scholarly journals Stalking: Notion, characteristics and social responses

Temida ◽  
2007 ◽  
Vol 10 (4) ◽  
pp. 3-12 ◽  
Author(s):  
Vesna Nikolic-Ristanovic ◽  
Marina Kovacevic-Lepojevic
Keyword(s):  
Domestic Violence ◽  
Sexual Harassment ◽  
Complex Problem ◽  
The Other ◽  
Social Responses ◽  
Legal Reforms ◽  
Workplace Abuse ◽  
Everyday Talk ◽  
The Everyday ◽  
The World

In the last two decades stalking phenomenon is recognized and actualized in the world in professional, scientific circles, in media and the everyday talk. Recently, stalking is identified as specific and complex problem studied separately from domestic violence, workplace abuse, sexual harassment, threats, following, homicide, voyeurism and the other phenomenon to which stalking may or not be related. This paper is aimed to determine the notion of stalking and its relationship with similar phenomena, to review the research about the prevalence and nature of stalking, as well as to review the measures for its prevention, supporting victims and prosecution of offenders. Finally, the paper intend to contribute toward initiation of research and legal reforms regarding stalking victimisation in Serbia.

Everyday Catastrophes: Gender, Labour and Power in Beckett's Theatre

2019 ◽  
Vol 28 (1) ◽  
pp. 19-34
Author(s):  
Trish McTighe
Keyword(s):  
Sexual Harassment ◽  
Entertainment Industry ◽  
Film Production ◽  
Social Hierarchies ◽  
The Everyday ◽  
The World ◽  
Public Consciousness ◽  
Gender Boundaries ◽  
The Invisible ◽  
Making Art

In an era of public consciousness about gendered inequalities in the world of work, as well as recent revelations of sexual harassment and abuse in theatre and film production, Beckett's Catastrophe (1982) bears striking resonances. This article will suggest that, through the figure of its Assistant, the play stages the gendered nature of the labour of making art, and, in her actions, shows the kind of complicit disgust familiar to many who work in the entertainment industry, especially women. In unpacking this idea, I conceptualise the distinction between the everyday and ‘the event’, as in, between modes of quotidian labour and the attention-grabbing moment of art, between the invisible foundations of representation and the spectacle of that representation. It is my thesis that this play stages exactly this tension and that deploying a discourse of maintenance art allows the play to be read in the context of the labour of theatre-making. Highlighting the Assistant's labour becomes a way of making visible the structures of authority that are invested in maintaining gender boundaries and showing how art is too often complicit in the maintenance of social hierarchies.

scholarly journals Starving at the Laid Table? Journalism, Digitalization and Corporate Capitalism

2018 ◽  
Vol 8 (3) ◽  
Author(s):  
Christiane Schnell
Keyword(s):  
New Media ◽  
Public Sphere ◽  
The Other ◽  
The Public ◽  
Professional Authority ◽  
The Everyday ◽  
The World ◽  
Market Driven ◽  
The Public Sphere ◽  
Severe Shortage

Professional journalism fulfills an important role in modern democracies, while always standing with one leg in the public sphere and the other in the private media economy. Within the era of digitalization, the limits of a market-driven professionalism become apparent. Since information appears to be easily accessible due to new media, journalism lost its role as a gatekeeper for “what the world needs to know”. But dropping an anachronistic idea of professional authority—as reform projects within the journalistic profession demanded for decades—does not necessarily lead to a more open and participatory public sphere. On the contrary, the chance for reliable news seems to shrink in the everyday flood of information. Facing a severe shortage of professionalism against the background of an oversupply in the field of journalism might indicate a general paradox of contemporary societies.  

scholarly journals “Let's Make a List”: James Schuyler's Taxonomic Autobiography

2002 ◽  
Vol 36 (1) ◽  
pp. 43-68
Author(s):  
WILLIAM WATKIN
Keyword(s):  
American Poetry ◽  
The Other ◽  
Self In Relation ◽  
The Everyday ◽  
The World ◽  
The Status ◽  
Water Drops ◽  
Satisfactory Answer ◽  
The Aesthetic ◽  
Normal Sense

August 21, 1970A few sound[s] are embedded in the fog – a gull mewing, different far off fog horns – like unset polished stones laid out in cotton wool.Tuesday, March 5, 1985At six AM the heavy gray burns a heavier blue. Rain, water drops clinging to the balcony.There is an ethical consideration in James Schuyler's Diary. While we have spent the last fifty years grappling with the aesthetic problems of how to represent the unrepresentable, how to present the unpresentable, and how to signify the significant, little time has been spent considering the status of representations of the unremarkable. There is a whole history in American poetry and literature of validating the everyday, making it special, but Schuyler never really does that. Are things special just because we say so, or rather because we note them down? Do we name things into being, at least linguistic or literary being? The Diary asks these questions and in doing so it broaches the kind of postmodern ethical questions that one finds in the recent work of Lyotard, Derrida, and Nancy. These questions are significant not in the normal sense of the reasons for such interrogations or the answers expected, but rather because they represent a desire on the part of Schuyler to ask after otherness, to try to elicit a response from the other while respecting that such a response may not be comprehensible even if it is forthcoming. I would like here to posit a desire to ask after the other first before one asks after oneself, to enquire without any hope of a satisfactory answer as such as the postmodern ethical position, and to suggest that the autobiographical slant of Schuyler's work is, paradoxically considering the nature of autobiography, just such a positioning of his self in relation to the world.

scholarly journals “Trivial Nonsense” of the Poor Heroes of Dostoevsky (Materials for “Dostoevsky’s Language Dictionary: Idioglossary”)

2021 ◽  
Vol 12 (2) ◽  
pp. 390-416
Author(s):  
Nina L. Chulkina
Keyword(s):  
Daily Activity ◽  
Russian Language ◽  
The Other ◽  
Russian Science ◽  
Additional Material ◽  
The Poor ◽  
The Everyday ◽  
The World ◽  
Everyday World ◽  
Science Academy

The paper represents lingvo-cultural and semiotic description of the vocabulary, which introduces the everyday life of the poor characters of the F. Dostoevskys novels. In this case the procedure of the construction of text associative fields and the concept of idiogloss are used. Associative text fields are built, from one side, around the base concepts of daily activity - HOUSE/DWELLING; CLOTHING; FOOD; MONEY, DEBTS, LOAN; DISEASE, DEATH; WORK, BUSINESS; and idioglosses POVERTY; SHAME; FEAR; PRIDE, THE PINCHED PRIDE; GENTLENESS - on the other hand. These two measurements - semantic and pragmatic - make it possible to reconstruct on the texts of Dostoevsky the everyday world of poor characters, to reveal those specific idiosenses, which are concluded in the lexical items being investigated. Besides, the author hopes that such description can become additional material for the creation of the corresponding articles of the Dostoevskys Language Dictionary, which is making now in the V.V. Vinigradov Russian Language University (Russian Science Academy). At the V.V. Vinogradov Russian Language University University of Russian Science Academy in the sector of experimental lexicography under the guidance of Corresponding Member of the Russian Science Academy, Professor Y.N. Karaulov, work on creation of the F.M. Dostoevskys Language Dictionary has been conducted for many years. At the same time, collections of articles are published - The Word of Dostoevsky, viewed as a kind of extension of Dostoevskys Language Dictionary. The authors of the collection should implement the overall thrust of the research results as a guide - the solution of interpretational, hermeneutic tasks. Meanwhile it is also important to identify and describe the vocabulary that is significant for interpretation of Dostoevskys texts and idioglosses in particular, i.e. such lexical units that are important for understanding, for deciphering and interpreting of the meaning of his literary works, for characterizing his authors style (idiostyle), for recreating his picture of the world, his universal and national ideals .

scholarly journals El sentido común en el horizonte del humanismo / Common Sense and the Humanistic Perspective

2016 ◽  
Vol 5 (1) ◽  
pp. 131-140
Author(s):  
Ana Marcela Mungaray Lagarda ◽  
Herminio Núñez Villavicencio
Keyword(s):  
Common Sense ◽  
The Other ◽  
The Social ◽  
The Everyday ◽  
The World ◽  
The Common ◽  
Classical Traditions ◽  
The One ◽  
Interdisciplinary Integration ◽  
Great Call

ABSTRACTThis paper discusses the concept of common sense in the humanism. We´ll consider two proposals for the discussion on this concept: On the one hand, the classical conception of humanism considered in crisis associated with a lack of pluralism and inclusion from the ordinary to the contents and humanistic practice. On the other hand, the idea about that common sense in the context of the humanism is heterogeneous, so it recreates and includes in a new dialogue the everyday man by himself. The invitation from the United Nations about “Humanism, a new idea” (2011) is the context like a great call to refocus the discussion on practices derived from humanistic policy agreements in the world, integration projects between the classical traditions of the concept and dreams of interdisciplinary integration in the concert of nations. The path of analysis on the concept about the common sense in this proposal is a guide to review the rational framework as a concept in crisis. This is considering from several interpretations in a dialogic discussion, both the diversity debate about the nature of the concept as the depth of the social implications of the proposals.RESUMENSe presenta una discusión sobre el sentido común desde dos tesis, una es desde la concepción clásica del pensamiento humanista, al dar por hecho las implicaciones del sentido de lo común; por la otra parte bajo la idea de la necesidad de plantear un humanismo heterogéneo, incluyendo el reconocimiento del sentido propio de la comunidad del hombre cotidiano. La ruta de análisis se plantea desde la invitación de las Naciones Unidas sobre el Humanismo, una nueva idea (2011) como el contexto para replantear la tarea del humanismo actual, hacia las nuevas inclusiones necesarias en un mundo globalizado. Se discute una idea de crisis del concepto de lo humano, de las tareas del humanismo actual, desde las diversas interpretaciones elaboradas históricamente. Podemos decir que el humanismo actual es un recurso dialógico para entrar al debate acerca de la naturaleza del concept, la inclusión del hombre y del sentido común así como sus implicaciones y propuestas sociales.

IMPACT OF THE COVID-19 PANDEMIC ON REGIONAL AND LOCAL MEDIA – CASE STUDY

2021 ◽  
Author(s):  
Ján Višňovský ◽  
Alexandra Mathiasová ◽  
Juliána Mináriková
Keyword(s):  
Everyday Life ◽  
Global Scale ◽  
The Other ◽  
Media Content ◽  
Local Media ◽  
The Everyday ◽  
The World ◽  
Event Managers

COVID-19 pandemic, and its several waves with different intensity, and also stronger or weaker restrictions, has influenced the everyday life of people all around the world. Pandemic hitted media indeed. People needed the newest information about the evolution of the SARS-CoV-2 virus, which is the virus that causes COVID-19. Organisations, events and businesses were stopped or closed, so media content was directed to outbreak info. And if organisations, events and businesses were stopped, creators, event managers and business makers didn‘t even need advertising or other propagation of their activities. It wasn‘t happening on a global scale only, but also in the local. So the local and regional media, financially dependent on advertising, was hardly hitted by the outage of this type of income. This paper explores how COVID-19 pandemic impacted the functioning of smaller local and regional media. The paper looks at the content of regional media, impacted by the pandemic, at the amount of advertising and covers the other changes, which the coronavirus outbreak made

scholarly journals Watching Marginal Bodies: Representation of the Transgender Identity on Turkish Media

2017 ◽  
Vol 13 (14) ◽  
pp. 45
Author(s):  
Sertac Timur Demir
Keyword(s):  
Social Media ◽  
The Other ◽  
Global Village ◽  
Transgender Identity ◽  
Social Events ◽  
The Social ◽  
The Everyday ◽  
The World ◽  
And Gender ◽  
The One

The world in which we live is seen, on the one hand as a global village in some sense and, on the other, as a divided geography. In other words, it is localized and ghettoized simultaneously. The everyday life that transforms rapidly and in an amorphous notion bears testimony to the rise of new identities and belongings as well as new opposition and disengagement. This dilemma generates new and different notion of tension and conflict. Body and gender are considerably significant paradigms in terms of showing and representing this sense of physical, mental and ideological separation; so much so that they change continuously in the shade of freedom and security deadlock. As for media, they do not merely capture but formalized the social events and collective facts. They manipulate the viewer perception and attitudes. From institutional and traditional to individual, digitalized and social media, they redefine the meaning of distant and ambivalent identities and design some clichés about them. That is why this paper is an attempt to describe the representation of marginal identities in Turkish media mainly through television channels, newspapers, internet and films that may stimulate the controversial relationship between normals and deviant and between insider and outsider. For this purpose, in this study, it is focused on the question of how Turkish media display and represent the transvestites.

scholarly journals International standards and domestic violence

Temida ◽  
2005 ◽  
Vol 8 (2) ◽  
pp. 11-20
Author(s):  
Vesna Nikolic-Ristanovic ◽  
Mirjana Dokmanovic
Keyword(s):  
Systematic Review ◽  
Domestic Violence ◽  
International Law ◽  
The State ◽  
International Standards ◽  
Social Responses ◽  
Serbia And Montenegro ◽  
State Involvement ◽  
The World ◽  
Set Up

The majority states in the world, as well as Serbia and Montenegro, took over the obligations from international law documents with regards to prevention, protection and prosecution of domestic violence. Over the last several years, in Serbia and Montenegro, there have been some positive steps regarding more decisive reaction on domestic violence, in the first place thanks to NGOs advocacy. However, the state involvement and contribution is still symbolic in comparison with obligations that international documents require from it. Having that in mind, authors try to explain the role and significance of international law for improving social responses on family violence. They also give systematic review of the most important demands that international law set up before the state. The main aim of the text is the analysis of the role that international law has in making state strategies in the field of domestic violence, as well as systematic review of existing international standards in this area which have to be taken into consideration in legislative, institutionalized and other reforms which are on going in Serbia and Montenegro.

scholarly journals ART, MEANING AND CLASSIFICATION OF BULGARIAN FOLK DANCE

2019 ◽  
Vol 31 (6) ◽  
pp. 1791-1795
Author(s):  
Todorka Malcheva
Keyword(s):  
Everyday Life ◽  
The Other ◽  
Future Generations ◽  
Positive Energy ◽  
Folk Dance ◽  
The People ◽  
The Everyday ◽  
The World ◽  
The Future

Playing Bulgarian folk dances- horoes, is a fascinating, emblematic and centuries’ years old tradition. The folk dance is an important part both from different holidays and from the everyday life of Bulgarians. This is one of the most significant and fascinating folklore activities, making Bulgaria famous all over the world. We can define Bulgarian national dance as an exceptionally beautiful art. This is a skill that makes people happy and energetic. Folk dances reveal the temper of our nation. At the same time, in the rhythm of the dance lives the collective spirit, which attributes to feeling joy, delight and rest when dancing with other people.That is why Bulgarian folk dance is not only a way to feel happy. It gathers, gives strength, teaches, expresses and above all- gathers the people of Bulgaria. It is also a way to be closer to nature. That is why Bulgarian folk dance is strength for the spirit. It is a magic for the soul- chases away tiredness and bad mood by generating positive energy and releasing the discomfort and stress. The following text presents classification of the Bulgarian folk dances- horoes according to different and various criteria. They are divided into groups according to: the performers, the type of dancing chain, metrorhythm, customs, folklore regions, tempo and others. The following resume confirms the variety and wealth of Bulgarian folk dance. The text also defines the dance as a magic that preserved our spirit and our nation throughout our history. It is not only a magic that is still alive, but a magic that is actively represented by different dancing formations nowadays. Bright costumes, thrilling music and energetic horoes – they always provoke emotions and loud applause among native and foreign public. The charming nature of Bulgarian dances is the reason why they are still alive and have been passed from one generation to the other. In this way, this centuries’ years old tradition will be preserved for the future generations and the Bulgarian shall never be forgotten.

scholarly journals O Sujeito Anímico e o Sujeito Espiritual em Ideias II

2021 ◽  
Vol 27 (3) ◽  
pp. 339-347
Author(s):  
Nathalie Barbosa de la CADENA
Keyword(s):  
The Body ◽  
The Self ◽  
The Other ◽  
Life World ◽  
The Everyday ◽  
The World ◽  
Everyday World ◽  
The Moment ◽  
The Relationship ◽  
Spiritual Attitude

In this article I intend to highlight how the relationship between psychic subject and spiritual subject is fundamental for the understanding of intersubjectivity and the life world (Lebenswelt). In Ideas II, Husserl explains how, from the self, subject and object are constituted in the world: nature, soul and spirit. These three strata of the being are known from the theoretical attitude and the spiritual attitude and, in the process, the self is explicit. In a theoretical attitude we have nature's constitution, for which the body (Körper / Leib) is fundamental. Then the constitution of objects of animic nature, human or animal, including self-perception. Assuming the spiritual attitude, the other is perceived (Urpräsenz) initially as a body together with things, and beside this perception there is an apprehension (Appräsenz) of co-given horizons. There is an identity between the body of others and mine, it is the moment of empathy (Einfühlung). The world constituted from a naturalistic or theoretical attitude is a reduction of the surrounding world (Umwelt), but the everyday world of the personalistic or spiritual attitude precedes it, the life-world (Lebenswelt). It is therefore through the personalistic or spiritual attitude that a community of spiritual subjects is constituted. Palavras-chave : Husserl; Soul; Spirit; Intersubjectivity; Life-world.

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