scholarly journals RUANG PEREDA STRESS DI MAPHAR

Author(s):  
Michelle Aurellia Santhonie ◽  
Mieke Choandi

individualistic characteristics, and are more sensitive to their personal space. This happens because of their lack of need for other people around them. All are available on a gadget or smartphone, they can send messages, buy goods, find information, with more easily and practically. The state of the city has also become functionalist, where people only have functional activities without thinking about elements such as interacting or socializing. In fact the workers go to work and will go straight home, then spend time watching television or just relaxing at home to relieve stress. These problems occur in the metropolitan city of Jakarta and are becoming increasingly complex, due to unequal social welfare that occurs in the community, as happened in Maphar Village, Taman Sari, West Jakarta. This area was indeed from the Dutch era dominated by people of Chinese descent who worked as traders. In this area the conditions and situation of the house were so tight that there was no room for reforestation or a place to relax. This is where the task of an architect which can provide an activity space for the community in the form of a third space as a solution  in healing people with stress disorders. With the third room that is presented in the design of a building, by providing programs or facilities that are appropriate, and appropriate to the problem of stress by creating a stress relief room in the form of an outdoor classroom aimed at providing education and workshops for children and adults, Studio training, and the creative stage as a forum for the community to channel their talents and interests in the arts, mediatech library as a place for children to get positive space for learning, and other supporting programs. Keywords:  interaction; stress; third place; tightAbstrakPesatnya perkembangan teknologi, masyarakat yang hidup di zaman modern ini cenderung memiliki sifat yang individualis, dan lebih sensitif terhadap personal space-nya. Hal ini terjadi karena rasa ketidakbutuhan mereka terhadap orang lain yang ada di sekitarnya. Semua sudah tersedia di gadget atau smartphone, mereka bisa mengirim pesan, membeli barang, mencari informasi, dan lainnya dengan mudah dan praktis. Keadaan kota juga menjadi fungsionalis, dimana masyarakat hanya beraktivitas secara fungsional tanpa memikirkan elemen seperti berinteraksi atau bersosialisasi. Kenyataannya para pekerja pergi bekerja dan akan langsung pulang ke rumah, kemudian menghabiskan waktu dengan menonton televisi atau hanya bersantai di rumah untuk menghilangkan stres. Permasalahan-permasalahan tersebut terjadi di kota metropolitan Jakarta dan menjadi semakin kompleks, karena tidak meratanya kesejahteraan sosial yang terjadi di masyarakat, seperti yang terjadi di Kelurahan Maphar, Taman Sari, Jakarta Barat ini. Kawasan ini memang dari zaman Belanda didominasi oleh orang-orang keturunan Tionghoa yang bekerja sebagai pedagang. Di daerah ini kondisi dan situasi rumahnya pun sangat rapat sampai tidak ada ruang untuk penghijauan atau tempat bersantai. Disinilah tugas seorang arsitek yang mana dapat memberikan ruang aktivitas untuk masyarakat berupa ruang ketiga sebagai solusi dalam penyembuhan terhadap masyarakat dengan gangguan stres. Dengan ruang ketiga yang dihadirkan dalam rancangan sebuah bangunan, dengan memberikan program atau fasilitas yang sesuai, dan tepat terhadap masalah stres dengan menciptakan sebuah ruang pereda stres berupa outdoor classroom yang bertujuan memberi edukasi dan workshop bagi anak-anak maupun orang dewasa, Pelatihan sanggar, dan panggung kreasi sebagai wadah masyarakat menyalurkan bakat dan minat di bidang seni, mediatech library sebagai tempat anak-anak mendapat ruang positif untuk belajar, dan program pendukung lainnya.

Author(s):  
Arif Suhardi Lambong ◽  
Martin Halim

In this time every person competes to get what is expected both in terms of material and non material, which is where most are obtained in the process of working, so that in addition to spending a lot of time at home, also spending a lot of time mostly at work, in other words the community only spends most of their time either to do activities and interact in both of these places, which has become a daily routine. With this condition, the majority of urban communities, especially the city of Jakarta, have less free time for vacations and socializing outside working hours, so this condition is one of the causes of mental health disorders in urban communities. The problem of mental health disorders in the form of stress is closely related to the community. urban, in addition to the high intensity of working in urban communities that can cause stress, as for urban problems that can trigger it ranging from family problems to congestion.In this condition, this is the task of an architect who can provide an activity room for the community by providing a third space as a solution in the form of healing of people with stress disorders, with the third space presented in the form of a building design with programs or facilities that are appropriate and appropriate to the problem stress by creating a stress relieve interactive space.    AbstrakDi masa sekarang ini setiap orang berlomba lomba untuk mendapatkan apa yang diharapkan baik dari segi materil maupun non materil, yang di mana sebagian besar didapatkan dalam proses bekerja, sehingga selain menghabiskan banyak waktu di tempat tinggal, juga banyak menghabiskan waktu sebagian besar pada tempat kerja, dengan kata lain masyarakat tersebut hanya menghabiskan sebagian besar waktu mereka baik untuk beraktivitas dan berinteraksi dikedua tempat tersebut, yang dimana ini sudah menjadi rutinitas yang dijalani sehari hari. Dengan adanya kondisi tersebut membuat sebagian besar masyarakat perkotaan khususnya kota Jakarta kurang memiliki waktu luang untuk berlibur dan bersosialisasi di luar jam kerja, sehingga kondisi ini menjadi salah satu penyebab munculnya gangguan kesehatan mental pada masyarakat perkotaan, masalah gangguan kesehatan mental berupa stres ini erat kaitannya dengan masyarakat perkotaan, selain karena tingginya intensitas bekerja masyarakat perkotaan yang dapat menyebabkan munculnya stres, adapun masalah-masalah perkotaan yang dapat memicu hal tersebut mulai dari masalah keluarga hingga kemacetan. Dalam kondisi ini disinilah tugas seorang arsitek yang dimana dapat memberikan ruang aktivitas untuk masyarakat dengan memberikan ruang ketiga sebagai solusi berupa penyembuhan terhadap masyarakat dengan gangguan stres, dengan itu ruang ketiga yang dihadirkan  dalam berupa desain sebuah bangunan dengan program atau fasilitas yang sesuai dan tepat terhadap masalah stres tersebut dengan menciptakan sebuah ruang interaktif bebas stres. 


2016 ◽  
Vol 6 (2) ◽  
pp. 386-389
Author(s):  
Eduardo Oliveira

Evinç Doğan (2016). Image of Istanbul, Impact of ECoC 2010 on The City Image. London: Transnational Press London. [222 pp, RRP: £18.75, ISBN: 978-1-910781-22-7]The idea of discovering or creating a form of uniqueness to differentiate a place from others is clearly attractive. In this regard, and in line with Ashworth (2009), three urban planning instruments are widely used throughout the world as a means of boosting a city’s image: (i) personality association - where places associate themselves with a named individual from history, literature, the arts, politics, entertainment, sport or even mythology; (ii) the visual qualities of buildings and urban design, which include flagship building, signature urban design and even signature districts and (iii) event hallmarking - where places organize events, usually cultural (e.g., European Capital of Culture, henceforth referred to as ECoC) or sporting (e.g., the Olympic Games), in order to obtain worldwide recognition. 


2013 ◽  
Vol 62 (2) ◽  
pp. 139-143 ◽  
Author(s):  
Renata Teles Vieira ◽  
Norami de Moura Barros ◽  
Leonardo Caixeta ◽  
Sergio Machado ◽  
Adriana Cardoso Silva ◽  
...  

OBJECTIVE: This study aims to estimate the prevalence of dementia subtypes and to assess the socio-demographic data of patients attending the outpatient clinic of dementia at Hospital das Clínicas from January 2008 to December 2009, in the city of Goiânia-GO, Brazil. METHODS: Procedures provided for diagnosis included physical and neurological examination, laboratory tests, neuroimaging and DSM-IV. The functional capacity and level of cognitive deficit were assessed by Pfeffer Functional Activities Questionnaire (Pfeffer-FAQ) and Mini-Mental State Examination (MMSE), respectively. RESULTS: Eighty patients met the criteria for dementia. The mean age was 63.48 (± 16.85) years old, the schooling was 3.30 (± 3.59) years old, the MMSE was 13.89 (± 7.79) and Pfeffer 17.73 (± 9.76). The Vascular Dementia (VD; 17.5%) was the most frequent cause of dementia, followed by Lewy body dementia (LBD) and Alzheimer's disease (AD) (12.25%). CONCLUSION: Considering entire sample and only the elderly over 60 years, VD, AD and LBD are the most common subtypes observed at both groups. Further epidemiological studies are necessary to confirm such rates, which may have a considerable impact on the organization and planning of healthcare services in our country.


2015 ◽  
Vol 24 (2) ◽  
pp. 3-15
Author(s):  
Judith Laister ◽  
Anna Lipphardt

Over the past decades, ‘participation’ has evolved as a key concept in a multitude of practice fields and discursive arenas, ranging from diverse political and economic contexts, through academic research, education and social work, urban planning and design, to arts institutions and artistic projects. While participation originally is a political concept and practice, it has long set out as a ‘travelling concept’ (Bal 2002). This special issue focuses on its travels between three fields of practice: the city, the arts and qualitative empirical research. Each of these practice fields over the past decades has yielded distinct understandings, objectives and methods in respect to participations, yet they also increasingly intersect, overlap and fuse with each other within specific practice contexts. What is more, many of the individual actors engaging in these initiatives on behalf of the city – from temporary projects to long-term collaborations – are not situated in one practice field only. Along with Jana König and Elisabeth Scheffel we understand them as ‘double agents’ (König and Scheffel 2013: 272–3) or even ‘multiple agents’, with simultaneous entanglements and commitments in more than one practice field.


Author(s):  
Vicosta Christy ◽  
Tatang Hendra Pangestu

Bekasi is referred to commuter city. A commuter is someone who travels to a city to work and returns to his hometown every day, usually from a place that is quite far from where he works. There is nothing interesting to invite travelers to this city. The city is home to millions of residents who mostly work in the capital city of Jakarta. The reason is because Jakarta is already overcrowded and the price of a residential unit in Jakarta has escalated. Bekasi society has high mobility. They departed from morning and returned when it was dark. The house is only used as a rest. There is no cultural trend in Bekasi as well as a shared space for residents to communicate with each other and express interest in their talents. There needs to be a forum to embrace the polarity of the city with nature to coexist in order to produce a more attractive environment and accommodate the city of Bekasi as an educational recreation area, combining the value of sociability and relaxation. The third place becomes a role that can contribute to the overall lifestyle of the community. For this reason, people need to realize that the third space is an undisputable asset. The concept of this third space is quite unique for the process of developing a place, because the third space breaks through a generation with a much better deal than the characteristics of other places. This project uses the trans programming method for the program in the project and the building typology method which will analyze several aspects of the performing arts buildings from the past to the present. The main concept of this project prioritizes the flexibility of space so that it can be used for several different activities. AbstrakKota Bekasi sering disebut dengan kota komuter. Komuter adalah seseorang yang bepergian ke suatu kota untuk bekerja dan kembali ke kota tempat tinggalnya setiap hari, biasanya dari tempat tinggal yang cukup jauh dari tempat bekerjanya. Tidak ada hal yang menarik untuk mengajak para pelancong ke kota ini. Kota ini adalah rumah bagi jutaan penduduk yang sebagian besar bekerja di ibukota Jakarta. Alasannya mudah, karena Jakarta sudah sesak dan harga satu unit tempat tinggal di Jakarta sudah meroket. Masyarakat Bekasi memiliki mobilitas yang tinggi. Mereka berangkat dari pagi dan kembali saat hari sudah gelap. Rumah hanya dijadikan untuk beristirahat saja. Tidak terdapat tren kebudayaan di Bekasi sekaligus ruang bersama untuk warga saling berkomunikasi dan menuangkan minat bakatnya. Perlu adanya sebuah wadah untuk merangkul polaritas kota dengan alam untuk hidup berdampingan supaya menghasilkan lingkungan yang lebih menarik dan mengakomodasi kota Bekasi menjadi tempat rekreasi edukatif, menggabungkan nilai sosiabilitas dan relaksasi. Ruang ketiga menjadi peran yang bisa berkontribusi dengan keseluruhan gaya hidup masyarakat. Untuk itu masyarakat perlu menyadari bahwa, ruang ketiga menjadi aset yang tidak dapat diperdebatkan. Konsep ruang ketiga ini cukup unik untuk proses perkembangan sebuah tempat, karena ruang ketiga menerobos sebuah generasi dengan kesepakatan yang jauh lebih baik daripada karakteristik tempat lain.  Proyek ini menggunakan metode trans programming untuk program di dalam proyek dan metode tipologi bangunan dimana akan menganalisa beberapa aspek pada bangunan - bangunan ruang pertunjukan dari terdahulu hingga kekinian. Konsep utama bangunan ini mengutamakan fleksibilitas ruang sehingga bisa digunakan untuk beberapa kegiatan yang berbeda.


Author(s):  
Manuel Luís Real ◽  
Paulo Almeida Fernandes

D. Sesnando’s rule over a vast territory, between the rivers Mondego and Douro (1064-1091), entailed a rupture with the previous framework of territorial management, in which a considerable part of this land was nominally bound to Muslim authorities. After the definitive conquest of Coimbra, there was a period of intense change in the landscape and of enhancement of humanized geography, in which the alvazil Sesnando moved more intensely.This article seeks to address the reality of construction and the arts during D. Sesnando’s time. Based on documental sources that mention various types of heritage, the first part of the paper offered an analysis of the territory. It also included an introduction to the city of Coimbra, between the Muslim invasion of 711 and the eve of the 1064 conquest. In addition we present an overview of the performance of the dux Sesnando.


Author(s):  
Olga A. Vasileva ◽  

This article discusses one relatively unknown aspect of the French writer and philosopher, Michel Butor’s works — his literary criticism through the example of “Improvisations sur Rimbaud”. Poet’s works are investigated by Butor unattainable apart from the stages of his life, and the most significant poems — in the context of the epistolary heritage of Rimbaud. Most attention is paid to the chapter “Improvisations”, dedicated to the collection of Rimbaud’s “Illuminations”: to the development of the theme of the city and its transformation, the role of structural rhyme and reprise at the beginning of the line overturning the classical system of versification, the appearance in the texts of Rimbaud mathematical structure. The new poetic language, the innovative artistic techniques of the poet , which are used in the composition of a number of texts in the collection, comprehensively explored by Butor, had an undeniable influence on the direction of the research for new literary forms in the works of Butor: his novel “Degrès”, which uses the numerical structure as a method of total description of reality as well as a number of texts written in the genre of experimental prose in which fragmentation is elevated to an aesthetic principle, the idea of synthesizing the arts is implemented and endless intertextual interactions are created.


The Print Studio is part of Dundee Contemporary Arts (DCA), an organization located in the downtown area near the River Tay on the East Coast of Scotland. The print studio evolved from a number of different art collectives beginning in the 1970s. They were located in the city and provided facilities and equipment for artists to develop their skills. Recognizing that the arts could revitalize a city devastated by a vacuum left by a shift in their industrial base, the city funded the building of a modern arts center with cinemas, a print studio, and large exhibition galleries for world-renowned artists to display their work. Additional funding allowed the print studio at DCA to purchase digital fabrication machinery to investigate the interface of mechanical and digital making processes: in particular, studying how traditional processes can be enhanced with contemporary technology to revitalize and preserve the antique. This chapter explores the Dundee Contemporary Arts Print Studio.


Author(s):  
Clyde E. Fant ◽  
Mitchell G. Reddish

In the Mediterranean world, only Rome rivals Athens as a city famed for its antiquities. Ancient travelers came to marvel at its grand temples and civic buildings, just as tourists do today. Wealthy Romans sent their children to Athens to be educated by its philosophers and gain sophistication in the presence of its culture. Democracy, however faltering its first steps, began in this city, and education and the arts flourished in its environment. Even at the height of the Roman Empire, the Western world’s government may have been Roman but its dominant cultural influence was Greek. Latin never spread abroad as a universal language, but Greek did, in its Koine (common) form. By the 4th century B.C.E. this Attic dialect of Plato and the Athenian orators was already in use in countries around the Mediterranean. The monuments of Athens and the treasures of its National Museum still amaze and delight millions of visitors from every nation who come to see this historic cradle of Western culture. A settlement of some significance already existed at Athens in Mycenaean times (1600–1200 B.C.E.). Toward the end of the Dark Ages (1200–750 B.C.E.) the unification of Attica, a territory surrounding Athens of some 1,000 square miles, was accomplished under the Athenians. The resulting city-state was governed by aristocrats constituted as the Council of the Areopagus, named for the hill below the Athenian Acropolis where they commonly met. But only the nobility—defined as the wealthy male landowners—had any vote in the decisions that influenced affairs in the city, a situation increasingly opposed by the rising merchant class and the peasant farmers. The nobles seemed paralyzed by the mounting social tensions, and a class revolution appeared imminent. In 594 B.C.E. the nobles in desperation turned to Solon, also an aristocrat, whom they named as archon (ruler) of the city with virtual dictatorial powers. Solon, however, refused to rule as dictator of the city, instituting instead a series of sweeping reforms that mollified the lower classes without destroying the aristocracy.


Sign in / Sign up

Export Citation Format

Share Document