scholarly journals „Góra szczęścia” Jonasa Biliũnasa

2017 ◽  
Vol 10 ◽  
pp. 71-80
Author(s):  
Krystyna Syrnicka

 Jonas Biliūnas’ “Mountain of Happiness” The oeuvre of Jonas Biliūnas 1879–1907 marks the birth of Lithuanian lyrical psychological prose, which was influenced by the modernist ideas of relativism. His works brought into the Lithuanian canon of realist story the motifs of transitoriness of human existence, fragility of life, sadness. Biliūnas was the first Lithuanian writer who was professionally prepared for his trade. He studied literature and related disciplines at universities in Switzerland, which gradually became a centre of Lithuanian intelligentsia already in the 19th century. The short stories written at that time indicated the writer’s maturing talent. The Alps played asignificant role in Biliūnas’ life; this is where in 1904–1907 he wrote his best works, three of which are thematically associated with the mountains: the literary sketch Fine Weather on the Uetliberg Ant Uetlibergo giedra!, the short story Snowstorm in the Mountains Pūga kalnuose and the allegorical tale The Beacon of Happiness Laimės žiburys — one of the most important works written in Zurich. A serious illness prevented the writer from fully developing his talent. On 8 December 1907 he died at the age of 28 in his wife’s arms in asanatorium in Zakopane. He was buried in Pęksowy Brzysk. Thanks to the efforts of the Lithuanian writer Antanas Vienuolis Biliūnas’ remains were brought back to Lithuania, where he was laid to rest on ahill in Liudiškiai, near Anykščiai. In 1958 a monument called “Beacon of happiness” was erected on Biliūnas’ grave. The hill with the mo­nument became asymbol the meaning of which is expressed in the tale The Beacon of Happiness. Today some people climb the hill to honour the writer’s memory, while others — believing in its sacred nature — hope that it will bring them happiness.

Arts ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 21
Author(s):  
Andrzej Legendziewicz ◽  
Aleksandra Marcinów

This paper presents the results of a research that was carried out in a castle in Prószków, a town near Opole, Poland. The investigations were based on the conducted architectural research, including iconographic studies and the analysis of the technology, building materials, and architectural details. The conducted research demonstrated that the Renaissance structure in question was built by Baron Jerzy Prószkowski as a palazzo in fortezza, most likely in the years 1563–1571. The residence is planned around a rectangular courtyard with four bastion towers. The scope of the architectural transformations of the complex during the baroque period and the 19th century was also presented. In the summary, it was highlighted that the castle is one of the first buildings located north of the Alps that refers to the designs of Villa Farnese in Caprarolli, which was designed by Giacomo Barozzi da Vignioli. It is in the style of palazzo in Fortezza, similar to residences in Czechia, Silesia, and Poland. Here, we emphasized the uniqueness of the complex, which stands out from other residences in Silesia and areas of the former Republic of Poland due its original form and innovative solutions.


Author(s):  
Andrew Kahn

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.


2021 ◽  
pp. 16-29
Author(s):  
Andrew Kahn

‘Openings’ examines the openings of short stories, which move swiftly to introduce subject, event, and motivation, using techniques of speech, viewpoint, description, situation, and timing. Awareness that closure and resolution have been built into the conception of the story from its start brings an expectation of great economy in plotting and characterization. Classic short stories of the 19th century favoured a third-person narrator in order to create the impression of a window onto life. The strategy cultivates the illusion of knowledge, reaching into the interior of characters as well as seeing their appearance. First-person narrators also pose an interesting perspective as they offer authentic psychological exploration of character.


Author(s):  
Anne Humpherys

From ancient Greece on, fictional narratives have entailed deciphering mystery. Sophocles’ Oedipus must solve the mystery of the plague decimating Thebes; the play is a dramatization of how he ultimately “detects” the culprit responsible for the plague, who turns out to be Oedipus himself. In the Poetics, Aristotle defines a successful plot as one that has a conflict (which can include, and often does include, a “mystery”) that rises to a climax, followed by a resolution of the conflict, a plot line that describes not only Oedipus Rex but also every Sherlock Holmes story. A particular genre of mystery writing is defined by the mystery at the center of the story that is crucially, definitively solved by a particular person known as a detective, either private or police, who by ratiocination (close observation coupled with logical patterns of thought based on material evidence) uncovers and sorts out the relevant facts essential to a determination of who did the crime and how and why. The form of detective fiction throughout most of the 19th century was the short story published in various periodicals of the period. A few longer detective fictions were published as separate books in the 19th century, but book-length detective fiction, such as that by Agatha Christie, was really a product of the 20th century. Most critics of detective fiction see the beginning of the genre in the three stories of Edgar Allan Poe which feature his amateur detective, Auguste Dupin, and were published in the 1840s. Although Poe’s 1840s stories as well as Arthur Conan Doyle’s Sherlock Holmes stories, which first appeared in the 1880s, are probably the most well known of 19th-century detective fictions, a number of other writers of generically recognizable detective fiction published stories in the almost fifty years between Poe and Conan Doyle, including a number that featured female detectives. Finally, from the 1890s into the early 20th century, a plethora of new detective fictions, still in short-story form for the most part, appeared not only in Britain but also in France and the United States. Detective fiction has always been popular, but serious critical interest in the genre only developed in the 20th century. In the second half of that century, this critical interest expanded into the academic world. The popularity of the genre has only continued to grow. Both detective fictions (now nearly all novel length) and critical interest in the genre from a variety of perspectives are now an international phenomenon, and detective novels dominate many best-seller lists.


1954 ◽  
Vol 20 (2) ◽  
pp. 173-174
Author(s):  
C. S. Cotter

In Marian DeWolf's recent interesting article on Jamaica archaeology she refers to an earthwork and trench as Windsor Fort, built by the British in 1803 (DeWolf 1953: 236), citing Cundall (1915) as her authority. Actually Cundall mentions the fort but makes no attempt to suggest that its site was on Windsor Hill, which trench has always been known as Spanish Fort. From my local research, Fort Windsor was built on the sea shore, 1000 yards north of the hill, where up to a few years ago stone foundations still existed.The Windsor Hill site presents one of the most curious mysteries of the north coast, and in 1951 I excavated the hole with a view to a solution and moved and sifted about three tons of earth which had been thrown in during the early part of the 19th century.


Entrelinhas ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 104-106
Author(s):  
Sofia Lopes

This review seeks to analyse the short story “The Masque of the Red Death”, by Edgar Allan Poe, and to study its connection to the anti-transcendentalist and dark romantic movements. Through an examination of the literary aspects contained in the story, this work aims to inspect Poe's writing style, notedly marked by a bold approach of the themes of death, mourning and decay, and to compare his aesthetic decisions - such as the strong symbolic streak, the reliance on colour and architecture and the artistic depiction of death - to the chief tenets that influenced anti-transcendentalist writers over the 19th century.


2013 ◽  
Vol 233 (3) ◽  
Author(s):  
Nils aus dem Moore ◽  
Christoph M. Schmidt

SummaryAn eternal motive of human existence is the search for guidance.While values and beliefs retain their high relevance, today’s enlightened societies also tend to rest their aspirations and decisions on the actual facts and on a sober assessment of possible courses of events emerging from different choices. Given the complexity of modern life, it is by now well understood that this strategy requires objective, comprehensive and accessible statistical reporting. Today, the desire to provide such a valuable basis for individual decisions and policy-making finds one of its most important expressions in the international debate on “GDP and beyond”. In contrast to similar efforts displayed in previous decades, the current projects emphasize sustainability issues and focus on the accessibility of the information, using modern tools of measurement and presentation. Yet, there is ample evidence that even by the mid-19


Gragoatá ◽  
2018 ◽  
Vol 23 (45) ◽  
pp. 153
Author(s):  
Déborah Scheidt

Mateship is an important element of the so-called “Australian Tradition” in literature. It consists of a particular bond between men who travel the rural areas known as “the bush” or “the outback”. This article examines some of Henry Lawson’s mateship stories, with a focus on the different connotations that the term can assume for the author, especially regarding the theme of egalitarianism. It considers how the Bulletin Magazine, which “discovered” Lawson and published many of his stories, had a role in fostering a special model of Australian democracy and a peculiar style for Australian literature. It also reflects on how the dissemination of Lawson’s stories through periodicals in the last decades of the 19th century helped create a feeling of what Benedict Anderson calls “nation-ness”.------------------------------------------------------------------------------------MATESHIP E IGUALITARISMO NOS CONTOS DE HENRY LAWSONMateship é um elemento importante da chamada “Tradição Australiana” na literatura. Refere-se a um vínculo especial entre homens que percorrem as áreas rurais conhecidas na Austrália como “the bush” ou “the outback”.  Este artigo examina alguns dos contos de Henry Lawson que trazem esse elemento, com ênfase especial nas diferentes conotações que o termo pode assumir para o autor, especialmente com relação à temática do igualitarismo. O artigo considera como o periódico Bulletin, o qual “descobriu” Lawson e publicou vários de seus contos, foi relevante para a promoção de um modelo particular de democracia na Austrália e um estilo característico para a literatura local. O artigo também reflete sobre como a disseminação dos contos de Lawson por meio de periódicos na última década do século XIX contribuiu para a criação do que Benedict Anderson chama de “nation-ness”.---Artigo em inglês.


2020 ◽  
Vol 20 ◽  
pp. 289-299
Author(s):  
Dorota Krystyna Rembiszewska ◽  

The article discusses linguistic and non-verbal features of 19th-century savoir-ivre. Babie lato [Indian Summer] by Stefania Ulanowska (1839–?), the source text under scrutiny, is a 21-page short story, which has most probably never come out in print. There are four conversation situations in the text: 1) a symmetrical setup (the interlocutors have equal social status and comparable pragmatic rank), 2) a symmetrical setup with asymmetrical features, related to the conversation between a man and a woman, 3) a less distanced asymmetrical setup, where the participants of the conversation are the mother and children, 4) a full asymmetric setup, in which the mistress of the house addresses the maid. The short story moreover features non-verbal etiquette features, such as a man tipping over his hat when he sees a woman and a man kissing a woman’s hand. The characteristics of etiquette observed in Babie lato are a supplement to the deliberations on savoir-vivre in the 19th century and confirm the changes that took place at that time in terms of courtesy in comparison with the old Polish period. They are also a testimony to the old culture of the nobility, transferred to bourgeoisie houses.


Al-Burz ◽  
2020 ◽  
Vol 12 (1) ◽  
pp. 14-19
Author(s):  
Muneer Ahmed Hanfi

In the 19th century, Haibat Khan crafted "Musaafir" the premier fiction, a historical short story in the Brahui language and it was published in the year 1957, in the monthly literary magazine Nawaiy-e-Watan. The author employed content analysis, a branch of descriptive research to critically review fiction writing techniques, in comparison with the modern day fictions.  The investigation revealed that the ‘Musaafir’ is a masterpiece of literary work in Brahui language, which focuses the portrayal of nature, characterizations, narration skills, theme and plot development, dialog formation, thought process, description of events and climax based fictitious short story. This study represents the culture of the society in Balochistan, and also reflects the writers’ insight of fiction drafting skills in line with contemporary fiction writing techniques


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