scholarly journals A Bluesman's Beards: A Sign of Black Resistance in Bahian Rap

2021 ◽  
Vol 16 (3) ◽  
pp. 57-83
Author(s):  
Camilla Ramos dos Santos ◽  
Marlúcia Mendes da Rocha ◽  
Isaias Francisco de Carvalho

ABSTRACT Beards are an indication that man has reached maturity. It is with this idea in mind that the songs from the second album by artist Baco Exu do Blues, Bluesman, are analyzed. At the early age of 22, in his act of creation, Baco criticized the conditions of socioeconomic inequality and racism imposed on people of African descent, acting as an ideological sign in the construction of a Black Consciousness. As a symbol of insurgency, Baco also used mythical language to compose an identity and format his rap, creating a hero. Hip hop criticizes racial capitalism, established in Brazil with the colonization and the arrival of enslaved Africans. The compositions are analyzed as cries of resistance to necropolitics – a call to perform acts that relate ethical values and poetry when doing politcs.

Author(s):  
Danielle Pilar Clealand

The last chapter of the book, chapter 9, takes a look at formal or above-ground expressions of racial consciousness in Cuba and the development of a space, albeit a small one, for racial dialogue on the island. The chapter looks at organizations that were created after the political opening in the 1990s to address issues of discrimination, and how their focus and influence affect the debate that is beginning to circulate around race. It also highlights how the hip-hop movement, one of the most important and far-reaching messengers of black consciousness in Cuba, uses music to insert a new racial rhetoric into the public sphere that has not been heard prior to this period. Finally, the chapter joins the under- and above-ground components of black consciousness to show that black public opinion regarding organization and activism often aligns with what elites and writing about in the public sphere.


2012 ◽  
Vol 1 (1) ◽  
Author(s):  
Sandra M. Gaviria-Buck

In the past two years an Afrocolombian hip-hop band from the Pacific region of Colombia has been getting a lot of attention in the media, especially after winning a Latin Grammy Award in 2010 and being nominated to several categories of the Grammy Music Awards in 2011 and 2012.  In their lyrics, they claim to represent the black population of the Pacific coast, people of African descent who have traditionally lived in marginalized conditions of poverty and exploitation of different sorts.  By borrowing some insights from African American criticism, the afrocentricity in Choquibtown's songs is explored.  Additionally, through a postcolonialist approach, this band's musical production is analyzed as a voice of widespread racism and as means of resistance to political and cultural oppression. 


2021 ◽  
Vol 1 (1) ◽  
pp. 36-48
Author(s):  
Ni Komang Wiasti

Dharmagita is a sacred religious song that is sung during religious ceremonies. Within a specific scope, Dharmagita can be sung at the level of formal, non-formal and informal education. Because the benefits are very important for Hindus, and even used to accompany dances that are profane and sacred, children's play, and even worship to Ida Sanghyang Widhi wasa. Sekar rare as a children's song that has a cheerful character, as an accompaniment to children's games today needs to be raised from an early age to an adult level, with the aim of fostering social sensitivity, courtesy, sradha bhakti, as Hindu ethical values. In reality, it is rarely used by PAUD teachers because of the lack of references, and they are still focused on implementing a complete curriculum, so it needs to be awakened. Therefore, it is necessary to study about sekar rare as a medium for learning Hindu ethical values in PAUD. The method used in the meaning of rare sekar is qualitative descriptive. Data analysis refers to interpretive data and facts. There are several Hindu ethical values contained in Dolanan, Gending Janger, and Gending Sanghyang, namely divine values, compassion values, national values, sradha bhakti values, and social values.


Leonard Woolf ◽  
2019 ◽  
pp. 188-202
Author(s):  
Fred Leventhal ◽  
Peter Stansky

In this concluding chapter the book elucidates the tension in Leonard’s life between Hebraism and Hellenism, which provided the dynamic for his moral and spiritual evolution. His Jewish background helped shape his identity, imposing on him an obligation to duty and strictness of moral conscience, while the Hellenism, imparted by his education, his membership of the Apostles, and his Bloomsbury friends, opened him to ideals of beauty, rationality, and human progress. Abandoning religious belief at an early age, Leonard retained a “Semitic vision” of justice and mercy as the foundation of civilized life. His ethical values drew partly from parental influence, but even more from that of the philosopher G. E. Moore. In maturity he came to believe that “nothing matters” and developed a fatalistic view of death, his own and those who pre-deceased him, especially his father and his wife. In the final volume of his autobiography, he concludes that the thousands of hours he devoted to political activity and writing were ultimately futile, but that for him it was right that he should have done it. This book contends that his significant accomplishments were multifaceted—personal, political, literary, and commercial. As a publicist for the League of Nations and as a Labour activist, he strove to achieve international peace and to undermine faith in the merits of British imperialism. He also provided the security and support in which Virginia could flourish as a writer.


Organization ◽  
2021 ◽  
pp. 135050842199576
Author(s):  
Ali Mir ◽  
Saadia Toor

This paper focuses on the current phase of Black resistance exemplified by the Black Lives Matter (BLM) movement, which urges us to recognize and reckon with the differential racial impact of student debt in the U.S. and calls for the cancelation of student debt as an explicit part of its demand for reparations. Using the concept of racial capitalism, the paper examines the structure of student debt and its consequences for Black borrowers, analyzes the structural reasons behind the disproportionate debt burden borne by Black students, and highlights movements such as the Debt Collective and BLM, which not only offer a critique of the debt regime but also suggest ways of organizing against it.


2019 ◽  
Vol 18 (1-2) ◽  
pp. 13-23
Author(s):  
Rose Brewer

Abstract The arc of the Black Freedom struggle in the US signals the early twenty-first century as a period of high contention, resistance, and possibility. It is also rife with contradictions. The radicalism which informs Black liberation struggle today is complex, disparate, and signals the need to rearticulate social transformation given Black resistance in the era of new nationalism. The struggle is theorized in this analysis in the context of racial capitalism, changing organizational forms, state violence, and nonlinear, disparate contentions around the police. Understanding white supremacist nationalism in the US today is core to this discussion. Ultimately, Black lives in this new movement moment struggle for a broad and notable shift, which places gender, gender nonconforming, and sexuality at the center of the resistance and our understanding.


Author(s):  
Damon Sajnani

“Recuperating the Real” revisits the perennial question of authenticity in hip hop to show how its original iteration connotes a commitment to Black liberation. In the post–golden era, this counterhegemonic version of realness was overshadowed in mainstream rap productions by an alternate version that reinscribes dominant norms more than it challenges them. This chapter delineates these versions as hip hop authenticity and rap authenticity, and traces their common origins through their divergence and eventual loose associations with conscious hip hop and gangsta rap respectively. It then argues that scholars have disproportionately attended to rap authenticity at the expense of hip hop authenticity. Consequently, performances of realness that commercialize a supposed Black cultural pathology have been exhaustively critiqued. However, hip hoppers’ use of authenticity discourse as a means of critical self-definition and communal boundary work organically rooted in Black resistance against intersecting systems of oppression remains undertheorized.


Lateral ◽  
2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Rayya El Zein

Rayya El Zein takes up a global analysis of how ideas of blackness, whiteness, and Arabness circulate in post-9/11 media accounts and argues that these concepts work to mediate Western understanding of politics in the Arab world. El Zein unpacks the paradox by which blackwashing is differentially deployed to mark certain Arab subjects as a “good rapper” or a “bad rapper,” and how both of these valences serve to expand neoliberal orientalism through the political familiarity promised by blackness. As an alternative, El Zein suggests attention to the material, historical, and geographic specificities of the power struggles that structure racial capitalism, classism, and racism, especially and essential because of their potential international unrecognizability.


Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  

1982 ◽  
Vol 47 (4) ◽  
pp. 373-375 ◽  
Author(s):  
James L. Fitch ◽  
Thomas F. Williams ◽  
Josephine E. Etienne

The critical need to identify children with hearing loss and provide treatment at the earliest possible age has become increasingly apparent in recent years (Northern & Downs, 1978). Reduction of the auditory signal during the critical language-learning period can severely limit the child's potential for developing a complete, effective communication system. Identification and treatment of children having handicapping conditions at an early age has gained impetus through the Handicapped Children's Early Education Program (HCEEP) projects funded by the Bureau of Education for the Handicapped (BEH).


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