KUASA PEREMPUAN BERCADAR DALAM NOVELAKULAH ISTRI TERORIS KARYA ABIDAH EL KHALIEQY (ANALISIS WACANATEUN A. VAN DIJK)

1970 ◽  
Vol 10 (2) ◽  
pp. 292-309
Author(s):  
Lailatul Khoiroh ◽  
Sulkhan Chakim

The novel of “Akulah Istri Teroris” is the 14th masterpiece from Abidah El Khalieqy as a man letter that raises the theme of terrorist wife life which is always stereotyped by society including for those who wear the veil. It results to them who are still trying in winning their rights as women. This novel is so attractive to be observed because it bases on the reality and most of people still do not it yet so that we can know about the ideology and discourse construction that wants to deliver by the author. This research used a qualitative research with discourse approach of Teun A. Van Dijk. Van Dijk divides it into three dimensions: Textual dimension that examines the structure of text, the view of social cognition, understanding and mental awareness of the author and also social context according to the discourse that grows among of society. The result shows that all the information within the sentences of the novel have coherence and unity so that it creates shape and meaning. In addition, all the information wrap with attractive and simple language style. Discourse analysis that developed by Van Dijk found that this novel becomes one of media for representing the condition of terrorist wife who always get the stigma from various complexities issues but these women show the reader about the fortitude and strength to raise them up from adversity. Novel “Akulah Istri Teroris” merupakan karya ke-14 dari seorang sastrawan Abidah El Khalieqy yang mengangkat tema kehidupan istri teroris yang selalu distereotipkan oleh masyarakat termasuk di dalamnya mereka yang menggunakan cadar. Sehingga mereka terus berusaha untuk merebut hak-haknya sebagai perempuan. Novel ini menarik untuk diteliti karena berdasarkan realitas yang terjadi dan belum banyak diketahui masyarakat  luas, sehingga dari sisi kita dapat mengetahui ideologi dan konstruksi wacana yang ingin disampaikan oleh pengarang.Penelitian ini menggunakan penelitian yang bersifat kualitatif dengan pendekatan wacana Teun A. Van Dijk. Van Dijk membaginya kedalam tiga dimensi, yaitu dimensi teks yakni meneliti struktur dalam teks, kognisi sosial yang merupakan pandangan, pemahama dan kesadaran mental pengarang, dan konteks sosial yakni terkait wacana yang berkembang dalam masyarakat.Hasil penelitian menunjukkan bahwa setiap informasi dalam kalimat pada novel “Akulah Istri Teroris” adalah saling berhubungan dan memiliki unsur-unsur koherensi sehingga terbentuklah struktur wacana berupa bentuk dan makna. Selain itu informasi dikemas dalam gaya bahasa yang menarik dan sederhana. Tokoh digambarkan memiliki karakter yang kuat. Analisis wacana yang dikembangkan Van Dijk menemukan informasi bahwa novel “Akulah Istri Teroris” merupakan salah satu media untuk merepresentasikan tentang keadaan istri teroris yang selalu mendapat stigmatisasi dari berbagai rumitnya permasalahan yang terjadi, namun para perempuan ini memiliki ketegaran dan kekuatan untuk bangkit dari keterpurukan.

2018 ◽  
Vol 6 (1) ◽  
pp. 11
Author(s):  
Ahmad Madkur

According to Van Dijk, there are three dimensions of discourse analysis, namely text, social cognition and social context. This study was focused on the first dimension, text. Joko Widodo’s first presidential English speech on economic issues in front of international audience in CEO Summit in Beijing was one of speeches a lot of people talk about. Some like while some others dislike. This study was intended to analyze the transcript of the speech. This text analysis was based on Van Dijk’s design in which the unit elements of the analysis are divided into three parts: macro-structure, suprastructure and microstructure. The result of the analysis revealed that in macrostructure element, several sentences in the presidential speech were less coherent in term of stating theme. Then, in suprastructure, the scheme of the speech consisted of opening, content and closing. Finally, in the microstrucure, the semantic aspect could be found in setting, detail, intention, presupposition, and normalization.


2019 ◽  
Vol 8 (2) ◽  
pp. 237
Author(s):  
Devi Kurniasari Riyadi

This research is aimed to find the language style used to represent how the figure of parking attendants in the Petition of “Malang Darurat Parkir” and show why those language styles are used by the writer of petition. Petition “Malang Darurat Parkir” is available in petisionline.net and becomes top three petitions on that webpage. This research is qualitative research by using model of critical discourse analysis by Van Dijk (2008) that has three aspects: text analysis, social cognition, and social context. The results reveal that the types of language style based on theory of Keraf (2006) used are diction, sentence structure, and direct and indirect meaning and all of those dominated by bad representation or negative connotation called marginalization. This language style used because Helmy can be inferred if he lives or ever stayed in Malang city and the confition of social or people around him also use that kind of words or connotation.  ABSTRAKPenelitian ini bertujuan untuk menemukan gaya bahasa yang digunakan untuk merepresentasikan bagaimana tukang parkir dalam petisi “Malang Darurat Parkir” dan menunjukkan mengapa gaya bahasa tersebut digunakan oleh penulis petisi. Petisi “Malang Darurat Parkir” tersedia di laman petisionline.net dan masuk dalam deretan tiga teratas di laman tersebut. Penilitian ini merupakan penelitian kualitatif menggunakan model analisis wacana kritis oleh Van Dijk (2008) yang memiliki tiga aspek yaitu analisa teks, kognisi sosial, dan konteks sosial. Hasil penelitian mengungkapkan bahwa tipe gaya bahasa berdasarkan teori Keraf (2006) yang digunakan adalah diksi, struktur kalimat, dan langsung tidaknya makna dan didominasi dengan representasi buruk atau konotasi negatif, yang disebut juga marginalisasi. Gaya bahasa tersebut digunakan karena dapat diduga Helmy tinggal atau pernah tinggal di Malang, dan kondisi sosial atau orang-orang disekitarnya juga menggunakan jenis kata atau konotasi tersebut.


Author(s):  
Sri Aju Indrowaty ◽  
Sumarlam Sumarlam Sumarlam

Sri Aju Indrowaty Sumarlam Universitas BrawijayaUniversitas Sebelas Maret [email protected]@gmail.com   AbstrakLagu adalah sesuatu yang membuat pendengar menjadi terhibur, apalagi bila lagu itu mempunyai tema yang tak lekang oleh masa yaitu tema Cinta. Pada Japan Pop atau J-Pop nama Utada Hikaru merupakan penyanyi pop dan pencipta lagu yang tidak asing lagi. Disamping itu termasuk bintang besar di Jepang. Sangat menarik apabila teks lagu dari penyanyi ini dianalisis melalui analisis wacana kritis (Anawa). Artikel ini bertujuan untuk memaparkan analisis teks lagu first love dan Prisoner of love oleh Utada Hikaru dan bagaimana unsur kognisi sosial dan konteks yang terdapat dalam kedua lagu tersebut. Metode yang dipergunakan dalam penelitian ini adalah penelitian deskriptif kualitatif. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah studi kepustakaan (library research). Simpulan dari Analisis wacana kritis pada riset mini ini yaitu Tema pada kedua lagu kenangan dan kekaguman kepada orang yang dicintai. Sedang kognisi sosial lebih menekankan bahwa menikah muda bukan suatu halangan untuk berkarir, sedang konteks sosial kekaguman kepada penyanyi yang bilingual yaitu bisa berbahasa Jepang dan Bahasa Inggris.Keyword : Analisis wacana kritis, lirik lagu, kognisi sosial, konteks  AbstractThe song is something to entertain the listener, especially love songs. A famous Japan Pop, Utada Hikaru is a big star in Japan. It will be very interesting to analyze the song lyrics using critical discourse analysis. This study is aimed at explaining the analysis of song texts of Utada Hikaru’s songs, first love and prisoner and how the elements of social cognition and context existed in those songs. By using descriptive qualitative research, there were some conclusions taken. The conclusion of critical discourse analysis in this mini research is the theme on both songs of memories and admiration to loved ones. Medium social cognition more suppressed young married is not an obstacle to a career, is the social context of admiration for bilingual singers that can be watched Japan and English.Keywords: critical discourse analysis, song lyrics, social cognition, context 


Author(s):  
Burhanudin Rais ◽  
Suhardi Suhardi ◽  
Rr.Putri Intan Permata Sari

Research that analyses critically on claims and additional information on a skincare product is a research that bring the novelty in critical discourse analysis, because the previous study focused on the advertisement or the packaging. Although most skincare products apply this method (using claims and additional information), researchers focus on one of the branded skincare products; Pond’s. The main reason is; this product is already widely known and used by the people in Indonesia. Trough critical discourse analysis model from van Dijk, the researchers discuss three dimensions (text, social cognition and social context) in claims and additional information in some products from Pond’s. There are seven Pond’s products as the data in this study. Besides, researchers used additional data in the form of a survey to five skincare products users. The results of the analysis are; (1) on the text dimension, the general aim is to attract the consumers to choose Pond’s as their skincare products. (2) In social cognition, company show marketing techniques that try to obscure the facts in additional information by using small and separated text. (3) In the social context, the influence of consumers who are easily attracted to a product because of the interesting slogan text makes Pond’s use the hyperbole language


2018 ◽  
Vol 30 (2) ◽  
pp. 119
Author(s):  
Inike Tesiana Putri ◽  
Sulis Triyono

Language is an essential feature of communication for all poeple. It is utilized through various tools and media, and singing songs is one of the traditional forms of communication. Songs are usually written for particular reasons, messages, and purposes, and sometimes targeted for specific audience or listeners. Song lyrics usually contain various themes such as social and current issues and problems which the songwriter strives to share through expressions of his or her ideology, thoughts and feelings. This paper is aimed to find out the text analysis, social cognition and social context in the humanity song entitled We Shall Overcome through Teun A. van Dijk’s Critical Discourse Analysis model. This model shows that the choice of words or the diction is cohesive and coherent and is able to communicate the general meaning of this humanity song. Furthermore, the social cognition in this humanity song is related with the current social context which involves the recent situation in Palestinine, where there is still in conflict with Israel.


2018 ◽  
Vol 14 (5) ◽  
pp. 126
Author(s):  
Wahono Wahono ◽  
Rustono Rustono ◽  
Agus Nuryatin ◽  
Mimi Mulyani

Dialogue, conflict, and context are paramount in the drama text. The research of these three things can reveal the meaning, aesthetics, and ideology that blend in the drama text. Drama text research has not obtained comprehensive results if it has not revealed all three. The purpose of this research is to find the dialogue model, conflict, and context in drama text by Arifin C. Noer. The approach used in this research is the critical discourse of Teun A. Van Dijk. Data are analyzed in three dimensions, namely text, social cognition, and social context through macro structures, superstructures, and microstructures. The global macro structure is reflected in the synopsis, the superstructure is seen from its builder elements, and the microstructure contains the use of language. The results of the microstructure research found that the dialogue can be configured in several models, i.e. by topic, principles of cooperation, principles of politeness, speech acts, and speech series. The conflict was created with a model of pragmatic, socio-psychology, and ideological principles use. The context model is the use of physical, epistemic, linguistic, and social context. The results of this research contribute to the increased appreciation of drama and reference texts in its teaching.


2016 ◽  
Vol 4 (2) ◽  
Author(s):  
Dewi Yana

This study aims at describing the text analysis, social cognition, social context, and ideology of sindo newspaper of  Wednesday December 11th 2013 edition.. This study uses Critical Discourse Analysis method  with  a Teun A Van Dijk  approach model.  The data were in the form of news entitled “Putusan Luthfi Hasan Diharapkan Jadi Efek Jera”. The data were analyzed with integrating the third dimension of Teun A Van Djik Discoure model in the unity analysis, they were text, social cognition, and social context. The results found that the Sindo Newspaper supported the work of the Corruption Eradication Commission (KPK) and the presiding judge of Corruption Court (Tipikor). The news in the edition of Wednesday, December 11th, 2013 “the  ideology of Sindo Newspaper practically used  to build the image of KPK and TIPIKOR to be more better in the society.


2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Muhammad Irpan Nur

CISForm (Center for the Study of Islam and Sosial Transformation) is an institution that takes a role in the production of content on Youtube. By seeing how much content has been uploaded, this research examines the value contained in the content of CISForm. In this case, this research focusses on one content; namely "Masjid untuk Semua." This study uses qualitative research methods and is dissected with critical discourse analysis by Norman Fairclough. Analysis is reviewed in three dimensions, namely text analysis, discourse practice, and sociocultural practice. The results of this study indicate the existence of discourse construction games in the video. Text analysis shows the number of a clause and phrase games in each conversation. Text discourse wants to eliminate Islam that is labeled as cruel, intolerant, ill-tempered, scornful, disrespectful and does not respect different beliefs. The level of discourse practice shows that CISForm tends to produce content related to sosial phenomena. Educational background and the organization and thoughts of the figures in the CISForm institution are part of the birth of the discourse construction factor in the video. Sociocultural practice, answers the problem of the noise that carries the name of religion. The concept of rahmatan lil ‘alamin is a concept that colours the content of the video "Masjid untuk Semua," this concept emphasizes mutual respect even though different in belief. Muslim relations with tolerant non-muslims is constructed in the "Masjid untuk Semua" content.Keywords:  Discourse, Masjid untuk Semua, non-muslim, YouTube, CISForm UIN SUKA.


2019 ◽  
Vol 2 (2) ◽  
pp. 179-202
Author(s):  
Ridwan Rustandi

This study aims to determine the construction of preachers in a television broadcast. The study was conducted to answer the question of how identity construction preachers and how preachers selection criteria in propaganda programs on television. The study was conducted with a qualitative approach and methods of Critical Discourse Analysis Teun Van Dijk Models. There are three element of Critical Discourse Analysis Methods : Text, Social Cognition and Social Context. Data collection techniques used in this study is the observation, interviews, and documentation. The results showed that the commodification of propaganda on the program "Islam itu indah" made on the preacher and maudhu side. On the side of, the election preacher / resource is determined by considering certain criteria which include unification (distinguishing characteristics), tradability (popularity and publicity), skills and abilities to speak, as well as the scientific qualifications. Representation preachers on this program conducted with respect to rating and share, performance and target audience.Penelitian ini bertujuan untuk menganalisis konstruksi daí sebagai tenaga kerja dalam program televisi bertajuk “Islam Itu Indah”. Penelitian diarahkan untuk menggali aspek komodifikasi yang berkaitan dengan kriteria pemilihan dai’dan konstruksi daí dalam program televisi. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis wacana kritis (Critical Discourse Analysis) model Teun Van Dijk. Terdapat tiga elemen dalam Analisis Wacana Kritis Teun Van Dijk, yaitu teks, kognisi sosial dan konteks sosial. Teknik pengumpulan data dilakukan melalui observasi, wawancara dan dokumentasi. Hasil penelitian menunjukkan bahwa komodifikasi dakwah pada program “Islam Itu Indah” dilakukan pada sisi da’i dan maudhu. Pada sisi da’i, pemiihan da’i/narasumber ditentukan dengan mempertimbangkan kriteria tertentu yang meliputi unifikasi (karakter pembeda), daya jual (popularitas dan publisitas), keterampilan dan kecakapan berbicara, serta kualifikasi keilmuan. Representasi da’i pada program ini dilakukan dengan memperhatikan rating and share, performa dan sasaran audiens.  


2020 ◽  
Vol 19 (2) ◽  
pp. 164-172
Author(s):  
Arsyandikayani Arsyandikayani ◽  
Sumarlam Sumarlam

The phenomenal discourse on People Power after Pemilu 2019 is an opinion that was initiated by a central figure in Indonesia, namely Amien Rais. This discourse invited many responses, one of which was Yusril Ihza Mahendra. Yusril gave his argument about various complicated situations and the risk of governance under the umbrella of provocation of people power. The problem of this research is how is the structure of the text and the social context that builds Yusril's opinion on the discourse of people power? This research includes descriptive qualitative research. The approach used is the critical discourse analysis model Teun A. Van Dijk. The data analysis method used is the equivalent and contextual method. Data presentation is done informally. Based on the results and discussion, it can be concluded that: (1) the structure of the text describes semantic, syntactic, and stylistic aspects; while (2) the social context that builds the discourse of People Power is the power and access that the author has.


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