scholarly journals The Silent Era in Australian Cinema

2014 ◽  
Vol 6 (1) ◽  
pp. 88-97
Author(s):  
Irina Anatolyevna Zvegintseva

The article focuses on the first period in the history of Australian cinema. It is well-known that the present is always rooted in the past. This is true of any national cinema, and the Australian one is no exception. This subject is relevant in the light of the fact that, in the first place, the reasons for the contemporary boom in Australian cinema are impossible to understand and analyze unless they are derived from the awareness of the first steps of Australian cinema. It was in the very first years of the existence of Australian cinema that there emerged a special worldview, inherent in the cinematographic messages of this nation, that would later become iconic of Australian cinema: addressing the reality of Australia, love for its wild and beautiful nature and for the people who civilize this severe land. In their works the filmmakers of the Green Continent have almost always unflaggingly introduced two protagonists, an animate one, a manly, daring human being, and an inanimate one, the nature, magnificent, powerful, unexplored... At the same time, there was formed an image of a Hero: a fair, proud man, for whom honor and dignity are closely linked to striving for freedom. A conflict between the Individual and a soulless system is manifested in the early bushranger films and in the contemporary ones alike, now that the films by the Australian filmmakers come out again and again featuring the Individuals attempts at breaking his bondage. The novelty of this research lies in the fact that while the contemporary period of Australian cinema is well-covered in the global film criticism, the past of this national cinema is almost unknown. Considering the interest in the phenomenon of the contemporary cinema of the Green Continent, the author concludes that the global success of the Australian films today is largely linked to the accomplishments of the cinema pioneers, who against tough competition from American and English films, have laid a foundation for the future victories of this special national cinema.

2018 ◽  
Vol 10 (1) ◽  
pp. 85-86
Author(s):  
Arvydas Pocius

The 16 February is the most significant date in Lithuania’s history. In 1918, an independent democratically-run modern civic state was established, together with the restoration of the statehood tradition cherished in the ancient Lithuania (1253-1795). On 16 February 2018, we celebrated the birth of a modern Lithuania. This date is like a bridge between the old Lithuania born on 6 July 1253 and the new independent Lithuania restored on 11 March 1990. Had it not been for the 16 February, there would have been no events of 11 of March, nor the subsequent success story. In the lead-up to the Centennial of the Restoration of the State (hereinafter – the Centennial), the past is seen not only as a reason to celebrate the important anniversary but also as an inspiration to reflect the historical significance of the past for today and the relevance of the issues of today for the past, i.e. the centennial achievements of the state and its people, and our ambitions for the next centennial which is fast approaching. The Centennial of the new Lithuania is a success story. The main achievements are as follows: Lithuania has become a player of the European and world history, with its modern civil society aware of the importance of freedom and the responsibility that goes with it, and with new emerging vistas for action for the Lithuanian state and its people. Building of the modern Lithuanian state in 1918 was based on the principles of the equality of all, as well as the freedom and prosperity, and this is why all freedom loving people of the country and Lithuanians living abroad, for the first time in the history of Lithuania, became the creators of their state, and later on, during the years of the occupation – the guardians of its tradition. The heroes of the restored Lithuania are thousands of those of different nationalities, religions and social groups having built and safeguarded the tradition of the Lithuanian statehood and national identity. They include volunteers, farmers, teachers, architects and engineers, athletes, aviators, clergy of various denominations, Righteous among the Nations, freedom fighters, dissidents that challenged the Soviet regime, people that created the liberation movement Sąjūdis, and the Lithuanians living abroad that preserved the idea of statehood and fostered the Lithuanian traditions. The hero of today is each individual living in Lithuania and each Lithuanian living abroad, who actively contributes to the building of Lithuania of the twenty-first century and knows that his daily efforts have an impact not only on the present but also on the future of the history of the Lithuanian state and the nation. Apart from the most important symbol of the Centennial, the national flag, we have our state symbol Vytis, bridging the two Lithuanias – the old and the new. The Centennial has revealed our capacity to draw the best from the depths of the past for the needs of the present; we are always ready to give our responsible and often times hard efforts for the bettering of our state and the people; we stand for our freedom, when this fundamental value is threatened; we have the vigour to build not only our own but also the European and world history. These things serve as the basis for us being proud of the achievements of the restored Lithuania, while inspiring us to work for the present and be hopeful about the future.


2012 ◽  
Vol 12 (2) ◽  
pp. 87-90
Author(s):  
jason leahey

This story details the history, wares, and business philosophy of the Sahadi Importing Company, a third-generation Lebanese-American family food business in Brooklyn. It begins by noting the ways Brooklyn's commercial and cultural landscapes have drastically changed over the past few years, positioning Sahadi's as a local throwback to the borough of yore still thriving next to the powerful and national businesses that are now its neighbors. It then relates the history of the store and the family, starting in 1895 up until 2012, relating the growth from small ethnic importer on the Lower East Side of Manhattan to the successful importer/manufacturer with a broad customer base that it is today. The essay attributes credit for the health of the business to the owner's emphasis on the personal touch in customer service, noting that he considers his business’ character as a family institution, not its financial success, his proudest accomplishment. Lastly, the essay relates the owner's pride in having an ethnically diverse staff and his belief that the people who comprise a family need not necessarily be related by blood, positing that Sahadi's family business may more accurately be considered business-as-family, and that such a warm attitude that emphasizes the individual is a small taste of the locally oriented America of the past.


2018 ◽  
Author(s):  
Tutut Eka Sri Wahyuni ◽  
Dhalia Soetopo ◽  
(Prosiding Seminar Nasional FKIP Univeristas PGRI Banyuwangi

Ngajeni dalan is a ritual Javanese community in the village of Alabulu, ngajeni dalan itself in the language of Java "ngaji" which means mengaji and "dalan" means the highway. The ngajeni ritual is a history 10 years ago, because the road in the village of Alasbuluh entered the provincial or main road, there were many traffic accidents that happened almost every day and always took casualties. Ngajeni dalan in doing so that the users of the highway survived both on the way to leave and go home also safely back home. Ritual ngajeni dalan has a lot of meaning for each individual, from ritual activities that have been done believe or not many Javanese in particular, feel the benefits or goodness gained, but all returned to the beliefs and beliefs of each human being. In general, this study aims: (1) To know the background of the tradition of "ngajeni dalan", (2) To know the procedures for the implementation of "ngajeni dalan" activities in Java community in Alasbulu village, (3) To give knowledge, ritual gajeni tradition dalan since the past for the wider community in general and for the people who live in the village area Alasbulu Wongsorejo district in particular. This is a qualitative research and data collection using the snow ball technique. And the results of this thesis know that the history of rituals ngajeni dalan originated from tribal Javanese migrants and ritual activities are only done by indigenous Javanese descendants.


2019 ◽  
Vol 20 (1) ◽  
pp. 52-57
Author(s):  
V. L. Sinta Herindrasti

Yuval Noah Harari is a history professor of Israeli births who has written three books of best-Seller namely sapiens A Brief History of Humankind (2011), the future Homo Deus of Mankind (2015) and 21 Lessons for the 21st century (2018). If the first book tells of human life in the past, the second book is exploring the human being of the future, and then the last book sees human nature now. Sapiens first published in Hebrew in 2011 and later published in English in 2014.


2021 ◽  
Vol 26 (2) ◽  
pp. 69-81
Author(s):  
Vladimir V. Starovoitov ◽  

The article deals with the psychodynamic theory of the development of the individual in his personal relationships created by the English psychoanalyst and psychiatrist D. Winnicott. Winnicott created a special model of the intersubjective approach in clinical psychoanalysis. According to this approach, the studied subject, considered in the context of its culture, is largely determined by the past history of its development. Winnicott believed that a third area, the cultural experience of mankind, should be added to the other two areas explored in psychoanalytic theory: the inner psychic reality of the individual and the real world and the people living in it. His studies of childhood, in which he studied the relationship of the infant with the mother, the phenomenon of the transitional object, the role and influence of play in therapeutic work, etc., are particularly well known. According to the author of the article, Winnicott's study of the earliest experiences of the infant, due to the primary connection “mother-baby”, gave rise to the ideas that have become key to understanding these deepest levels of mental life.


2016 ◽  
pp. 126-137
Author(s):  
Piotr Petrykowski

[full article and abstract in Lithuanian; abstract in English] This article discusses the relationship between the development of individual identity and the culture of social memory. The starting point of the analysis is the hermeneutics of biblical texts referencing the postulate to remember and commemorate specific events in the history of the people of Israel. Such remembrance, however, is not understood solely as a memory of the past, but instead becomes the point of reference for the present and the future. The results of the analysis of the biblical texts are then referenced to education in contemporary social and cultural settings. The author points out that breaking with the past causes confusion and disorientation with regard to the reference points in the future and ultimately affects the meaning of the present, which – deprived of perspective – acquires its own autotelic value. The lack of the culture of memory also results in reducing the past to an idyllic form, illusionary rather than authentic, thus becoming a mere object of longing. It also reduces the future to the merely incidental, uprooted from the past events and thoughtlessly independent of the human being.


2017 ◽  
pp. 5-21 ◽  
Author(s):  
E. Yasin

The article is devoted to major events in the history of the post-Soviet economy, their influence on forming and development of modern Russia. The author considers stages of restructuring, market reforms, transformational crisis, and recovery growth (1999-2011), as well as a current period which started in2011 and is experiencing serious problems. The present situation is analyzed, four possible scenarios are put forward for Russia: “inertia”, “mobilization”, “decisive leap”, “gradual democratic development”. More than 30 experts were questioned in the process of working out the scenarios.


2014 ◽  
Vol 59 (1) ◽  
pp. 49-60
Author(s):  
Davide Sparti

Obwohl jede menschliche Handlung mit einem gewissen Grad an Improvisation erfolgt, gibt es kulturelle Praktiken, bei denen Improvisation eine überwiegende Rolle spielt. Um das Risiko zu vermeiden, einen zu breiten Begriff von Improvisation zu übernehmen, konzentriere ich mich im vorliegenden Beitrag auf den Jazz. Meine zentrale Frage lautet, wie Improvisation verstanden werden muss. Mein Vorgehen ist folgendes: Ich beginne mit einem Vergleich von Improvisation und Komposition, damit die Spezifizität der Improvisation erklärt werden kann. Danach wende ich mich dem Thema der Originalität als Merkmal der Improvisation zu. Zum Schluss führe ich den Begriff affordance ein, um die kollektive und zirkuläre Logik eines Solos zu analysieren. Paradigmatisch wird der Jazzmusiker mit dem Engel der Geschichte verglichen, der nur auf das Vergangene blickt, während er der Zukunft den Rücken zugekehrt hat, und lediglich ihr zugetrieben wird. Weder kann der Improvisierende das Material der Vergangenheit vernachlässigen noch seine genuine Tätigkeit, das Improvisieren in der Gegenwart und für die Zukunft, aufgeben: Er visiert die Zukunft trotz ihrer Unvorhersehbarkeit über die Vermittlung der Vergangenheit an.<br><br>While improvised behavior is so much a part of human existence as to be one of its fundamental realities, in order to avoid the risk of defining the act of improvising too broadly, my focus here will be upon one of the activities most explicitly centered around improvisation – that is, upon jazz. My contribution, as Wittgenstein would say, has a »grammatical« design to it: it proposes to clarify the significance of the term »improvisation.« The task of clarifying the cases in which one may legitimately speak of improvisation consists first of all in reflecting upon the conditions that make the practice possible. This does not consist of calling forth mysterious, esoteric processes that take place in the unconscious, or in the minds of musicians, but rather in paying attention to the criteria that are satisfied when one ascribes to an act the concept of improvisation. In the second part of my contribution, I reflect upon the logic that governs the construction of an improvised performance. As I argue, in playing upon that which has already emerged in the music, in discovering the future as they go on (as a consequence of what they do), jazz players call to mind the angel in the famous painting by Klee that Walter Benjamin analyzed in his Theses on the History of Philosophy: while pulled towards the future, its eyes are turned back towards the past.


Author(s):  
Dr.Prachyakorn Chaiyakot ◽  
Wachara Chaiyakhet ◽  
Dr.Woraluck Lalitsasivimol ◽  
Dr.Siriluck Thongpoon

Songkhla Lake Basin has a long history of at least 6,000 years and has a wide variety of tourism resources including nature, history, beliefs, culture and various traditions of the local people. It covers 3 provinces, the whole area of Phatthalung, 12 districts of Songkhla and 2 districts of Nakhon Si Thammarat Province. It has an area of approximately 8,727 square kilometers. There are many tourist attractions because the basin has a long history through different eras, natural, historic, ancient sites, and the culture of the local people. In 2018, both Thai and foreign tourists visited Songkhla and Phatthalung, which is the main area of Songkhla Lake Basin. The total number of tourists that came was 7,628,813 and 1,641,841 and an income of 68,252.64 and 3,470.96 million baht was generated from each province, respectively (Ministry of Tourism and Sports, 2020). Although Songkhla Lake Basin has various tourist attractions, the promotion of tourism with the involvement of government agencies in the past mainly focused on promoting tourism along with the tourist attractions rather than encouraging tourists to experience and learn the culture of the people living in the area; the culture that reflects the uniqueness of the people in the south. This study, therefore, aims to find creative tourism activities in SLB in order to increase the value of tourism resources, create tourism activities that are aligned with the resources available in the community and increase the number of tourists in the area. Data for this study were collected using a secondary source of data collection method. It was done through a literature review of related documents, texts, magazines, and research which focus on Songkhla Lake Basin as a guideline for designing tourism activities. The field survey was done through twelve community-based tourism sites in SLB to find creative tourism activities. Data on each activity were collected in detail by interviewing the tourism community leaders and the local people. Content analysis was used to describe the individual open-ended questions by focusing on the important issues and the information obtained was presented as a narrative. Keywords: Songkhla Lake Basin, Creative Tourism, Local Wisdom


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