scholarly journals Transformasi Sastra Sunda Modern pada Abad ke-19 sampai 20 M

2020 ◽  
Vol 3 (1) ◽  
pp. 35-52
Author(s):  
Priska Marsila
Keyword(s):  
Comparative Analysis ◽  
19Th Century ◽  
Historical Research ◽  
The Novel ◽  
Literary Forms ◽  
The 19Th Century

Literature in Sundanese culture is constantly changing. At the end of the 19th century, Sundanese literature began to experience changes in the modern direction. This is likely due to the spread of the influence of translated European prose works. In this paper discusses how the transformation of Sundanese literature from traditional forms into modern literary forms. In addition, it also discusses the comparative analysis of literature contained in Wawacan Panji Wulung and the novel Baruang Ka Nu Ngarora. The method used in this study is to use the method of historical research supported by other disciplines, especially literature. Keywords: literature, wawacan, Sundanese novels.

scholarly journals “Life as Suffering”: the Motive of Revenge in the Novel by E. T. A. Hoffmann “The Marquis de la Pivardière” and the Novel by J. Janin “The Dead Donkey and the Guillotined Woman”

2021 ◽  
pp. 121-134
Author(s):  
N. M. Ilchenko ◽  
Yu. A. Marinina
Keyword(s):  
National Identity ◽  
Comparative Analysis ◽  
19Th Century ◽  
Point Of View ◽  
The Novel ◽  
National Image ◽  
Crime And Punishment ◽  
The Individual ◽  
The 19Th Century ◽  
The Universe

The motive of revenge is analyzed on the basis of the French topos, considered as a space of crime and punishment. It is noted that the novel by E. T. A. Hoffmann and the novel by J. Janin are united by attention to fate as a catastrophic concept inscribed in the picture of life in France. The relevance of the study is associated with the problems of the formation of national identity, national image by romantics of Germany and France. It is shown that the German romantic, who relied on fantasy as a means of understanding and cognizing life, became a model for J. Janin in the perception of “observed material”. Special attention is paid to the artistic embodiment of life as an “ugly abyss” in which the heroines of E. T. A. Hoffmann and J. Janin find themselves. The results of a comparative analysis of the novel, the action of which belongs to the second half of the 17th century are presented in the article. But the writer discusses the morals of the heroes from the point of view of the romantic canon, and the novel, the action of which is attributed to the end of the 20s of the 19th century. The novelty of the research is connected with the fact that the drama of human existence (female) is viewed as a result of the fragility of earthly existence, the loss of faith in the rationality of the universe. This approach made it possible to analyze the national forms of romanticism, the individual approach of Hoffmann and Janin to understanding the moral and the sinful.

scholarly journals “Hero of Our Time” as Archetype of Plot and Images in “Enchanted Wanderer”

2021 ◽  
pp. 225-236
Author(s):  
V. G. Mekhtiev
Keyword(s):  
Comparative Analysis ◽  
19Th Century ◽  
Russian Literature ◽  
The Novel ◽  
Critical View ◽  
The 19Th Century ◽  
The Demonic

The results of a comparative analysis of the novel “The Enchanted Wanderer” by N. S. Leskov and the novel “Hero of Our Time” by M. Yu. Lermontov are presented. Particular attention is paid to the image ofthe prince, parodic in relation to Pechorin and “superfluous people”, as well as the storyline of Ivan Flyagin, echoing the line of Maxim Maksimych. The novelty of the study is due to both the little study of the connections between Leskov the artist and the work of Lermontov, and the insufficient coverage of the issue of the historical existence of Lermontov’s novel. It is shown that stylistic tendencies that are stable for Russian literature of the 19th century differ among writers. Along with this, the question is raised about Leskov’s critical view of the Pechorin type; in his story in the foreground is the hero named Ap. Grigoriev “meek” as opposed to the demonic, “predatory” type. It is noted that in the plot of the novel “A Hero of Our Time” Maxim Makimych, personifying a folk character, takes a subordinate place, this is explained by Lermontov’s sympathy for a demonic personality. The author points out that in “The Enchanted Wanderer”, on the contrary, there is a change in the function of the hero; the prince turns into a marginal character, and the Russian righteous man takes the place of the plot center.

scholarly journals Development of Literary Forms in Theater and Novel during the Victorian Era

2019 ◽  
Vol 8 (5) ◽  
pp. 49
Author(s):  
Saed Jamil Shahwan ◽  
Tasneem Rashed Said Shahwan
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Way Of Life ◽  
Victorian Era ◽  
Literary Forms ◽  
The People ◽  
Number Of Factors ◽  
The 19Th Century ◽  
The Impact

Appropriate understanding and embracing of the literature in the 19th century in Britain, should be considered so crucial when it comes to writing of novel and the same as to that of theater. Although Radcliff & Mattacks (2009) point out the changes experienced in theatre during the Victorian era, this research further explains the role of human activities in influencing changes in literary forms. There are a number of factors that are seen to be taking place at this particular period, lack of some basic understanding hindered the whole concept of writing. This period was commonly referred as the Victorian era and novel writing were considered to be on the lead when it came to literary genre. Most of the novels at this particular period were published in three volumes, several developments are clearly observed by introduction of other styles such as the satire writing. The women are now given equal opportunities and their work is being acknowledged without any challenges. On the other hand, the 19th century makes a great impact on the theatre; this can be illustrated by the number of developments that were involved. This stage was identified as the revolving stage and these changes were observed as from the 1896. This paper presents the major activities that took place in the 19th century in Britain that took place in the writing of the novel, the impact that it had on the novelist and so is that on the theater. This paper goes on to present the kind of society that existed in this era, the cultures and their way of life which includes the division of classes among the people of Britain.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

Pinocchio e l’evoluzione

Revue Romane ◽  
2011 ◽  
Vol 46 (2) ◽  
pp. 282-293
Author(s):  
Margareth Hagen
Keyword(s):  
19Th Century ◽  
Fairy Tales ◽  
Public Debate ◽  
The Novel ◽  
The Public ◽  
Continuous Evolution ◽  
Narrative Interpretation ◽  
Theories Of Evolution ◽  
The 19Th Century ◽  
Pedagogical Literature

The first chapters of Carlo Collodi’s Pinocchio were printed in 1881, the same year as the publication of the novel I Malavoglia, Giovanni Verga’s masterpiece of verismo. While every critical reader of Verga’s realism has pointed out his particular narrative interpretation of evolution, Collodi’s has novel very seldom been connected to the theories of evolution, even if Darwin’s ideas were highly present in the public debate in Florence during the last decades of the 19th century. The reasons for this silence are primarily to be found in the genre of Pinocchio, in the fact that it is children literature, and therefore primarily related to the narrative mechanisms of the fairy tales and pedagogical literature. Focusing on Pinocchio, the article discusses to which degree Darwinism can be traced in Collodi’s literature for children, and questions if the continuous metamorphoses of Pinocchio can be read also in connection with the naturalist conception of the literary characters as unstable, in continuous evolution, and not only as part of the mechanisms of fairy tales and mythological narratives.

scholarly journals Ivan Vahylevych’s mystified biography in Yurii Vynnychuk’s novel “Liutetsiia”

2020 ◽  
pp. 6-11
Author(s):  
Halyna Bokshan
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Main Character ◽  
Don Juan ◽  
Material Characteristic ◽  
Public Figure ◽  
Historical Aspects ◽  
Historical Material ◽  
The 19Th Century ◽  
Historical Epoch

The study examines the features of the strategies of mythologization and mystification used by Yurii Vynnychuk in creating his literary version of Ivan Vahylevych’s biography in the novel “Liutetsiia”. First of all the paper emphasizes the writer’s inclination to play with historic material characteristic of postmodernism, manifesting itself in most of his works and in the novel under study, in particular. The research pays special attention to the original interaction of mythological and cultural-historical aspects in the fictionalized biography of the renowned public figure of the 19th century, famous for his activity in Ruska Triitsia. It considers the specific features of the literary visualization of Ivan Vahylevych character in the relation to Ivan Franko’s essay representing the epistolary of the figures of the historical epoch depicted in the novel. The study determines the correlation between the personages in “Liutetsiia” and the characters and motives of the Celtic mythology. It identifies the specificity of the reminiscent relations of the main character with the archetypal figure of Don Juan. The conclusions highlight the use of irony, grotesque and comic modus by Yurii Vynnychuk as the manifestation of the neo-mythological device of deheroization. It also accentuates that the strategies of mythologization and mystification in “Liutetsiia” reflect the manner of interpreting cultural-historical material characteristic of the author.

scholarly journals Thérèse Raquin d’Émile Zola : la notion de tempérament entre l’héritage antique et l’apport de la physiologie du XIXe siècle

2020 ◽  
Vol 47 (4) ◽  
pp. 91-100
Author(s):  
Anna Kaczmarek-Wiśniewska
Keyword(s):  
19Th Century ◽  
Mutual Influence ◽  
The Novel ◽  
Important Work ◽  
Xixe Siecle ◽  
The 19Th Century ◽  
Xixe Siècle ◽  
Physiological Theory

Therese Raquin, Zola’s first important work, is based on the modern version of the old physiological theory of “temperaments”, e.g. the combination of four cardinal “humours” that determine a man’s physical and mental constitution. Through the story of two murderers, an adulterous woman and her lover who kill the woman’s husband, the author shows the mutual influence of two temperaments considered in the 19th century as more important than all the others: sanguine and melancholic (or nervous). The novel intends to “verify” a theory dealing with the consequences of each type of temperament for people’s behaviour, their relationships and their internal life.

scholarly journals Agrarian reforms of Russia at the turn of the XIX–XX centuries in the coverage of economists of the XX century

2021 ◽  
pp. 141-144
Author(s):  
I. K. Shcherbakova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
19Th Century ◽  
Economic Reforms ◽  
Research Paper ◽  
Russian Empire ◽  
Agrarian Reforms ◽  
The Russian Empire ◽  
The 19Th Century ◽  
Different Parts

The article analyses the features of the development of agriculture in Russia at the end of the 19th century - the beginning of the 20th century. The paper studies and considers attempts to solve the agrarian issue in the specified period. The study considers the course and results of the reform of 1861, as well as economic reforms of the beginning of the 20th century. The author gives an assessment of these reforms, as well as the situation of the peasantry made by the leading economists of that time: N.D. Kondrat'ev, S.L. Maslov, A.V. Peshekhonov, A.V. Chayanov, and also analyses the measures aimed at alleviating the situation of the peasantry and solving the agrarian problems of that period. The research paper also presents a comparative analysis of the consequences of the 1861 reform, its impact on the solution of the agrarian issue in different parts of the Russian Empire, in particular in Poland after the Polish Uprising of 1863.

Anton Grigoryevich Rubinstein and his Russian Publishers

2021 ◽  
Vol 18 (3) ◽  
pp. 284-298
Author(s):  
Elena M. Shabshaevich
Keyword(s):  
Comparative Analysis ◽  
Creative Process ◽  
Historical Research ◽  
National Museum ◽  
Archival Documents ◽  
History Of ◽  
Publishing Houses ◽  
The 19Th Century ◽  
First Time ◽  
Extensive List

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.

The Arabic Novel: New Roots, New Routes

2021 ◽  
Author(s):  
Elizabeth Holt
Keyword(s):  
19Th Century ◽  
Arab World ◽  
Nile Valley ◽  
The Novel ◽  
Arab Nationalism ◽  
Avant Garde ◽  
Nation States ◽  
Islamic Empire ◽  
1001 Nights ◽  
The 19Th Century

In the mid-19th century, the Arabic novel emerged as a genre in Ottoman Syria and khedival Egypt. While this emergence has often been narrated as a story of the rise of nation-states and the diffusion of the European novel, the genre’s history and ongoing topography cannot be recovered without indexing the importance of Arabic storytelling and Islamic empire, ethics, and aesthetics to its roots. As the Arabic periodicals of Beirut and the Nile Valley, and soon Tunis and Baghdad, serialized and debated the rise of the novel form from the 19th century onward, historical, romantic, and translated novels found an avid readership throughout the Arab world and its diaspora. Metaphors of the garden confronted the maritime span of European empire in the 19th-century rise of the novel form in Arabic, and the novel’s path would continue to oscillate between the local and the global. British, French, Spanish, and Italian empire and direct colonial rule left a lasting imprint on the landscape of the region, and so too the investment of Cold War powers in its pipelines, oil wells, and cultural battlefields. Whether embracing socialist realism or avant-garde experimentation, the Arabic novel serves as an ongoing register of the stories that can be told in cities, villages, and nations throughout the region—from the committed novels interrogating the years of anticolonial national struggles and Arab nationalism in the 1950s and 1960s, through the ongoing history of war, surveillance, exile, occupation, and resource extraction that dictates the subsequent terrain of narration. The Arabic novel bears, too, an indelible mark left by translators of Arabic tales—from 1001 Nights to Girls of Riyadh—on the stories the region’s novelists tell.

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