BENTUK PENYAJIAN DAN PROSES PENCIPTAAN TARI NELAYAN KARYA MARTOZET

2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Dastri Sinan Wilis Harahap

Tor -tor dance IlahMardidong is growing and developing in Simalungun . Tor- tor dance is atradition that has been rearranged forms of the movement in 1985 by a man named Lina BrDamanik . The purpose of this study is to discuss the tor-tor IlahMardidong viewed from thestandpoint of choreographic form.The theory used in this research is the theory of Forms choreography Sudarsono which containsabout : motion , theme , design floors , top design, fashion and music . This theory became areference for peeling the existing problems in the tor- tor god mardidong .When the study to discuss IlahMardidong dance performed during 3 months ,ie from the beginningof October 2015 through December 2015. The study in the village of Huta III Glare Malela . GlareSubdistrictMalela . The population is three persons namely speakers , traditional leaders , andartists who know about the culture Simalungun . samples in this study were of three personsnamely speakers , traditional leaders and artists in Simalungun . Data collection techniquesincluding observation , interviews , literature study and documentation , which is then analyzed byqualitative descriptive method .Based on research done that tor-tor IlahMardidong have a soft form of motion,tortorIlahMardidong wear internal musical accompaniment is music that is born out of the humanbody . Clothing used in this Tortor is yeast pane ,surisuri and headdress silappei . The themescontained in this dance is the hope of a mother for her child , and the top design contained in thisdance is the design in the design, low design and asymmetrical design

2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Kheliana Kheliana

Tor -tor dance IlahMardidong is growing and developing in Simalungun . Tor- tordance is a tradition that has been rearranged forms of the movement in 1985 by aman named Lina Br Damanik . The purpose of this study is to discuss the tor-torIlahMardidong viewed from the standpoint of choreographic form.The theory used in this research is the theory of Forms choreography Sudarsonowhich contains about : motion , theme , design floors , top design, fashion andmusic . This theory became a reference for peeling the existing problems in thetor- tor god mardidong .When the study to discuss IlahMardidong dance performed during 3 months ,iefrom the beginning of October 2015 through December 2015. The study in thevillage of Huta III Glare Malela . Glare SubdistrictMalela . The population is threepersons namely speakers , traditional leaders , and artists who know about theculture Simalungun . samples in this study were of three persons namely speakers, traditional leaders and artists in Simalungun . Data collection techniquesincluding observation , interviews , literature study and documentation , which isthen analyzed by qualitative descriptive method .Based on research done that tor-tor IlahMardidong have a soft form of motion,tortorIlahMardidong wear internal musical accompaniment is music that is bornout of the human body . Clothing used in this Tortor is yeast pane ,surisuri andheaddress silappei . The themes contained in this dance is the hope of a mother forher child , and the top design contained in this dance is the design in the design,low design and asymmetrical design .


2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Elita Mandayarni

Tortor Martumba in Pesisir Sibolga is an entertainment dance in Toba Batak society in Independence Day event, welcoming important guests, to the entertainment and performing arts.This study examines the existence Tortor Martumba on ethnic Batak Toba in Pesisir Sibolga aim is to discuss about the existence, usability, functionality and form of presentation used .Teori theories related to the topic of research is the understanding of the existence, terms of usability, function theory and the theory of forms of presentation. The study was conducted in December 2015 through February 2016 in a village of the District Tukka Tukka Onan, and sample, including traditional leaders, artists in the District Middle Tapanuli. Data collection techniques including observation, interviews, literature study and documentation. Based on the results of research in the Coastal Sibolga Tortor Martumba that Tortor Martumba is Tortor of Batak Toba and danced by the Batak Toba ethnic communities in the Coastal Sibolga. This dance is there because people were resettled to the Batak Toba Coastal region Sibolga to continue to implement the customs they do in the place of origin is doing Tortor Martumba. Presence can be seen from the usability and functionality as entertainment welcoming distinguished guests, as an extracurricular learning materials in schools, as entertainment for the community as well as race. Tortor Martumba form of presentation can be seen from the simple movements and traditions that sombah movement, movement clapping, holding hands, jumping, lifting the legs, which is used Ulos clothing, makeup wearing natural makeup, singing music contained internal rhyme blared. In the presentation Tortor Martumba not use the theme, just do for entertainment.


2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Dedek Dedek

The theory used in this research is the theory Koreeografi of Sudarsono. When the study to discuss Emun Berereng dance performed during 2 months, ie from the beginning of October 2015 to December 2015. The study Desa Blang Kolak II District Bebesen Central Aceh district. The population is a resource, artists, traditional leaders and dancers who know about dance Gayo especially dance Emun Berereng in Central Aceh, the sample in this study were numbered four persons namely speakers, traditional leaders, artists and dancers dance Emun Berereng in Aceh Central. Data collection techniques include literature study, observation, Interview, and documentation, which is then analyzed by qualitative descriptive method. Based on research done that dance Emun Berereng have a soft form of motion, the design contained on the dance floor Emun berereng is catastrophically, split, alternately and interchangeably. Top design contained in this dance is the design on a flat, contrast, vertical, medium, low, and high pending. Dance wear Emun Berereng external musical accompaniment accompaniment yaiu born noise generated by devices outside the human body like a drum, flute, harp and other musical instruments. The themes contained in this dance is how the relationship young people gayo in mengespresikan feelings of love towards people in sukain in ancient times, Clothing used in dance Berereng Emun this is a long-sleeved shirt filigree headdress that had been in kreasikan (headscarf). Property used in dance Emun Berereng is scarves.


2017 ◽  
Vol 6 (2) ◽  
pp. 33
Author(s):  
DEBBI YOLANDA PUTRI

This research is the study of the meaning of the Malay community henna Dance Village Medan Labuhan week. Henna dance illustrates the gratitude of the bride who will run the new household. This dance is accompanied by music which will be played ny through tool tools needed. In casting the results of this study using using some theories that support to research topics include the theory of meaning, form theory, the notion of dance as well as the understanding of henna. When the study is used to discuss about henna dance for three months, namely in June-August 2016. The study is in the village of Medan Labuhan week. The sample in this study were two traditional leaders. Data collection techniques including observation, interviews, literature study and documentation. Based upon the results of research conducted showed that the overall meaning contained in henna dance symbolizes the sense of family happiness bride to bride who will perform the wedding. Dance Henna is an understanding and awareness for the bride and groom that he will be given a sign that will determine and change on the day-to-day life to come. Thus, the sign is not to be taken lightly. The bride and groom will be escorted understanding and awareness to enter a new living space. The room is much different from that lived during this time. Through dance facing the henna, the bride was given a deep understanding of his life for a change. A change that must be gone through with caution, to maintain trust family as implied in the offerings menginai wedding dance.Keywords: Labuhan Malay society, dance Henna


2019 ◽  
Vol 3 (1) ◽  
pp. 49-61
Author(s):  
Fitriani Dwi Ratna Sari ◽  
Amin Suryana

Research that the author did aim to know how to design inventory system on Planet Phone.The method used is quantitative descriptive method. Data collection techniques used are literature study, observation, and interviews. From the research conducted found that there is a problem on inventory data processing. The process of inventory data processing only by writing using a general ledger. So this causes inaccuracies and delays in reports. Therefore the authors make the information system by using PHP and MySQL database. This system consists of inputting inventory data, inventory reports, sales reports and income reports. As for some suggestions given to tackle the problem is by connecting the system with internet connection, for employees more quickly and effectively in penginputan inventory data and owner can also know the sales reports and income reports more quickly without having to come directly to the store.


SELONDING ◽  
2019 ◽  
Vol 14 (14) ◽  
Author(s):  
Andaru Kumara Jati

Eucharist is a sacred and the primary ritual for Catholics, it has adapted to the local culture. This adaption process called inculturation. Some examples of inculturation that is language and music. In Sacred Heart of Jesus Catholic Church Pugeran Yogyakarta, inculturation appears with the eucharist with Javanese language and Javanese songs with Javanese musical accompaniment called gamelan. Gamelan is a set of musical instruments that have undergone many developments. Gamelan played generally by men, because the gamelan construction is designed to be played by sitting of male style. But today there’s more and more groups of gamelan involving women as a player. In Pugeran Church found the phenomenon of female kendang (drums) player. This woman has a position as a leader, and it is in contrast to Javenese culture which has patriarchal principle, so that in this research examined the cause of the female kendang player in Catholic church and her performances.The method used in this research is descriptive method of analysis that describes the object in writing and detail. The research is qualitative research with ethnomusicological approach that explores the object not only the form of music (textual) but also all related cultural aspects (contextual). In addition, this research also uses a sociological and theological approach that helps to explore from a socio-cultural point of view and the science of Catholicism. Search data consists by literature study, observation, interviews and documentation. All data is done from October 2017 until June 2018. This research using gender theory in The Social Psychology of Music by David J. Hargreaves and Adrian C. North to analyze the data and answer the problems.


2021 ◽  
Vol 13 (2) ◽  
pp. 116
Author(s):  
Jamiati KN ◽  
Naila Waliya Hamima ◽  
Velda Ardia

Companies must have innovative ways of communicating messages to compete with other companies because of the many new companies that have sprung up. One of them is by using television media. However, with the increasing number of companies placing advertisements, the number of TV stations in Indonesia is now around 1027 television stations. The public's tendency to switch channels has made advertising conditions worse so that creative advertising is needed. Using a qualitative descriptive method focuses on describing, analyzing, and interpreting Tokopedia advertisements from television media. The data collection techniques used were observation, literature study, and documentation. The results showed that the Tokopedia WIB "Waktu Indonesia Belanja" advertisement was always on television. The advert is inspiring and easy to remember. This advertising has creativity as seen from the indicators of connectedness, suitability, and novelty.


2020 ◽  
Vol 40 (2) ◽  
pp. 287-308
Author(s):  
Nfn Sunarningsih ◽  
Nfn Hartatik ◽  
Ida Bagus Putu Prajna Yogi ◽  
Unggul Prasetyo Wibowo ◽  
Nugroho Nur Susanto ◽  
...  

Kuta Bataguh is administratively located in Bataguh and East Kapuas Districts, Kapuas Regency, Kalimantan Tengah. The research aims to reconstruct the characteristics of Kuta Bataguh. This research is using interpretive-descriptive method with the inductive reasoning. Data collection used surveys, excavations, interviews, and literature study. The analysis included environmental, stratigraphic, artifactual, spatial, and absolute dating analysis. Survey (surface and aerial) and excavation activities were carried out inside and outside the fence, both downstream and upstream of the Karinyau River. The results illustrate that the characteristics of Kuta Bataguh are a large permanent settlement that is split by a river. The fortified settlement of Kuta Bataguh was the leader residence of Ngaju community group (as the center of power). By referring to the pattern, function and extent of this settlement, it can be assumed that the local authorities in Bataguh are on par with early state in their socio-political organization.


2019 ◽  
Vol 7 (2) ◽  
pp. 52
Author(s):  
Putri Kusuma ◽  
Dilinar Adlin

ABSTRACT This study discusses the meaning of the text meudikee anggok seen from the concept bildung and sensus communis gadamer. Aims to describe the meaning of meudikee anggoktext of wisdom seen from the concept of bildung and sensus communis according to gadamer. Theories used are text theory and hermeneutics. Hermeneutics is a theory used to interpret. Seen from the concept of bildung is the form and sensus communis namely the true feeling and common good in society as the owner of the ritual.  The time of the research was conducted in july until the mont of september 2017. Place of research in infant village, sub district wide area of nort Aceh regency. Population of artists, public figures and children dzikir which amounted to 180. The research sample is a child dzikir 20 people. Leadershipand tengku amounted to 2 people and geuchik baby village so that the sample amounted to 23 people. Data collection techniques include observation, interview, literature study, documentation and then analyzed by qualitative descriptive method. Based on reasearch that has been done meaning meudikee text seen from the concept of bildung and sensus communis. On the concept of bildung in the form of motion, chanting dzikir and clothing. On the sensus communis concept of community agreement the meaning contained in the motion of whether to surrender, plead, salute, appreciate, sincere, passion, agree, protect, tought ad ask. The meaning contained in chanting dzikir is honor, glorify, pray, begged, apologize, sacrifice, struggle, love, loyalty, ask for blessings and hope. The meaning contained in clothing is clean, holy, strength, death, firmness, decency, cover of aurat. Where the text contained in the concept of the sensus communis can be seen from the deliberation in planning the implementation of activities that contain the meaning of cooperation, cohesivenees and respect. People work together to prepare meunasah and food to be brought to the meunasah. As for its meaning is sincare, give each other, mutual cooperation, happy, spirit and joy. Keyword : Meudikee Anggok, Village baby, Bildung, Sensus Communis.


2020 ◽  
Vol 8 (1) ◽  
pp. 10
Author(s):  
Faula Ismi ◽  
Ermanto Ermanto

This study  aimed to determine the structure and social function of folklore legend naming Batunabontar Batang Natal district Mandailing Natal district. The method used in this research was descriptive method. The data source of this research was the people who inhabit Batunabontar village, Batang Natal District, Mandailing Natal District. The instrument used in this study was the researcher himself and the informant based on the understanding of the structure and social function of the naming legend of a place. Data collection techniques used in this study were observation by observation and to strengthen the data obtained, direct interviews were carried out to the authorities in research on the Social Structure and Function of the Legend of the Naming of Batunabontar Village, Batang Natal District, Mandailing Natal District. The results of this study indicate that the Social Structure and Function of Naming Legend of Batunabontar Village, Batang Natal District, Mandailing Natal District has a unique history and structure and function in the village. The uniqueness of this Batunabontar makes the writer want to know the importance of the structure and function of the Batunabontar in Batang Natal District, Mandailing Natal Regency.  


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