scholarly journals Neo nolin “genre” new music

2021 ◽  
Vol 7 (3) ◽  
Author(s):  
I Gede Mawan
Keyword(s):  
Qualitative Methods ◽  
Instrument Development ◽  
Rapid Development ◽  
Traditional Music ◽  
Musical Instruments ◽  
New Music ◽  
Narrative Form ◽  
Artistic Creativity ◽  
Development Data ◽  
Musical Genres

The development of Mandolin music today is experiencing very rapid development. We can see this in the presence of various artistic creativities that are present in the midst of society. The presence of artistic creativity is due to the opening of wide creative spaces for the younger generation who love traditional music. Various types of new repertoires have appeared to color the development of Mandolin music today as a result of this freedom of space to create the repertoire work and the musical instruments. This has resulted in the emergence of many new musical genres in the community. The main problems discussed in this study include: What is the form of renewal carried out in Mandolin music? What are instrument development, repertoire, and presentation system? This research aims to identify, describe, and analyze the form of Mandolin music from classical to its development. Data were analyzed using interpretive qualitative methods, and the results of the analysis were presented informally in narrative form. The results of this study indicate that Neo Nolin is a renewal of the existing Mandooin music, reconstructed to present a new atmosphere, form, and presentation system that is more aesthetically attractive.

scholarly journals COEXISTENCE OF CLASSICAL MUSIC AND GUGAK IN KOREAN CULTURE

2020 ◽  
Vol 5 ◽  
pp. 67-99
Author(s):  
So Hyun Park
Keyword(s):  
Classical Music ◽  
Traditional Music ◽  
Musical Instruments ◽  
Colonial Period ◽  
New Music ◽  
Flowering Period ◽  
Korean Culture ◽  
Korean Traditional Music ◽  
Japanese Colonial

Classical music and Korean traditional music ‘Gugak’ in Korean culture try various ways such as creating new music and culture through mutual interchange and fusion for coexistence. The purpose of this study is to investigate the present status of Classical music in Korea that has not been 200 years old during the flowering period and the Japanese colonial period, and the classification of Korean traditional music and musical instruments, and to examine the preservation and succession of traditional Gugak, new Korean traditional music and fusion Korean traditional music. Finally, it is exemplified that Gugak and Classical music can converge and coexist in various collaborations based on the institutional help of the nation. In conclusion, Classical music and Korean traditional music try to create synergy between them in Korean culture by making various efforts such as new attempts and conservation.

The Analysis of Electroacoustic Music: from sources to invariants

2006 ◽  
Vol 11 (2) ◽  
pp. 101-112 ◽  
Author(s):  
BRUNO BOSSIS
Keyword(s):  
Real Time ◽  
Electroacoustic Music ◽  
Musical Instruments ◽  
Documentary Sources ◽  
Synthetic Vision ◽  
Technological Context ◽  
Systematic Musicology ◽  
Many Sources ◽  
Musical Genres

The musicologist is confronted with many situations during the analysis of electroacoustic music, whether on support media, mixed, or real-time. Musical genres and styles vary greatly, and the collection of electronic musical instruments has also proven to be very heterogeneous. The intrinsic characteristics of the electroacoustic parts and their scoring create serious limitations. Furthermore, many sources remain inaccessible or are already lost. Thus the preoccupation with documentary sources related to the acts of creation, interpretation, and technological context becomes more and more pressing. It is now essential to formulate a synthetic vision of this music, which has existed for half a century, and to pursue the search for invariants. This work must be based on a rigorous methodology that has yet to be developed. More generally speaking, the goal is to establish the terms and conditions of a systematic musicology of electroacoustics.

Chinese toms in the making of the drum kit: Localization and exoticism

2021 ◽  
Vol 5 (2) ◽  
pp. 227-242 ◽  
Author(s):  
Henry Johnson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Music Education ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Late Nineteenth Century ◽  
The Future ◽  
Late Nineteenth

The late nineteenth century and early decades of the twentieth century saw the drum kit emerge as an assemblage of musical instruments that was central to much new music of the time and especially to the rise of jazz. This article is a study of Chinese drums in the making of the drum kit. The notions of localization and exoticism are applied as conceptual tools for interpreting the place of Chinese drums in the early drum kit. Why were distinctly Chinese drums used in the early drum kit? How did the Chinese drums shape the future of the drum kit? The drum kit has been at the heart of most popular music throughout the twentieth century to the present day, and, as such, this article will be beneficial to educators, practitioners and scholars of popular music education.

‘ROCK SPECTRALE’: THE CULTURAL IDENTITY OF THE ELECTRIC GUITAR IN TRISTAN MURAIL'S vampyr!

Tempo ◽  
2015 ◽  
Vol 69 (274) ◽  
pp. 22-32
Author(s):  
Ben Jameson
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Cultural Identity ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Electric Guitar ◽  
Concert Music ◽  
Analytical Approaches

AbstractThe electric guitar is one of the most iconic musical instruments of the twentieth and twenty-first centuries and, due to its ubiquitous use in much rock and popular music, it has developed a strong cultural identity. In recent years, as the electric guitar has become increasingly common in contemporary concert music, its cultural associations have inevitably shaped how composers, performers and listeners understand music performed on the instrument. This article investigates various issues relating to the electric guitar's cultural identity in the context of Tristan Murail's Vampyr! (1984), in the hope of demonstrating perspectives that will be useful in considering new music for the electric guitar more generally. The article draws both on established analytical approaches to Murail's spectral oeuvre and on concepts from popular music and cultural studies, in order to analyse the influence that the electric guitar's associations from popular culture have in new music.

scholarly journals A Historical Perspective of Mangalavattiyam

2021 ◽  
Vol 3 (2) ◽  
pp. 1-10
Author(s):  
Suganya Aravinthon
Keyword(s):  
Instrumental Music ◽  
Historical Perspective ◽  
Vocal Music ◽  
Research Paper ◽  
Musical Instruments ◽  
The Other ◽  
Historical Study ◽  
Solo Music ◽  
Musical Genres ◽  
Over Time

From the earliest days of the Tamil music tradition, music was considered to be a combination of vocal music, instrumental music and dance. Each of these musical genres is closely intertwined. Knowledge of one helps to know about the other. Instrumental music has been interpreted as accompaniment to solo music and dance and as a solo specialty. In Bharata's book 'Natyashasthram', musical instruments are generally divided into four categories as nerve (tata) hole (kasira) ¸ skin (avanatta) ¸ kana (kanja). In this context, it is a research paper on the history and use of the Nagaswaram and thavil instruments, which are referred to today as the Mangala Vaathyam, which the Tamils ​​have merged with their culture.  This article also examines in detail the ideological changes that have taken place over time in the use of these two musical instruments. At the same time, the use of these instruments in the sociological context is taken into account. Finally, this article is a historical study of the lineage of musicians who have mastered these instruments.

The Mechanism of Language Death: A Reflection of Malay Language in Tanjung Balai

2021 ◽  
Vol 1 (1) ◽  
pp. 23-32
Author(s):  
Muhammad Natsir ◽  
Fauziah Khairani Lubis
Keyword(s):  
Qualitative Research ◽  
Qualitative Methods ◽  
Qualitative Method ◽  
Rapid Development ◽  
National Language ◽  
Common Elements ◽  
Language Death ◽  
The Future ◽  
The Common ◽  
Over Time

This study deals with the phenomenon while language can be lost slowly if it can't be defended. This happens along with the rapid development of the era towards modernization which is feared that in the future, the Tanjung Balai Malay language, which is owned and proudly has been threatened with extinction over time, but what needs to be realized is that it does not mean to displace the position of Indonesian which has been agreed as the national language. This research took place in Tanjung Balai when in Tanjung Balai Malay language is used as the habitual language.  This study was conducted using descriptive with qualitative method purposed to find out the words as dysfunction verb in Tanjung Balai Language. Qualitative research was related to assisting in describing the common elements of the various forms of qualitative methods. Thirty dysfunctional Malay verbs were collected and analyzed as the data findings.

Traditional Music in Japanese Music Education

2019 ◽  
pp. 94-107
Author(s):  
Kensho Takeshi
Keyword(s):  
Music Education ◽  
Traditional Music ◽  
Cultural Background ◽  
Folk Songs ◽  
Research Topic ◽  
New Music ◽  
Training Method ◽  
Music Curriculum ◽  
Children's Songs ◽  
Japanese Music

The research topic deals with the development of a music education on fundamental approach of teaching shakuhachi traditional music. The shakuhachi is a Japanese bamboo flute with four finger holes in the front and one thumb hole in the back. It is a very simple instrument and is played without a reed. The purpose of the study is to investigate the extent of the interaction of traditional musical issues on Japanese music education by tracing the new music curriculum in 2019. The topic of this study is the development of a fundamental approach of teaching Japanese traditional music. The author demonstrates a basic shakuhachi training method using two to five tones in Japanese traditional children's songs, and Japanese warabeuta (traditional children's songs) and minyo (folk songs). Students study how to make sound, then they play a simple piece. Also, they will be able to study Japanese cultural background through to shakuhachi.

scholarly journals KURASI DIGITAL SASTRA SIBER: PERSPEKTIF SASTRA KONVENSIONAL

2020 ◽  
Vol 15 (1) ◽  
pp. 45-62
Author(s):  
Meilisa Arismaya Wanti
Keyword(s):  
Qualitative Methods ◽  
Rapid Development ◽  
Literary Work ◽  
Library Science ◽  
The Internet ◽  
Literary Works ◽  
Special Aspect ◽  
Digital Curation ◽  
Descriptive Qualitative

The last two decades signified the shift in the period of literary development. The emergence of various literary works that developed in the internet era succeeded in breaking the order of conventional literary publications which originally needed a layered process to be able to reach the readers. The rapid development of cyber literature produced many new literary works. Even though its quality is still being debated, it cannot eliminate its entity as a literary work and its role as a cultural product that must be preserved. That becomes a special aspect in this study, which aims to give consideration regarding preservation of cyber literary works in the form of digital curation of literature. This study considers the digital curation process of literature as the use of digital curation systems in the field of archives. This study uses descriptive qualitative methods to identify the urgency of digital curation of cyber literature. Furthermore, this analysis can be considered to produce collaboration between fields of literary, archival, and library science.

scholarly journals Bentuk Penyajian Tari Sining Pada Masyarakat Gayo Aceh Tengah

2020 ◽  
Vol 3 (2) ◽  
pp. 493-505
Author(s):  
Maghfirah Murni Bintang Permata ◽  
Rika Wirandi ◽  
Berliana Denada
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Open Field ◽  
Main Property ◽  
Traditional Music ◽  
Musical Instruments ◽  
Spontaneous Movements ◽  
Dance Movements ◽  
Revitalization Effort ◽  
Field Area

This paper aims to describe the form of presentation of the sining dance in the Gayo community of Central Aceh Regency. Sining dance is a dance whose form of movement is inspired by nature. The movements are pure and use a lot of mimitive movements. This dance is also one of the traditional dances that was extinct and was then made a revitalization effort by the Central Aceh Kuta Dance Studio. This study focuses the problem on the form of presentation of the Sining Dance. To analyze the problem, Soedarsono used the theory of presentation forms, which said that, the form of presentation in dance has an understanding of how to present a dance as a whole, including the main elements or elements that support dance. These elements consist of dance movements, floor design, make-up, costumes, performance venues, props, and accompaniment music. This research uses qualitative research methods. This study concludes that the movements contained in the sining dance are mimitive and spontaneous movements, and tend to describe balance. Using a gayo openwork costume, accompanied by traditional music and traditional Gayo musical instruments. With two adult male dancers. Using upuh ulen-ulen cloth. Using a props made of pile board measuring 1.6 meters high. The shape of the board which is used as the main property is adopted from the Bere Numah shape. Meanwhile, the sining dance performance venue is currently adjusting to the location of the show provided, both on stage and in the open field area.

scholarly journals Learning Media Applications and Introduction of Javanese Gamelan Musical Instruments Based on Android

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Muchammad Sofyan Ariefbillah ◽  
Cindy Taurusta
Keyword(s):  
Health Sector ◽  
Problem Formulation ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Survey Method ◽  
The Times ◽  
Media Applications ◽  
Education Business

The role of technology, especially information technology, is very helpful in people's lives, from the aspects of education, business, to the health sector. In this day and age, many modern musical instruments have begun to shift the existence of traditional music, especially this typical Javanese musical instrument, namely Gamelan. With the development of the times, the public's interest in this traditional Gamelan instrument is decreasing. So that this application has a problem formulation, namely how to design and create an android application that concerns the introduction and learning of various types of gamelan musical instruments. This study aims to produce an application for the introduction of an Android-based gamelan instrument that can be used by all groups to be more familiar with and interested in learning and preserving gamelan instruments. This research was conducted with a survey method to obtain data or opinions to test this application. Based on the research that has been done, a conclusion can be drawn with this research which results in an application that can help and make it easier for people to know the various types of Javanese gamelan.

Sign in / Sign up

Export Citation Format

Share Document