scholarly journals LINGUOCULTURAL PECULIARITIES OF GERMAN AND GEORGIAN PHRASEOLOGICAL UNITS – CONTRASTIVE ANALYSIS

2019 ◽  
Vol 4 ◽  
pp. 37-45
Author(s):  
Nana Stambolishvili ◽  
Anzor Abuseridze
Keyword(s):  
National Identity ◽  
National Culture ◽  
National Character ◽  
Contrastive Analysis ◽  
Research Gaps ◽  
Source Language ◽  
The World ◽  
Actual Use ◽  
Unity Of Language

Knowledge about the world begins with gaining knowledge about the language. Language is a part of our national culture and plays one of the main roles in its formation. Unity of language, culture and thinking determines and forms not only national mentality, but national character as well. Specific features of the national identity are reflected in phraseological units. Phraseological unit in German, as well as in Georgian language, is a complex verbal formation. Linguistic and extralinguistic factors play an importanat role in the formation and development of phraseological units. But there are still questions – how are these phraseological units created and which language is the source language and which one is the target one. Our goal is to study the origin and structure of some German phraseological units (especially idiomatic phraseology)and to find their equivalents in Georgian. We also aim at enriching idiomatic phraseologisms with the examples of their actual use in current parlance, finding their Georgian equivalents. The present work tries to contribute to broadening the scope of investigation and methodology of the previous contrastive German-Georgian phraseology research and fill research gaps in this field.

ARTISTIC ASSIMILATION OF THE WORLD IN THE ESSAY PROSE OF M. G. ATAMANOV (BASED ON THE BOOK “I AM UDMURT. WHY DOES IT HURT?”)

2020 ◽  
Vol 14 (3) ◽  
pp. 459-464
Author(s):  
Alevtina Vasilevna Kamitova ◽  
Tatyana Ivanovna Zaitseva
Keyword(s):  
Ethnic Identity ◽  
National Identity ◽  
National Culture ◽  
Native Language ◽  
Topographic Features ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Individual Style

The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G. Atamanov, associated with his ideas about the Udmurt people. The main motives and plots of the works included in the book under consideration are accumulated around the concept of “Udmurtness”. The comprehension of “Udmurtness” is modeled in his essays through specific leit themes: native language, Udmurt people, national culture, mentality, geographic and topographic features of the Udmurt people’ places of residence, the Orthodox idea. The “Udmurt theme” is recognized and comprehended by the writer through the prism of national identity.

Modern domestic cinema and the legacy of shaken Aimanov

Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
A.S. Jumadilov ◽  
Keyword(s):  
National Identity ◽  
Soviet Union ◽  
National Culture ◽  
Film Industry ◽  
National Cinema ◽  
Soviet State ◽  
The Soviet Union ◽  
The World ◽  
History Of ◽  
First Time

Following the collapse of the Soviet Union, the post-Soviet state of post-Soviet autonomous republics turned out to be the ideology for which cinematographers and screenwriters have to make a film epic of epoch - national cinema. In this article, the author can only use the ever-present cinematography, the unmerciful nationalistic culture, the ideological orientation of the film industry, the uniqueness or national identity. It's a good idea to have a world-renowned artisan who is doing all the same, seeking internationalization and gloss? Another - cinematic and astrophysical art of Shaken Aimanov, whose works live in volumes or polls, and others. For many years, many changes have taken place in the national cinema, such as national culture, a national emblem of national culture. For the first time in the history of national cinema, national cinema and the world of cinema, the future and future films have been transformed into a lot of changes. The Concept of distinguished singer Shaken Aimanova is embodied in the volume, which, unlike the researchers and artists all over the world of cinema Shaken Aimnayev, the director of which, as long as he is a filmmaker, creates a film studio as part of national culture.

Occasions and Nations in Brahms's Fest- und Gedenkspruche

2006 ◽  
Vol 29 (3) ◽  
pp. 261-288 ◽  
Author(s):  
Ryan Minor
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
National Culture ◽  
Political Identity ◽  
Late Nineteenth Century ◽  
Historical Continuity ◽  
The World ◽  
German Nation ◽  
Late Nineteenth ◽  
Fathers And Sons

Brahms's Fest- und Gedenkspruche have long been discussed and sometimes dismissed as an occasional work. But although many scholars have debunked this designation, pointing out that Brahms wrote the motets with no particular occasion in mind, a more salient description of the composition deserves further investigation: the motets are a work for occasions, rather than an occasional work. This article looks at the repercussions of this distinction by focusing on the motets' orientation around the world of plurals (in Benedict Anderson's words) that was both presupposed and fostered by a national culture of festivity in late-nineteenth-century Germany. For one, the title of Brahms's motets--Spruche--references the contemporary collections of sayings that sought to capture and disseminate the multiplicity of the Volk in the new German Kaiserreich. This emphasis on national identity as a localized, participatory act was well suited to the flurry of commemorative festivities taking place throughout the newly unified Germany; it also finds musical expression in the motets. In particular, Brahms makes programmatic use of the double chorus to illustrate processes of unification, narration, and historical continuity, all of which were crucial strategies in the attempt to buttress Germany's new political identity with mnemonic supports. And by setting biblical texts that promote a contractual memory between fathers and sons, Brahms depicts a community in which collective participation in remembering the national past serves as an optimistic bulwark against the centrifugal antagonisms that would soon beset the young German nation.

scholarly journals The Montenegrin poet and ruler, Petar II Petrovich Negosh

2020 ◽  
pp. 296-302
Author(s):  
Alla G. Sheshken ◽  
Keyword(s):  
National Identity ◽  
Native Language ◽  
Great Influence ◽  
National Character ◽  
National Literature ◽  
Main Theme ◽  
Great Contribution ◽  
The People ◽  
The World ◽  
Ottoman Turkey

The article talks about the representative of the national revival of the Southern Slavs, Petar II Petrovich Negosh (1813–51), the ruler of Montenegro, poet and writer, who had a great influence on the development of the national identity of the Montenegrins. The main theme of his creativity was the struggle of the people against Ottoman Turkey. In his poems, dramas and lyrics, he outlined with great artistic persuasiveness the persistent national character of the Montenegrins and their cult of valor and heroic characteristics. Negosh’s works enriched the national literature in terms of genre and made a great contribution to the development of expressive capabilities in the native language. His works are a part of the national picture of the world, many of them have been used in citations.

scholarly journals Linguocultural pecularities of phraseological units in English and Ukrainian languages

2021 ◽  
pp. 24-32
Author(s):  
O. H. Permyakova ◽  
◽  
S. A. Konovalchuk ◽  
I. I. Shundikova ◽  
◽  
...  
Keyword(s):  
National Culture ◽  
National Language ◽  
National Character ◽  
Environmental Interpretation ◽  
Cultural Aspects ◽  
The World ◽  
Different Cultures ◽  
Source Of Information ◽  
Cultural Features

Phraseological units directly or indirectly carry cultural information about the world and pass it from generation to generation, reproduce the national culture and its mentality, show the features of the national figurative way of thinking. A phraseological unit is the soul of each national language, in which the spirit and specificity of the nation are revealed in a unique way. The article deals with the role of English and Ukrainian phraseology as a means of national cultural reflection. It is pointed out that the phraseological units are a means of reflection of national culture and a valuable source of information about the culture and national character of the nation. The specific features of English and Ukrainian phraseology, which are reflected in the pictorial thinking of the nation, have been depicted and the examples of their written interpretation have been given. The linguistic and cultural features of phraseological units in English and Ukrainian which contain such components as: „God” – the object of comparison, „nationality” and „toponym” have been presented and analyzed. It has been proven that toponymical phraseological units detect certain features of verbalization in different cultures and these features are determined by the subjective way of the environmental interpretation. The linguistic and cultural aspects of phraseology in Ukrainian and English have been analyzed only in some cases, taking into account the cultural and literary bases of the idioms origin. This problem can be also studied on the examples of the phraseological units where the culture is reflected through the connection with cultural and national connotations, standards, symbols, stereotypes and associations specific only for one language. English and Ukrainian languages possess a variety of idioms of such type, which need further and thorough investigation

scholarly journals Piłka nożna i rekonstrukcje niemieckiej tożsamości narodowej

2016 ◽  
Vol 10 (2) ◽  
pp. 23-34
Author(s):  
Zbyszko Melosik
Keyword(s):  
National Identity ◽  
National Character ◽  
World Championship ◽  
The World ◽  
German Identity ◽  
The Relationship

The article is aimed at analysing the relationship between football and ways of reconstructing the German national identity. At the beginning the origin of football in Germany is decribed. Than the role of „Berno Miracle” (German world championship in 1954) in creation the postwar new German identity is considered as well as the role of football in presenting „new Germany” to the world in the 2006 world championship organized by Germany. At the end the stereotypes considering the connections between German style of play and German „national character” are presented.

scholarly journals Specifics of modeling of the national character in the works by Les Martovych

2017 ◽  
Keyword(s):  
National Identity ◽  
National Character ◽  
Philosophy Of Life ◽  
The World ◽  
Political Conditions ◽  
Life Philosophy

The article examines the questions of a national character, extending the idea of national identity of psychology in works of Les Martovych, due to both personal-individual qualities of character of the writer and characters, their attitude and perception of the world and socio-political conditions of life. The dominant worldview of the writer and the concept of man and the world are determined. Based on the analysis of the works are studied the archetypes of truth, goodness and beauty, and also of land, nature and freedom, which are characteristic for the Ukrainian national character. It is emphasized that the main characters of Les Martovych are quite self-sufficient characters with their own views on life, philosophy of life and beliefs.

American Cultural History: A Very Short Introduction

2018 ◽  
Author(s):  
Eric Avila
Keyword(s):  
National Identity ◽  
Cultural History ◽  
National Culture ◽  
American Culture ◽  
The Internet ◽  
Way Of Life ◽  
Short Introduction ◽  
The World ◽  
American Cultural History ◽  
Global Reach

American Cultural History: A Very Short Introduction provides a chronological look at American culture—the values, attitudes, beliefs, and myths of a particular society and the objects through which they are organized—addressing literature, music, art, architecture, theater, film, television, and the Internet. In doing so, it emphasizes culture’s role in the shaping of national identity and how previous generations of Americans have imagined themselves, their nation, and their relationship to rest of the world. Across the lines of race, class, gender, sexuality, religion, ethnicity, generation, and geography, diverse Americans have forged a national culture with a global reach, inventing stories to underscore the problems and possibilities of an American way of life.

Principles of Evolutionary Modernization of Transition Economies

2009 ◽  
pp. 85-96 ◽  
Author(s):  
E. Rustamov
Keyword(s):  
National Culture ◽  
Transition Economies ◽  
Transition Economy ◽  
World Economic Forum ◽  
Governance Mechanisms ◽  
Beneficial Use ◽  
Strategic Issues ◽  
The World ◽  
Comparative Advantages ◽  
World Economic

The article considers strategic issues of modernization of the transition economy. The analysis is based on the methodology of the World Economic Forum where special attention is paid to the sequence of the transformation stages. The main conclusion is that modernization should combine implementation of the governance mechanisms with the beneficial use of comparative advantages of the national culture. In fact, modernization of the transition economy should be evolutionary. It is precisely this course of development that is relevant for Azerbaijan which has successfully upgraded its economy in the recent years.

Embracing multiculturalism of Canada: the roots & the present-day realities

2017 ◽  
pp. 32-41
Author(s):  
Valentyna Bohatyrets
Keyword(s):  
National Identity ◽  
Human Dignity ◽  
Public Support ◽  
Immigrant Integration ◽  
Mutual Understanding ◽  
Positive Outcomes ◽  
The World ◽  
The One ◽  
Digital Diplomacy ◽  
Equality And Diversity

The paper provides the framework for embracing multiculturalism as a source of national identity, a political ‘profession de foi’, and an engine for a government to gain positive outcomes, leading to better immigrant integration and economic advantages for any country in the world. Noteworthy, Canadian federal policy of multiculturalism, since its official adoption in 1971, is witnessed to work stunningly and in contrast to developments elsewhere – in Canada, public support for multiculturalism is seeing unprecedented growth. Currently, the diversity of the Canadian populace is increasing faster than at any time in its history; Canada’s ethnic makeup has notably altered over the time due to changing immigration patterns. According to the latest poll findings, 84% of Canadians agree with the statement that ‘Canada’s multicultural makeup is one of the best things about this country’; 61% of Canadians believe multiculturalism ‘strengthens national identity’. Moreover, released data from Environics reveals that 27% of Canadians believe ‘multiculturalism is the one characteristic about Canada that most deserves to be celebrated on its upcoming 150thanniversary. Undeniably, people around the world tend to view Canada as “good”. Importantly, the election of Justin Trudeau is viewed as an excellent opportunity to invigorate brand Canada. Noteworthy, brand Justin Trudeau is currently composed of his belief in and promotion of the values of tolerance, equality and diversity. While recognizing the value for society of the human dignity inherent in each individual, Trudeau’s government aims to push beyond mere tolerance to mutual understanding and respect. Keywords: Multiculturalism of Canada, immigration, digital diplomacy, brand, national identity, poll, ethnic groups

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