Performance and aesthetics in contemporary Yoruba traditional marriage ceremony

2021 ◽  
Author(s):  
Humanus Discourse ◽  
Aderonke O Awokesinro,
2018 ◽  
Vol 2 (1) ◽  
pp. 258
Author(s):  
Febri Vive Kananda ◽  
. Relin D.E ◽  
I Made Wika

<p><em>Hinduism believes in the existence of four phases of life to be traversed by the so-called Chess Dormitory. The four phases of human development are Brahmacari, Grehasta, Wanaprasta, and Bhiksuka (Sanyasin). Of the four phases, marriage is included in the stage of development of life, the second human being (Grehasta). In Javanese traditional marriage contains many values that are poured in the symbols, one of which is used like the Kembar Mayang. All ceremonial facilities in Java still use the standard or rules in the Javanese tradition that still apply and is a local religious belief. However, people's understanding of the ceremonial facilities is still lacking. This research is a qualitative research which in collecting data, researcher use observation technique, interview, document study and literature study.</em></p><p><em>From this research, </em><em>t</em><em>he process of marriage ceremony of Hindu people in Sidorejo village in general starts from</em><em> lamaran, pasang </em><em>tarub, selamatan, inauguration of husband and wife, bridal meeting (nemokake manten), and the peak is marked with marriage party and continued with ceremony sepasaran.</em><em> </em><em>Upacara marriage of Hindu have function (1) preserving Javanese tradition as a form of preservation of ancestral traditions that have been carried out for generations, (2) religious function (3) social function. The theological significance embodied in the Hindu marriage ceremony in Sidorejo Village is as early as entering the life of grhasta, the cleansing of the spirits of the ancestors, obtaining the suputra and surely embodying a happy family of birth and mind (sukinah).</em></p><p><em> </em></p>


2020 ◽  
Vol 3 (2) ◽  
pp. 72
Author(s):  
Sella Tri Komala ◽  
Supriyanti Supriyanti ◽  
Rina Martiara

Preservation of Andun Dance in South Bengkulu. Andun dance is one of the dances of South Bengkulu’s people, which is currently less popular. This dance is a form of cultural and traditional art in South Bengkulu that still exists and has Islam and traditional nuance. In a marriage ceremony, for example, this dance is performed for seven days and seven nights. For those with a modern view, the Andun dance is a series of long and tiring processions and should be abandoned or modified. However, because it has become a custom and tradition, most people still carry out this long procession until now, even though it requires a lot of time and money. Andun dance is now less attractive because there are so many foreign cultures that enter South Bengkulu people, especially its young people. Andun dance is also getting worse because the places to express this dance are decreasing in number. For example, South Bengkulu people’s traditional marriage rituals are usually held for seven days and seven nights. Still, at present, the practices held are not carried out that long. Andun dance, which is currently experiencing ups and downs, has not been able to regrow the community’s interest and youth. This research focuses on how the efforts to preserve the Andun Dance in the people of South Bengkulu. One of the efforts made by the government is to carry out the Andun dance festival. In several leading schools, Andun dance is taught as extracurricular activities. The efforts made by the community regarding the preservation of the Andun dance are deliberating so that the Andun dance can be performed by the middle to lower class communities. Besides, artists also carry out preservation efforts by providing guidance or training for Andun dance to their students.Keywords: preservation; Andun dance; South Bengkulu


2020 ◽  
Vol 9 (1) ◽  
pp. 35
Author(s):  
NFN Pranowo ◽  
Winci Frdaus

This research is an interpretive reflective research with ethnopragmatic symbolic study theory. The source of the research data was taken from the documents of two makeup artists from Yogyakata, namely the makeup dresser Lisandra and the makeup dresser Hj. Rochayati. The research data are in the form of Javanese traditional wedding document of Yogyakarta style. The data collection technique is in the form of observation of photo documentation to obtain data in the form of a marriage ceremony sequence that uses verbal and nonverbal language from preparation to the end. The data analysis technique is interpretive reflective. The concrete steps of data analysis are (a) identifying documents, (b) classifying the sequences of marriages, and (c) interpreting each stage of the ceremony. The objectives of the research are (1) to describe the form of nonverbal language in traditional marriage ceremonies, and (2) to describe the non-verbal symbolic meaning of non-verbal language in marriage ceremonies. The findings of the research are that (a) the form of Yogyakarta-style traditional wedding events there are 15 stages, ranging from paningsetan to reception, and (b) ethnopragmatic symbolic meaning in general in the form of prayer requests so that what is desired can be realized.AbstrakPenelitian ini merupakan penelitian reflektif interpretatif dengan teori kajian simbolik etnopragmatik. Sumber data penelitian diambil dari dokumen dua orang juru rias dari Yogyakata, yaitu rias pengantin Lisandra dan rias penantin Hj. Rochayati (nama disamarkan). Data penelitian berupa dokumen foto perkawinan adat Jawa gaya Yogyakarta. Teknik pengumpulan data berupa observasi dokumentasi foto untuk mendapatkan data berupa urutan upacara perkawinan yang menggunakan bahasa verbal dan bahasa nonverbal dari persiapan sampai dengan akhir. Teknik analisis data dilakukan secara reflektif interpretatif. Langkah konkret analisis data adalah (a) mengidentifikasi dokumen, (b) mengklasifikasi urut-urutan acara perkawinan, dan (c) menginterpretasi tiap tahapan upacara. Tujuan penelitiannya adalah (1) mendeskripsikan wujud bahasa nonverbal dalam upacara adat perkawinan, dan (2) mendeskripsikan makna simbolik etnopragmatik bahasa nonverbal dalam upacara adat perkawinan. Temuan hasil penelitian adalah bahwa (a) wujud acara adat perkawinan gaya Yogyakarta terdapat 15 tahapan, mulai dari paningsetan sampai dengan resepsi, dan (b) makna simbolik etnopragmatik pada umumnya berupa doa permohonan agar apa yang diinginkan dapat terwujud.


2015 ◽  
Vol 18 (1) ◽  
pp. 43-56
Author(s):  
Nova Yohana ◽  
Kurnia Husmiwati

Basiacuang verbal tradition in the traditional marriage ceremony in the Kampar Malay speech community in Kuok village, Kuok Subdistrict, Kampar District in Riau province, is a part of the customs and traditions inherited from ancestors. This tradition is organized as a performance, and it has a social function in the Kampar Malay community. The problem in this research is how the rules of communicative interaction of basiacuang verbal tradition in the Malay Riau marriage ceremony. This study is purposed to determine the linguistic rules, interaction rules, and cultural norms in performance of basiacuang verbal tradition in the traditional marriage ceremony of Malay Kampar custom. The method used is a qualitative method to ethnography approach of communication. Data were collected through observation, interviews, and documentation. The results of this study showed that the linguistic rules of Basiacuang verbal tradition prioritize the beauty of language usage that conveyed by the speaker. Whether the interaction rules of speech in basiacuang tradition, success or fail depending on the ability and the fluency of the speaker in applying the value. Culture rules in basiacuang is in which every utterance contains of proverbs and rhymes that have a philosophical meaning, values and norms in the Kampar Malay life community.


2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Muhamad Arifin ◽  
Akhmad Muadin ◽  
Agus Salim Salabi

The aim of this paper is to explain the strategy applied by the Kyai to transform the traditional marriage ceremony of Merariq/Nyongkolan among the sasak people of Lombok into becoming more shari’a friendly tradition. The kiai's communication strategy in changing the tradition of merariq nyongkolan in Sasak Lombok tribal community are: First, kiai as the leader of Pesantren Darul Falah Mataram communicates with the community of Sasak Lombok by using preaching method, bilḥikmah (wise). Second, kiai foster the harmonious relations with internal public and also external public. The kiai utilizes the graduates of Darul Falah to convey the kiai's messages and missions to the community through the majlīs ta’līm or pesantren, Madrasah Diniyah, muṣallā, and the mosques which is led by them. Third, the kiai uses non-verbal communication through a social approach to the community by attending to the celebration's routine such as 'aqīqah, diba’an, marriage celebration, maulīd an-nabiy, death, and other religious events its held in private homes or in mosques and muṣallā. Fourth, the kiai uses communication by using forms of threats to the community, especially the to the gradutes of Pesantren Darul Falah, who if they invite the kiai to the merariq nyongkolan event but still using kecimol music then the kyai will not be present in that event. But, when the community use Islamic music such as rebana, marawis, and with a series of activities those are not contrary to the shari'ah, the kiai will be happy to attend the invitation.Keywords: Communication strategy, cultural change, Merariq Nyongkolan


2018 ◽  
Vol 7 (1) ◽  
Author(s):  
Juswandi Juswandi

AbstrakPenelitian ini berjudul “Upacara Aadat Perkawinan Masuarakat Kecamatan Rumbai Pekanbaru Provinsi Riau” Tujuan penelitianiniadalah mengetahui dan tata cara upacara adat perkawinan.penelitian ini berlokasi di Kecamatan Rumbai Provinsi Riau. Penelitian ini menggunakan metode kualitatif dan deskriptif dengan cara pendekatan wawancara dan di rekam kemudian di catat. Setiap suku dan etnik setiap suku dan bangsa memiliki adat dan tradisi yang berbeda-beda, hal ini terlihat ketika adat pernikahan khususnya di Kecamatan Rumbai Pekanbaru mulai dari persiapan pernikahan sampaike pelaminan.Kata kunci : Upacara PerkawinanAbstrackThe litle of the resarch is traditional marriage for the society in the districk of rumbai-pekanbaru. The aims of the resarch are to investigate, analyze And documenting the procedures of traditional marriage ceremony this area.the research is located in the districk of rumbai-pekanbaru. In analyzing this research, the writer applies a descriptive qualtative method in wich the result of the analyzis will be descrobed clearly. The data was taken by using interview, records and notes,the result shown that every tribe and ethnic has different customs and traditions. This can be seen at the time of the marriage process especially in the districk of rumbai-pekanbaru starting from marriage preparation until wedding ceremony.Keywords: traditional marriage cermony, customs and traditions


2018 ◽  
Vol 6 (1) ◽  
Author(s):  
Juswandi Juswandi

ABSTRAKPenelitian ini berjudul “Upacara Adat Perkawinan Masyarakat Kecamatan Rumbai Pekanbaru Provinsi Riau” Tujuan penelitian ini adalah mengetahui dan tata cara upacara adat perkawinan. Seting berlokasi di Kecamatan Rumbai Provinsi Riau. Penelitian ini menggunakan metode kualitatif dan deskriptif  dengan cara pendekatan wawancara dan di rekam kemudian di catat. Setiap suku dan etnik setiap suku dan bangsa memiliki adat dan tradisi yang berbeda-beda, hal ini terlihat ketika adat pernikahan khususnya di Kecamatan Rumbai Pekanbaru mulai dari persiapan pernikahan sampaike pelaminan.Kata kunci : tradisi nikah, masyarakat RumbaiAbstractThe litle of the resarch is traditional marriage for the society in the districk of rumbai-Pekanbaru. The aims of the research are to investigate, analyze and documenting the procedures of traditional marriage ceremony this area. The research is located in the districk of rumbai-pekanbaru. In analyzing this research, the writer applies a descriptive qualtative method in wich the result of the analyzis will be descrobed clearly. The data was taken by using interview, records and notes,the result shown that every tribe and ethnic has different customs and traditions. This can be seen at the time of the marriage process especially in the districk of Rumbai-Pekanbaru starting from marriage preparation until wedding ceremony.Keywords: traditional marriage cermony, customs and traditions


1971 ◽  
Vol os-18 (2) ◽  
pp. 64-71
Author(s):  
K. A. Dickson

The author points out some areas of discrepancy between the traditional African naming ceremony for children and the traditional marriage on the the one hand, and the Christian analogs (infant baptism and marriage ceremony) on the other. He rejects the suggestion that the former be simply adopted unmodified by the Christian church, but suggests adjustments in the Christian ceremonies to take into consideration worthwhile values from the traditional ceremonies and to make the ceremonies more meaningful to participants.


2019 ◽  
Vol 9 (1) ◽  
pp. 36
Author(s):  
Mahliana Mahliana

AbstractNarrative Structure on Banjar Traditional Marriage in Kecamatan Pulau Laut UtaraKabupaten Kotabaru. Narrative structures are the narrator's way of presenting events toaudiences. The narrative has a structure from start to finish. The narrative structure foundin Banjar marriage in Kecamatan Pulau Laut Utara consists of 3 (three) stages: first,middle, and end. Adat Banjar is an idea of Banjar urban culture in developing culturalsystem, social system and cultural material which is related to religion, through variousprocess of adaptation, acculturation and assimilation. So that will appear to be mixing incultural aspects. The focus of this research is the narrative structure, at the stage of jujurmaatar and stage of marriage ceremony. The approach used is anthropological approach,with the type of descriptive research, and research method used is qualitative method. Theresults of this study are as follows: narrative structure found in Banjar customarymarriage, namely: 1) the structure of narrative stage jujuran maatar, early stage(welcoming the prospective groom), middle stage (delivery of delivery by the prospectivegroom) male and acceptance of delivery by the prospective bride), and the final stage(prayer and fresh bite). 2) The structure of the narrative stage of the marriage ceremony;2.1 stages of requesting permission to be married, early stage (prospective bride askspermission to be married), middle stage (guardians grant permission), and final stage(guardian represents to the penghulu and penghulu receive to represent the guardian). 2.2phase of marriage ceremony, early stage (opening ceremony of marriage ceremony),middle stage (qabul qabul and sighat ta'lik reading), and final stage (prayer read).Key words: narrative structure, Banjar customary marriageAbstrakStruktur Narasi Perkawinan Adat Banjar di Kecamatan Pulau Laut Utara KabupatenKotabaru. Struktur narasi adalah cara pembuat narasi dalam menghadirkan peristiwakepada khalayak. Narasi mempunyai struktur dari awal hingga akhir. Struktur narasi yangterdapat pada perkawinan adat Banjar di Kecamatan Pulau Laut Utara, terdiri dari 3(tiga) tahap, yaitu: tahap awal (beginning), tahap tengah (midle), dan tahap akhir (end).Adat Banjar adalah sebuah gagasan kebudayaan urang Banjar dalam mengembangkansistem budaya, sistem sosial dan material budaya yang mana berkaitan dengan religi,melalui berbagai proses adaptasi, akulturasi dan asimilasi. Sehingga akan tampakterjadinya pembauran dalam aspek-aspek budaya. Fokus penelitian ini adalah strukturnarasi, pada tahap maatar jujuran dan tahap upacara nikah. Pendekatan yang gunakanadalah pendekatan antropologis, dengan jenis penelitian deskriptif, dan metode penelitianyang digunakan adalah metode kualitatif. Hasil dari penelitian ini adalah sebagai berikut:37struktur narasi yang terdapat pada perkawinan adat Banjar, yaitu: 1) struktur narasitahap maatar jujuran, tahap awal (penyambutan pihak calon mempelai laki-laki), tahaptengah (penyerahan hantaran oleh pihak calon mempelai laki-laki dan penerimaanhantaran oleh pihak calon mempelai perempuan), dan tahap akhir (doa dan tapung tawar).2) Struktur narasi tahap upacara nikah; 2.1 tahap meminta izin untuk dinikahkan, tahapawal (calon mempelai perempuan meminta izin untuk dinikahkan), tahap tengah (walimemberikan izin), dan tahap akhir (wali berwakil kepada penghulu dan penghulumenerima untuk mewakilkan wali). 2.2 tahap akad nikah, tahap awal (pembukaan acaraakad nikah), tahap tengah (ijab qabul dan pembacaan sighat ta’lik), dan tahap akhir(pembacaan doa).Kata-kata kunci: struktur narasi, perkawinan adat Banjar


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