scholarly journals CONCEPTUAL METAPHOR OF LOVE IN MINANG SONG CREATED BY SYAHRUL TARUN YUSUF

2020 ◽  
Vol 13 (2) ◽  
pp. 205
Author(s):  
Desi Ratna Sari

ABSTRACT This research aims to describe and explain conceptual metaphor of love containing in Minang song created by Syahrul Tarun Yusuf (Satayu). This research is descriptive qualitative. The data are metaphor in Minang song and source of data is a song created by Satayu.  The method used is non observational method (SBLC) by using recording and note taking techniques. The methods of analyzing data are translational, referential and pragmatic identity methods. Further, to present the result of analysis data writer uses formal and informal methods. Theory used to analyze conceptual metaphor is Lakoff and Johnson theory. Based on the results of analysis it can be concluded that there are six forms of conceptual metaphors, they are: (1) love is light, (2) love is power, (3) love is longing, (4) love is fearing, (5) love is precious and (6) love is protection.  Keywords: conceptual metaphor, song. 

Jurnal KATA ◽  
2017 ◽  
Vol 1 (2) ◽  
pp. 159
Author(s):  
Yessie Aldriani

<p>This study aims at identifying and describing the mastery of reseptive vocabulary of the totally blind person. It examines the mastery of word clasess, vocabulary quantity and non-linguistic factors that affect of vocabulaty mastery using tactual sensory. The study applies descriptive qualitative and simple quantitative approach. The data are obtained from the comprehension of questions and the speech of a totally blind person using tactual sensory to the concrete objects. The data are collected employing participant observational method, supported by interviewing, recording, and note taking techniques. Then,the data are analyzed by using referential identity method (Sudaryanto, 1993). The result of study shows that the average of totally blind student vocabulary mastery is 88,6% of the tested words.The vocabulary mastery based on the word classes are nominal, verbal, adjectiva and adverbial. The quantity of vocabulary mastery is 89 words, consits of 46 nouns, 25 verbs, 14 adjectives and 4 adverbs. The non-linguistic factors affect the vocabulary mastery are; (1) intelective psychology, (2) psychis and (3) age.</p><p> </p><p><em>Penelitian ini bertujuan untuk mendeskripsikan penguasaan kosakata murid tunanetra totally blind  dengan menggunakan ind</em><em>e</em><em>ra peraba ditinjau dari penguasaan kosata reseptif, kelas kata, kuantitas kosakata dan faktor–faktor yang mempengaruhi  penguasaan kosakata reseptif  penyandang tunanetra tersebut. Metode yang digunakan adalah metode penelitian deskriptif kualitatif dan kuantitatif sederhana. Data diperoleh dari pemahaman pertanyaan yang diberikan dan tuturan  penyandang tunanetra menggunakan indera peraba pada benda-benda konkret. Data dikumpulkan dengan menggunakan metode simak, didukung oleh teknik wawancara, rekam, dan catat. Selanjutnya data tersebut dianalisis dengan menggunakan metode padan referensial. Hasil penelitian menunjukkan bahwa; (1) penyandang tunanetra totally blind menguasai 88,6% kosakata reseptif dengan kategori baik, sementara kuantitas kosakata berdasarkan kelas kata, total 89 kosakata yang terdiri dari 46 kata benda, 25 kata kerja, 14 kata sifat dan 4 kata keterangan, (2)beberapa faktor mempengaruhi penguasaan kosakata reseptif kedua penyandang tunanetra; (a) faktor internal yaitu psikologi intelektif dan psikis, (b) faktor eksternal yaitu umur.</em></p>


2017 ◽  
Vol 3 (1) ◽  
pp. 55-62
Author(s):  
Vera Magria

This research examines about the kinds of metaphors that found in the kato serah terimo text in Bungo tradition and the meaning of it. This research applied descriptive qualitative research in which the data are obtained from kato serah terimo text. It took from Bungo official office.The data are collected by observational method supported by note-taking and interviewing technique. After analyzing the data, it is found that there are 10 metaphors included into three from four kinds of metaphor based on Leech (`1981) theory. There are animistic, synaesthetic and concrete to abstract of metaphor. Animistic metaphor dominant exists in kato serah terimo.


2019 ◽  
Vol 3 (1) ◽  
pp. 42-49
Author(s):  
Vera Magria ◽  
Anita Mawarni

The purpose of this research is to identify forms of negatives politeness strategy in Javanese Dialect in Rimbo Ulu. This research was conducted by using descriptive qualitative method through applying several stages. The first one was by collecting data through  observational method, eliciting technique and advance technique as record and note taking. The data is analyzed by using Yule’s theory and some books that related and supported the theory.for the analyse the data, the researcher used pragmatic identify (referential) method. Next, the data analysis is presented by using informal method.The result of this analysis presented by using informal way. From the ten form calssifies of negative politeness strategy, there are (7) forms are found like: be conventionally, indirect, question (hedge, be pessimistic, minimize the imposition, give deference, apologize, impersonalize


2021 ◽  
Vol 4 (1) ◽  
pp. 91-100
Author(s):  
Trian Ramadhan Nuryadin ◽  
Tajudin Nur

This research is a cognitive semantic analysis and uses descriptive qualitative methods. The problems discussed in this study are the types of conceptual metaphors, namely (1) structural metaphors, (2) orientational metaphors, (3) metaphors. The theory used is the conceptual metaphor from Lakoff & Johnson (2003) as the main theory and the image scheme from Cruse & Croft (2004) theory. The data is taken from the Gontor magazine with the theme of "rihlah" (traveling). Based on the analysis conducted, 11 conceptual metaphor data were found, with the following details: seven structural metaphors are the concepts of the meaning of decoration, protection, limb, the taste of food, expenditure, nature, and fame; one orientational metaphor with the concept of the meaning of quality; and three ontological metaphors with the concept of well-known meaning, heredity, and quality of goods. The image schemes found were one power/control scheme, two existence/process schemes, two identity/conformity schemes, and six existence/object schemes.


2020 ◽  
Vol 4 (1) ◽  
pp. 66-76
Author(s):  
Yenny Widya Sari ◽  
Afriana Afriana

This research had aimed to analyze cooperative principle by observing the characters’ utterances in About Time movie. A descriptive qualitative method was used in analyzing the data because it would be explained by words, phrases, and sentences. The data would be based on the characters’ utterances in About Time movie. In collecting the data, the researcher used the observational method and non-participatory, note-taking techniques. Pragmatic identity method was applied in analyzing the data. The result findings showed that all four maxims in cooperative principle were found through the utterances in About Time movie. The researcher found 37 data of maxims. The result indicated that there were 14 (38%) data maxim of quantity, 14 (38%) data maxim of relation, 7 (19%) data maxim of quality and 2 (5%) data maxim of manner. In summary, the most frequently data were found in the maxim of quantity and maxim of relation. The least data were found in maxim of manner. Keywords: Cooperative Principle, Maxims, Utterances, Movie


JURNAL SPHOTA ◽  
2020 ◽  
Vol 12 (2) ◽  
pp. 11-23
Author(s):  
Ni Putu Candra Lestari ◽  
Ni Putu Ira Puspita Dewi

This study aims to describe symbolic form of sign used to describe the emotions of Pasutri Gaje comic characters. Theoretically, this study discusses tropes symbols as additional elements whose existence has a major influence on conveying the emotions of the characters to the readers. This is a descriptive qualitative study. Apply the theory of semiotics proposed by Ferdinand de Saussure about dichotomy signifie dan significant and Pierce about triadic feature of sign.  Datas sourced from picture of online comic Pasutri Gaje season 1 until episode 13 season 3. Datas is collected by observing method with recording and note-taking technique. Data were analysed by extralingual equivalent methods and comparative relational techniques. Data presented used formal and informal method.             There seven kind of emotions symbol called tropes symbol used in comic. There were cross popin for angry sign, sweat drops to clumsy sign, drool to show feeling tempted, chibi to show childish side, dog ear/tail to express innocence in expecting something, blush to express feeling embarrassed, and shadow over face to show extreme anger. Tropes symbols fulfills the element of signification in accordance with the concept proposed by Pierce hence it can convey the emotional situation of character to the readers.  


Jurnal KATA ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 50
Author(s):  
Krisna Aji Kusuma ◽  
Herman J Waluyo ◽  
Nugraheni Eko Wardani

<p><em>This study aims to describe the intertextuality relationship between the novel Pasung Jiwa by Okky Madasari and Calabai by Pepi Al-Bayqunie. The type of research is descriptive qualitative approach using content analysis. Data are collected by inventorying events that are similarities and differences, specifications on the characters, settings, plots, and themes of both text. The research results indicate that there are similar themes on the two novels, the theme of self actualization in addition with the theme of family and friendship. The same characterization are also used by both author, masculine figures with feminine soul characters. The difference between the two novels lies on the plot and setting. Pasung Jiwa uses progressive plot and Calabai uses a flash-back plot.. Okky Madasari takes Java Island as the background in the novel Pasung Jiwa, while the novel Calabai, Pepi Al-Bayqunie using the setting of Sulawesi Island. The basis of the similarity of theme and characterization supported by the similirity of events in the story shows the existence of intertextual relationship between the two novels. As a previously published work, the novel Pasung Jiwa by Okky Madasari is a hipogram and novel Calabai by Pepi A-Bayqunie as a transformational text. On the theme and characterization, the transformation of Calabai forward the hypogram, while in the plot and setting deviates his hypogram, Pasung Jiwa.</em></p><p>Penelitian ini bertujuan untuk mendeskripsikan hubungan intertekstualitas antara novel Pasung Jiwa karya Okky Madasari dan novel Calabai karya Pepi Al-Bayqunie. Jenis penelitian ini adalah deskriptif kualitatif dengan pendekatan konten analisis. Data dikumpulkan dengan menginventariskan peristiwa yang merupakan persamaan dan perbedaan, spesifikasi pada tokoh, latar, alur, dan tema dari kedua teks. Hasil penelitian ini menunjukkan bahwa terdapat kesamaan tema pada kedua novel, yaitu tema aktualisasi diri, ditambah dengan tema keluarga dan persahabatan. Penokohan yang sama juga digunakan oleh kedua penulis, yaitu tokoh maskulin dengan karakter jiwa feminin. Perbedaan kedua novel terletak pada alur dan latar. Pasung Jiwa menggunakan alur maju dan Calabai menggunakan alur campuran. Latar dalam novel Pasung Jiwa, Okky Madasari mengambil latar Pulau Jawa, sedangkan novel Calabai, Pepi Al-Bayqunie menggunakan latar Pulau Sulawesi. Dasar kesamaan tema dan penokohan didukung kesamaan peristiwa-peristiwa dalam cerita menunjukkan adanya hubungan intertekstual antara kedua novel. Sebagai karya yang terbit terlebih dahulu menjadikan novel Pasung Jiwa karya Okky Madasari adalah hipogram dan novel Calabai karya Pepi Al-Bayqunie sebagai teks transformasi. Pada tema dan penokohan, transformasi Calabai meneruskan hipogram, sedangkan pada alur dan latar menyimpangi hipogramnya, Pasung Jiwa.</p>


Author(s):  
Zoltán Kövecses

The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integrated understanding of the role of metaphor and metonymy in creating cultural reality and that of metaphorical variation across and within cultures, as well as individuals.


Author(s):  
Nenad Blaženović ◽  
Emir Muhić

An analysis was carried out with two interviews given by the tennis-player Novak Djokovic, one of which was in English and the other in his native Serbian. In both instances, Novak Djokovic used many conceptual metaphors throughout his speech, some of which were analysed in more detail. The main premise of the research was that people’s personalities change in accordance with language they speak at any given time and that they use different conceptual metaphors to describe the same events in different languages. The aim of the paper was to investigate whether personality shift in bilingual speakers can be observed through the speaker’s use of conceptual metaphors in different languages. Through the framework of conceptual metaphor theory, it was shown that Djokovic’s personality does change with the language he speaks. This change was shown through the conceptual metaphors, i.e., source and target domains that Djokovic used during the interviews. He does indeed use different source domains to conceptualise the same target domains in different languages.


Author(s):  
Irzam Sarif S ◽  
Yuyu Yohana Risagarniwa ◽  
Nani Sunarni

Abstract. Conceptual metaphors are the result of mental construction, conceptualization of the experience of human life. In Japanese, metaphorical features are often found in conveying information so that information can be easily understood. This study aimed to describe the conceptual metaphors found at the Japanese Prime Minister's Press Conference, Shinzo Abe on March 14 and 28, 2020 through the official website kantei.go.jp. The research method used was descriptive qualitative analysis. Data were collected by taking text that contained metaphorical elements and then selected. Data selection was based on the basic principle of metaphor, which was the mapping from the source domain to the target domain. Then the data were classified based on the type of metaphor by Lakoff and Johnson and the type of image scheme by Cruse and Croft. Based on the study done, there were three types of conceptual metaphors, 1) Structural metaphors with conceptuals meaning of enemy, medical treatment, control, and mind; 2) Orientational metaphors with conceptual meaning of disadvantage, and approval; 3) Ontological metaphors with conceptuals meaning of finance, and emotion. In addition, there were also six types of image schemes, namely the image scheme of Strength, Existence, Identity, Scale, Space, and Unity.Keywords: Conceptual Meaning, Press Conference, Cognitive Semantic, Image Scheme


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