scholarly journals MAKNA TEKS MEUDIKEE ANGGOK DILIHAT DARI KONSEP BILDUNG DAN SENSUS COMMUNIS MENURUT GADAMER DI DAYAH DARUL HUDA DESA BAYI KECAMATAN TANAH LUAS KABUPATEN ACEH UTARA

2019 ◽  
Vol 7 (2) ◽  
pp. 52
Author(s):  
Putri Kusuma ◽  
Dilinar Adlin

ABSTRACT This study discusses the meaning of the text meudikee anggok seen from the concept bildung and sensus communis gadamer. Aims to describe the meaning of meudikee anggoktext of wisdom seen from the concept of bildung and sensus communis according to gadamer. Theories used are text theory and hermeneutics. Hermeneutics is a theory used to interpret. Seen from the concept of bildung is the form and sensus communis namely the true feeling and common good in society as the owner of the ritual.  The time of the research was conducted in july until the mont of september 2017. Place of research in infant village, sub district wide area of nort Aceh regency. Population of artists, public figures and children dzikir which amounted to 180. The research sample is a child dzikir 20 people. Leadershipand tengku amounted to 2 people and geuchik baby village so that the sample amounted to 23 people. Data collection techniques include observation, interview, literature study, documentation and then analyzed by qualitative descriptive method. Based on reasearch that has been done meaning meudikee text seen from the concept of bildung and sensus communis. On the concept of bildung in the form of motion, chanting dzikir and clothing. On the sensus communis concept of community agreement the meaning contained in the motion of whether to surrender, plead, salute, appreciate, sincere, passion, agree, protect, tought ad ask. The meaning contained in chanting dzikir is honor, glorify, pray, begged, apologize, sacrifice, struggle, love, loyalty, ask for blessings and hope. The meaning contained in clothing is clean, holy, strength, death, firmness, decency, cover of aurat. Where the text contained in the concept of the sensus communis can be seen from the deliberation in planning the implementation of activities that contain the meaning of cooperation, cohesivenees and respect. People work together to prepare meunasah and food to be brought to the meunasah. As for its meaning is sincare, give each other, mutual cooperation, happy, spirit and joy. Keyword : Meudikee Anggok, Village baby, Bildung, Sensus Communis.

2021 ◽  
Vol 13 (2) ◽  
pp. 116
Author(s):  
Jamiati KN ◽  
Naila Waliya Hamima ◽  
Velda Ardia

Companies must have innovative ways of communicating messages to compete with other companies because of the many new companies that have sprung up. One of them is by using television media. However, with the increasing number of companies placing advertisements, the number of TV stations in Indonesia is now around 1027 television stations. The public's tendency to switch channels has made advertising conditions worse so that creative advertising is needed. Using a qualitative descriptive method focuses on describing, analyzing, and interpreting Tokopedia advertisements from television media. The data collection techniques used were observation, literature study, and documentation. The results showed that the Tokopedia WIB "Waktu Indonesia Belanja" advertisement was always on television. The advert is inspiring and easy to remember. This advertising has creativity as seen from the indicators of connectedness, suitability, and novelty.


LOKABASA ◽  
2016 ◽  
Vol 7 (1) ◽  
pp. 62
Author(s):  
RISNAWATI RISNAWATI

 AbstrakPenelitian ini membahas tentang struktur dan simbol budaya Sunda dalam dongeng “Sakadang Kuya jeung Monyét”, untuk menelusuri waktu lahirnya dongéng tersebut dan pengaruh latar belakang budaya penulis terhadap penggunaan simbol-simbol budayanya.  Penelitian ini menggunakan metode deskriptif kualitatip yaitu metode yang memecahkan masalah yang aktual, bukan untuk menguji hipotesis. Untuk menafsirkan makna simbol-simbol budaya yang terdapat dalam dongéng, menggunakan metode hermeneutik. Pengumpulan data menggunakan teknik studi pustaka dan studi dokumentasi. Simbol yang ditemukan diklasifikasikan dalam tiga wujud kebudayaan, yaitu wujud konsep/gagasan, wujud aktifitas/tindakan, dan wujud benda. Dari seluruh data penelitian terdapat 198 kata yang menjadi simbol budaya. Dalam wujud konsep/gagasan terdapat 18 kata (9,09%), dalam wujud aktivitas/tindakan terdapat 24 kata (12,12%), dan dalam wujud benda terdapat 156 kata (78,78%).  AbstractThis study discusses the structure and symbol of Sundanese culture in the fairytale Monyet Jeung Sakadang Kuya to search for the fable birth time and the influence of the cultural background of author to the use of cultural symbols. This study used qualitative descriptive method that solves real problems, not to test the hypothesis. To interpret the meaning of cultural symbols contained in the fairytale, the study employed hermeneutic method. The data collection employed the techniques of literature study and documentation. The symbols found are classified in three states of culture: concept/idea, activities/actions, and matter. From the research data, 198 words become cultural symbols. In the form of concept/idea, there are 18 words (9.09%). In the form of activities/actions, there are 24 words (12.12%). Lastly, in the form of matter, there are 156 words (78,78%).


2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Kheliana Kheliana

Tor -tor dance IlahMardidong is growing and developing in Simalungun . Tor- tordance is a tradition that has been rearranged forms of the movement in 1985 by aman named Lina Br Damanik . The purpose of this study is to discuss the tor-torIlahMardidong viewed from the standpoint of choreographic form.The theory used in this research is the theory of Forms choreography Sudarsonowhich contains about : motion , theme , design floors , top design, fashion andmusic . This theory became a reference for peeling the existing problems in thetor- tor god mardidong .When the study to discuss IlahMardidong dance performed during 3 months ,iefrom the beginning of October 2015 through December 2015. The study in thevillage of Huta III Glare Malela . Glare SubdistrictMalela . The population is threepersons namely speakers , traditional leaders , and artists who know about theculture Simalungun . samples in this study were of three persons namely speakers, traditional leaders and artists in Simalungun . Data collection techniquesincluding observation , interviews , literature study and documentation , which isthen analyzed by qualitative descriptive method .Based on research done that tor-tor IlahMardidong have a soft form of motion,tortorIlahMardidong wear internal musical accompaniment is music that is bornout of the human body . Clothing used in this Tortor is yeast pane ,surisuri andheaddress silappei . The themes contained in this dance is the hope of a mother forher child , and the top design contained in this dance is the design in the design,low design and asymmetrical design .


2017 ◽  
Vol 3 (2) ◽  
Author(s):  
Pelipus Pekuwali ◽  
Endang Indartuti ◽  
Zakariya Zakariya

Implementation of Hope Family Program (PKH) to Very Poor Family (KSM) Recipient Help (Study in Rindi District Sumba Timur). This study aims to describe the implementation of Family Hope Program (PKH) in Rindi District, East Sumba Regency. This research uses qualitative descriptive method type. Data collection techniques used in the form of interviews to get a deep data from the sources. And Techniques The collection of data from existing sources is through records, archives, and documents, textbooks, existing both in the institution related to PKH and the libraries that deal with the research problems discussed. Informant research that includes the implementers, target groups and public figures in general. The results of this study show that PKH Implementation in Rindi Sub-district of East Sumba Regency has many obstacles and has not been implemented well, socialization and information distribution about PKH has not been fully known by the figures and society in general except the executing party and the target group, And there is no clear SOP on PKH in Rindi District. Keywords: implementation, program keluarga harapan (PKH)


2019 ◽  
Vol 32 (1) ◽  
pp. 13
Author(s):  
Chrisantya Angelita ◽  
Renhard Fernandus Manurung ◽  
Ni Made Yuni Sugiantari ◽  
Adinda Sanita Putri Khinari ◽  
Rochtri Agung Bawono

Uma Lengge building is traditional building in Bima District West Nusa Tenggara which functions as the residence of Mbojo tribe and place to store food. The study aims to analyze the characteristics and relation of Uma Lengge buildings with the social and cultural life of Maria Village. The approach used in this study is archaeological approach with qualitative descriptive method. The study began with collecting data through literature study, direct observation, and interviews. The trapezoidal part of the roof with legs, has two pieces of crossing each other at each end of the ridge with bamboo material. The door leads to Mecca. The front part of the house may not be faced with another houses. Uma Lengge has three main parts such as the foundation, the first floor and second floors. The building of Uma Lengge has links with social values such as the value of mutual cooperation, value of hospitality, value of deliberation, value of helping and cultural values in Ampa Fare ceremony and inter dowry ceremony. Bangunan Uma Lengge merupakan bangunan tradisional di Kabupaten Bima Nusa Tenggara Barat. Bangunan ini berfungsi untuk tempat tinggal masyarakat suku Mbojo sekaligus tempat menyimpan bahan makanan. Penelitian ini bertujuan untuk menganalisis karakteristik serta keterkaitan bangunan Uma Lengge terhadap kehidupan sosial dan kebudayaan masyarakat Desa Maria. Pendekatan yang digunakan adalah pendekatan arkeologi dengan metode deskriptif kualitatif. Penelitian dimulai dengan melakukan pengumpulan data melalui studi pustaka, pengamatan secara langsung di lapangan, melakukan wawancara untuk data penelitian melalui informan. Diperoleh data pada bagian atap bangunan berbentuk trapesium sama kaki serta memiliki dua buah wanga yang saling menyilang pada setiap ujung bubungan atap dengan bahan bambu. Bagian pintu bangunan arah hadap mengarah ke Mekah, bagian depan bangunan tidak boleh berhadapan dengan bagian depan bangunan di sekitar tetapi bertolak belakang terhadap bangunan lainnya. Bangunan Uma Lengge memiliki tiga bagian utama seperti bagian pondasi, lantai satu dan lantai dua sekaligus atap. Bangunan Uma Lengge memiliki keterkaitan dengan nilai sosial kehidupan masyarakat Maria seperti; nilai gotong royong; nilai silahturrahmi; nilai musyawarah; nilai tolong menolong dan keterkaitan pada nilai kebudayaan dalam kehidupan masyarakat Desa Maria seperti; upacara Ampa Fare dan upacara mengantar mahar.


2018 ◽  
Vol 7 (1) ◽  
pp. 6
Author(s):  
Sari Mega Florensia Simanungkalit ◽  
Nurwani Nurwani ◽  
Iskandar Muda

Abstract−This study examines the semiotics contained in diharsitarlak in Simalungun society. The goal is to explore the meaning contained in the sararar and interpretation of meaning seen through the theory of semiotics. Sitarlak is a martial arts that comes from Simalungun who became the performing arts for the community that is as a welcome dance for accompanied by music and using a special outfit. The theory used relates to the research topic of Suzanna K. Langer theory which discusses the motion and the theory of semiotic de Saurrsure to express the meaning. The research time used to discuss the semiotics was held in Simalungun society was done for 2 months ie end of August until October 2017. The research place was SanggarTortor Elak-elak in Kelurahan Sirpang Dalig Raya, Raya Subdistrict, Simalungun Regency. Population in this research is artist as well as adat character, sambual (pemusik), pandihar (people who bersilat) who understand about diharsitarlak. Data collection techniques include literature study, observation, interview and documentation, and then analysis with qualitative descriptive method. Based on the research conducted, the form of diharsitarlak is a series of silat movements consisting of 7 main motifs yaitu sombah, throw boxing worship, marsimbur, mangindo (top level), mangindo (lower level), lakkasitolu-tolu and cover worship. Clothing that is used in the sitarlakdihar is long shirt and trousers (black, red, and mixture of black, white, red), yeast pane, suri-suri, and gotong salalu. The accompaniment of music on the sitarlakdihar gondrang haro-day, parahot, and gual porang. As for the semiotics contained in the scarred sitarlak poured through the sign (sign) seen from the form of motion in the series of presentation, marker (signifier) is a form of motion as the main motive in the diharsitarlak, and signified (signified) is the meaning contained in diharsitarlak. So it can be interpreted the overall meaning in the absolute sarar is the actualization of life of the people of Simalungun in various conditions, such as giving thanks to God, facing temptation, being polite and humble, respecting and appreciating others. Keywords: semiotics, signs, signifer, signified, diharsitarlak


2021 ◽  
Vol 6 (1) ◽  
pp. 1-7
Author(s):  
Dodik Wahyono

This study aims to determine regional investment according to modernization theory. Qualitative descriptive method is the method used in this research with literature study as the data collection. The results of the study are that: 1) it is hoped that the policy can encourage local governments to make regulations that accommodate investors, 2) investment is a concept of modernization theory, which is very relevant when used to view or analyze the existence of regional bond policies or policies for so investors. foreign or domestic investors, and 3) inter-regional cooperation is needed to reduce inter-regional and regional potentials.


2021 ◽  
Vol 21 (2) ◽  
pp. 429-438
Author(s):  
Dwi Atmawati

This research is motivated by the decreasing awareness of some people towards the preservation of the Javanese language, especially the younger generation. In their daily communication, some of them do not speak Javanese but speak Indonesian. In fact, in Javanese, there is a complex and complete lexicon that can express livelihoods, such as farming. At this time, these activities are starting to be abandoned due to technological developments and changing mindsets. This study aims to find and explain the semantic components of the lexicon of the verb ngethok [ngǝthͻ?] 'to cut' and its lexemes and socio-cultural factors contained in the meaning of each lexeme. This research used a qualitative descriptive method and sociosemantic approach. The data was taken in the Borobudur area, Magelang Regency, Central Java Province. Data collection was carried out by interviewing, recording, and taking notes. In this study, three informants were used. The results of this study indicate that the lexicon of the verb ngethok 'to cut' has fifteen lexemes, namely mancung, mapras, mbabat, mbacok, mlathok, munthes, ngarit, nugel, nggraji, nggunting, ngiris, nyacah, nyembeleh, nyeset, and nyigar. Each lexeme has different lexical meanings. The socio-cultural factors of the community that are revealed in the ngethok ‘to cut’ lexicon and its lexemes are people who live in villages and work as farmers, people who work using traditional tools, people have a simple mindset and a strong spirit of mutual cooperation, and people help selflessly.


2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Trijayanti Siregar

Peoples Pakpak called the term dance with the wordTatak. Tatak Tintoa Serser(mangirik page) describes the work to harvest rice from beginning to end. Thisstudy aims to explore the value of mutual cooperation contained in Tatak TintoaSerser views from the variety of motion.The cornerstone of the theory used in this study is an understanding of the valueand the theory of solidarity.Time used in research to address Tatak Tintoa Serser carried out since January2016 to March 2016. The study was conducted in the village of Salak, DistrictSalak, Pakpak Bharat. The population once the sample in this study is a resourceand dancers who controlled the culture and dance. Data collection techniquesincluding observation, interviews, literature study and documentation, which isthen analyzed by qualitative descriptive method.The results obtained are moral values such as solidarity and mutual aid values arereflected through movements that are arranged in Tatak Tintoa Serser namelymotion Mangirik Page, motion Manarsari, motion Erserakan Page, motionMangumpulkan Page and motion carry on the hand Page.


Author(s):  
Resdianto Permata Raharjo ◽  
Maranita Anjarsari

This study aims to describe 1) the form of cohesion contained in the news Watching Sakinah Movies, UIN Yogyakarta Give Praise Students and 2) describing the forms of coherence contained in the news Watching Sakinah Film, Students of UIN Yogyakarta Give Praise. The subjects used in this study were news of watching Sakinah film, UIN Yogyakarta students giving praise, and the objects used were sentences containing grammatical cohesion, a form of lexical cohesion. The approach used in this study is a qualitative descriptive approach. The data in this study are sentences in the news of Watching Sakinah Movies, This student is a method of literature study. While the method of data analysis in this study is descriptive method analysis method, the method used to analyze and describe cohesion markers and analyze markers of coherence. Test The results of the study show that in the news of watching Sakinah films, UIN Yogyakarta Beri Pujian students have varied markers of cohesion and coherence in the Tebuireng Online news discourse. Cohesion markers were found to reference (3), substitution (1), ellipsis (2), conjunction (3), collocation (1), and markers of coherence found cause-effect relationships (2), relationship coherence suggestions — goals (1), coherence temporal relations (1), and coherence of causal relationships (1).


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