exist between the source culture and the target readership, moreover, if the metaphor plays a crucial role in creating an appeal to the reader as in the political text. In this respect, it is under the discussion of how to deal with a metaphor when translating political discourse, and what are the dominating strategies and traditions of translating metaphoric units in Turkish translations. Caused by the theoretical and practical urgency of the problem, this paper is aimed to analyze strategies of conveying metaphors from English to Turkish based on the novel “Animal Farm” by George Orwell and its Turkish translations by Sedat Demir and Celal Üster. To achieve the aims of the research the efforts were undertaken to compare the original text with its two different translations. For the precise analysis, Old Major’s speech was thoroughly scrutinized on the point of the metaphoric expressions in the text and their correspondences in the Turkish translations.


2011 ◽  
Vol 2 (6) ◽  
pp. 258-265
Author(s):  
Maryam Najafian

The present research aims at conducting a critical study of the novel 'The Old Man and the Sea' written by Ernest Hemingway (1976) and its two translated versions in Persian; one rendered by Faramarzi (2006) the other by Shahin (1979). The researchers apply a comparative lexical analysis proposed by Newmark (1988) and Venuti (1995). An attempt has been made to reveal the ideology behind the original sample words and to show how translators and the effect thereof handle it. The data of this research consists of 10 ideological laden terms selected randomly among 45 words from the original text and the corresponding Persian translations. The results of this study suggest a significant difference between the two Persian translations and the original novel. It revealed that one of the translators has attempted to 'domesticate' his translation while another has been attentive to 'foreignize' it. As for implication, it seems necessary to note that translational decisions made by actual translators under different socio-cultural and ideological settings in real life and real situations should be considered. The perlocutionary consequences resulted from adoption of such decisions are of importance.


2014 ◽  
Vol 11 (1) ◽  
pp. 165-177
Author(s):  
Simon Zupan ◽  
Marko Štefanič

The article examines Slovenian translations of military jargon in the non-fiction novel Hostile Waters. In the introductory part, jargon is presented as a linguistic category as well as its main features in the novel. Next, select examples from the original text are compared to their Slovenian equivalents. The focus is on collocations and lexically dense nominal phrases. The comparison finds that most translation shifts in the target text occur because of incorrect interpretation of technical jargon expressions in the original. As a result, the target text reader perceives certain situations differently than the source text reader.


2021 ◽  
Vol 19 (1) ◽  
pp. 176-189
Author(s):  
Jaap Grave ◽  
◽  
Ekaterina Vekshina ◽  

This article is dedicated to the Russian translations of the Dutch novel Max Havelaar or the coffee auctions of the Nederlandsche Handelmaatschappy (1860) by Eduard Douwes Dekker (1820–1887), who published his work under the pseudonym Multatuli. Max Havelaar is one of the best known and most translated works of Dutch literature. There are six complete Russian translations published between 1916 and 1959, which have not yet been analyzed. The authors hypothesize that German is the intermediate language in the Dutch-Russian literary transfer as research has shown that German often served as an intermediate language for translations into Scandinavian and Slavic languages during this period. In the specific case of Max Havelaar, the German translation by Wilhelm Spohr, who moved in circles of anarchists, served as an intermediate text. The authors also investigated whether the Russian translators used the English translation of 1868, but this was not the case. In the first part of this article, the biographies of the Russian translators, authors of forewords and editors who worked on the Russian translations are examined. In the second part, excerpts from the novel are compared with the translations to analyze the relationship between the texts. The results of the research confirm that the first Russian translations were based on Karl Mischke’s German translation, which had appeared almost simultaneously with Spohr’s. Traces of this translation can also be found in later texts. To the authors’ knowledge, it has not been shown before that Mischke’s translation and not Spohr’s was used as an intermediate text.


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