scholarly journals Niche Market Analysis on Local Television Through Media Ecology Approach

2021 ◽  
Vol 8 (3) ◽  
pp. 45
Author(s):  
Lalu Ramli N ◽  
Sulhaini Sulhaini ◽  
Lalu M. Furkan
Keyword(s):  
Qualitative Approach ◽  
Market Analysis ◽  
Media Ecology ◽  
The Other ◽  
Public Broadcasting ◽  
Media Industry ◽  
Niche Market ◽  
Local Television ◽  
Broadcasting Industry ◽  
The Media

The broadcasting law number 32, 2002 provides space for developing local broadcasting institutions in the regions, including the Local Public Broadcasting Institute (LPPL) Selaparang TV. On the other hand, the proliferation of local TV also raises many doubts because its competition is also increasing. As a business entity, local televisions face many challenges. Local televisions and other industries need the income that supports its survival as part of the media industry. With a limited source of media income, local television existence inevitably is threatened. Moreover, there are not many large industries or companies in Nusa Tenggara Barat province that can support local broadcasting institutions' sustainability. This phenomenon is interesting to study how local TV can survive in a competitive broadcasting industry with limited advertising sources. The object of this research took one of the local TV stations in East Lombok, Nusa Tenggara Barat province, namely the Local Public Broadcasting Institute (LPPL) Selaparang TV. The data analyzed relied on a media ecology approach. The method used to analyze the data from fieldwork is a descriptive qualitative approach

scholarly journals Medieøkologien i SKAM

2017 ◽  
Vol 6 (2) ◽  
pp. 60-66
Author(s):  
Ruth Grüters ◽  
Knut Ove Eliassen
Keyword(s):  
Social Media ◽  
New Media ◽  
Historical Perspective ◽  
18Th Century ◽  
Media Ecology ◽  
The Other ◽  
Media Platform ◽  
The Media ◽  
Use Of Social Media ◽  
Media Practices

AbstractTo understand the success of SKAM, the series’ innovative use of “social media” must be taken into consideration. The article follows two lines of argument, one diachronic, the other synchronic. The concept of remediation allows for a historical perspective that places the series in a longer tradition of “real time”-fictions and media practices that span from the epistolary novels of the 18th century by way of radio theatre and television serials to the new media of the 21st century. Framing the series within the current media ecology (marked by the connectivity logic of “social media”), the authors analyze how the choice of the blog as the drama’s media platform has formed the ways the series succeeded in affecting and mobilizing its audience. Given the long tradition of strong pedagogical premises in the teenager serials of publicly financed Norwegian television, the authors note the absence of any explicit media critical perspectives or didacticism. Nevertheless, the claim is that the media-practices of the series, as well as the actions and discourses of its followers (blogposts, facebook-groups, etc.), generate new insights and knowledge with regards to the series’ form, content, and practices.

The return of public media policy in New Zealand: New hope or lost cause?

2019 ◽  
Vol 10 (1) ◽  
pp. 89-107 ◽  
Author(s):  
Peter A. Thompson
Keyword(s):  
New Zealand ◽  
Digital Media ◽  
State Intervention ◽  
Media Ecology ◽  
Public Broadcasting ◽  
Media Policy ◽  
Significant Shift ◽  
Local Content ◽  
Public Media ◽  
The Media

The formation of a new coalition government in New Zealand in the wake of the 2017 election ended three terms of National-led governments and raised the prospect of a significant shift in media policy. National had insisted that in the digital media ecology, the funding of public broadcasting institutions was no longer a priority and that platform-neutral contestable funding of local content would ensure the quality and diversity of content. This saw the demise of the TVNZ Charter and its two commercial-free channels (TVNZ 6 and 7), while both Radio New Zealand (RNZ) and the local content funding agency, NZ On Air, had their funding frozen. The 2017 election of the Labour-NZ First-Green government came with the promise of an additional investment of NZ$38m in public media, the expansion of RNZ’s remit to include a commercial-free television channel, and the establishment of an independent commission to assess funding needs for public media. However, the media ecology Labour now faces entails new policy complexities. Deregulation, financialization and convergence have not only intensified commercial pressures on the media, they have led to important shifts in the ways audiences discover and engage with media content. In turn, this complicates the traditional models of state intervention intended to deliver public service outcomes. Adopting a critical institutionalist framework this article will highlight key shifts in media policy trajectory since 1999 and highlight some key differences between the public broadcasting initiatives of 1999–2008 and the approach thus far of the incoming government. The article analyses how competing intra-party and inter-ministerial priorities have circumscribed the media policy options available and thereby highlight the way political–economic interests in the media ecology manifest in public policy.

scholarly journals Monopolization Tendencies as a Result of the Neoliberal Policies in the Media Industry and a Look to the Last Half Century in the Example of Turkey

2015 ◽  
Author(s):  
Hüseyin Çelik
Keyword(s):  
The Other ◽  
Media Industry ◽  
The Public ◽  
Ownership Structures ◽  
Media Companies ◽  
Qualitative Research Design ◽  
The Media ◽  
Neoliberal Policies ◽  
The Government ◽  
Organic Bond

Economy politics that were formed with neoliberalism affected media industry like it affected all the other spheres of economy. The concentration of media structures in the world, the companies which work in the media industry being worked in the other spheres of economy, the struggle of these companies against the regulations about the media and their emphasis on the cancellation of these regulations; and the international activities of media companies attract the attention of the public for the last 50 years approximately. These developments in the media industry have been experienced in Turkey and these continued to be experienced. Neoliberal politics that were applied after 1980s caused important changes in the media industry. Another important point that attracts the attention is that even though the media actors have changed; the number of the structures that are active in media is limited and this number has not been changed for years. This paper aims to put forward the changes in the media industry in Turkey and the structures that have been shaped around these changes in the framework of neoliberal policies which were started in 1980s. In this paper a qualitative research design is used and ownership structures are analysed to investigate the changes in Turkey’s media industry since 1980s. Consequently it is seen that media actors have been changed but their numbers stayed the same. Furthermore the ownership structure of the media that is formed as a result of these developments and the organic bond between the Government is underlined.

scholarly journals Kontestasi Persaingan Program Acara Berita dalam Bisnis Media Televisi

2019 ◽  
Vol 10 (1) ◽  
pp. 111-133
Author(s):  
Rahayu Rahmadini
Keyword(s):  
Economic Theory ◽  
Qualitative Approach ◽  
The Other ◽  
Quality Competition ◽  
Broadcasting Station ◽  
Similar Program ◽  
The Media ◽  
Television Media ◽  
News Programs ◽  
Descriptive Qualitative

This paper aims to explain the contestation among news programs in deal with a television media business. This research appropriated the Media Economic Theory derived from Vincent Moscow and the Theory of Media. The research uses a postpositivism paradigm. This paper follows a descriptive-qualitative approach. Findings: the contestation among news programs has a good and quality competition of television media business. And also, this research explains how broadcastiong station strategy can produce a program to reach an success and beyond a rivality in similar program that propose by the other broadcasting station.

scholarly journals STRUKTURASI KOMUNIKASI INTERNAL DALAM PRAKTIK MEDIA RELATIONS DI DALAM INDUSTRI MEDIA

INFORMASI ◽  
2018 ◽  
Vol 48 (1) ◽  
pp. 49
Author(s):  
Brahma Putra Pratama
Keyword(s):  
Public Relations ◽  
Qualitative Approach ◽  
Internal Communication ◽  
Media Industry ◽  
Internal Environment ◽  
Media Relations ◽  
The Public ◽  
Adaptive Structuration ◽  
The Media ◽  
Initial Process

Media relations is one of the practices that can be found in the system of a publicrelations (PR) department. The PR department of a media industry still needs to do thepractice of media relations with other media industry although it has already had its ownchannel to disseminate information. The practice of media relations has aim that theinformation from an organization can be distributed to the public through the channelof the media industry. To achieve the aim, the initial process, such as the interactionand communication in the internal environment of the organization between the PRstaff with the superiors, is required. PR staff and the superiors as the agents use thestructure to act in the process of system production and reproduction. To know howthe process of the system production and reproduction in the interaction of the agentsin the practice of media relations, then analysis using adaptive structuration theorydeveloped by McPhee and Poole is required. This research aims to describe and providean understanding of structuration of internal communication in the practice of mediarelations in the PR department. The method used in this research is a single instrumentalcase study with descriptive qualitative approach. From this study, it is found that in thePR department system, the staff connects to the superiors in the internal environmentin the practice of media relations and the agents use the structure to act and to interactso that the system and practice can take place continuously either as a rountine or as atransformation.Media relations merupakan salah satu praktik yang terdapat dalam sistem departemen public relations (PR). Departemen PR dari suatu industri media ternyata masih perlu melakukan praktik media relations dengan industri media lain meskipun telah memiliki saluran media untuk menyebarkan informasi. Praktik media relations bertujuan supaya informasi dari suatu organisasi dapat disebarluaskan kepada publik melalui saluran suatu industri media. Untuk mencapai tujuan tersebut, diperlukan proses awal berupa interaksi dan komunikasi di lingkungan internal organisasi antara staf PR dengan atasannya. Staf PR dan atasannya sebagai agen menggunakan struktur dalam bertindak dalam proses produksi dan reproduksi sistem. Untuk mengetahui bagaimana proses produksi dan reproduksi sistem tersebut dalam interaksi para agen dalam praktik media relations, maka diperlukan analisis menggunakan teori strukturasi adaptif yang dikembangkan oleh McPhee dan Poole. Penelitian ini bertujuan untuk menggambarkan dan memberikan pemahaman mengenai strukturasi komunikasi internal dalam praktik media relations yang terjadi di dalam departemen PR. Metode yang digunakan dalam penelitian ini adalah studi kasus instrumental tunggal dengan pendekatan kualitatif deskriptif. Dari penelitian ini ditemukan bahwa di dalam sistem departemen PR, staf berhubungan dengan atasannya di lingkungan internalnya dalam melakukan praktik media relations dan para agen menggunakan struktur dalam bertindak dan berinteraksi sehingga sistem dan praktik dapat berlangsung terus-menerus baik sebagai rutinitas maupun sebagai transformasi.Kata kunci: Strukturasi, Komunikasi Internal, Media Relations, Industri Media

scholarly journals Matching Media Contents with User Profiles by means of the Dempster-Shafer Theory

2017 ◽  
Author(s):  
Luigi Troiano ◽  
Irene Diaz ◽  
Ciro Gaglione
Keyword(s):  
Reference Model ◽  
User Profile ◽  
The Other ◽  
Media Industry ◽  
User Profiles ◽  
Dempster Shafer Theory ◽  
Modern Media ◽  
The Media ◽  
Shafer Theory ◽  
Theory Of Evidence

The media industry is increasingly personalizing the offering of contents in attempt to better target the audience. This requires to analyze the relationships that goes established between users and content they enjoy, looking at one side to the content characteristics and on the other to the user profile, in order to find the best match between the two. In this paper we suggest to build that relationship using the Dempster-Shafer's Theory of Evidence, proposing a reference model and illustrating its properties by means of a toy example. Finally we suggest possible applications of the model for tasks that are common in the modern media industry.

scholarly journals KOMODIFIKASI PEKERJA DI LEMBAGA PENYIARAN PUBLIK TVRI BENGKULU

2018 ◽  
Vol 5 (2) ◽  
pp. 45-49
Author(s):  
Sindy Amalia Putri ◽  
Anis Endang SM
Keyword(s):  
Research Method ◽  
Public Broadcasting ◽  
Media Industry ◽  
Production Engineering ◽  
Television Station ◽  
Program Staff ◽  
Analysis Techniques ◽  
The Media ◽  
Depth Interviews ◽  
Cooperative Technique

TVRI Bengkulu Public Broadcasting Institution (LPP) which is supposed to be responsible for the welfare of its workers, especially freelancers, is more concerned with the workload of its workers because a person's workload must be appropriate and balanced against the physical and psychological abilities of workers. This study aims to determine the commoditization of workers carried out on TVRI Bengkulu television station. This research method uses qualitative research methods which are presented descriptively. Informants in this study used purposive sampling, namely Kasubsi TVRI Bengkulu Program, Journalists, News Administration, News Broadcasters, and employees who had worked at TVRI Bengkulu from various fields such as Journalists, Production Engineering, and Program Staff. Methods of collecting data using observation, in-depth interviews, and documentation. Data analysis techniques use the method of constant cooperative technique. Based on the results of the study, it can be seen that the occurrence of Commoditization of Workers in the TVRI Bengkulu Public Broadcasting Institution is true, this is indicated by the existence of work inequality ranging from additional work to the salary system obtained. When referring to the theory put forward by Vincent Mosco the media make optimal use of energy and mind by forcing them to do more than one job as a form of employee loyalty to the media industry.

scholarly journals Strategi Pengembangan (Lembaga Penyiaran Publik) LPP TVRI melalui Rebranding LOGO Baru: Perspektif Industri Media Islam

MEDIAKITA ◽  
2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Ulfi Nurfaiza
Keyword(s):  
Cultural Values ◽  
New Products ◽  
Public Broadcasting ◽  
Media Industry ◽  
Public Television ◽  
Rapid Rise ◽  
The Public ◽  
Good Morning ◽  
The Media ◽  
Small Team

TVRI (Televisi Republik Indonesia) seeks to provide wise information for the public. However, because in the current era of the rapid rise of the media industry, it is very important that the TVRI Public Broadcasting Institution re-emerges before the public with a new identity as a counterweight and newshighlight that is able to voice community rights and promote cultural values and local wisdom. In rebranding, there are a number of things carried out by LPP TVRI namely implementing the Power Marketing mindset, which lies in 3 keys, first moving is done before TVRI rebranding can be passed from Kepsta, starting to form a small team for rebranding preparation. Second, Caring (caring) byinvolving every community and having innovation in developing companies such as the emergence of a new program ‘’ Good Morning East Java ‘’ which has the aim to greet residents and serve the East Java people. Third, Innovation is an effort of LPP TVRI to produce new products and innovations to move forward with the aim of being an institution that has a vision and mission for unifying the nation. This can be seen in the change in the new logo, color and organizational culture. In the perspective of the Islamic Media Industry, Islam is a religion that strongly advocates for creating brotherhood and unity of various differences. TVRI as public television also implements as its slogan the unifying media of the nation, naturally responsible as a media that is able to disseminate interestinginformation with the aim of being a media that is able to serve the public so as to create brotherhood.Keywords: Rebranding; Logo; Islamic Media Industry

The role of photography in the production and problematization of online affective debates: Struggles over solidarity and identity during the 2015 refugee crisis in Denmark

2019 ◽  
Vol 68 (5) ◽  
pp. 965-981
Author(s):  
Thomas Olesen
Keyword(s):  
Police Officer ◽  
Host Country ◽  
Media Ecology ◽  
The Other ◽  
Binary Codes ◽  
Highway Bridge ◽  
Refugee Crisis ◽  
Public Debates ◽  
The Media

The article analyses two contrasting photographs that powerfully shaped Danish debates about the refugee crisis in September 2015. In the first, a civilian man is seen spitting at a group of refugees from a highway bridge. In the other, a police officer sits on the highway as he plays with a young refugee girl. Politicized photographs such as these offer unique and rarely utilized sociological prisms to probe the narratives and binary codes that define national value complexes and categories of ‘inside–outside’, ‘us–them’ and ‘civil–uncivil’. The spitting man and gentle cop photographs are particularly forceful in this regard as they do not simply portray refugees/migrants in isolation, but rather the reactions they generate in the host country. The article explores why and how these photographs became so resonant in stimulating affective public debates about refugees, Danish identity, and solidarity with strangers. Methodologically, the article focuses on debates occurring on Facebook, Twitter and in newspaper commentary tracks. This choice reflects a wider trend where the media ecology of Web 2.0 is transforming the way photographs are being politicized in affective publics. Finally, interviews were conducted with the journalists behind the photographs.

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