scholarly journals Elemen Pembentuk Makna pada Sebuah Interior Arsitektur

Humaniora ◽  
2012 ◽  
Vol 3 (2) ◽  
pp. 465
Author(s):  
Dila Hendrassukma

Along with the increasing needs of the community, also increasing the need for space to accommodated those needs. With limited space available nowadays, it is not uncommon to change the old buildings’ function as a place to meet the social growing need of the space. However, it is must be remembered by architects and interior architects when changing the functions of a space that the old space has its own histories and particular meaning to people who had ever occupied it. Those histories and meanings should be included in the creation of the new function. Article gives and describes elements that need to be known in order to understand the sense of a space, such as drawing plans, scale, proportion, movement, transition and access that embodied in the architecture and interior space. Qualitative methods by literature study is used in the making of this article.. 

2021 ◽  
Vol 1 (1) ◽  
pp. 14
Author(s):  
Mukhtia Resfa ◽  
Suryanti Suryanti ◽  
Rica Rian

This study discusses the representation of the rumah gadang presented by Hamzah in his paintings, viewed from an aesthetic point of view. This research will explain how the form of representation presented by Hamzah. In this study, qualitative methods used include observation, interviews, and literature study. In this study, we will review Hamzah's paintings based on the period from 2010-2020, so eight Hamzah paintings will be studied. Hamzah's paintings illustrate how the social life of the Minangkabau community has changed due to the changing times. Physical changes from the results of Minangkabau culture are changes that occur in the form of the rumah gadang. The visual of the rumah gadang is expressed in the forms of the rumah gadang that has been damaged, weathered, and even collapsed. Hamzah does not emphasize the forms of rumah gadang in one type only but symbolizes the symbolic rumah gadang. The representation of rumah gadang in Hamzah's painting can be analyzed that there are 3 visual types of rumah gadang in this study, namely the type of rumah gadang Gajah Maharam, Lipek Pandan and Balah Bubuang.


2019 ◽  
Vol 9 (2) ◽  
pp. 176-191
Author(s):  
Masrudi

Social change is a necessity that is not negotiable. This change is a variation onthe way of life that has been accepted together, both because of changes in geographicalconditions, culture, population composition, ideology and because of new discoveries insociety. This study uses the literature study method and the results of this study are socialchanges in the context of the propaganda of the Prophet Muhammad SAW is somethingreal and the results can be seen until now. The strategy he applied was by: 1) building a mosque as a base for the struggle and mobilization of the people; 2) bring together two major groups, namely Muhajirin and Ansar, to form the solidity of the people who standon the same flatform: faith; 3) establish communication with Jewish leaders as elders ofone of the social entities in Medina; and 4) made an agreement with the Jews in Medinawhich contained policies to build Muslim social stability. The importance of the currentda'wah movement for the creation of khoiru ummah is by carrying out social changessuch as those practiced by the Prophet Muhammad.


2021 ◽  
Vol 1 (1) ◽  
pp. 35-40
Author(s):  
Septiana Lenjau ◽  
Bayu Arsiadhi Putra ◽  
Aris Setyoko

In the Kenyah community in the Pampang Cultural Village, Datun Kendau has undergone many changes, which are more likely to add Sampe and change the lyrics of the song to the Kenyah language commonly used in Pampang Village. This study aims to describe the form and meaning of Datun Kendau in the Kenyah community in Pampang Cultural Village. This research uses qualitative methods with observation techniques, data collection techniques and data analysis. The observation technique includes the object of study and the determination of informants. Data collection techniques include literature study, interviews, and documentation. Finally, data analysis techniques using field data. The results show that the Datun Kendau show's form has changed, which consists of a simple musical structure and consists of repeated melodic motifs. Datun Kendau has adapted to the activities of tourism events and young Kenyah artists' interests in Pampang Village. The creation of the reality of the meaning of Datun Kendau is interpreted as a way of adaptation, the formality of performances, and activities that are profitable and occur because of broken communication between the older generation and the younger generation


2020 ◽  
Vol 14 (2) ◽  
pp. 283-292
Author(s):  
Muhammad Ayyinna Yusron El Farouq Ghazali ◽  
Umi Machmudah

This literature study aims to explain the prophetical dimension in Khotbah di Atas Bukit novel by Kuntowijoyo. The results of the study found that there is a humanization dimension of the Khotbah di Atas Bukit novel which includes strengthening in assertiveness, a sense of social solidarity, and personality. The dimensions of the liberation of novels on the Khotbah di Atas Bukit novel found include the activity of freeing oneself from worldliness, liberation from the social inequality. In the novel dimensions of transcendence the Khotbah di Atas Bukit novel was found to be akidah, khauf, tawakal, raja'. This dimension of humanization, liberation and transcendence represents the ethica prophetic component of prophethood underlying the creation of the Khotbah di Atas Bukit novel.


2020 ◽  
pp. 145-163
Author(s):  
Marta Casals Balaguer

This article aims to analyse the strategies that jazz musicians in Barcelona adopt to develop their artistic careers. It focuses on studying three main areas that influ-ence the construction of their artistic-professional strategies: a) the administrative dimension, characterized mainly by management and promotion tasks; b) the artistic-creative dimension, which includes the construction of artistic identity and the creation of works of art; and c) the social dimension within the collective, which groups together strategies related to the dynamics of cooperation and col-laboration between the circle of musicians. The applied methodology came from a qualitative perspective, and the main research methods were semi-structured inter-views conducted with active professional musicians in Barcelona and from partic-ipant observation.


2020 ◽  
Vol 8 (1) ◽  
pp. 37-46
Author(s):  
Stanislava Varadinova

The attention sustainability and its impact of social status in the class are current issues concerning the field of education are the reasons for delay in assimilating the learning material and early school dropout. Behind both of those problems stand psychological causes such as low attention sustainability, poor communication skills and lack of positive environment. The presented article aims to prove that sustainability of attention directly influences the social status of students in the class, and hence their overall development and the way they feel in the group. Making efforts to increase students’ attention sustainability could lead to an increase in the social status of the student and hence the creation of a favorable and positive environment for the overall development of the individual.


Author(s):  
Dira Herawati

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images


2020 ◽  
Vol 1 (3) ◽  
pp. 236-242
Author(s):  
Barnokhon Kushakova ◽  

This article discusses the conditions, reasons and factors of characterization of religious style as a functional style in the field of linguistics. In addition, religious style and its main peculiarities, its importance in the social life, and the functional features of religious style are highlighted in the article. As a result of our investigation, the following results were obtained: a) the increase in the need for the creation and significance of religious language, particularly religious texts has been scientifically proved; b) the possibility of religious texts to represent the thoughts of the people, culture and world outlook has been verified; c) the specificity of religious language, religious texts has been revealed; d) the development of religious style as a functional style has been grounded.


Author(s):  
Admink Admink ◽  
Жанна Шкляренко

Стаття присвячена дослідженню шляхів вивчення перформансу як культурного явища. Зростаюча увага до цього феномену зумовлена відсутністю лінії розмежування його з життям, створенню особливої реальності, спроможністю викликати потужні емоційні стани та взаємоемпатії. Проблематичність у вивченні його полягає у складності архівування, хиткий своєрідний наратив, що вислизає зі сприйняття непідготовленого глядача, міграція з виставкових зал у соціальну сферу, супроводжувана жанровими новоутвореннями. Даним дослідженням зроблено спробу аналізу шляхів пізнання культурного явища перформансу, визначені особливості побутування, виявлено закономірності проявів та варіативність в сучасній культурі. The article is devoted to the study of ways to research performance study as a cultural phenomenon. The growing interest in the phenomenon of performance art is due to the lack of a dividing line with our life, the creation of a special reality, the ability to cause strong emotional states and mutual empathy. The difficulty of study is also in trouble archiving it, shaky kind of narrative which escapes the perception of the unprepared viewer, the migration of the exhibition halls and in the social media sphere, followed by the creation of new genres. This analyzes the ways of understanding the cultural phenomenon of performance art. The features of being are determined, patterns and a variety of its manifestations in modern culture are revealed.


2021 ◽  
pp. 1-25
Author(s):  
Vyoma Jha

Abstract This article examines the creation of the International Solar Alliance (ISA), a new international organization led by India and backed primarily by developing countries. Official documents and wide-ranging interviews offer insights into the treaty-making process. Using a political economy approach to the study of international law, the article analyzes politico-legal issues associated with the creation of the ISA. The legal form of the ISA is best described as ‘soft law in a hard shell’: it uses the legal infrastructure of a treaty while relying on the social structure of participating actors for its future implementation. Empirical evidence suggests that three factors explain the treaty structure of the ISA: India's leadership role in the treaty-making process, the early involvement of non-state actors, and the preference of developing countries for legal form. Ultimately, the case illustrates India's shift towards a leadership role in climate change governance, and the steady emergence of non-state actors in driving climate action.


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