scholarly journals MULTIKULTURAL PERSPEKTIF SOSIOLOGIS

2021 ◽  
Vol 1 (2) ◽  
pp. 188
Author(s):  
Nofal Liata ◽  
Khairil Fazal
Keyword(s):  
Social Order ◽  
Local Level ◽  
Access To Education ◽  
Multicultural Society ◽  
Library Research ◽  
The Social ◽  
Ancient Times ◽  
Unequal Access ◽  
The Times ◽  
Gathering Place

This study discusses the concept of a multicultural society in a sociological perspective, where the Indonesian state as a gathering place for various ethnic groups, nations, religions and beliefs in its history has provided valuable lessons. There are times when diversity in Indonesia creates conflict, but in other places there is also the diversity that is owned by the Indonesian people as a source of strength to keep each other from being crushed by the progress of the times. Understanding multiculturalism is not something that must be owned by intellectuals or those from community leaders only, but all levels, layers, and lines of society become a necessity for the importance of understanding this multiculturalism. Because at this time the reality is that Indonesian people in general are very vulnerable to disaster due to SARA (ethnic, religion, race, and inter-group) issues that are blown by electronic media. In order to prevent "bloody conflict" disasters from happening again, multiculturalism will always be relevant to be discussed throughout the ages, considering that generations are always changing. The purpose of this study is to bring the understanding of multiculturalism in particular to the younger generation, and in general at all levels of society, not just an academic discourse. The method in writing this work uses library research, as well as by presenting examples of cases that have occurred in Indonesia. The results of the study in the discussion chapter, in general it can be concluded that the understanding of multiculturalism in Indonesia is not something that comes from outside, meaning that local wisdom created from ancient times has also strengthened the conditions of multicultural society. But on the other hand, unequal access to education by the community until now, the potential for horizontal conflict is always there. In the context of the consequences of a pluralistic society in Indonesia, that within a diverse structure, the seeds of conflict at times become a latent threat to damage the social order. And problems at the local level will easily become national problems because there are no longer limits for people to consume information

scholarly journals Nisā` Diction as the Concept of Women's Domestic Social Piety in al-Qur’an

2021 ◽  
Vol 5 (2) ◽  
pp. 169-186
Author(s):  
Muhamad Hanif
Keyword(s):  
Gender Studies ◽  
Social Order ◽  
Research Results ◽  
Library Research ◽  
Women's Participation ◽  
The Social ◽  
Domestic Roles ◽  
Islamic View ◽  
The Ideal

This library research analyzes the word Nisā` in al-Qur'an, which describes the women’s domestic roles and standards of social piety in Islamic view. It uses the philosophical-hermeneutical approach and social piety theory to analyze the data. This research results in three main findings: First, social piety in Islam manifests responsibility as God's caliphs on earth. Second, one of social piety description  in Islam is by the use of word Nisā` repeatedly in different verses and surahs of al-Qur'an. The last, Nisā` diction to describe the social piety concept, according to al-Qur'an, places women in the domestic dimension to show women's participation as God's caliphs on earth in building the ideal social order. This research contributes to the gender studies overlooked by previous researchers, as the concept of Nisā` in al-Qur'an was ignored.

scholarly journals REPRESENTATION OF JAVANESE IDENTITIES IN WAYANG GEDHOG DEPICTING PANJI TALES

Jantra. ◽  
2019 ◽  
Vol 14 (2) ◽  
pp. 203-212
Author(s):  
Rudy Wiratama
Keyword(s):  
20Th Century ◽  
Social Order ◽  
Performing Arts ◽  
Political Institution ◽  
Self Identity ◽  
Library Research ◽  
The Social ◽  
Performing Art

Wayang Gedhog is a genre of puppetry which once ever enjoyed its popularity in Java, particularly in Surakarta and Yogyakarta until the beginning of 20th century. Its Panji-themed lakon is always for all time identified with court traditions. It implicitly reflects the social order and paradigm of the members of this political institution from its court aristocrats to low-ranked officials. Wayang Gedhog is undergoing an era of change where the life of performing arts is rapidly developing. Using Homi Bhabha’s theory about Self Identification, this research aimed to reveal how far the lakon and artefacts of Wayang Gedhog represents today’s Javanese thoughts and manners and the factors that have influenced the matters. The data were collected from: 1) the information gathered especially from the courtiers, as seen from the social, cultural, religious and political aspects, 2) library research, and 3) puppets of Wayang Gedhog of Surakarta style. This research has found that Wayang Gedhog as a performing art does not only function as an entertainment or aesthetical presentation, but also record the efforts of the Javanese living in the courts to redefine their concepts of self identity.

scholarly journals Sistem Pendidikan Pesantren dan Tantangan Modernitas

2019 ◽  
Vol 15 (1) ◽  
pp. 11-21
Author(s):  
Gatot Krisdiyanto ◽  
Muflikha Muflikha ◽  
Elly Elvina Sahara ◽  
Choirul Mahfud
Keyword(s):  
Boarding School ◽  
Boarding Schools ◽  
Islamic Education ◽  
Educational Institutions ◽  
General Science ◽  
Religious Knowledge ◽  
Library Research ◽  
The Times ◽  
Gathering Place ◽  
Modern Era

Abstract The “Ayo Mondok” Movement is part of the pesantren's response to modernity. In the modern era like this, there are still many Muslim societies in Indonesia that make pesantren a reference for formal and informal educational institutions. Indeed, initially the pesantren was only traditional and only aimed to explore the science of religion. However, along with the modernization of the times, Islamic boarding schools have not only become institutions to explore religious sciences but also general science. This paper explains the history and development of pesantren, and how the system of pesantren education answers the challenges of modernity. To get the desired results, the research library was chosen by researchers as the research method in this study. The results of this study reveal that Islamic boarding schools are a gathering place for santri to get religious knowledge from a cleric. The beginning of the pesantren was only a simple hut which was built as a makeshift with the aim of getting closer to the kyai or the teacher intended for the purposes of studying religion. While the system of pesantren education is still using the book of salaf or more familiarly called kitab kuning.   Keywords: Islamic Boarding School, Modernity and Islamic Education   Abstrak Gerakan Ayo Mondok merupkan bagian dari respon pesantren menghadapi modernitas. Di era modern seperti ini, masyarakat Muslim di Indonesia masih banyak yang menjadikan pesantren sebagai rujukan lembaga pendidikan formal maupun informal. Memang pada awalnya pesantren hanya bersifat tradisional dan hanya bertujuan untuk mendalami ilmu agama saja. Akan tetapi seiring dengan modernisasi zaman, pesantren tidak hanya menjadi lembaga untuk mendalami ilmu agama saja tetapi juga ilmu umum. Tulisan ini menjelaskan tentang sejarah dan perkembangan pesantren, dan bagaimana sistem pendidikan pesantren menjawab tantangan modernitas. Untuk mendapatkan hasil yang diinginkan, maka  library research dipilih oleh peneliti sebagai metode penelitian dalam studi ini. Hasil dari kajian ini mengungkapkan bahwa pesantren merupakan tempat berkumpulnya para santri untuk mendapatkan ilmu agama dari seorang kyai. Awal mula pesantren hanya berupa pondok sederhana yang dibangun seadanya dengan tujuan untuk mendekatkan diri kepada kyai atau guru yang dituju untuk keperluan menimba ilmu agama. Sedangkan sistem pendidikan pesantren sampai sekarang masih tetap menggunakan kitab salaf atau lebih familiar disebut kitab kuning.   Kata Kunci: Pesantren, Modernitas dan Pendidikan Islam

Crime, Punishment, and the Decline of Liberal Optimism

1981 ◽  
Vol 27 (2) ◽  
pp. 169-190 ◽  
Author(s):  
Ronald Bayer
Keyword(s):  
Social Order ◽  
Urban Crime ◽  
Social Thought ◽  
Crime And Punishment ◽  
The Social ◽  
American Liberalism ◽  
The Times

Postwar American liberalism was an optimistic ideology assuming the possibility of resolving the problems of the social order within the context of capitalism. That optimism has now been shattered, with liberals exhibittng great pessimism about the possibility of fashioning policy that can meet the challenge of the times. In this essay, this transformation is traced through an analysis of the shifting perspective of liberalism on crime and punishment. A review of the journals of liberal opinion be tween 1945 and 1975 reveals a growing recognition of the seriousness of urban crime and a profound shift from the rehabilitative ideology to a more punitive response to criminals. The distinction between conservative social thought and the liberal critique of that outlook has thus begun to vanish.

scholarly journals Imagen y poder en la corte de Felipe II: apariencia y representación de la Infanta de España / Image and Power in the Court of Philip II: Appearance and Representation of the Infanta of Spain

2013 ◽  
Vol 2 (1) ◽  
Author(s):  
María Albaladejo Martínez
Keyword(s):  
Social Order ◽  
Philip Ii ◽  
The Social ◽  
Ancient Times ◽  
The Absolute ◽  
Main Figure

ABSTRACTSince ancient times appearance has been one of the most important instruments in men to express his feelings and ideas. As a sign of identity it has always been useful to set the social order and range of each person. The monarchs aware of the image of the power, used all the elements they could to conquer their subjects through the sight. The clothing, their ornaments, gestures and attitudes were useful to raise respect and admiration. In this scenery the king introduced himself as the main figure surrounded in many occasions by his family, playing his sons a fundamental role as followers of his lineage. In Spain, where the Salic law didn´t exist, the Infant as a descendant and possible heir of the king had the aim of reflecting the values of her dynasty and assuring her survival. Isabella Clara Eugenia and Catherine Michelle, daughters of Philip II, embodied the power of the absolute monarchy and contributed to personify their virtues. Throughout their portraits and the different documents in the Archivo General de Palacio and Archivo General de Simancas, this essay analyses the appearance and representation of the infants in the court of Philip II.RESUMENDesde tiempos remotos la apariencia ha sido uno de los instrumentos más importantes en el hombre para expresar sus sentimientos e ideologías. Como una seña de identidad ha servido siempre para establecer el orden social y el rango de cada individuo. Los monarcas conscientes del poder de la imagen, utilizaron todos los elementos a su alcance para conquistar a través de la vista a sus súbditos. La indumentaria, sus adornos, gestos y actitudes, sirvieron para suscitar la admiración y el respeto. En esta escenografía el rey se presentaba como figura principal rodeado en numerosas ocasiones de su familia, jugando sus hijos un papel fundamental como continuadores de su estirpe. En España, donde no existía la ley sálica, la Infanta, como descendiente y posible heredera del rey, tenía la misión de reflejar los valores de su dinastía y asegurar su supervivencia. Isabel Clara Eugenia y Catalina Micaela, hijas de Felipe II e Isabel de Valois, encarnaron el poder de la monarquía absoluta de su padre y contribuyeron a personificar sus virtudes. A través de sus retratos y de diferentes documentos de los Archivos Generales de Palacio y de Simancas, el presente trabajo analiza la apariencia y la representación de las infantas Isabel Clara Eugenia y Catalina Micaela en la corte de Felipe II.

scholarly journals Al-Harakaḧ al-Jawhariyaḧ as Perfecting of Existence and Its Relation With Natural Sciences and Humanities

2021 ◽  
Vol 29 (1) ◽  
pp. 71
Author(s):  
Rahmat Effendi
Keyword(s):  
Social Relations ◽  
Descriptive Analysis ◽  
Holistic Approach ◽  
Natural Sciences ◽  
Analysis Method ◽  
Islamic Philosophy ◽  
Library Research ◽  
The Social ◽  
Ancient Times ◽  
Natural Will

Mullā Ṣadrā’s discourse in the discourse of Islamic philosophy is only limited to ontological and epistemological aspects. There has not been much further investigation into Ṣadrā’s philosophy. This causes Ṣadrā’s philosophy to dwell only in the theoreticalmetaphysical realm. If we look further, Ṣadrā’s philosophy also has a relationship with the natural sciences and the humanities. Through the concept of al-harakaḧ al-jawhariyaḧ Ṣadrā explains this. Al-Harakaḧ al-jawhariyaḧ as the embodiment of the principle of existence (aṣālaḧ al-wujūd) is not only Ṣadrā’s ontology but as Islamic original thought in solving ontological problems since ancient times. Al-Harakaḧ al-jawhariyaḧ or substance motion is an immaterial gradual motion in every existenceentity, both material and non-material existence. Each mawjūd entity is an existence that experiences motion to point to one point, namely perfection. This perfection is in an immaterial state in every hierarchical reality of existence. Every existence, both human and natural, will move towards this essential perfection. This article will reveal that alharakaḧ al-jawhariyaḧ is a motion in the context of improvement in terms of substance and accident. It is also through this concept that Ṣadrā shows his relation to the natural sciences and humanities. This relationship is in the form of proving the existence of God, the creation of nature, and the social relations of society. This research is based on library research with a descriptive analysis method and holistic approach. In the end, al-harakaḧ al-jawhariyaḧ has a broad relationship in existence and all existing entities

scholarly journals Communication aspect of museum activities (experience and innovation of museums of florence)

2021 ◽  
pp. 175-183
Author(s):  
G. Sh. Fayzullina ◽  
E. I. Kubasheva
Keyword(s):  
Social Order ◽  
Local Level ◽  
Cultural Center ◽  
Direct Acquaintance ◽  
The Social ◽  
The World ◽  
Master's Thesis ◽  
The Individual ◽  
The Relationship ◽  
The City

The aim of the research presented in the article is to study the directions and mechanisms of action of museums in innovative practice. The modern museum as a cultural center is more focused on the individual, takes on the functions of organizing the leisure of citizens, responding to the social order, lifestyle. The study of the experience of museums in this context is focused on considering innovation at the local level - the museums of the city of Florence (center of Tuscany), which are a vivid example of the communicative model of the museum. This model of the museum is especially in demand today against the background of the problem of attracting (and retaining) visitors existing in museums around the world and in Kazakhstan. The study of valuable experience and innovative approaches in the communication activities of the best museums in the world can give impetus to the development of museums in Kazakhstan. The situation with the COVID–19 Pandemic has made its own adjustments in the relationship between visitors and museums. Both Florentine and Kazakhstani museums reacted to the situation with interesting projects. It is concluded that the introduction and development of information systems in museums in Italy made it possible to significantly optimize their work, and this, in turn, allowed them to reach a qualitatively new level of presentation of their services and collections. There are ample opportunities for the world museum community to access the Italian heritage.A great help in this study was the master's thesis by Irene di Pietro, which was written in the city of Bologna in 2017. An important source was the personal observations of E.I. Kubasheva in direct acquaintance with the museums of Florence. The research was carried out using narrative and historical-genetic methods.

scholarly journals uso del concepto cáncer como metáfora social. Análisis a través de la prensa escrita (1903-1912)

STUDIUM ◽  
2020 ◽  
Author(s):  
Laura Almudéver Campo ◽  
Ramón Camaño Puig
Keyword(s):  
Mass Media ◽  
20Th Century ◽  
Social Problem ◽  
Social Order ◽  
Key Words Cancer ◽  
Palabras Clave ◽  
The Social ◽  
Spanish Press ◽  
The Times ◽  
Siglo Xx

El objetivo de este artículo es analizar el uso del término cáncer desde una perspectiva social y su representación en la prensa española a comienzos del siglo xx (1903-1912), en los periódicos La Vanguardia y ABC. A partir de la hemeroteca digital de ambos medios se seleccionaron todas y cada una de las veces que se pudo identificar el término «cáncer» y su aplicación metafórica desde una perspectiva de problemática social, procediéndose a la descripción de los rasgos significativos y al análisis del discurso. Encontramos un uso de la palabra cáncer como metáfora social a lo largo del periodo estudiado, siendo común extender la metáfora del cuerpo enfermo a situaciones de orden político o social. El cáncer es una enfermedad con un gran impacto en nuestra sociedad, cuya utilización metafórica es descriptiva y expresa el deseo del cambio, pero su empleo puede comportar la estigmatización de los enfermos afectados por esta patología. Palabras clave: cáncer, metáfora, sociedad, prensa, España.   Abstract The objective of this article is to analyze the use of the term cancer from a social perspective and its representation in the Spanish press at the beginning of the 20th Century (1903-1912), in the newspapers La Vanguardia and ABC. From the digital mass media library, each and every one of the times that the term «cancer» and its metaphorical application could be identified from a perspective of the social problem was selected, proceeding to the description of the essential features and the discourse analysis. A use of the word cancer as a social metaphor was found throughout the studied period, being common to extend the metaphor of the sick body in situations of political or social order. Cancer is a disease with a great impact on our society, metaphorical use is descriptive and expresses the desire for change, but its use may involve the stigmatization of patients affected by this pathology. Key words: cancer, metaphor, society, press, Spain.

scholarly journals From Chiefdom to Kingdom and Empire: Trajectories of State in South India

2018 ◽  
Vol 35 (1) ◽  
pp. 20-36
Author(s):  
Kesavan Veluthat
Keyword(s):  
Social Order ◽  
Agricultural Production ◽  
South India ◽  
Coming Of Age ◽  
The State ◽  
The Past ◽  
The Social ◽  
Relative Status ◽  
Unequal Access ◽  
Vivid Memories

This article seeks to trace the journey of the state in South India under the Cōļas. They begin as chiefs in a relatively undifferentiated society. It was the proximity of the kinsmen with the chiefs or otherwise that determined the relative status of different sections of society and not differentiation on account of unequal access to resources and surplus at this stage. However, changes in the means and relations of production, especially the introduction of non-kin labour for purposes of agricultural production, brought about major changes in the social order. This changed order required the institution of the state, and the emergence of the Cōļa kingdom in the Kāvēri valley can be shown as a response to this demand. Further elaboration and refinement enabled the Cōļa state to graduate to the level of an empire; but since the parts too were coming of age, this empire fell apart in about a century. By the close of the thirteenth century, the Cōļa kingdom fell prey to the Hoysala invasions and became already a thing of the past, but with vivid memories recounted in legend and song.

An Experiential Study of ‘Conditional Agency’ of Bengali Widows with Reference to the Autobiographies of Saradasundari Devi and Rassundari Devi

Ensemble ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 265-271
Author(s):  
Ananya Chatterjee ◽  
Keyword(s):  
Twentieth Century ◽  
Social Order ◽  
Self Awareness ◽  
Access To Education ◽  
Close Attention ◽  
Rabindranath Tagore ◽  
Fictional Narratives ◽  
The Social ◽  
Late Nineteenth ◽  
Bare Minimum

In the late nineteenth and early twentieth-century Bengal emerged a new batch of educated widows who were distinguishable from the traditional Bengali Hindu widows because of their remarkable self-consciousness about their peripherality within the social order. The intention of my article is that of disputing the prevalent assumption of the homogeneity of the widowed experience in Bengal society by drawing attention to the heterogeneous individualities resulting from stratifications within these emergent widow populations, owing to different lifestyles, varying degree of access to education, diverse social standings, and various forms of suppression. Rassundari Devi’s Amar Jibon (1876) and Saradasundari Devi’s Atmakatha (1913) are accounts of the experience of widows who were marginalized by society, handed the bare minimum necessities for their existence, and deprived of the pleasures of the traditional experiences of motherhood. I propose the term ‘New Widows’ to highlight how the effects of education modified their individuality in unconventional directions, as reflected in the fictional narratives by Rabindranath Tagore and others. Close attention to the texts shows that the disparity between the aspirations of the New Widow, and her limited reach and frustration results in an acute self-awareness.

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