scholarly journals As emendas silenciosas de O ano da morte de Ricardo Reis, de José Saramago: hipóteses e possibilidades

2018 ◽  
Vol 23 (1) ◽  
pp. 53
Author(s):  
Edgard Murano Fares Filho
Keyword(s):  
Textual Criticism ◽  
Editorial Process ◽  
The Novel ◽  
Genetic Criticism ◽  
Good Opportunity ◽  
Final Version ◽  
Jose Saramago ◽  
Portuguese Literature ◽  
Editio Princeps

Resumo: O rascunho do romance O ano da morte de Ricardo Reis (1984), do escritor português José Saramago (1922-2010), oferece uma boa oportunidade para o estudo do método criativo do autor à luz da Crítica Textual e Genética. Por meio do levantamento, organização e interpretação das marcas de edição deixadas no documento pelo escritor – acréscimos, supressões, substituições, inversões de palavras e enunciados etc. – é possível entrar em contato com o processo editorial que deu origem à obra. De modo que, sob a forma de uma edição crítico-genética, a comparação entre os originais e a primeira edição (editio princeps) ajuda a estabelecer os critérios que norteiam as intervenções do autor sobre o texto, mostrando que nem todas as alterações previstas no original foram acatadas pela versão impressa.Palavras-chave: crítica genética; filologia; crítica textual; literatura portuguesa; José Saramago.Abstract: The drafts of the novel The year of the death of Ricardo Reis (1984), by the Portuguese writer José Saramago (1922-2010), offer a good opportunity to study the author’s creative method in the light of Textual and Genetic Criticism. By gathering, organizing and interpreting the editing marks left on the paper by the writer – additions, suppressions, substitutions, inversions of words and statements, and others, – it is possible to approach the editorial process that gave rise to the work. From a critical and genetic perspective, the comparison between the original texts and the final version in the first edition (editio princeps) helps to define the criteria that guided the interventions of the author, showing that not all changes in the original document were accepted in the printed version.Keywords: genetic criticism; philology; textual criticism; Portuguese literature; José Saramago.

scholarly journals Saxos boginddelinger og deres ideologier

2015 ◽  
Vol 51 ◽  
Author(s):  
Ivan Boserup ◽  
Thomas Riis
Keyword(s):  
Twelfth Century ◽  
Textual Analysis ◽  
Textual Criticism ◽  
Joint Paper ◽  
Final Version ◽  
Textual Source ◽  
Close Textual Analysis ◽  
Previously Treated ◽  
Editio Princeps ◽  
The Impact

In the first part of this joint paper on book divisions and their ideologies in the Gesta Danorum of Saxo Grammaticus (ca. 1200), Ivan Boserup points out that the edition of Saxo published by Karsten Friis-Jensen in 2005 is the first since the discovery of the Angers fragment in 1879, which is not in any way dominated by the endeavor to use the Angers fragment as a stepping stone for radical textual criticism of the Paris 1514 edition, i.e. the Editio princeps which is our main textual source to Saxo’s work. In contrast to the 1931 edition of Jørgen Olrik and Hans Ræder, and to scholars that have postulated that the Paris edition of 1514 was more or less rewritten throughout by a medieval or renaissance editor, Friis-Jensen has defended the text of the Paris edition by showing that it coincides basically with all medieval fragments (except the Angers fragment) and with medieval quotations and paraphrases. Although agreeing with Friis-Jensen’s approach, Boserup argues that Friis-Jensen has been misled to believe that the Compendium Saxonis stems from this ‘medieval Saxo-vulgate’ rather than from the manuscript of which the Angers fragment is a part, as argued in 1920 by Emil Rathsack.According to Boserup, the recognition of the Paris 1514 edition as Saxo’s last and final version of his work invites to a reconsideration of the alternative book division found in the Compendium Saxonis and, supposedly, in its archetype, the ‘Angers manuscript’.In the second part of the paper, Thomas Riis re-visits the book divisions which he previously treated in his dissertation in 1977. Combining a close textual analysis with evidence from seals, coins, imagery, and the arengae of charters, Riis suggests that the ‘original’ book division found in the Compendium Saxonis manuscripts reflects an “aggressive” royal ideology orchestrated by archbishop Absalon in the second half of the twelfth century. In contrast, the book division of the ‘medieval Saxo-vulgate’ represented mainly by the Paris 1514 edition can be interpreted as the result of the impact on Saxo of the ecclesiastically focused ideology of Absalon’s successor as Archbishop of Lund, the renowned theologian Anders Sunesen (Andreas Sunonis).

Rethinking the Print Object: Goethe and the Book of Everything

PMLA ◽  
2006 ◽  
Vol 121 (1) ◽  
pp. 124-138 ◽  
Author(s):  
Andrew Piper
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Print Media ◽  
Book History ◽  
Literary Work ◽  
The Novel ◽  
Technological Capabilities ◽  
Final Version ◽  
Publishing Strategy ◽  
Opening Up

This essay combines a consideration of the two-decades-long publishing strategy of Goethe's last major prose work, Wilhelm Meisters Wanderjahre (1808–29), with a reading of specific formal features unique to the final version of the novel. In doing so, it argues that Goethe's use of print and narrative work in concert to form what we might call a particular media imaginary–to reimagine the printed book not according to emerging nineteenth-century criteria of sovereignty, nationality, and permanence but instead according to values more in keeping with the technological capabilities of print media, such as transformation, diffusion, and connectivity. In his vigorous engagement with the material manifestations of his work as a key site of literary work, Goethe offers us an ideal place to explore the productive intersections that the disciplines of book history and literary history are opening up today. (AP)

scholarly journals O JORNAL COMO ELEMENTO DE TRANSFIGURAÇÃO DA HISTÓRIA EM O ANO DA MORTE DE RICARDO REIS DE SARAMAGO

2003 ◽  
Vol 60 ◽  
Author(s):  
Gerson Luiz Roani
Keyword(s):  
Authoritarian Regimes ◽  
European History ◽  
Daily Routine ◽  
The Novel ◽  
The World ◽  
History And Literature ◽  
Jose Saramago ◽  
The One ◽  
Radical Approach

Este artigo investiga o diálogo entre a História e a Literatura no romance O Ano da Morte de Ricardo Reis de José Saramago. Nessa obra, vislumbra-se uma atitude inovadora e radical de interlocução com a História, que não se limita a uma mera representação de acontecimentos do passado português. Saramago investe no jogo do fingimento pessoano, inventando para Ricardo Reis um cotidiano e uma queda na conturbada História européia de 1936, que o poeta modernista não poderia prever para o seu mais clássico heterônimo. O discurso ficcional assume uma função restauradora, preenchendo vazios, lacunas e os silêncios do discurso historiográfico. Nesse processo, um dos recursos romanescos utilizados para a transfiguração da História consiste na inserção, na trama narrativa, de textos jornalísticos de 1936, que focalizam a situação histórica portuguesa e européia, nesse ano crucial, em que se consolidaram os regimes totalitários de índole fascista. O aproveitamento desses fragmentos da imprensa portuguesa proporciona uma minuciosa recosntituição das circunstâncias sociais, políticas e históricas de Portugal, criando uma atmosfera cotidiana que bem poderia ser a experimentada por Ricardo Reis, em 1936. Abstract The purpose of this paper is to carry out research on History and Literature in the novel O ano da morte de Ricardo Reis (translated as The year of the death of Ricardo Reis) by Portuguese writer José Saramago. The work stands out by its new and radical approach of a dialogue with History, but which is not limited to a mere representation of Portuguese past events. In Saramagos novel, the latter is revisited through the fictional recreation of one of his heteronyms, Ricardo Reis. The author probes into Pessoa’s play of pretence, inventing a daily routine for Ricardo Reis and plunges into the 1936 disturbances of European History, which the modernist poet could not have foreseen for his most classic heteronym. By giving Ricardo Reis an existence within new fictional parameters, the novel questions the validity of the guiding motto of this fictional figure’s attitude, that is, wise is the one who is contented with the spectacle of the world, which means that at a time of overwhelming social, ideological and political turbulence, the absence of historical conscience is unacceptable. Fictional discourse assumes then a restorative function, filling empty spaces, gaps and silences of historiographic discourse. In this process, one of the novelistic resources used in the transfiguration of History consists of the insertion, within the narrative’s plot, of 1936 newspapers’ texts. These articles focus on the European and Portuguese historical situation in this crucial year when authoritarian regimes of fascist character were being consolidated. The utilization of these fragments of the Portuguese press offers a detailed reconstitution of Portugal’s historic, social and political circumstances, thus creating a quotidian atmosphere that Ricardo Reis would have experienced in 1936.

Language as Prayer in Finnegans Wake

2020 ◽  
Author(s):  
Colleen Jaurretche
Keyword(s):  
Middle Ages ◽  
Building Blocks ◽  
Second Century ◽  
The Novel ◽  
Genetic Criticism ◽  
Literary Scholarship ◽  
Finnegans Wake ◽  
Language And Culture ◽  
Theory Of Language ◽  
Creating Meaning

James Joyce’s Finnegans Wake abounds with prayers from all traditions, and their echoes and cadences may be found on almost every page. Bringing together thinkers from antiquity, the Middle Ages, early Enlightenment, and the nineteenth and twentieth centuries, this book argues that Joyce views prayer as theory of language. It gives Joyce a verbal strategy for discussing immaterial things from which he composes his book of the night: image, magic, dreams, and speech. Beginning with the second-century theologian Origen’s treatise On Prayer, as well as the eighteenth-century philosopher and rhetorician Giambattista Vico’s theories of the formation of language and culture, the book argues that Joyce’s use of language as prayer works progressively across the four sections of the novel, creating meaning from its otherwise discrete and associative arrangement. Since Plato, the culture has recognized that religious utterances possess unique characteristics, yet analytical philosophy and literary scholarship have not produced a focused study of prayer. And although brilliant and essential work in the field of genetic criticism shows us Joyce’s building blocks and methods of creation, no book suggests why Finnegans Wake follows the finished order it does. This work meets those needs.

Double Readings in the Text of Jeremiah

1967 ◽  
Vol 60 (4) ◽  
pp. 433-447 ◽  
Author(s):  
J. Gerald Janzen
Keyword(s):  
Old Testament ◽  
Textual Criticism ◽  
Dead Sea ◽  
The Dead ◽  
Fresh Impetus ◽  
Editio Princeps

The discovery of a rich corpus of biblical manuscripts among the documents from the caves of Qumrân, and subsequently from other sites in the wilderness surrounding the Dead Sea, has given a fresh impetus to the textual criticism of the Old Testament, and especially to the study of the Septuagint as a tool of criticism. To date, this corpus is only partially published, with much of the most significant material awaiting itseditio princeps. But already it is clear that old problems and issues are open to investigation from new perspectives and with a degree of precision and evidential control hitherto not possible.

scholarly journals Software Defined Based Pure VPN Protocol for Preventing IP Spoofing Attacks in IOT

2019 ◽  
Vol 7 (3) ◽  
pp. 14-20
Author(s):  
Narendhiran R, Pavithra K, Rakshana P, Sangeetha P
Keyword(s):  
Network Architecture ◽  
Data Privacy ◽  
Security Protocol ◽  
Security And Privacy ◽  
The Internet ◽  
The Novel ◽  
Good Opportunity ◽  
Ip Address ◽  
Everyday Objects ◽  
Ip Spoofing

The Internet of things (IoT) is the network of devices, vehicles, and home appliances that contain electronics, software, actuators, and connectivity which allows these things to connect, interact and exchange data. IoT involves extending Internet connectivity beyond standard devices, such as desktops, laptops, smart phones and tablets, to any range of traditionally dumb or non-internet-enabled physical devices and everyday objects. Embedded with technology, these devices can communicate and interact over the Internet, and they can be remotely monitored and controlled. Traditionally, current internet packet delivery only depends on packet destination IP address and forward devices neglect the validation of packet’s IP source address. It makes attacks can leverage this flow to launch attacks with forge IP source address so as to meet their violent purpose and avoid to be tracked. In order to reduce this threat and enhance internet accountability, many solution proposed in the inter domain and intra domain aspects. Furthermore, most of them faced with some issues hard to cope, i.e., data security, data privacy. And most importantly code cover PureVPN protocol for both inter and intra domain areas. The novel network architecture of SDN possess whole network PureVPN protocol rule instead of traditional SDN switches, which brings good opportunity to solve IP spoofing problems. However, use authentication based on key exchange between the machines on your network; something like IP Security protocol will significantly cut down on the risk of spoofing. This paper proposes a SDN based PureVPN protocol architecture, which can cover both inter and intra domain areas with encrypted format effectively than SDN devices. The PureVPN protocol scheme is significant in improving the security and privacy in SDN for IoT.

scholarly journals Seminário dos ratos: uma análise de contos pela crítica genética

2018 ◽  
Vol 27 (2) ◽  
pp. 247-264
Author(s):  
Marcelo Módolo ◽  
Antonio Ackel
Keyword(s):  
Textual Criticism ◽  
Genetic Criticism ◽  
Actual Usage ◽  
The Moment ◽  
Object Of Study ◽  
Time Frames ◽  
Lygia Fagundes Telles ◽  
Text Construction

Resumo: Este trabalho apresenta um estudo de crítica genética (GRÉSILLON, 1994) sobre três contos da obra Seminário dos ratos de Lygia Fagundes Telles: “As formigas”; “Senhor diretor” e “Tigrela”. Para esse fim, utilizou-se metodologia da crítica textual (SPINA, 1977), dando o primeiro passo para a elaboração da análise com a recensio, que trata não só do levantamento e utilização de todas as edições publicadas no Brasil, entre 1977 e 2009 (nossa proposta foi estudar a tradição impressa da autora, pois seus manuscritos, até a conclusão deste trabalho, não estavam disponíveis para consulta), mas também do processo da collatio, uma comparação entre esses contos, com a finalidade de ler Lygia em seus diferentes modos de escrever: com acréscimos e substituições. Ao se deparar com essa inquietação da autora, o leitor é levado a pensar para além de seus contos, o objeto de estudo torna-se instrumento de observação do uso linguístico de épocas diferentes, e não de textos variados com fim em si mesmos. É nesse momento que a pesquisa revela a complexidade da construção de um texto e conduz o leitor aos mesmos caminhos que a autora refez, questionando-o se, em suas escolhas lexicais ou organizações sintático-semânticas, sua intenção era mostrar a situação real do uso da língua naqueles momentos, ou se pretendia criar efeitos pragmáticos e semânticos distintos em suas estórias.Palavras-chave: crítica genética; crítica textual; Seminário dos ratos.Abstract:The purpose of this article is to outline what is involved in genetic criticism (GRÉSILLON, 1994) as presented in three tales from Seminário dos Ratos by Lygia Fagundes Telles: “As formigas”; “Senhor diretor” and “Tigrela”. The textual criticism methodology (SPINA, 1977) was the first step for the elaboration of the analysis with recensio, which includes not only the survey and use of all editions published in Brazil, between 1977 and 2009 (our proposal was to study the author’s printed tradition, her manuscripts, until the conclusion of this paper, were not available for consultation), but also the collatio process, a comparison between these tales, in order to read Lygia’s work in her different ways of writing: with additions and alterations. When comparing emendations in all of the available editions, the reader is led to think beyond her tales, which means, the object of study becomes an instrument of observation of the linguistic use of different time frames, and not only as texts are presented in books. This is the moment in which research discloses the complexity of text construction and takes the reader to the same paths that the author took, questioning whether they were lexical choices or syntactic-semantic organizations; whether her intention was to show the actual usage of language at that time, or whether they were intended to create distinct pragmatic and semantic effects in her tales.Keywords: genetic criticism; textual criticism; Seminário dos Ratos.

scholarly journals Major Cardoso e João Ternura: um encontro na alfaiataria

2020 ◽  
Vol 29 (1) ◽  
pp. 103
Author(s):  
Marcos Vinícius Teixeira
Keyword(s):  
Short Story ◽  
The Novel ◽  
Final Version ◽  
De Se ◽  
Long Time

Resumo: Apesar de se tratar de um texto não aproveitado na versão final do romance João Ternura, “O homem e seu capote”, de Aníbal Machado, pode ser lido e estudado de forma independente como um conto. O episódio protagonizado por João Ternura se assemelha a determinadas cenas que o major Cardoso vive na novela coletiva O capote do guarda, da qual participou o próprio Aníbal Machado no início dos anos 1920. No entanto, esta novela permaneceu inacessível aos leitores durante muito tempo, tendo sido reeditada somente nos anos de 2005 e 2006. É possível supor que esta obra tenha sido uma fonte motivadora para a realização de “O homem e seu capote”, o que ainda não foi investigado pela crítica literária. Nessa perspectiva, o objetivo deste artigo é estudar este conto em relação à referida novela, considerando-se o capote e as ocorrências ligadas a esse elemento nas duas narrativas. Espera-se contribuir para uma melhor compreensão do universo literário do escritor, especialmente em relação ao período que antecede a publicação de seu primeiro livro.Palavras-chave: Modernismo brasileiro; Aníbal Machado; Major Cardoso; João Ternura.Abstract: Despite being an unused text in the final version of the novel João Ternura, “O homem e seu capote”, from Aníbal Machado may be independently read - and studied - as a short story. The episode’s protagonist is João Ternura and the text is similar to certain scenes Major Cardoso lives in the collective novella O capote do guarda, with which Aníbal Machado himself contributed to in early 1920’s. However, this novella remained inaccessible to readers for a long time, being reedited only in 2005 and 2006. It is possible that this work was a source of motivation for writing “O homem e seu capote”, which still was not investigated by the literary critique. In this perspective, this article aims to study this short story in its relation to the novella mentioned above, considering the Capote (or the Overcoat) and the instances related to this element in both narratives, in the hope to contribute to better understanding the literary universe of this writer, particularly regarding the period before the publication of his first book.Keywords: Brazilian modernism; Aníbal Machado; Major Cardoso; João Ternura.

scholarly journals The concept of “Mental activity” as a component of the hero's linguistic personality in the novel by I.A. Bunin’s “Life of Arseniev”

Neophilology ◽  
2021 ◽  
pp. 444-452
Author(s):  
Marina A. Dubova
Keyword(s):  
Intellectual Development ◽  
Cognitive Linguistics ◽  
Textual Criticism ◽  
Cognitive Activity ◽  
Cognitive Model ◽  
Mental Activity ◽  
The Novel ◽  
Important Place ◽  
Communicative Strategies ◽  
Infancy And Early Childhood

The work analyzes the concept of “Mental activity” as a component of the linguistic personality of a child during his infancy and early childhood on the linguistic material of the first book of the autobiographical novel by I.A. Bunin’s “Life of Arseniev”. Thus, the subject of the research is the linguo-cognitive model of the concept of “Mental activity” with a core and a system of peripheral means. Cognitive activity as a component of the characteristics of a linguistic personality occupies an important place in cognitive linguistics. Thus, the relevance of the presented article lies in the appeal to the phenomenon of the linguistic personality of the character of a work of art, the problem of its typology and method of description. The purpose of the article is to identify and then analyze the lexical means of representing the concept of “Mental activity” and its func-tioning in the novel based on statistical, descriptive methods and the method of conceptual analy-sis. In the conclusions reached by the author of the article, it is substantiated that the mental activity of a child reflects the specifics of his age and intellectual development, the characteristics of his environment, the socio-economic and cultural-historical conditions in which he grows up, is associated with the communicative strategies of his linguistic personality. The materials of the article can find practical application in university courses on textual criticism, cognitive linguistics, and linguistic text analysis.

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