scholarly journals Homero en la teoría literaria española del Siglo de Oro

1997 ◽  
pp. 33
Author(s):  
María Luisa González Álvaro
Keyword(s):  
Literary Theory ◽  
Siglo De Oro ◽  
Xvii Century ◽  
Starting Point ◽  
Key Points

<p><span class="titulo">En las páginas siguientes se tratará de desenterrar la figura de Homero, sepultada bajo el aluvión de citas y referencias de todo tipo (artísticas, históricas, filosóficas...) que frecuentan las páginas de nuestra teoría literaria del Siglo de Oro. Se han escogido varias obras fechadas a fines del XVI y principios del XVII por su importancia y representatividad. Con ellas como base se han intentado organizar, clasificar y analizar las menciones que al poeta griego y a diferentes aspectos de su obra allí se han localizado. Partiendo del inmenso prestigio del que gozaba la figura de Homero, se ha considerado de interés establecer, de alguna manera, distintos puntos clave en torno a los cuales se centra esa gran consideración, es decir, las cuestiones más relevantes en las que, para estos preceptistas, Homero aparece como la máxima autoridad.</span></p><p><span class="titulo">The aim of this paper is to unearth Homer from the immense amount of quotations and referentes of all kinds (artistic, historical, philosophical) so common in the papes of our literary theory of the Golden Century. Several works, dating from the end of the XVI century and the beginning of the XVII century have been chosen because of their importante and typical nature. Using them as a base, we have tried to organise and analyse the mentions to the Greek poet and his works. Taking Homer's immense prestige as a starting point, we have considered of interest to establish the different key points around which this prestige thrives, that is to say, the most relevant issues in which, according to the theorists, Homer was considered the highest authority.</span></p>

scholarly journals Multiwavelength Observations of Fast Radio Bursts

Universe ◽  
2021 ◽  
Vol 7 (3) ◽  
pp. 76
Author(s):  
Luciano Nicastro ◽  
Cristiano Guidorzi ◽  
Eliana Palazzi ◽  
Luca Zampieri ◽  
Massimo Turatto ◽  
...  
Keyword(s):  
Radio Burst ◽  
High Energy ◽  
Medium Size ◽  
Radio Bursts ◽  
Starting Point ◽  
Key Points ◽  
Fast Radio Burst ◽  
Theoretical Results ◽  
Observational Strategy ◽  
Shed Light

The origin and phenomenology of the Fast Radio Burst (FRB) remains unknown despite more than a decade of efforts. Though several models have been proposed to explain the observed data, none is able to explain alone the variety of events so far recorded. The leading models consider magnetars as potential FRB sources. The recent detection of FRBs from the galactic magnetar SGR J1935+2154 seems to support them. Still, emission duration and energetic budget challenge all these models. Like for other classes of objects initially detected in a single band, it appeared clear that any solution to the FRB enigma could only come from a coordinated observational and theoretical effort in an as wide as possible energy band. In particular, the detection and localisation of optical/NIR or/and high-energy counterparts seemed an unavoidable starting point that could shed light on the FRB physics. Multiwavelength (MWL) search campaigns were conducted for several FRBs, in particular for repeaters. Here we summarize the observational and theoretical results and the perspectives in view of the several new sources accurately localised that will likely be identified by various radio facilities worldwide. We conclude that more dedicated MWL campaigns sensitive to the millisecond–minute timescale transients are needed to address the various aspects involved in the identification of FRB counterparts. Dedicated instrumentation could be one of the key points in this respect. In the optical/NIR band, fast photometry looks to be the only viable strategy. Additionally, small/medium size radiotelescopes co-pointing higher energies telescopes look a very interesting and cheap complementary observational strategy.

V. M. ZHIRMUNSKY AS A FOLKLORIST. ORIGIN AND DEVELOPMENT OF THE COMPARATIVE HISTORICAL TYPOLOGY METHODS

2020 ◽  
Vol 3 (4) ◽  
pp. 108-128
Author(s):  
Anna I. Kovalevskaya ◽  
Keyword(s):  
Literary Theory ◽  
Social Reality ◽  
Literary Studies ◽  
Basic Principles ◽  
Historical Method ◽  
Successful Search ◽  
Starting Point ◽  
High Regard ◽  
Main Ideas ◽  
Further Development

The article considers the main stages in formation of the method for the comparative historical typology the first steps of which were made by A.N. Veselovsky in the second half of the 19 th century. For example, the point elaborated upon in “Historical Poetics” concerning consequential evolution of genres and poetic forms that reflect social reality became the starting point for the further development of that method. Work in this direction was continued later on by V.M. Zhirmunsky. At the beginning of his career in academia he dwelled upon the issues of literary theory and – while keeping “Historical Poetics” in high regard – continued Veselovsky’s work in the field of literary studies. However, turning to folklore material, he managed to develop the basic principles of the comparative historical method: first of all, he had analysed and systematised the extensive epic material, what allowed him to reveal in the folklore work the national and the general, for the successful search and analysis of which the method was necessary. The author analysis of the works of Zhirmunsky, that contain his main ideas, and considers not only his suggestions on how to work with folk material, and also the features of the comparative typological method, as well as the development of Zhirmunsky’s ideas in the works of his students, followers and scientists who came to a similar result on their own (for example, V.Ya. Propp) and influenced further refinement of the methods of comparative typology.

scholarly journals La sabiduría de la raposa y su actitud frente a los poderosos: la fábula del 'León y la leona' en varias obras teatrales del Siglo de Oro

2015 ◽  
pp. 185
Author(s):  
Daniele Arciello
Keyword(s):  
Key Words ◽  
Siglo De Oro ◽  
Xvii Century ◽  
Palabras Clave

<div class="WordSection1"><p><strong>RESUMEN</strong></p><p>Este estudio se va a centrar principalmente en cómo algunas comedias del Siglo de Oro han asimilado una fábula bastante conocida en aquella época. Me refiero a «El león y la leona», también conocida como «El zorro rechaza hacer de árbitro» según la recopilación llevada a cabo por Maxime Chevalier. Puesto que el género teatral se caracteriza por su complejidad, no es fácil detectar todos los elementos relacionados con dicha fábula en las producciones teatrales en cuestión. Sin embargo, la labor realizada por estos comediógrafos ha permitido averiguar fácilmente cómo han plasmado este cuento de animales hasta convertirlo en algo innovador y renovador del género fabulesco, demostrando una creatividad que quizás proporcione a autores poco conocidos como Cubillo de Aragón o don Jacinto de Herrera nueva e inesperada fama.  </p><p>PALABRAS CLAVE<strong>: </strong>fábula, animales, teatro, comedia, personajes.</p><p> </p><p><strong>ABSTRACT</strong></p><p>This essay is focused on how a well-known XVII century fable has been artfully re-elaborated in various Spanish comedies performed in that period. I am referring to «El león y la leona», also known as «El zorro rechaza hacer de árbitro» according to a compilation established by Maxime Chevalier. It is commonly known that drama genre is characterised by its complexity, so it could result difficult to locate the elements related to the fable in those dramatic compositions. Nevertheless, through an exhaustive analysis of what the authors achieved when shaping the content of this animal tale by their ingenious minds, it is easy to consider how craftily the fable has been inserted in their works. Undoubtedly quite ignored names such as Cubillo de Aragón or don Jacinto de Herrera really deserve more fame then they currently have.     </p></div><p>KEY WORDS:<strong> </strong>fable, animals, theatre, comedy, characters.</p>

Introduction

Narratology ◽  
2019 ◽  
pp. 1-10
Author(s):  
Genevieve Liveley
Keyword(s):  
Twentieth Century ◽  
Literary Theory ◽  
Lyric Poetry ◽  
Starting Point ◽  
Roman Rhetoric

This chapter argues that a more joined-up appreciation of the genealogical relationships so widely argued to exist between ancient and modern theories of narrative helps us to better understand both. It explores the ways in which literary theory both shapes and is shaped by its canon. Aristotle’s decision to take tragedy as his touchstone and to extend its poetics to explain all other kinds of (mimetic) poetry will have produced a very different model than if he had chosen Aristophanes’ absurdist comedy or Sappho’s lyric poetry instead. Twentieth-century narratology would have produced a very different set of theories if it had chosen Roman rhetoric or Hellenistic poetics as its starting point. In choosing Plato and Aristotle as its foundational touchstones, modern narratology is similarly moulded by these parts of its canon, its own structures patterned by those exhibited in its objects of study.

For the Sake of the World: Stephen B. Bevans and Johannes C. Hoekendijk in Dialogue

2019 ◽  
Vol 44 (1) ◽  
pp. 20-32
Author(s):  
Dale T. Irvin
Keyword(s):  
Holy Spirit ◽  
Starting Point ◽  
Key Points ◽  
The World ◽  
The Holy Spirit ◽  
Inside Out ◽  
The Church

In his 1998 article titled “God Inside Out: Toward a Missionary Theology of the Holy Spirit,” Stephen Bevans referred to Johannes Hoekendijk’s 1964 publication The Church Inside Out as his starting point. This article follows Bevans’s lead in exploring Hoekendijk’s legacy and contribution to theology and mission today. At key points I draw the connection of Hoekendijk’s thinking with that of Bevans, highlighting in the end the manner in which they both agree that the church itself is not of ultimate importance to God, but the world into which the Spirit still sends us in mission.

Sprachwandel und Etymologie in Der Spanischen Sprachwissenschaft Des Siglo De Oro

1984 ◽  
Vol 11 (1-2) ◽  
pp. 95-116
Author(s):  
Werner Bahner
Keyword(s):  
National Language ◽  
Siglo De Oro ◽  
Good Opportunity ◽  
Starting Point ◽  
The Social ◽  
History Of Linguistics ◽  
History Of ◽  
The One ◽  
The 19Th Century ◽  
First Time

Summary The Renaissance constitutes a new phase in the history of linguistics. The study of modern languages in particular contributed to enlarge the scope of philological concern as scholars try to promote and to codify a young national language. During this time philologists give particular attention to the origin of these vernaculars, distinguishing the different stages in their evolution and developing an especial awareness of chronology. For the representatives of a national philology, Latin is the starting point, the mould according to which the vernaculars are described and classified. Soon, however, more and more traits are recognized which are particular to these living languages, and which do not agree with the traditions of Latin grammar. On the one hand, modifications on the theoretical level are called for, and, on the other, there is a good opportunity to demonstrate the particularity of a given vernacular. All these tendencies can be found for the first time in the writings on Cas-tillian by the great philologist Antonio de Nebrija (1444–1522). Nebrija recognized a series of phonetic correspondences which, much later in the 19th century, are transformed into ‘phonetic laws’ by a rigorous methodology. In so doing the elaboration of orthographic principles had been for him a stimulus for his explications. In his “Diálogo de la lengua”, Juan de Valdés (devoted himself more extensively to the social aspects of Castillian, to linguistic changes, and to the historical causes for the distribution of Romance languages on the Iberian peninsula, stressing expecially the role of the ‘Reconquista’. The work of Bernardo José de Aldrete (1560–1641) offers a synthesis of all these efforts concerning the evolution of Castillian. He discusses all the substrata and superstrata of the language, sketches the different stages of development of his native tongue, examines Old Castillian with the help of medieval texts, and exploits what Nebrija had noted about the phonetic correspondences. In terms of scholarship, Aldrete’s work constitutes the culmination point in the movement engaged in supporting the rights of the Castillian language et in documenting its sovereignity vis-à-vis the Latin tradition.

A Brief Talk on the Use of “Task-Oriented” Teaching in Military Academies

2013 ◽  
Vol 655-657 ◽  
pp. 2191-2193
Author(s):  
Jia Xin Xu ◽  
Feng Qiu ◽  
Yan Wei ◽  
Yong Chao Wang
Keyword(s):  
Teaching Method ◽  
Existing Problems ◽  
Teaching Goals ◽  
Starting Point ◽  
Key Points ◽  
Military Academies ◽  
Task Oriented

In military academies, “task-oriented” teaching way should be put into use to make teaching goals well achieved. In this paper, from discussing the connotation of “task-oriented” teaching way as the starting point, the current implement of this kind teaching method in military academies is fully analyzed and some existing problems are pointed out. Finally, the corresponding countermeasures as well as the key points requiring attention are also suggested.

scholarly journals ACTUAR (Y) SORPRENDER (Y) SUGERIR. LA CONVIVENCIA PRAGMÁTICA DE LOS DISCURSOS COTIDIANOS, CÓMICOS Y POÉTICOS, BASE DE UNA TEORÍA DE LA FICCIÓN

2022 ◽  
pp. 333-352
Author(s):  
Laro DEL RÍO CASTAÑEDA
Keyword(s):  
Literary Theory ◽  
Relevance Theory ◽  
Complex Process ◽  
Starting Point ◽  
Communicative Process ◽  
Definition Of

La teoría de la relevancia de Sperber y Wilson permite entender los discursos cotidianos, cómicos y poéticos desde un nuevo enfoque. Ya no es necesario pensar en un proceso comunicativo independiente para cada uno de ellos, sino que podemos explicarlos como tipos de uso de un proceso comunicativo complejo. Esta perspectiva nos obliga a reconsiderar algunos conceptos tradicionales de la teoría de la literatura, como no ficción, autoficción o canon. Tomando como base esas premisas, en el presente artículo se propone una definición de la noción de ficción. Abstract: Sperber and Wilson’s Relevance Theory allows us to understand everyday, comical and poetic discourses from a new scope. It is no longer necessary to formulate an independent communicative process for each one of them. On the contrary, they can be explained as different uses of one large and complex process. This perspective forces us to reconsider some traditional Literary Theory concepts, such as nonfiction, autofiction or canon. Taking these premises as a starting point, this article aims to propose a definition of fiction.

Time Layers, Time Leaps, Time Loss

2017 ◽  
Author(s):  
Christina Thurner
Keyword(s):  
Literary Theory ◽  
Time Loss ◽  
Dance History ◽  
Time And Space ◽  
Alternative Models ◽  
Starting Point ◽  
History Of

The crisis of historiography, diagnosed by postmodern theorists, is taken as a basis of methodological reflections on dance history/historiography. This chapter asks if and how dance as art and theory reflects on the problem of history and about the potential of a critical reworking, accounting, or narration of a history or histories proper to dance. Concerning the constructive character of historiography, the chapter discusses alternative models of historiography taken from other disciplines (especially literary theory) as they relate to dance and ultimately lay the foundation of a nonvectorial, “spatialized” historiography of dance. It points out that writing an alternative history of dance takes as its starting point the enmeshed model of a network, or a choreographic contemporaneity of the noncontemporaneous. Danced reenactments finally are understood as choreographic juxtapositions, as reflections of moving scenes in relation to each other in time and space, or rather through times and spaces.

Health-Improved Textiles Obtained by Heat Surface Ecodyeing Treatments

2015 ◽  
Vol 1128 ◽  
pp. 322-331 ◽  
Author(s):  
Diana Coman ◽  
Narcisa Vrînceanu ◽  
Remus Călin Cipăian
Keyword(s):  
Black Cherry ◽  
Heat Surface ◽  
Central Idea ◽  
Natural Extract ◽  
Starting Point ◽  
Key Points ◽  
Bet Analysis ◽  
Single Use ◽  
Ft Ir ◽  
Antimicrobial Performance

The central idea of the present research aims at achieving textile substrates through an efficient inclusion of a wild black cherry extract into the grafting agent-monochlorotriazinyl-β-cyclodextrin (MCT-β-CD). The methodology consists in a permanent/irreversible entrapment onto the fibres surface of the natural extract through inclusion mechanism. Exhaustion and sonication dyeing procedures were used alternatively. The obtained materials were characterized, by FT-IR and BET analysis. The experimental results reveal good adsorptive feature of the samples, due to a higher specific surface created by the inclusion complex (MCT-β-CD-dye pigment). An efficient blocking of the natural dye pigment molecules into the grafting agent’s cavity (MCT-β-CD), assumed both a stable dyeing and antimicrobial potential. The results obtained by this ecologic surface grafting method will contribute to novel key points in producing healthy natural textiles, as alternatives for single use textiles. The results provided by this research will be used as starting point for a future study targeting the obtaining of textile supports with antimicrobial performance. Other investigations like washing, rubbing and colour fastness, highlighted that dyeing treatment by sonication is extremely efficient and could be successfully applied to such items, in boosting developments.

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