scholarly journals New Literary Genres—An Insight in the Creativity Optimization

2019 ◽  
Vol 2 (2) ◽  
pp. 73
Author(s):  
PhD student Coculiana ACAR

<p><em>The theory of literary genres, developed from antiquity to the present day, has been differently approached, more or less convincingly. The philosophical insight of the genders definition appears at Hegel, A.W. Schlegel, Schelling, each of them trying to follow the particularities of each genre depending on the way to report consciousness to reality and to the issue of the time taken as a reference. In the following, we are going to refer to the value and utility of genres for the cultural and social history of humanity, by stopping to the genres characteristic to the postmodern era. In this regard, we intend to follow the impact of the digital epistolary in the context of the media globalization, the advantages and disadvantages of the technological progress, the changes in form and content suffered by the “letter” sequence to this evolution.</em></p><p><em>Another genre that comes to our attention is the comic magazine that can appear to some as an insignificant object, a part of a communist world, invoked in the news debates, only. The original mobility of the comics is situated in its very nature at the intersection of visual and narrative, which gives it the chance to weave bridges over the fields of the folk culture and literature. This may illustrate an alternative, from a cultural insight, where the aesthetic and sociological values coexist. The comics are intellectual challenges for different categories of readers through the new postmodern setting of the values expressed by text and image.</em></p>


Author(s):  
Abby S. Waysdorf

What is remix today? No longer a controversy, no longer a buzzword, remix is both everywhere and nowhere in contemporary media. This article examines this situation, looking at what remix now means when it is, for the most part, just an accepted part of the media landscape. I argue that remix should be looked at from an ethnographic point of view, focused on how and why remixes are used. To that end, this article identifies three ways of conceptualizing remix, based on intention rather than content: the aesthetic, communicative, and conceptual forms. It explores the history of (talking about) remix, looking at the tension between seeing remix as a form of art and remix as a mode of ‘talking back’ to the media, and how those tensions can be resolved in looking at the different ways remix originated. Finally, it addresses what ubiquitous remix might mean for the way we think about archival material, and the challenges this brings for archives themselves. In this way, this article updates the study of remix for a time when remix is everywhere.



2021 ◽  
Vol 36 (2) ◽  
pp. 206-208
Author(s):  
Thomas Klikauer ◽  
Nadine Campbell
Keyword(s):  


Author(s):  
David Priestland

This article provides a new interpretation of Europe’s revolutionary era between 1917 and 1923, exploring the origins of the revolutionary wave and its diverse impact across Europe, focusing on the role of the Left. It seeks to revive the insights of social history and historical sociology, which have been neglected by a recent historiography, that stress the role of contingency, the impact of war, and the influence of militaristic cultures. Yet unlike older social history approaches which emphasised domestic social conflict at the expense of ethnic politics and empire, it argues that the revolutions were the result of a crisis of old geopolitical and ethnic hierarchies, as well as social ones. It develops a comparative approach, presenting a new way of incorporating the experience of eastern Europe and the Caucasus into the history of Europe’s revolutions, and a new analysis of why Russia provided such fertile ground for revolutionary politics.



2020 ◽  
Vol 31 (3) ◽  
pp. 351-358
Author(s):  
Andrew Scull

Michel Foucault remains one of the most influential intellectuals in the early twenty-first century world. This paper examines the origins and impact of his first major work, Folie et déraison, on the history of psychiatry, particularly though not exclusively in the world of Anglo-American scholarship. The impact and limits of Foucault’s work on the author’s own contributions to the history of psychiatry are examined, as is the larger influence of Madness and Civilization (as it is known to most Anglophones) on the nascent social history of psychiatry. The paper concludes with an assessment of the sources of the appeal of Foucault’s work among some scholars, and notes his declining influence on contemporary scholars working on the history of psychiatry.



1998 ◽  
Vol 89 (1) ◽  
pp. 21-33 ◽  
Author(s):  
Andrea Witcomb

Much of the discussion of the impact of electronic technologies on museums suggests that electronic technologies have been important in displacing the traditional metaphor of museums as mausoleums. This paper supports the move away from this metaphor, but suggests that this is not a recent phenomenon or entirely attributable to the impact of electronic technologies. The rhetorics currently associated with electronic technologies in museums can be better understood as part of a longer history of the relation between museums and the media. This is a history which points to the role of the media in producing a public sphere in which more democratic social relations are possible.



2010 ◽  
Vol 61 (2) ◽  
pp. 279-298 ◽  
Author(s):  
PETER MARSHALL

Despite a recent expansion of interest in the social history of death, there has been little scholarly examination of the impact of the Protestant Reformation on perceptions of and discourses about hell. Scholars who have addressed the issue tend to conclude that Protestant and Catholic hells differed little from each other in the Elizabethan and early Stuart periods. This article undertakes a comparative analysis of printed English-language sources, and finds significant disparities on questions such as the location of hell and the nature of hell-fire. It argues that such divergences were polemically driven, but none the less contributed to the so-called ‘decline of hell’.



Author(s):  
Sabine Schmidtke

This book explores the history of Islamic theology, with particular emphasis on the doctrinal thought of all the various intellectual strands of Islam that were concerned with theological issues—including groups such as the Ismāʿīlīs and philosophers. It also discusses the inter-communal exchanges between Muslim, Christian, and Jewish thinkers over the course of the centuries to show how the theological thought of Jews and Christians intertwined with that of Muslims, and how Muslim theological thinking was influenced by Christian methodologies of speculative reasoning and doctrinal concepts. The rest of the book considers the impact of political and social history on Islamic theology. This introduction provides an overview of the foundations of Islamic theology and the advances that have been made in the scholarly study of Islamic theology.



2017 ◽  
Vol 27 (4) ◽  
pp. 559-573 ◽  
Author(s):  
EVE TIGNOL

AbstractAfter the Uprising of 1857, many poets from north Indian cities resorted to the Urdu nostalgic genre ofshahr āshobto recall mournfully pre-colonial urban landscapes and articulate emotional and poetic narratives of loss. This article proposes to open new perspectives for the historical study of collective memory and trauma among Urdu-speakingashrāfin the nineteenth century by looking at one collection of such poems entitled ‘The Lament for Delhi (Fuġhān-e Dehlī)’ (1863), which has recently started to attract the attention of historians. Although scholarship has generally emphasised the continuity of these poems with theshahr āshobtradition, this article re-assesses this body of texts through a careful analysis of their main literary motifs and highlights their originality and divergence from previousshahr āshobs. Beyond the stereotypical, the poems of ‘The Lament for Delhi’ both construct 1857 as cultural trauma through the use of powerful literary devices and the performance of collective grief as well as re-channel memory and melancholy into the urban landscape by emphasising its materiality and reinvesting it with new meanings and stakes. This paper more broadly underlines the importance of this under-studied source to understand the impact of 1857 on the imaginary of Urdu-speakingashrāfand on the cultural and social history of colonial India.



1986 ◽  
Vol 16 (4) ◽  
pp. 585-608 ◽  
Author(s):  
Sylvia Lambert ◽  
Stephen Israelstam

The mass media tend to shape the values and opinions of their audience as well as reflect the culture in which they exist. The comics have long been an integral part of the media, appealing to a wide range of age and social class. As such, they could have considerable effect on attitudes and behaviours regarding alcohol consumption. In this paper, we examine the comic strips appearing in the daily newspapers before, during and up to the end of the Prohibition era in the United States, to see how alcohol was portrayed during this period when its manufacture and sale were prohibited.



Author(s):  
O. B. Leontieva ◽  

The article is devoted to the problem of the impact of the “historiographic revolution” occurred at the turn of the XX–XXI centuries to the dissertation culture of contemporary Russian historians. The study is based on the full-text collection “Electronic library of dissertations of the Russian State Library”, an online resource. On the example of doctoral dissertations on Russian history defended in 2015–2019, the author examines the priorities of Russian historians in choosing problematics and chronological framework of scholarly works, analyzes theoretical and methodological foundations of their studies as well as their ideas about the social mission of history. She proves that most authors of doctoral dissertations choose the post-reform or Soviet period of Russian history for study, and highlights two blocks of priority topics: the history of state policy and governance, and social history. An analysis of the methodology of dissertations (scientific and qualification works) led to the conclusion that the nature of Russian historical science has changed as a result of an anthropological turn, which allows us to take a fresh look at the problems of political, economic and social history. Historians are increasingly setting the task of understanding people of the past in the whole variety of their mental structures, social connections, strategies and practices, both in everyday situations and in extreme conditions. But in practice, writing a dissertation requires not only a high degree of professional reflection, but also the ability to fulfil the formal requirements for scientific and qualification work: original ideas are sometimes difficult to fit into template, clichéd formulations that have become generally accepted in the scholarly community



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