scholarly journals Post-Foucauldian Discourse and Dispositif Analysis in the Post-Socialist Field of Research: Methodological Remarks

2021 ◽  
Vol 17 (1) ◽  
pp. 72-95
Author(s):  
Magdalena Nowicka-Franczak
Keyword(s):  
Discourse Analysis ◽  
Cultural Identity ◽  
Michel Foucault ◽  
Power Relations ◽  
Western Europe ◽  
Methodological Approach ◽  
Eastern European ◽  
Central European ◽  
Ambivalent Attitude ◽  
Late Works

Post-Foucauldian discourse and dispositif analysis, a methodological approach inspired by the work of Michel Foucault and developed in Western Europe, over the last decade has gained an increasing amount of attention from Eastern European researchers. Yet, this interest has not been accompanied by sufficient reflection on the post-Foucauldian perspective’s adequacy for studying power, governance, and subjectification in post-socialist societies. In particular, there is little criticism that would take into account the current discussion on Foucault’s ambivalent attitude towards neoliberalism. The goal of this article is to examine this line of criticism of Foucault’s late works and to point to its importance for dispositif analysis carried out in Eastern and Central European societies (e.g., Poland) in comparison to analyses carried out in Western Europe (e.g., Germany). I propose a number of methodological recommendations that aim at adapting post-Foucauldian research instruments to facilitate analyzing power relations in the post-socialist context; these include: an interdisciplinary combination of discourse analysis and an analysis of macroeconomic and macrosocial factors; an analysis of the practices of normalization in post-socialist societies with reference to the Center-Periphery relationship; introducing elements of semiology, anthropology of the contemporary and cultural identity analysis to dispositif analysis.

scholarly journals Why is the City Maps’ Content of Eastern and Central European Countries So Extensive?

2010 ◽  
Vol 14 (1) ◽  
pp. 331-339
Author(s):  
Agata Ciołkosz-Styk ◽  
Wiesław Ostrowski
Keyword(s):  
Western Europe ◽  
Free Market ◽  
Economic Transformation ◽  
European Countries ◽  
Eastern European ◽  
Economic Stability ◽  
Central European ◽  
Eastern European Countries ◽  
Communist Countries ◽  
The City

Abstract Significant changes in the wealth, variety and level of graphic form of city maps are noticeable in recent years, particularly those from Central and Eastern European countries. This is a consequence of the political and economic transformation, resulting in the abolition of censorship and introduction of the free market. City maps published in Western Europe have evolved as well during the aforementioned period due to higher political and economic stability. The paper compares city maps content of 18 European countries and shows the influence of Soviet cartographic style on city maps image in post-communist countries.

scholarly journals NARRATIVE RITUAL AND EXCLUSION: the life story by the discursivized body in Rede Globo's memorial series

2020 ◽  
Vol 6 (5) ◽  
pp. a3en
Author(s):  
Duílio Fabbri Júnior
Keyword(s):  
Discourse Analysis ◽  
Michel Foucault ◽  
Life Story ◽  
Methodological Approach ◽  
50Th Anniversary ◽  
The Body ◽  
Functional Correlation ◽  
Special Series ◽  
The World ◽  
The Subject

The purpose of this article is to analyze the presentation ritual done by journalist-witnesses, who were part of the narrative of a 'special' series produced for celebrating Rede Globo's 50th anniversary, aired in Jornal Nacional, in April 2015. To achieve this goal, we use authors like Michel Foucault and Paul Ricouer as our bases for discourse, ritual, memory and history. The intention is to reflect on a functional correlation between two fields of knowledge – Linguistics and History – aiming to analyze discursive-narrative practices, based on the production of meanings on the body of journalists. We will also investigate the subjectivity of the subject in their relations to themselves and/or to the world outside in the way they constitute themselves. The theoretical-methodological approach is discourse analysis. Reflections lead us to believe the body is nothing but resistance and power. 

scholarly journals Aspectos políticos da Idade média: articulações de poder segundo a obra de Georges Duby

2021 ◽  
Vol 5 (9) ◽  
pp. 394
Author(s):  
Vítor Mateus Viebrantz
Keyword(s):  
Power Relations ◽  
Western Europe ◽  
Methodological Approach ◽  
Political Organization ◽  
Medieval Period

No período situado entre os séculos X-XV, as relações de poder na Europa ocidental se encontravam inseridas em um complexo de articulações e desdobramentos. Em A Idade Média na França: de Hugo Capeto a Joana d’Arc (987-1460), Georges Duby (1992) investiga a trajetória e as especificidades das expressões do poder a partir do exemplo da França feudal, percebendo suas repercussões nos diversos domínios humanos e políticos. Partindo da obra citada, o artigo analisa o arcabouço da organização política medieval a partir de quatro características indicadas por Duby: as dimensões doméstica e sagrada do poder e seu carácter masculino e fragmentado. Associam-se a obra outras bibliografias para viabilizar um horizonte de compreensão das possibilidades e circunstâncias do poder na época medieval. A abordagem metodológica utilizada é revisão bibliográfica. Palavras-chave: Política; Poder; Feudalismo.AbstractIn the period situated as the 10th - 13th centuries, the power relations in western Europe were inserted in a complex of articulations and unfoldings. In A Idade Média na França: de Hugo Capeto a Joana d’Arc (987-1460), Georges Duby (1992) investigates the trajectory and specificities of expressions of power as of on the example of feudal France, realizing its repercussions in the various human and political domains. Correlating with the oeuvre cited, the article analyzes the framework of medieval political organization as of four characteristics indicated by Duby: the domestic and sacred dimensions of power and its masculine and fragmented character. Other bibliographies are associated with the oeuvre to make viable a horizon of understanding the possibilities and circumstances of power in medieval period. The methodological approach used is bibliographic review.Keywords: Politics; Power; Feudalism.

scholarly journals Latin as a cultural Identity: a central European Case.

2018 ◽  
Vol 28 (1) ◽  
Author(s):  
Piotr Bering
Keyword(s):  
Cultural Identity ◽  
Central Europe ◽  
Western Europe ◽  
Mutual Relationship ◽  
Cultural Goods ◽  
Native Languages ◽  
New Members ◽  
General Process ◽  
Central European ◽  
Short Time

Central Europe entered in the sphere of Christian and Latin Civilization later than the Western part of the continent. As a result, the new members of this community had to import most of their ‘cultural goods’, but the imports were in a relatively short time recognized as their ‘own’. This general process can be testified to by the stage plays. The use of Latin lasted in Central Europe much longer than in Western Europe and coexistedwith the native languages, including in the theatrical output. The theatrical output is significant in this respect as it presents, among other sources, the mutual relationship that existed between Latin and the native language.

Comparative Study of Highly Pathogenic Avian Infl uenza Strains Isolated in Ukraine in 2005 and 2008

2014 ◽  
Vol 1 (1) ◽  
pp. 68-71
Author(s):  
A. Gerilovych ◽  
B. Stegniy ◽  
A. Stegniy ◽  
M. Stegniy ◽  
K. Smietanka ◽  
...  
Keyword(s):  
Western Europe ◽  
Rna Extraction ◽  
Experimental Studies ◽  
Molecular Characteristics ◽  
Eastern European ◽  
Highly Pathogenic ◽  
Genetic Lineages ◽  
Phylogenetic Studies ◽  
Polymerase Chain ◽  
Pathogenic H5n1

Objective. To research the molecular characteristics of two HPAI strains – A/Ch/Syvash/02/05/H5N1 and A/Ch/Krasnogvardeysk/58/08/H5N1, which were identifi ed as representatives of the highly pathogenic H5N1 viruses. Methods. RNA extraction, real-time polymerase chain reaction (PCR). Results. The phylogenetic studies revealed that the above mentioned strains belong to two various genetic lineages originated from the Eastern European strains isolated in 2005, but differ from the viruses introduced to the Central and Western Europe in 2005/2006, and also the lineages consisting of H5N1 viruses isolated in the Europe and Middle East in late 2007. Conclusions. Relying on experimental studies, it can be concluded that the strains of A/Ch/Syvash/02/05/H5N1 and A/Ch/Krasnogvardeysk/58/08/H5N1 are highly pathogenic.

On the specfics of postcolonial research in the conetmporary Ukrainian literary studies

2019 ◽  
pp. 446-461
Author(s):  
Ekaterina Baydalova
Keyword(s):  
Cultural Identity ◽  
Literary Criticism ◽  
Postcolonial Theory ◽  
Postcolonial Studies ◽  
Culture Studies ◽  
Self Presentation ◽  
Science Culture ◽  
The Past ◽  
Modus Vivendi ◽  
Ambivalent Attitude

The postcolonial studies have been under discussion in the Ukrainian historiography, social science, culture studies and literary criticism since 1990 years. They have originated from American, European, and Australian academic studies and became more and more popular in modern Ukrainian culture recently. The nation and the nationalism, Orientalism, multicultural and ambivalent individuality self-presentation, the search of cultural identity, the problem of ambivalent attitude to the past are in the paradigm of postcolonial studies. The problems of national identity, the totalitarian past, the interactions with neighboring countries especially Russia and Poland, the instable Ukrainian society’s condition are analyzed under the postcolonial ideas in the Ukrainian intellectual discourse. The postcolonial theory has become the main interpretative strategy of the Ukrainian researchers lately. Nevertheless, there is no unconditional modus vivendi in the Ukrainian academia about postcolonial conceptions, strategies and principles. One of the most important unsolved issues is the question of correlation of postcolonial and postmodern components of the Ukrainian national literature. The inclusion of the studies of trauma and anticolonial and posttotalitarian discourses into the framework of the postcolonial studies is the most distinguishing feature of postcolonial studies in the Ukraine.

REVITALISASI BUDAYA LOKAL SEBAGAI DASAR PENGEMBANGAN KEILMUAN BERDASARKAN VISI DAN MISI PERGURUAN TINGGI DI INDONESIA

2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Yanuar Bagas Arwansyah
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Michel Foucault ◽  
Critical Discourse ◽  
Local Culture ◽  
Discourse Function ◽  
Cultural Domination ◽  
Theory Of Discourse ◽  
Descriptive Qualitative

Abstrak: Artikel ini bertujuan menganalisis secara kritis visi dan misi 10 perguruan tinggi terbaik di Indonesia versi 4 International Colleges & Universities. Metode yang digunakan dalam penelitian ini yaitu deskriptif kualitatif. Penelitian ini merupakan analisis wacana kritis yang mengacu pada teori Michel Foucault. Teori analisis wacana Foucault mengacu pada wacana sebagai alat bagi kepentingan kekuasaan, hegemoni, dominasi budaya, dan ilmu pengetahuan. Berdasarkan hasil analisis ditemukan bahwa visi dan misi 10 perguruan tinggi tersebut mengandung unsur-unsur yang sejalan dengan fungsi wacana menurut Foucault. Hal tersebut didasari pada visi dan misi setiap perguruan tinggi yang memiliki tujuan mengembangkan institusi berkelas internasional, namun tetap dengan berdasar pada pengembangan ilmu pengetahuan yang berakar pada budaya lokal. Kata kunci: wacana, visi, misi, perguruan tinggi Abstract: This article aims to critically analyze the vision and mission of the 10 best universities in Indonesia version of 4 International Colleges & Universities. The method used in this study is descriptive qualitative. This research is a critical discourse analysis that refers to Michel Foucault's theory. Foucault's theory of discourse analysis refers to discourse as a tool for the interests of power, hegemony, cultural domination, and science. Based on the results of the analysis it was found that the vision and mission of the 10 universities contained elements that were in line with the discourse function according to Foucault. This is based on the vision and mission of each college that has the aim of developing international-class institutions, but still based on the development of science rooted in local culture. Keywords: discourse, vision, mission, college

The Puzzle and the Project

2017 ◽  
Author(s):  
Laura J. Shepherd
Keyword(s):  
Discourse Analysis ◽  
United Nations ◽  
Sierra Leone ◽  
Research Design ◽  
Central African Republic ◽  
Methodological Approach ◽  
Theoretical Framework ◽  
Guinea Bissau ◽  
The United Nations ◽  
Gender And Space

This chapter outlines the motivation for undertaking the research presented here, and offers an account of the contexts for the peacebuilding-related activities in which the United Nations is involved: Burundi; Central African Republic; Guinea; Guinea-Bissau; Liberia; and Sierra Leone. The research design is explained, with an overview provided of both the theoretical framework supporting the research and the methodological approach taken. The methodology is a form of discourse analysis engaging both documentary and transcribed interview texts, and this chapter explains how the author uses the concepts of gender and space to structure the analysis in the rest of the book. The chapter also presents an analysis of the literature on peacebuilding to which the author seeks to make a contribution with this research.

Māori Gender Non-conforming Identity: Analysing the ‘Takatāpui’ Discourse

2020 ◽  
Vol 9 (1) ◽  
Author(s):  
Francesca Marino
Keyword(s):  
Discourse Analysis ◽  
Cultural Identity ◽  
Indigenous Peoples ◽  
First Century ◽  
Sex Characteristics ◽  
Analysis Framework ◽  
Culturally Specific ◽  
Multimodal Discourse Analysis ◽  
Multimodal Discourse ◽  
Decolonizing Methodologies

AbstractThis study aims to investigate the process of reconstruction of Māori postcolonial cultural identity in the twenty-first century which also passes through the reclamation and redefinition of ‘takatāpui’ notion. ‘Takatāpui’ is an umbrella term that nowadays indicates all the Māori with non-conforming wairua (spiritualities, gender identities), sexualities and sex characteristics. It is a culturally specific word which represents a form of intersectionality by identifying people as both Māori and queer.As a consequence of the increasing spread of the Internet, which has become a virtual place to construe identity and to promote the dissemination of ideas, a Multimodal Discourse Analysis is conducted on a corpus comprising 10 audiovisual texts fully retrieved from the web and exclusively produced by Māori takatāpui activists and/or containing Māori takatāpui activists’ self-narratives or claims.The corpus is analysed by applying a MMDA (Multimodal Discourse Analysis) framework based on Kress and van Leeuwen’s social semiotic framework (2006). The analysis is conducted also by taking into account Blommaert’s linguistic and ethnographic framework (2014).The findings of the analysis show the different strategies through which Māori identities are construed and conveyed reinforcing what the Māori scholar, Tuhiwai Smith (1999. Decolonizing Methodologies: Research and Indigenous Peoples. Dunedin: Zed Books Limited, 28), calls “a very powerful need to give testimony to and restore a spirit, to bring back into existence a world fragmenting and dying”.

Verwendung, Verleugnung, Wiederentdeckung – Ligeti und ethnische Musiken

2016 ◽  
Vol 57 (1-2) ◽  
pp. 35-47
Author(s):  
Márton Kerékfy
Keyword(s):  
Folk Music ◽  
Creative Work ◽  
Eastern European ◽  
Late Period ◽  
Ethnic Music ◽  
East European ◽  
Ambivalent Attitude ◽  
First Time

Regarding György Ligeti’s relation to ethnic music, his oeuvre can be divided into three periods. Until 1956 he used East European folk music in the manner of Hungarian composition of the 1940s and 1950s, but upon leaving Hungary he apparently rejected folkloristic inspiration. In his late period from 1978 on, however, ethnic musics became again central to his creative work, albeit in a basically different way than in his youth. This article provides an overview of Ligeti’s early folkloristic pieces and a brief characterization of his use of elements of Eastern European folklore in Le Grand Macabre, Hungarian Rock, Passacaglia ungherese and the Horn Trio. Finally, it traces back Ligeti’s “lamento melody,” that appears for the first time in the last movement of the Horn Trio, to certain types of the Hungarian folk lament. Ligeti’s references to folklore do not mean an idealization of his past, but are rather signs of an ambivalent attitude toward his own roots, in which nostalgic longing, ironic distancing, and desperate mourning are equally present.

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