scholarly journals Scared “by Novels” Muse: About the Work of the Siberian Poet and Novelist V. V. Kuritsyn (“Ne-Krestovsky”)

2020 ◽  
Vol 15 (2) ◽  
pp. 90-105
Author(s):  
M. V. Mogilatova ◽  
N. V. Zhilyakova

The article examines the literary heritage of the Tomsk poet and fiction writer Valentin Vladimirovich Kuritsyn, the author of adventure novels, satirical works, and poems. Biographical information about Kuritsyn is very scarce. It is known that he was born in the city of Barnaul, Tomsk province on July 28, 1879, was educated at the Barnaul Mining School, then worked in private gold mines, due to health problems he moved to Tomsk for permanent residence, where he began to work in the management of the Siberian Iron roads. On January 18, 1911, he died of consumption at the age of just over 30. In Tomsk, Kuritsyn was published in local newspapers and magazines: “Sibirskii nablyudatel”, “Sibirskie otgoloski”, “Sibirskii Vestnik”, as well as in satirical magazines of the period of the First Russian Revolution. Fame and success brought him adventure novels, which he signed with the pseudonym “Ne-Krestovsky”. This pseudonym and the title of the first novel – “Tomskie trushchoby” – referred the reader to the famous novel “Peterburgskie trushchoby” by Vsevolod Krestovsky. But “Tomskie trushchoby” was not a parody or a continuation: it is an independent work that described the everyday life of the Tomsk criminal world, the life of swindlers, criminals, thieves, and fallen women. Kuritsyn’s novel was published in 1907–1908 in the newspaper “Sibirskie otgoloski”, and then was released as a separate book, the circulation of which was immediately sold out. After that, the same newspaper published novels in which all the same heroes acted: “Chelovek v maske” and “V pogone za millionami.” The novels of “Ne-Krestovsky” opened a new page in the history of Siberian literature. They represented a new kind of Siberian “newspaper novel” – criminal, adventure, adventurous, with elements of mysticism. These novels were extremely popular among the general public. At the same time, the novels were heavily criticized by leading Siberian writers and journalists. modern literary discourse allows one to take a fresh, unbiased look at the novels of Ne-Krestovsky, to open in them a connection with the world literary tradition of the adventure novel, with great success deployed on local Siberian material. Kuritsyn was not appreciated by his contemporaries, but after a century it becomes clear that he can rightfully be attributed to the large-scale literary figures of Siberia, worthy of research attention.

Author(s):  
Бадма-Ханда Бадмадоржиевна Цыбикова ◽  
Дарима Санжиевна Жамсуева

В статье устные рассказы рассматриваются как часть этнокультурного компонента фольклора бурят, кроме того, в их составе выявляются этнокультурные составляющие. На основе анализа записанной в экспедиции в Эвенкийском хошуне Внутренней Монголии КНР устной прозы локальной этнической группы бурят охарактеризованы историко-этнографические сведения, традиционное народное мировосприятие и религиозные представления, обрядовые элементы. В несказочной прозе китайских бурят содержатся сведения исторического характера с подачи самих участников прошедших событий об осваивании переселенцами новых земель, в числе которых важными являлись вопросы выживания и самосохранения. После очистки и приведения в порядок заброшенной территории и некоторого обустройства жизнедеятельности поселенцев были начаты работы по организации лечебного дела и учебного процесса детей своими силами. Сделано заключение, что в начальный период социальной адаптации мигрантов наблюдается попытка определенным образом самоизолироваться по отношению к титульной нации принимающей стороны, соседним этносам и народам. Их быт характеризуется замкнутостью уклада жизни, минимальной открытостью к принимающему обществу, неинтегрированностью в общекитайский процесс экономического развития в широком масштабе. Вместе с тем, поддерживаются добрые отношения с жившим по соседству русским населением, так как буряты считают себя и русских, проживавших в Китае, детьми одной колыбели — России. В устных рассказах китайских бурят наличие буддийского этнокультурного компонента в целом определяет их религиозное сознание. Наряду с этим прослеживаются добуддийские мировоззренческие установки, шаманистские составляющие этого сознания, связанные с почитанием культа неба, огня, воды, солнца. В похоронно-поминальном же обряде доминируют исключительно тибето-буддийские ритуалы и действа. Сделан вывод о том, что в устной прозе китайских бурят наблюдается синкретизм двух начал в их культовых представлениях: превалирующая приверженность буддийскому вероучению и сохранение элементов древних мифологических воззрений. This article considers the oral stories as a part of the ethno-cultural component of the Buryat folklore. Also, the ethno-cultural constituents are revealed in their composition. Based on the analysis of the oral prose of the local ethnic group of the Buryats recorded during the expedition to the Evenki Khoshun of Inner Mongolia of the PRC, the historical and ethnographic data, traditional folk worldview and religious ideas, ritual elements were described. The fictional prose of the Chinese Buryats contains historical information from the participants of the past events about the development of new lands by the settlers, among which the issues of survival and self-preservation were important. After cleaning up and tidying up the abandoned territory and some settler activities, independent work began to organize healthcare and educational process for children. It is concluded that during the initial period of social adaptation of migrants, there is an attempt to isolate themselves in a certain way in relation to the title nation of the host country, neighboring ethnicities and peoples. Their everyday life is characterized by closeness, minimal openness to the host society, and lack of integration into the overall Chinese economic development process on a large scale. At the same time, good relations are maintained with the Russian population living next door, as the Buryats consider themselves and the Russians living in China to be children of the same cradle – Russia. In the oral tales of the Chinese Buryats, the presence of the Buddhist ethno-cultural component generally determines their religious consciousness. At the same time, one can trace pre-Buddhist relics, shamanistic components of this consciousness related to the worship of the sky, fire, water, and sun. The funeral rite and obit are dominated only by Tibetan-Buddhist rituals and actions. It was concluded that in the oral prose of the Chinese Buryats, syncretism of the two beginnings in their cult notions is observed: the prevailing adherence to the Buddhist faith and the preservation of elements of ancient mythological views.


Author(s):  
Yurii Zinko ◽  
◽  
Oleksandr Kravchuk ◽  

The purpose of the article is to cover the events of military-political, social, economic life in Podillya during the Ukrainian Revolution of 1917 – 1921 and to represent his view on the significance of events, ideas, people and institutions based on the analysis of scientific research, creative heritage of Professor Mykola Kravets. in the process of creating the Ukrainian state. The research methodology is based on the study and critical analysis of scientific and historical-journalistic works of Mykola Kravets. The application of universal research principles of historicism, scientific objectivity and systematics allowed, based on the representation of the regional situation in the Podolsk region, to analyze the main milestones of the process of Ukrainian state formation of this period. The scientific novelty of the study is that the works of Professor Mykola Kravets, who was among the first Ukrainian scholars at the beginning 1990s to study the history of the Ukrainian Revolution, demonstrate the conceptual integrity of understanding the events of the revolution and show that it was based on democratic values and the idea of Ukrainian statehood. It was found that in the first years of Ukraine's independence he managed to accumulate significant, previously inaccessible for study factual material, including materials of local newspapers of 1917 – 1921s, and to prepare a number of studies on military and political events of this historical period in Podolia. Also presenting large-scale military battles in Vinnytsia, the author proves that they are evidence of the struggle of the Ukrainian People's Republic against non-Ukrainian armies and considers the Ukrainian anti-Bolshevik uprisings as a war against a foreign alien conqueror. Mykola Kravets's works are distinguished by balanced historical assessments of the actions of individuals of the revolutionary era, analysis of the causes of the defeat of the Ukrainian revolution and its impact on the future of the Ukrainian people. Conclusions. The creative heritage of Professor Kravets MM provides an understanding of the events of the Ukrainian Revolution of 1917 – 1921s, in which the author proceeded from the state approach, sought to demonstrate the ability of people to organize on the ground. development and protection of the Ukrainian state. The Ukrainian revolution was defeated, did not achieve its ultimate goal, but it internally reborn Ukrainian society and became a source of spiritual strength in the further struggle for Ukrainian statehood and independence.


1996 ◽  
pp. 4-15
Author(s):  
S. Golovaschenko ◽  
Petro Kosuha

The report is based on the first results of the study "The History of the Evangelical Christians-Baptists in Ukraine", carried out in 1994-1996 by the joint efforts of the Department of Religious Studies at the Institute of Philosophy of the National Academy of Sciences of Ukraine and the Odessa Theological Seminary of Evangelical Christian Baptists. A large-scale description and research of archival sources on the history of evangelical movements in our country gave the first experience of fruitful cooperation between secular and church researchers.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


Author(s):  
Begüm Tuğlu

Feminist authors have long been trying to alter the patriarchal structure of the Western society through different aspects. One of these aspects, if not the strongest, is the struggle to overcome centuries long dominance of male authors who have created a masculine history, culture and literature. As recent works of women authors reveal, the strongest possibility of actually achieving an equalitarian society lies beneath the chance of rewriting the history of Western literature. Since the history of Western literature relies on dichotomies that are reminiscences of modernity, the solution to overcome the inequality between the two sexes seems to be to rewrite the primary sources that have influenced the cultural heritage of literature itself. The most dominant dichotomies that shape this literary heritage are represented through the bonds between the concepts of women/man and nature/culture. As one of the most influential epics that depict these dichotomies, Homer's Odysseus reveals how poetry strengthens the authority of the male voice. In order to define the ideal "man", Homer uses a wide scope of animal imagery while forming the identities of male characters. Margaret Atwood, on the other hand, is not contended with Homer's poem in that it never narrates the story from the side of women. As a revisionist mythmaker, Atwood takes the famous story of Odysseus, yet this time presents it from the perspective of Penelope, simultaneously playing on the animal imagery. Within this frame, I intend to explore in this paper how the animal imagery in Homer's most renowned Odysseus functions as a reinforcing tool in the creation of masculine identities and how Margaret Atwood's The Penelopiad defies this formation of identities with the aim of narrating the story from the unheard side, that of the women who are eminently present yet never heard.


2019 ◽  
Author(s):  
Ольга Гапонова ◽  
Olga Gaponova ◽  
Любовь Данилова ◽  
Liubov' Danilova ◽  
Юлия Чилипенок ◽  
...  

Structurally, the book includes 59 short chapters, United in 14 thematic blocks. They include such traditional sections as: the concept, essence and content of management; basic approaches to the study of the history of management; basic functions of management; connecting processes; basics of conflict management; organizational culture; management of organizational changes; social responsibility and ethics of business organizations; management consulting, etc. But the form of presentation of the material is unusual – it is a programmed textbook, designed mainly for independent work of the student and equipped with a system of constant self-control.


Author(s):  
Ivars Orehovs

In a literary heritage with a developed tradition of genres, works whose main purpose is to attract the attention of readers to a selected geographical location, are of particular culture-historical and culture-geographical interest. The most widespread in this respect is travel literature, which is usually written by travellers and consist of impressions portrayed in prose after visits to foreign lands. Another type of literary depiction with an expressed poetic orientation, but a similar goal, is characteristic of dedicatory poetry. The author’s position is usually saturated with emotional expressiveness as well as the artistry of symbols, encouraging the reader or listener to feel the formation of a spontaneous attitude. It is possible to gain confidence in the engagement of the author of the poetry as an individual in the depicted cultural-geographical environment, which can be conceptually expressed by words or pairs of words ‘resident’, ‘native place’, ‘patriot’. With regard to the devotional depictions on the Latvian urban environment, one of the earliest examples known in the history of literature is the dedicatory poem in German by Christian Bornmann to the town Jelgava with its ancient name (Mitau, 1686/1802). The name of Liepāja town in this tradition of the genre has become an embodiment later – in the poetry selection in German, also using the ancient name of the town (Libausche Dichtungen, 1853), but in terms of contemporary literary practice with Imants Kalniņš’ music, there is a convincing dominance of songs with words of poetry. The aim of the article is, looking at the poetry devoted to Liepāja in the 19th century and at the turn of the 20th/21st century in the comparative aspect, to present textually thematic peculiarities as well as to provide the analytical interpretative summary of those.


Author(s):  
Umriniso Rahmatovna Turaeva

The history of the Turkestan Jadid movement and the study of Jadid literature show that it has not been easy to study this subject. The socio-political environment of the time led to the blind reduction of the history of continuous development of Uzbek literature, artificial reduction of the literary heritage of the past on the basis of dogmatic thinking, neglect of the study of works of art and literary figures. As a result, the creation of literary figures of a certain period, no matter how important, remained unexplored.


1984 ◽  
Vol 16 (1-2) ◽  
pp. 281-295 ◽  
Author(s):  
Donald C Gordon

Large-scale tidal power development in the Bay of Fundy has been given serious consideration for over 60 years. There has been a long history of productive interaction between environmental scientists and engineers durinn the many feasibility studies undertaken. Up until recently, tidal power proposals were dropped on economic grounds. However, large-scale development in the upper reaches of the Bay of Fundy now appears to be economically viable and a pre-commitment design program is highly likely in the near future. A large number of basic scientific research studies have been and are being conducted by government and university scientists. Likely environmental impacts have been examined by scientists and engineers together in a preliminary fashion on several occasions. A full environmental assessment will be conducted before a final decision is made and the results will definately influence the outcome.


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