scholarly journals KEKERASAN TERHADAP PEREMPUAN DALAM TEKS NOVEL BANATU‘R-RIYADH KARYA RAJA‘ ASH-SHANI‘I:KAJIAN FEMINIS PSIKOANALISIS

Jurnal CMES ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 4
Author(s):  
Yeni Puspitasari, Eva Farhah

This research discuss about the forms of violence against woman in Banatu‘r-Riyadh novel by Raja Ash-Shani‘i based on Feminist Literary Criticism of Psychoanalysis theory by Helen Cixous. Therefore, the purpose of this research are to describe forms of violence against woman based on Feminist Literary Criticism of Psychoanalysis theory by Helen Cixous. The research findings are 1) The Domestic violence: the physical violence and the emotional violence, 2) the public violence with the emotional violence. <br /><br />

2021 ◽  
Vol 9 (1) ◽  
pp. 545-549
Author(s):  
Elona Dini ◽  
Kujtim Mersini

This paper brings new insights and further examines the data obtained from the National Survey of Domestic Violence, which is the most comprehensive source on the prevalence of violence against children in Albania. The aim here is not to duplicate or overlap with the results of the survey but to enshrine subtle elements that characterize the violence against children. The analyses are focused to critically examine the frequency and characteristics of physical violence against children. This includes the calculation of many comparisons between the occurrence of violence and predisposing factors. From the statistical analysis results, it can be seen, that the number of respondents who nominated their respective mothers as offenders represent 70% of the total valid sample followed by their fathers and brothers/sisters with 46% and 38% respectively. It appears that the most frequent and sadly culturally accepted method of physical violence against children is slapping and knuckle beating which resulted in 89% of cases followed by hair tear and pushes by 60%, meanwhile other more extreme forms of violence occur to a lower rate ranging from 0.6% up to 20%. Interestingly the violence against children is predominantly high in Elbasan and Gjirokastra regions with an outstanding prevalence of 91% and 88% respectively. These scientific facts replace the old misconceptions that the domestic violence is more widespread in northern areas of Albania. The research findings reported here are critical to inform our efforts to protect children from children’s exposure to violence.


2021 ◽  
Vol 7 (1) ◽  
pp. 32-44
Author(s):  
Helmi Setiawan ◽  
Anwar Efendi

This research is descriptive qualitative research using the feminist literary criticism approach. The subject of this research are three novels by Okky Madasari which are titled: 1) Maryam, 2) 86, and 3) Entrok. The technique of data collecting used in this research is to study the library read the note, conducted by reading carefully and repeated thoroughly and classifying the data obtained based on women’s image. Analyzing data in this research use the descriptive qualitative method. The research finding in the form of physical women’s image, the image of women’s psychic and the role of women consisting of domestic and public areas. Domestic roles include as a child, wife, and mother. The role of women in the public domain consists of the educator, economic, and social movement sectors.


SASI ◽  
2019 ◽  
Vol 24 (2) ◽  
pp. 168
Author(s):  
Elias Zadrach Leasa

Families are places where everyone in the family feels safe and comfortable from acts o violence, but in reality violence also accurs whitin the family. The enactment of Law No. 23 of 2004 on the abolition of domestic violence (hereinafter referred to as the Law of Domestic Violence) aims to prevent all forms of domestic violence, protect domestic violence victims, prosecute domestic violence perpetrators, and maintain wholeness harmonious and prosperous households. In handling it is sometimes resolved peacefully. This raises the question of whether the Law on Elimination of Domestic Violence has guaranteed the settlement of Domestic Violence according to its objectives? All forms of violence against women and children constitute a violation of human rights, so it is necessary to be protected by their dignity and dignity and guaranteed their right to life in accordance with their nature and nature without discrimination. The Criminal Act contained in Article 5 of the Act states that prohibited violence is physical violence, psychological violence, sexual violence, or neglect of the household. Many cases of domestic violence are reported but not a few are repealed by the victim for various reasons, such as still loving the perpetrator, and the perpetrator is the breadwinner in the household. The resolution of cases of domestic violence is also up to the court's decision, but this certainly brings the consequences of the objective of the Law on Elimination of Domestic Violence. Despite all forms of prevention of domestic violence, protecting the victim, prosecuting the perpetrator is reached but if the case is passed on to the court decision whether the goal of maintaining a harmonious and prosperous household unity can be achieved. The resolution of domestic violence requires the wisdom of the Law Enforcers (Police, Prosecutors, Judges).


LITERA ◽  
2013 ◽  
Vol 9 (1) ◽  
Author(s):  
Else Liliani

This study aims to describe women’s roles, problems, and ways to solve the problems reflected in Indonesian novels in the period of 1900–2000. The data sources were 20 top novels published in that period. The data were collected through reading and analyzed by relating them to several elements as their contexts and using the analytical construct in the feminist literary criticism. The results are as follows. First,women’s public roles include their participation in the movements, education, and business and their domestic roles are as wife and mother. Second, their domestic problems are related to psychological problems, nationality, gender construction, domestic violence, and financial dependence. Third, the problems result from differences in nationality, society’s patriarchal culture, religious interpretation, gender construction, politics, and financial dependence. Fourth, the characters’ attitudes to the problems are in the form of submission, opposition, and escapism.


2021 ◽  
Vol 5 (2) ◽  
pp. 264-288
Author(s):  
Agung Pangeran Bungsu

Abstract: The increasing violence against women makes the issue of gender will continue to be interesting to study. The forms of violence committed against women are also increasingly diverse, one of which is non-physical violence through the news media. Women are often treated unfairly and even harassed their dignity in news discourse. This paper will describe the styles of two media that are quite popular in Indonesia, namely Detik.com and Media Indonesia in constructing news about the hot video of artist Gisella Anastasia. Then the discourse construction will be analyzed using Sara Mills' critical discourse analysis. Sara Mills' critical discourse analysis will analyze the discourse building holistically which includes the position of the subject-object and also the position of the writer-reader in the news. The results of the study reveal that the position of the subject and the author is dominated by men to convince the public that women are the cause of the hot video case. The tendentious narratives aimed at women by the two media in constructing discourse further exacerbate the framing inherent in women. Keywords: Gisella Anastasia, Sara Mills Critical Discourse Analysis, Sara Mills Critical Discourse Analysis Abstrak: Meningkatknya kekerasan pada perempuan membuat isu tentang gender akan terus menarik untuk dikaji. Bentuk kekerasan yang dilakukan pada perempuan juga semakin beragam, salah satunya kekerasan non fisik lewat media pemberitaan. Perempuan kerap diperlakukan tidak adil bahkan dilecehkan martabatnya dalam pewacanaan berita. Tulisan ini akan menguraikan gaya dua media yang cukup populer di Indonesia yaitu Detik.com dan Media Indonesia dalam mengkonstruksikan berita tentang video panas artis Gisella Anastasia. Kemudian konstruksi wacana akan dianalisa dengan menggunakan analisis wacana kritis Sara Mills. Analisis wacana kritis Sara Mills akan menganalisa bangunan wacana secara holistik yang meliputi posisi subjek-objek dan juga posisi penulis-pembaca dalam pemberitaan. Hasil penelitian mengungkapkan posisi subjek maupun penulis dikuasai oleh laki-laki untuk meyakinkan publik bahwa perempuan sebagai penyebab terjadinya kasus video panas. Narasi tendensius yang ditujukan bagi perempuan oleh kedua media dalam mengkonstruksikan wacana semakin memperburuk framing yang melekat pada perempuan. Kata Kunci: Gisella Anastasia, Analisis Wacana Kritis Sara Mills, Critical Discourse Analysis Sara Mills


2015 ◽  
Vol 45 (1) ◽  
pp. 126-140 ◽  
Author(s):  
Lisa Fitzpatrick

Using the Theatre of Witness production I Once Knew a Girl as its focal point, this essay examines the operation of affect in performances that address Northern Ireland's history of civil conflict. I Once Knew a Girl seeks to capture women's experience of those decades. The gendered aspects of that conflict and of the associated violence and victimhood are rarely acknowledged or explored, although the research on domestic and sexual violence suggests that public civic violence has an aggravating impact on all forms of violence, including those normally designated as ‘private’. These performances focus on the personal and individual experience of the conflict and its aftermath, while seeking to create affective experiences for the spectators. Affect arguably facilitates the public telling of taboo stories while minimizing the potential for audience objectification and ‘Othering’ of the participant/protagonist. ‘Taboo’, because sexual and domestic violence – an issue that arises repeatedly within this production – is often minimized or marginalized in public discussion of the Northern Irish conflict, where the focus is on the ‘masculine’ narratives of nation and nationalisms.


LITERA ◽  
2013 ◽  
Vol 8 (1) ◽  
Author(s):  
Wiyatmi Wiyatmi

This study aims to describe the representation of gender relation and gender role and Eka Kurniawan’s and Djenar Maesa Ayu’s different visions of the two. The data sources were Cantik Itu Luka, a novel by Eka Kurniawan and Nayla, a novel by Djenar Maesa Ayu. The data were analyzed by means of the qualitative descriptive technique through categorization, tabulation, and inference employing the feminist literary criticism theory. The findings are as follows. First, Cantik Itu Luka representsthe gender relation dominated by patriarchal power especially in the public domain, while Nayla represents the gender relation leading to superior women against the patriarchal power. Second, Eka Kurniawan views that men have dominant positionsin relation to women, while Djenar Maesa Ayu views that men’s domination must be opposed by presenting dominant female figures. Third, Eka Kurniawan views that patriarchal domination in gender role still cannot be opposed by women, while Djenar Maesa Ayu views that women must be able to compete with men especially in the public role.


2019 ◽  
Vol 8 (2) ◽  
pp. 135-152
Author(s):  
Ahmad Yunus ◽  
Supianto Supianto

Harmonious households can occur due to several factors that support, including factors such as comfort, compatibility, the existence of goals and trust. Conversely, households that are not harmonious occur because of several factors, including the lack of compatibility and frequent conflicts. This research focuses on how the level of understanding and the impact of community understanding of UUPKDRT. The level of community understanding of Cangkring Village, Jenggawah Subdistrict, regarding the PKDRT Law is still low. They do not know that there are many kinds of violence, including physical violence, psychological violence, sexual violence, economic violence and domestic violence violence. The impact of the low understanding of the people of Cangkring Village on the PKDRT Law and also the low understanding of various forms of violence in household causes the high incidence of violence in the household whether it is realized consciously or not.Keywords: Understanding, Domestic violence, impact


2020 ◽  
Vol 10 (2) ◽  
pp. 57
Author(s):  
Seyedeh Robabeh Zabihzadeh

The universal concern of domestic violence against women in its various manifestations came to the center of scholarly attention due to its harmful effects and consequences on the lives of thousands of women worldwide. This umbrella term that refers to any form of physical, sexual, and psychological abuse against women is the result of gender-based power imbalance and sexist inequalities in societies where patriarchal norms hold sway. However, the enormity and severity of the problem is more profound in third-world countries where governing policies are determined by traditional and religious doctrines. Afghanistan is one such third-world country where woman&rsquo;s oppression and abuse originate from the reigning religious principles that dominate its culture, society and politics. Nevertheless, there is a recent trend among literary figures of the Afghan Diaspora in highlighting the plight of Afghan women in Afghanistan through the medium of fiction. This paper therefore intends to investigate the manifestations of domestic violence against women in the Afghan context through a reading of Atiq Rahim&rsquo;s novella, A Thousand Rooms of Dream and Fear (2007). Rahimi&rsquo;s novella narrates the story of a male protagonist named Farhad and simultaneously highlights the miserable living conditions of the Afghan people, particularly the lives of Afghan women during the turbulent period of the Soviet Invasion as well as the many internal political upheavals that followed soon after. Using feminist literary criticism, the present paper shall discuss the depictions of three prominent forms of domestic violence against women as experienced by the female characters in the novella, namely physical, sexual and psychological violence that have shaped them into oppressed, silenced and traumatized individuals.


ATAVISME ◽  
2010 ◽  
Vol 13 (2) ◽  
pp. 243-256
Author(s):  
Wiyatmi Wiyatmi

Penelitian ini bertujuan mengungkap gambaran perlawanan simbolis terhadap hegemoni patriarki melalui pendidikan dan peran perempuan di arena publik dalam novel-novel Indonesia dengan kritik sastra feminis. Untuk mencapai tujuan tersebut, secara purposif dipilih sejumlah novel periode 1920 sampai 1980-an yang secara intens mengangkat isu pendidikan bagi perempuan dan peran perempuan di ranah publik. Hasil penelitian menunjukkan adanya perlawanan terhadap hegemoni patriarki dalam bentuk perjuangan para perempuan untuk mendapatkan kesempatan menempuh pendidikan yang masih digunakan untuk mempersiapkan tugas-tugas domestiknya, sebagai ibu rumah tangga (Azab dan Sengsara dan Sitti Nurbaya), pendidikan bagi perempuan yang mempersiapkan dirinya ke dalam pekerjaan di sektor publik, terutama sebagai guru (Layar Terkembang, Kehilangan Mestika, Widyawati, dan Manusia Bebas), yang dilanjutkan dengan masuknya perempuan terpelajar tersebut dalam organisasi perempuan untuk memperjuangan emansipasi perempuan dan perjuangan menuju kemerdekaan Indonesia (Layar Terkembang, Manusia Bebas, dan Burung-burung Manyar). Abstract: This study is aimed at exposing the depiction of symbolic resistance of patriarchal domination through education and the role of women in public domain and in the novels of Indonesia by feminist literary criticism. To achieve these objectives, a number of novel from 1920 until 1980s that raised the issue of intensive education for women and the role of women in the public domain were purposively selected. The result shows the resistance to the hegemony of patriarchy in the form of women’s struggle to get a chance to still use their education to prepare for domestic tasks, as housewives (Kehilangan Mestika and Sitti Nurbaya), education for women who are preparing themselves to work in a public sector, primarily as a teacher (Layar Terkembang, Kehilangan Mestika, Widyawati, and Manusia Bebas), continuing with the entry of women educated in women’s organizations to women’s emancipation and the struggle towards independence of Indonesia (Layar Terkembang, Manusia Bebas, and Burung-burung Manyar). Key Words: symbolic resistance, patriarch, novel


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