scholarly journals KOMUNITAS LA PIAZZA

2020 ◽  
Vol 2 (1) ◽  
pp. 117
Author(s):  
Arnold Christianto Oenang ◽  
Sutarki Sutisna
Keyword(s):  
Public Space ◽  
Open Architecture ◽  
Third Place ◽  
The Public ◽  
Existing Structures ◽  
The Third ◽  
Changing Times ◽  
Ray Oldenburg ◽  
Community Space

Humans are social creatures who need the presence of others to complete their lives and have a place to do these activities. These needs are then the background for the formation of public space. With the changing times and technology, the need for a public space to do more and more activities. The space is referred to as the Third place by sociologist Ray Oldenburg. La Piazza is one place that can be called a Third place, but the place was closed because it was not going well. The purpose of this design is to reactivate the function of La Piazza as a Third place in Kelapa Gading. La Piazza Third place has a new design that emphasizes the concept of open architecture and architecture for the Third place as well as the concept of forests. so the design of the new building in addition to having spaces that are open to the public and community space, also gives the impression of being open and inviting as well as cool and calm. In this project, some existing structures in the old building were reused, such as basements, connectors to the parking building, connectors to the ivory coconut mall, and structures from the existing northern La Piazza building. There are 3 forest elements applied to buildings, namely water, greenery and sunlight. These 3 things can relax people with a lot of thoughts and stress about work, especially those who work in offices, according to Regent's University London research. Abstrak Manusia adalah makhluk sosial yang membutuhkan kehadiran orang lain untuk melengkapi hidupnya dan memiliki tempat untuk melakukan aktifitas tersebut. Kebutuhan inilah yang kemudian yang menjadi latar belakang terbentuknya ruang publik. Dengan adanya perkembangan jaman dan teknologi, kebutuhan akan sebuah ruang publik untuk melakukan aktivitas semakin banyak. Ruang tersebut disebut sebagai tempat ketiga oleh sosiologis Ray Oldenburg. La Piazza merupakan salah satu tempat yang dapat disebut sebagai tempat ketiga, namun tempat tersebut ditutup karena kurang berjalan dengan baik. Tujuan desain ini untuk mengaktifkan kembali fungsi La Piazza sebagai tempat ketiga di Kelapa Gading. La Piazza Third place memiliki desain yang baru mengutamakan konsep open architecture dan architecture for the Third place juga konsep hutan. sehingga desain pada bangunan baru selain memiliki ruang - ruang yang terbuka untuk umum dan ruang komunitas, juga memberikan kesan terbuka dan mengundang serta sejuk dan tenang. Dalam proyek ini beberapa struktur eksisting pada bangunan lama digunakan kembali, seperti basement, konektor menuju gedung parkir, konektor menuju mall kelapa gading, dan struktur dari eksisting gedung La Piazza bagian utara.  Terdapat 3 elemen hutan yang diterapkan pada bangunan, yaitu air, tanaman hijau dan cahaya matahari. 3 hal tersebut dapat merelaksasi orang yang sedang banyak pikiran dan stress akan pekerjaan khususnya orang - orang yang bekerja di kantoran, menurut penelitian regent's university london.

scholarly journals MUSEUMS BEYOND WALLS IN THE CONTEXT OF THE THIRD PLACE’S CONCEPT

Muzealnictwo ◽  
2018 ◽  
Vol 59 ◽  
pp. 123-131
Author(s):  
Katarzyna Jagodzińska
Keyword(s):  
Public Space ◽  
Open Space ◽  
Museum Of Modern Art ◽  
Great Good ◽  
Third Places ◽  
Third Place ◽  
The Third ◽  
Gathering Place ◽  
Ray Oldenburg ◽  
Coffee Shops

The article focuses on museums’ activity that reaches beyond the walls of their premises in the context of a concept of the so-called third place. The third place – as a gathering place which is neither one’s home, i.e. first place, nor workplace, i.e. second place – was described by an American sociologist Ray Oldenburg in 1999 in his book The Great Good Place: Cafes, Coffee Shops, Bookstores, Bars, Hair Salons, and Other Hangouts at the Heart of a Community. Three study cases have been used in the article: Museum Forum (project carried out by the National Museum in Kraków), Bródno Sculpture Park (project co-conducted by the Museum of Modern Art in Warsaw), and the method of work implemented by the Ethnographic Museum in Kraków, including in particular the project Dzikie Planty (Wild “Planty” Park). I discuss assumptions the projects have been based on, how they fit in an overall strategy of the museums, and reasons why they have been undertaken. Finally, I wonder whether having been conducted in a fully accessible public space and conducive to users’ interaction make it justified to categorise them as the third places in the meaning given by Oldenburg. Although Oldenburg’s concept has been regarded by museum theorists as not applicable to museums, I have come to the conclusion that projects conducted by museums in a non-committal context of an open space meet the conditions the third places do.

‘The phantom of liberty’: new youth activism

2017 ◽  
Author(s):  
Ljubica Spaskovska
Keyword(s):  
Social Movements ◽  
Public Space ◽  
Youth Activism ◽  
Institutional Framework ◽  
Nuclear Disarmament ◽  
New Social Movements ◽  
Political Expression ◽  
The Public ◽  
The Third

The third chapter reflects on new youth activism within the wider context of what has been termed ‘the new social movements’. It addresses the broader transnational influence of movements abroad, and shows how new areas for political expression opened up around peace, anti-militarism, environmentalism/nuclear disarmament and sexuality. Late socialist Yugoslav society witnessed the proliferation of a youth arena of civil initiatives and activist citizenship, albeit fragmented and often discordant, which found shelter and support within parts of the existing youth institutional framework. Although the federal Youth League did not explicitly endorse all of the initiatives stemming from the new social movements, it did provide spaces for some of them and increased the visibility of their demands in the public space.

scholarly journals RUANG INTERAKTIF DI MERUYA UTARA

2020 ◽  
Vol 2 (1) ◽  
pp. 833
Author(s):  
Ursula Andrea
Keyword(s):  
Open Architecture ◽  
Third Place ◽  
Solidarity Economy ◽  
Place Theory ◽  
The Third ◽  
Broad Scope ◽  
Main Activity ◽  
The Impact ◽  
The City ◽  
At Home

Third place is a neutral place, and simple (unpretentious). This place must be playful or fun for anyone, so that when leaving the third place, people come out happily. This place has no rules at home or work. Third place is also a place where people gather, and have the same status. Also in this project the third place comes as a form of open architecture that is friendly to the environment and makes the city better. The main activity of this project is the interaction with the programs offered, the activity itself and with fellow visitors. The focus of the third place is shown on the impact of "The Solidarity Economy" or according to Ethan Miller of the Grassroots Economic Organizing Collective in Australia, The "solidarity economy", is an invitation to reach a broad scope of the workings of an economy based on sharing. This system makes it easy for people to be able to access facilities without having something that will create interaction between visitors and visitors. This happened because the project was designed to form communal activities. The communal activities that occur are playful activities. Like, misbar space, café boardgame and also sports space that is not competitive. Like the criteria contained in the third place theory which has playful criteria. The rooms that are formed are designed and planned so that each visitor can interact with other visitors and with existing programs.Abstrak Third place adalah tempat netral, dan sederhana (unpretentious). Tempat ini haruslah playful atau menyenangkan bagi siapapun, sehingga ketika meninggalkan third place, orang keluar dengan bahagia. Tempat ini tidak memiliki aturan yang ada di rumah maupun tempat kerja. Third place juga merupakan tempat masyarakat berkumpul, dan memiliki status yang sama. Selain itu dalam proyek ini third place hadir sebagai bentuk dari open architecture yang bersahabat dengan lingkungannya dan membuat kota menjadi lebih baik. Aktifitas utama dari proyek ini adalah interaksi dengan program yang ditawarkan, aktifitas itu sendiri maupun dengan sesama pengunjung. Fokus third place ditunjukan pada dampak dari “The Solidarity Economy” atau ekonomi solidaritas yang menurut Ethan Miller dari Grassroots Economic Organizing Collective di Australia, The “solidarity economy”, adalah sebuah undangan untuk menjangkau lingkupan yang luas mengenai cara kerja ekonomi yang berlandaskan berbagi.  Sistem ini memudahkan masyarakat untuk dapat mengakses fasilitas tanpa memiliki sesuatu yang akan menciptakan interaksi antara pengunjung dengan pengunjung. Hal ini terjadi karena proyek ini dirancang untuk membentuk aktifitas komunal. Adapun aktifitas komunal yang terjadi adalah aktifitas yang bersifat playful. Seperti, ruang misbar, café boardgame dan juga ruang olahraga yang bersifat tidak kompetitif. Seperti sebagaimana kriteria yang terdapat pada teori third place yang memiliki kriteria playful. Ruangan-ruangan yang terbentuk dirancang dan direncanakan agar setiap pengunjung bisa berinteraksi dengan pengunjung lain maupun dengan program yang sudah ada.

scholarly journals SENI DAN BUDAYA SEBAGAI RUANG KETIGA DAN WADAH BEREKSPRESI DI PONDOK KELAPA: RUANG EKSPRESI

2020 ◽  
Vol 2 (2) ◽  
pp. 1537
Author(s):  
Wewin Febriana Dewi ◽  
Maria Veronica Gandha
Keyword(s):  
Great Good ◽  
Third Place ◽  
Good Place ◽  
The Third ◽  
The Arts ◽  
Exchange Information ◽  
Art And Culture ◽  
Community Forum ◽  
The Right ◽  
Ray Oldenburg

Pondok Kelapa is an area located on the edge of East Jakarta and is dominated by settlements, according to data from BKKBN the dominance of age in Pondok Kelapa ranges from 6 years old to 22 years old, the age at which people prefer to gather to exchange information with their friends. The third place is a space for humans to meet and exchange information, this research of Third Place uses criteria from The Great Good Place, a book by Ray Oldenburg(1999). It is not home and it is not a place to work, the third place is often used as teenagers to gather. The third place has an important role for humans, therefore all humans have the right to have it in the environment they live. The lack of a third place in the Pondok Kelapa causes its citizens to go downtown where the third room is better and this causes traffics on weekends. The purpose of this research is to apply the criteria of the third place in the arts and culture building as a positive container as well as a community forum for the environment. Keywords:  Art and Culture; Expression; Third place Abstrak Pondok Kelapa adalah Kelurahan yang berada di tepi Jakarta Timur dan didominasi oleh pemukiman, menurut data dari Badan Kependudukan dan Keluarga Berencana Nasional (disingkat BKKBN)[1] dominasi umur di pondok kelapa berkisar 6 tahun hingga 22 tahun, umur dimana lebih suka berkumpul bertukar informasi dengan teman seusianya. Ruang ketiga adalah ruang untuk manusia bertemu dan bertukar informasi, penilitian ini menggunakan kriteria dari buku Ray Olderburg tahun 1999 yang berjudul The Great Good Place. Ruang ketiga bukan rumah dan bukan tempat berkerja, Ruang Ketiga sering dijadikan remaja untuk berkumpul. Ruang Ketiga memiliki peran penting untuk manusia, maka dari itu semua manusia berhak memilikinya di lingkungan Ia tinggal. Kurangnya ruang ketiga di pondok kelapa menyebabkan warganya pergi ke pusat kota dimana ruang ketiga lebih baik dan hal ini menyebabkan kemacetan di akhir minggu. Tujuan dari penilitian ini adalah menerapkan kriteria ruang ketiga pada bangunan seni dan budaya sebagai wadah positif juga wadah komunitas bagi lingkungan.

scholarly journals WADAH HIBURAN, INOVASI DAN EDUKASI TATABOGA TAHU TEMPE DI SEMANAN

2020 ◽  
Vol 2 (2) ◽  
pp. 1911
Author(s):  
Gabriella Gabriella ◽  
Diah Anggraini
Keyword(s):  
Research And Development ◽  
Raw Material ◽  
Open Architecture ◽  
Community Center ◽  
Selling Price ◽  
Third Place ◽  
The Third ◽  
Food Research ◽  
Residential Neighborhood ◽  
Food Market

Even thought the level of consumption of tahu tempe is very high, and Indonesia is currently the largest tahu and tempe producer country in the world, but the tahu tempe craftsmen still experiencing problems with fluctuating soybean raw material prices, while the selling price of their products tends to remain, so that the welfare of the tahu tempe craftsmen in DKI Jakarta, is difficult to increase. This also happened to tahu tempe craftsmen in Tahu Tempe Village in Semanan, West Jakarta. This study aims to improve the ability of tahu tempe craftsmen in Semanan by providing a research and development place for tahu and tempe products, marketing assistance and an educational place for related communities, in addition to being able to provide a place for social interaction for local communities from a variety of social, economic and cultural backgrounds to form a community that has character, united and sustainable. As the third place in Semanan, the site was chosen between the residential neighborhood (first place) and the agriculture, industrial, and trade area (second place) with easy accessibility of the two regions. The design method refers to the Responses to Site approach, with the processing of the design prioritizing the principle of porosity which is one aspect of open architecture. This study resulted in concept and design of the third place building with three main facilities, namely community center consisting of a communal space for socializing and interacting visitors and a food research and development kitchen for a means of innovating and developing food products from tempe and tofu, public outdoor space that is used for playing activities, exercising and organizing various events, as well as food market that sells tempe and tahu based foods. Keywords: craftsmen; inovation; porosity; tahu tempe AbstrakMeskipun tingkat konsumsi tahu tempe sangat tinggi, dan Indonesia saat ini menjadi negara produsen tahu dan tempe terbesar di dunia, namun para pengrajin tahu tempe masih mengalami permasalahan dengan harga bahan baku kedelai yang fluktuatif, sementara harga jual produknya cenderung tetap, sehingga kesejahteraan para pengrajin tahu tempe di DKI Jakarta, sulit meningkat. Hal ini juga terjadi di Perkampungan Pengrajin Tahu Tempe di Semanan, Jakarta Barat. Studi ini bertujuan untuk meningkatkan kemampuan pengrajin tahu tempe di Semanan melalui penyediaan wadah riset pengembangan dan inovasi produk olahan tempe dan tahu, bantuan pemasaran dan wadah edukasi bagi komunitas terkait, di samping dapat menyediakan wadah interaksi sosial bagi masyarakat lokal dari berbagai macam latar belakang sosial, ekonomi, dan budaya agar terbentuk komunitas yang berkarakter, menyatu dan berkelanjutan. Sebagai third place, tapak yang akan menjadi kasus studi ini berada di antara kawasan perumahan (first place) dan kawasan pertanian, industri, dan perdagangan (second place) dengan aksesibilitas yang mudah dari kedua kawasan tersebut. Metode desain mengacu pada pendekatan Responses to Site, dengan pengolahan desainnya mengutamakan prinsip porositas yang menjadi salah satu aspek dalam open architecture. Studi ini menghasilkan konsep dan perancangan bangunan third place dengan tiga fasilitas utama, yaitu community center yang terdiri dari ruang komunal untuk bersosialisasi dan berinteraksi pengunjung dan dapur food research and development untuk sarana berinovasi dan pengembangan produk makanan dari tempe, ruang terbuka publik yang difungsikan untuk kegiatan bermain, berolahraga dan penyelenggaraan berbagai event, serta food market yang menjual makanan berbasis tempe dan tahu.

scholarly journals FASILITAS EDUKASI DAN HIBURAN BERBASIS TANAMAN DI DURI UTARA

2020 ◽  
Vol 2 (2) ◽  
pp. 2399
Author(s):  
Lieman Lieman
Keyword(s):  
Plant Stress ◽  
Urban Society ◽  
Open Architecture ◽  
Daily Routine ◽  
Third Place ◽  
The Third ◽  
High Level ◽  
Natural Media

Urban society has a high level stress. The daily routine beet home (first place) and at the workolace (second place) is a stress trigger. There is a gap to fill between first place and second place. So third place is a place for escape between first place and second place. At that place people will release the stress and fill it with conversation and activities. A open architecture try to present the third place in it. It try to bring place for various activities that can change according to development. That place can use for various age from child and adult. This project use observation approach and study of literature. See what happening on the field. Contextualities applied in this project, made building harmony and appear polite with surrounding. The project raised issue on the field. In release the stress used acitivies that use natural media methods. The natural media used is plant. According to research by doing activities related with plants such as planting, caring, or harvesting can reduce the level of stress in the soul. Creative activities that can be enjoyed by various ages, in childern to adult range. More creative interactions have been implemented in the project of plant-based educational and entertainment facilities in Duri Utara. Keywords: plant; stress; third place AbstrakMasyarakat kota memiliki tingkat stres yang tinggi. Rutinitas sehari-hari antara di rumah (first place) dan di tempat kerja (second place) merupakan faktor pemicu stres. Antara rumah sebagai first place dan tempat kerja atau sekolah sebagai second place ada celah untuk mengisi di antara dua hal tersebut. Maka hadirlah third place sebagai tempat pelarian antara first place dan second place. Ditempat itu sesorang akan datang untuk melepas stres dengan mengisinya dengan pembicaraan dan kegiatan. Sebuah arsitektur yang terbuka (open architecture) berusaha menghadirkan tempat ketiga (third place) di dalamnya. Hal itu mencoba menghadirkan sebuah wadah dengan beragam aktivitas yang dapat berganti sesuai perkebangannya. Wadah tersebut juga dapat digunakan oleh beragam usia dari anak-anak sampai dewasa. Proyek ini menggunakan pendekatan observasi dan studi literatur. Melihat langsung apa yang terjadi dilapangan. Kontekstualitas diterapkan dalam proyek untuk membuat bangunan yang selaras dan tampak sopan dengan sekitarnya. Proyek diangkat permasalahan yang ada di daerah perancangan. Dalam menghilangkan stres digunakan metode kegiatan yang menggunakan media alam. Media alam yang digunakan adalah tanaman. Menurut penelitian dengan melakukan kegiatan yang berhubungan dengan tanaman seperti menanam, merawat, atau memanen dapat mengurangi tingkat stres dalam jiwa. Kegiatan yang bersifat kreativitas yang dapat dinikmati oleh beragam kalangan usia, mulai dari anak-anak sampai dewasa. Interaksi yang lebih kreatif coba di terapkan dalam proyek fasilitas edukasi dan hiburan berbasis tanaman di Duri Utara.

scholarly journals RUANG HIJAU ALTERNATIF PADEMANGAN

2020 ◽  
Vol 2 (2) ◽  
pp. 1833
Author(s):  
Teresa Natalia ◽  
Dewi Ratnaningrum
Keyword(s):  
Public Space ◽  
Open Space ◽  
Green Space ◽  
Regional Analysis ◽  
Great Good ◽  
Safe Haven ◽  
Third Place ◽  
Initial Space ◽  
Critical Regionalism ◽  
Ray Oldenburg

Ray Oldenburg, in his book entitled "The Great Good Places" explains a concept of initial space, by which one can find comfort aside from the house (first place) and workplace (second place). Unfortunately, these days, this concept of place are not familiar within the community. Alternative Green Space of Pademangan is a place which accommodates the needs and interests of the community in daily life from where visitors can interact with others in a natural environment. Lacking in open space, various potential activities by the community, and the use of road as a public space are some of the reasons behind this project. Based on field study and regional analysis, this project seeks to become a third place that provides individually and communally. Regardless to it main focus on the surrounding community, this project also opens to public and allows visitors from outside the region, making it a comfortable place to socialized. Aiming to create a light and transparent building, and with the method of critical regionalism that responds to the region, this project attempts to create a spacious place and safe haven for visitors.  Keywords: green; pademangan; third Place Ray Oldenburg, dalam bukunya yang berjudul “The Great Good Places” menawarkan sebuah konsep ruang ketiga, di mana seseorang dapat menemukan zona nyamannya di luar dari rumah (first place) dan tempat kerja (second place). Namun, sayangnya, saat ini third place belum menjadi bagian dari seluruh masyarakat, padahal third place memungkinkan seseorang untuk beristirahat sejenak dan bersosialisasi dengan sesama. Ruang Hijau Alternatif Pademangan merupakan sebuah wadah yang berusaha menjawab kebutuhan dan ketertarikan masyarakat dalam kehidupan sehari-hari di mana pengunjung tidak hanya dapat berinteraksi satu dengan yang lain tetapi juga dapat berinteraksi dengan ‘unsur hijau’. Kurangnya ruang terbuka hijau, banyaknya potensi kegiatan di dalam masyarakat, serta penggunaan ruang jalan sebagai ruang publik adalah beberapa alasan yang melatarbelakangi proyek ini. Berdasarkan hasil survey lapangan dan analisis kawasan, proyek ini berusaha untuk menjadi third place yang yang dapat dimanfaatkan baik secara individual maupun komunal. Terlepas dari fokus utamanya yang tertuju pada masyarakat sekitar, proyek ini juga terbuka untuk umum dan memungkinkan untuk pengunjung dari luar kawasan, menjadikannya sebuah tempat yang mampu menciptakan interaksi sekaligus memberikan kenyamanan bagi pengunjungnya. Dengan konsep bangunan yang ringan dan transparan, dan dengan metode critical regionalism yang berusaha menjawab kebutuhan kawasan, proyek ini berusaha  untuk menjadi tempat yang dapat  memberikan kesan lega dan menjadi tempat yang dapat diandalkan masyarakat setempat untuk beristirahat. 

Considerateness

2017 ◽  
Author(s):  
Edna Ullmann-Margalit
Keyword(s):  
Public Space ◽  
Common Humanity ◽  
Human Relationships ◽  
The Public ◽  
The Third ◽  
The Family

Focusing on the extreme poles of the spectrum of human relationships, this chapter argues that considerateness is the foundation upon which our relationships are to be organized in both the thin, anonymous context of the public space and the thick, intimate context of the family. The first part of the paper, sections I–III, explores the idea that considerateness is the minimum that we owe to one another in the public space. By acting considerately toward strangers we show respect to that which we share as people, namely, to our common humanity. The second part, sections IV–VIII, explores the idea that the family is constituted on a foundation of considerateness. Referring to the particular distribution of domestic burdens and benefits adopted by each family as its “family deal,” I argue that the considerate family deal embodies a distinct, family-oriented notion of fairness. The third part, sections IX–XV, takes up the notion of family fairness, contrasting it with justice.

Third millennium changing times

2009 ◽  
Vol 16 (2) ◽  
pp. 142-148
Author(s):  
Rita P. Wright
Keyword(s):  
Cultural Heritage ◽  
South Asia ◽  
Final Section ◽  
Early Years ◽  
The Public ◽  
The Third ◽  
The Past ◽  
The World ◽  
Third Millennium ◽  
Changing Times

Shannon Dawdy has presented us with a provocative dialogue on the question ‘is archaeology useful?’ In it, she forecasts a rather bleak future for our field, raising doubts about whether archaeology should be useful and whether it is ‘threatened with its own end-time’. Woven throughout her paper are major concerns about the use of archaeology for nationalistic ends and heritage projects which she deems fulfil the needs of archaeologists rather than those of the public they serve. In the final section of her paper, when she asks, ‘can archaeology save the world?’, Dawdy recommends that we reorient our research ‘away from reconstructions of the past and towards problems of the present’ (p. 140). In my contribution to this dialogue, I introduce an issue that reflects on cultural heritage, antiquities and artefact preservation, which, though they may seem antithetical, are closely aligned with Dawdy's concerns. As a prehistorian with a focus on the third millennium B.C. in the Near East and South Asia, I consider these issues to be the ‘big stories’ that have emerged in the early years of this third millennium, and those that speak directly to the usefulness of archaeology. Of course, it is not the only thing we do, but it is ‘useful’.

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