scholarly journals Heritage Resources as a Method to Reviving the Identity of Contemporary Interior Designs A Comparative Analysis of Users' Preferences of Interior Space

2017 ◽  
Vol 1 (1) ◽  
pp. 8
Author(s):  
Hala Barakat Elnaggar

Egyptian heritage is known to be a result of many great civilizations. With various traditional elements and special features that add prominence to its cultural aspects, it carries magnificent aesthetic values and visual forms. Nonetheless, and due to the different nature of the cities and provinces in Egypt, styles and features in each region have taken different paths. For instance, Ancient Egyptians influenced some areas while others were more affected by Islamic or Coptic civilizations. Some regions were preserved in Nubian folk art heritage form. In the past, the country had a clear and unique identity that reflected its characteristics, environmental benefits and socio-cultural attributes. However, today the identity is faded and is nearly completely wiped by Western notions erasing our ideas, identities, and thoughts. This study focuses on the elements of heritage, their impact on people and the way these elements inspire interior architecture, form and psychology.This study aims to discern the elements of heritage and identify the character and special criteria of each civilization such as the Ancient Egyptian, Islamic and Nubian folk art heritage with special references and clarifications as to the criteria of reviving the traditional identity in contemporary interior design. This study will also include an analysis of user preferences in relation to discussed features.

2018 ◽  
Vol 33 (3) ◽  
pp. 421
Author(s):  
Rahmanu Widayat

Many of cultural heritages of the past are detting less known by the present generation. One of which is a pawukon figures and their aesthetic values. Pawukon is a Javanese prediction or calculation based on Hindu mythology regarding time and its association with the prediction of human life based on their wuku (time characteristics). There are 30 pawukon figures, from the Wuku Sinta figure to Wuku Watugunung figure accompanied by a picture of their respective deities. Pawukon figures can be found in primbon books or enlarged and displayed in the interiors of Javanese houses. Pawukon figures such as wayang purwa are equipped with figures of buildings or gedhong, figures of weapons, figures of various types of trees, birds and other figures which each have a certain purpose and meaning. The composition of the various elements makes the overall visuals very interesting to be explored regarding the concept of visual, visual aesthetics and meaning. The pawukon figures also needs to be studied aesthetically regarding to their placement in the Javanese home interior and how to develop them to be better known by the present generation. To explore the aesthetics and development of Pawukon figures, the concept of wangun (aesthetic) derived from the Javanese culture was used. The research findings were interesting because the pawukon figures have the wangun elements and wangun visual arrangenments, wangun placement, and the development of the pawukon figures which is related to the concept of wangun and ora wangun (not aesthetic) or aèng (strange). Pawukon figures were made to remind people to be cautious, and their applications and development into interior design were meant to present the atmosphere of Java.Banyak warisan budaya masa lalu yang kurang dikenal oleh generasi sekarang. Salah satunya adalah angka-angka pawukon dan nilai-nilai estetika mereka. Pawukon adalah prediksi atau perhitungan Jawa berdasarkan mitologi Hindu tentang waktu dan hubungannya dengan prediksi kehidupan manusia berdasarkan wuku mereka (karakteristik waktu). Ada 30 tokoh pawukon, mulai dari tokoh Wuku Sinta hingga tokoh Wuku Watugunung yang disertai gambar dewa masing-masing. Tokoh-tokoh Pawukon dapat ditemukan di buku-buku primbon atau diperbesar dan dipajang di interior rumah-rumah Jawa. Tokoh Pawukon seperti wayang purwa dilengkapi dengan tokoh-tokoh bangunan atau gedhong, tokoh-tokoh senjata, tokoh berbagai jenis pohon, burung dan tokoh-tokoh lain yang masing-masing memiliki tujuan dan makna tertentu. Komposisi dari berbagai elemen membuat keseluruhan visual sangat menarik untuk dieksplorasi mengenai konsep visual, estetika visual dan makna. Tokoh-tokoh pawukon juga perlu dipelajari secara estetis mengenai penempatannya di interior rumah Jawa dan bagaimana mengembangkannya agar lebih dikenal oleh generasi sekarang. Untuk mengeksplorasi estetika dan perkembangan tokoh Pawukon, konsep wangun (estetika) yang berasal dari budaya Jawa digunakan. Temuan penelitian ini menarik karena tokoh pawukon memiliki unsur-unsur wangun dan wangun pengaturan visual, penempatan wangun, dan pengembangan tokoh-tokoh pawukon yang terkait dengan konsep wangun dan ora wangun (bukan estetika) atau aèng (aneh). Sosok-sosok Pawukon dibuat untuk mengingatkan orang agar berhati-hati, dan aplikasi serta pengembangan mereka ke dalam desain interior dimaksudkan untuk menghadirkan suasana Jawa. 


Author(s):  
Marwa Mahmoud Galal Mohamed Osman, Rania Ragab Abdel Maksoud

    The contemporary tourist buildings provide a unique visual experience for its visitors. A vision combined with the heritage sites around it affords a closer connection between the past and the present, confirming its identity and making it special. The architectural heritage is a rich source of fine values to enrich the tourist buildings. Hence, the idea of research arises as the Farasan Islands is a unique tourist area with its heritage buildings of special architectural values, The problem of research is how the artistic treatment of traditional decorations in Farasan as a source of innovative designs for the tourist buildings, and the research aims to study the aesthetics of Farasan's architectural heritage , study its aesthetic values and design of the interfaces of tourist buildings and its fabrics furnished using computer program ,The importance of research to highlight the archaeological sites of Farasan and to guide the society towards the importance of its architectural and cultural heritage, and also benefit from it in contemporary architecture by following a historical approach, analytical for the architectural vocabulary of the heritage buildings of Farasan and an applied technical approach to create innovative designs to enrich its touristic building .The researchers have reached through the results of the research: The vocabulary of the heritage in farasan architecture rich with formative  elements to enrich the design of the architectural facades of tourist buildings and the design of its furnishing fabrics , where the researchers used design solutions inspired by the study of the architectural heritage of Farasan combines the originality and modernity, which gives the tourist buildings in the islands of Farasan unique identity.  


Britain possesses a forest area which is one of the smallest in Europe in relation to its population and land area. In the past, forests have been felled to make way for farming and to supply timber for ships, houses, fuel and metal smelting. Timber was a key to sea power, and repeatedly the availability of home timber supplies has proved crucial in time of war. The nation’s dwindling reserves of timber have been a source of anxiety since Tudor times and periodic surges of planting for timber production by private landowners took place until about 1850. Thereafter, interest faded with the advent of the iron ship, the Industrial Revolution and the availability of cheap timber imports. Govern­ ment activity was minimal until a national forest authority was formed in 1919 to create a strategic timber reserve. Since 1958 there have been frequent policy reviews to assess the changing needs of the nation for timber and the new values associated with the social and environmental benefits of forests.


2014 ◽  
Vol 1010-1012 ◽  
pp. 1985-1988
Author(s):  
Min Li ◽  
Bao You Liu

LINGO software with many favorable features such as convenient operation, high running speed, wide application and valid result, has been widely used in solving complicated issues in environmental fields in the past a few years. In this paper, three practical examples in environmental monitoring were introduced and resolved by LINGO software, the reliability of the results was verified and the comparison with other methods was given. The results show that, LINGO software is useful to direct funds and resources’ allocation in environmental monitoring, and it is an effective tool to improve economic benefits and obtain better environmental benefits.


1998 ◽  
Vol 20 (1) ◽  
pp. 115-116
Author(s):  
Dave Mosher

This volume charts the development of contrastive rhetoric (CR) over the past 30 years. Although CR has not attempted to identify developmental stages of L2 writers, it is essentially the study of transfer: the influence of L1 writing conventions and cultural and cognitive dimensions on L2 writing. Major strengths of this book are its critical review of the literature, concise definitions, and documentation of the progression of CR from narrow L2 text-based analyses to the inclusion of multiple approaches.


2019 ◽  
Vol 31 (3) ◽  
pp. 777-783
Author(s):  
Dragana Frfulanović-Šomođi ◽  
Milena Savić

The design of socialist Yugoslavia received a particularly new look through the creation of Aleksandar Joksimović, which gave the new elements a traditional look, equally putting them in rank with world-famous designs of celebrated designers. This paper was created with the idea of emphasizing the importance of the creativity of Joksimović, which is within the framework of socialist norms, as an artist, remained insufficiently recognized, although his work was in the service of exclusive promotion of the cultural aspects of his country. His concept of design based on the medieval cultural tradition emerged from the framework of the then socialist clothes, and it is called grandiose exoticism. The names of the first collections given by the historical figures of medieval Serbian history are a clear indication that it is possible to draw inspiration from the past, if it is professionally approached and adequately, by contemporary trends, the audience and the market. Joksimovic's individualism, apart from design, was also reflected in the way the collection itself was modeled through models and choreographies, and clearly once again showed his step ahead of time, while the social and political circumstances forced him to stay one step behind.


2018 ◽  
Vol 15 (2) ◽  
pp. 284-296
Author(s):  
Kholid Mawardi

This study investigated the construction of thoughts by KH. Ahmad Masrur and al-Qodir Islamic Boarding School to accomodate folk art; to reveal the relationship among KH. Ahmad Masrur, al-Qodir Islamic Boarding School, and folk art communities in Wukirsari village; and to find out the approaches of accommodation implemented in the folk art Village. The findings of this study led to some conclusions. First, on the one hand, Mr. Masrur (an Islamic expert) wanted to send the goodness and the beauty of Islam not only to be achieved by Moslems but also by other religious community. On the other hand, the folk art community wanted to maintain their existence in the diverse society. Therefore, those two intentions are linked to each other in order to accomplish those goals. Second, the relationship among Mr. Masrur, al-Qodir Islamic Boarding School, and Wukirsari village folk art community; in terms of historical context, it was the repetition of the relationship pattern in the past time that occured during the Islamisation process in Java. It was carried out by placing the locality as the basis of Islam. Mr. Masrur, al-Qodir Islamic Boarding School put themselves as the exponents of folk art; Mr. Masrur had the role as the patron and the community folk art had the role as the clients, and the overall relationship was accomplished based on mutually beneficial relationship. Third, the forms of accommodation  roposed by Mr. Masrur towards folk art in Wukirsari village were through compromise and tolerance. The form of the compromise was visible through the willingness of both parties to feel and understand the circumstances of one to each other party. As for the form of tolerance, it was implemented by Mr. Masrur and al-Qodir Islamic Boarding School deliberately to avoid various disputes and conflicts.


BUILDER ◽  
2021 ◽  
Vol 284 (3) ◽  
pp. 60-63
Author(s):  
Salih Ceylan

Indoor environmental quality is a requirement for good architectural and interior design. The definition of indoor environmental quality refers to the conditions of the interior space that provide health and wellbeing for its occupants. Elements of indoor environmental quality are thermal comfort, indoor air quality, ventilation, ergonomics, natural and artificial lighting, odor, and acoustic quality. Indoor environmental quality is required in every type of interior space including ones with residential, educational, and cultural functions and workspaces. It is also included as one of the factors of energy efficient and sustainable design in building energy certification and accreditation systems. This study focuses on call center interiors as a type of workspaces, where the employees spend a long time in the interior space communicating with customers on the phone. The aim is to provide theoretical information and practical application suggestions for higher quality design in call center interiors. The methodology of this paper consists firstly of a literature review to study and analyze the definition and elements of indoor environmental quality, and its implementation into call center interiors as workspaces. Analytical studies lead to strategy proposals for better designed call center interior spaces. The results of the study indicate that better designed interior spaces in call centers lead to better health and wellbeing of the employees, resulting with higher performance and service quality.


2021 ◽  
Author(s):  
◽  
Deborah Stace

<p>The discipline of interior architecture suffers from a lack of discipline specific theory, a definitive title and definition, and an understanding by the general public of the role and scope of this area of design. Many definitions view interior architecture (otherwise known as interior design or simply interiors) as existing only within the context of architecture. However a recent growth in interest and discussion around interiors has highlighted the fact that those within the discipline no longer view a fixed physical enclosure or architectural envelope as defining conditions of interior space. Architecture as a prerequisite to interiors has come into question, which also questions our understanding of the conditions that define interiority.  The concepts of shelter, place and atmosphere have been identified as contributing to an understanding of interior space. This research uses these three concepts as ‘lenses’ which contribute to an understanding of alternative ways of experiencing and designing interior space. The program of a bus shelter has been selected in order to test how these concepts can create an experience of interiority in a form that is not conventionally understood as interior space.</p>


Author(s):  
Nilufer Saglar Onay

Well-being is an ephemeral condition in relation to the complex system of interconnected components changing from culture to culture and person to person together with time and space. Therefore, it is very important to investigate the intersections of architecture and humanities in order to understand how design can contribute to the way we build up well-being. The specific contribution of this chapter is the introduction of the well-being framework for interiors and its application to design process. The framework proposal, consisting of contextual, functional, psychological, social, ergonomic, aesthetic, and sensory requirements as basic design criteria, aims to support both theoretical and practical activities regarding well-being in all living environments. Since interior space is one of the most important determinants of our everyday experiences, its role in well-being as a conscious construct needs to be an important concern of spatial design.


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